The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

A Druid’s Guide to Connecting with Nature, Part II: Nature Wisdom July 14, 2018

One of my favorite mushrooms- the Chicken of the Woods

One of my favorite mushrooms- the Chicken of the Woods

As any mushroom hunter knows, mushrooms are tricksy little buggers.  What one looks like in one setting may not necessarily be what one looks like in another, depending on soil conditions, moisture, sun, size of the mushroom, insect damage, and/or regional variation. Mushroom species can vary a lot, even from one small region to another, and that variation can spell trouble for someone who hasn’t yet gained the wisdom to understand such variation.  Mushroom books offer perhaps 1-2 photos of mushrooms, and a good book will also offer a mushroom hunter the “keys” (features that distinguish one mushroom from another, like attached gills, color, etc).  However, only lived and true experience can help you not make a dangerous mistake when it comes to the mycelium kingdom.  The difference here, I think, epitomizes two key things: the different aspects of nature wisdom, specifically, the difference between book knowledge and lived experience.  But also, it epitomizes the importance of being rooted firmly in one’s local ecosystem and learning that ecosystem and from sources as connected to that specific ecosystem as possible. In last week’s post, we explored the four ways in which we can connect deeply through nature: through nature wisdom, nature activity, nature reciprocity, and nature reverence.  This week, we’ll delve deeply into the idea of nature wisdom and its three aspects: knowing nature, understanding nature, and probing nature.  We might frame this as a triad:

Three aspects of nature wisdom:

Lessons that come from others

Lessons that come from experience

Lessons that come from deep questions

 

Knowing Nature

 

Knowing nature includes the basic skills of identification and naming–all of which can be started to gained through reading and study or from learning from others. For humans, being able to recognize something, and know its name, is a powerful act. For building my own nature knowledge, what I’ve done over a long period of time is commit to learning 15-20 new plants, trees, animal tracks, rocks, or other aspects about nature each year.  After a few years, you will be able to learn more and more trees, plants, animal tracks, and so on–and this knowledge really empowers you. In 5 years with this method, you could know 100 or more plants and trees!  Slow and steady over a period of time is the best way to learn.  However, reading about plants and trees and so on in books is only half the battle of learning them–the other half is actually finding and experiencing them.

 

I’ll give a nice example of this process.  For years, Sam Thayer’s Foragers Harvest and Nature’s Garden have been my two favorite wild food foraging books.  I’ve read them cover to cover; in the wintertime, I’ve studied them extensively.  Some of the plants he lists in the book, like wild rice, I’ve never seen, but I’ve at least got a basic idea from his books about what they might look like in the event that I can come across some. In May, I visited a friend who just moved to some new property and she wanted me to help identify some things.  We walked through and there was a lot of great things growing–including what I believed to be some highbush cranberry.  I hadn’t ever met this plant, but I wanted to very badly, so I had studied it extensively and when we found it, I knew what it was. It was growing on a giant rock pile in the middle of a field and had some little leftover dried cranberries.  We took photos and a few sample leaves, and sure enough, it was highbush cranberry. This kind of nature study is so useful so that when you are out and about, you can do some identification.  Had I had my books with me (I did not), it would have been even more useful!

 

Learning and study together on plant walks!

Learning and study together on plant walks!

Before the modern era and the general loss of this knowledge in westernized society due to industrialization and commodification, a lot of this knowledge was shared, it was cultural, it was part of the body of knowledge that was taught to people in order to survive and thrive in connection with the natural world.  Largely, that’s not the case anymore, although you will find people here and there who really know a lot about nature and are willing to share ( a lot of these folks I’ve found in the herbalism, woodcraft, and bushcraft movements). I absolutely delight when I find anyone who can teach me something new about the natural world and take every opportunity to learn from them!

 

To learn any aspect of nature, books and resources are critical, and classes/teachers are even better if you can find them.  Here are some of my favorite books and resources to get you started:

  • Botany in a Day is my favorite book (recommended to me some years ago by one of my blog readers).  This teaches you basic plant identification through pattern recognition.
  • I aslo love Newcomb’s Flower Guide for an easy method of plant identification for any flowering plants. For animal tracks, Animal Tracking Basics by Tiffany Moore and Jon Young is a great book to start with.
  • Other books by Jon Young, like What the Robin Knows  are also excellent for understanding how nature works and the signs in nature.
  • Otherwise, the many field guides out there offer much with full photos and information.
  • Other books I love that teach about relationships are three books by John Eastman –The Book of Swamp and BogThe Book of Forest and Thicket; and The Book of Field and Stream.
  • Finding Your Way Without a Map and a Compass is an absolutely fabulous book about nature awareness.
  • There are also a number of great plant and nature identification apps like Leafsnap that can be quite helpful. Finally, purchasing a Loupe (Jeweler’s Loupe) as a small magnifying glass can aid in learning and observing nature.
  • And for wild food foraging, Samuel Thayer’s books, which offer detailed information on how to find plants, when to find plants, and how to prepare plants (more on this in next week’s post!)

 

Bringing nature knowledge into your nature interactions allows you a much deeper sense of the natural world–it empowers you. Getting to know nature can literally last a lifetime.

 

Understanding Nature

As my opening discussion of the challenges of mushroom hunting illustrate, there are two kinds of nature knowledge–the knowledge that comes through reading and study, and the understanding that comes through experience in both the inner and outer worlds of nature. Both are critical to developing ovate knowledge about the natural world and “nature wisdom.”

 

Observing American Ginseng (so rare!) in early spring

Observing American Ginseng (so rare!) in early spring

The understanding that comes through direct experience cannot be replicated by reading books. All the books in the world cannot help you gain the deep understanding of nature as you observe the unfurling of a frond of a fern or watch ants busy at work removing soil from their nest. This is the kind of “knowing” that comes from regular engagement in the natural world.  Any engagement is good; in AODA, we recommend at least 15 minutes per week in nature, some of it spent in stillness and focus.  I’ve used this practice for over a decade and not only has it helped me know nature, it has certainly helped me be at peace and connect to it.  Earlier in this blog, I detailed the “druids anchor spot” technique; this is a great way to learn a single place and deeply connect to it.  This, combined with journaling and regular meditation in nature can be of great aid.

 

What I have found to be the most effective in aiding my building of understanding nature is to shift frequently between book knowledge and real-world experience.  Read some books the night before I go out on a journey, then take a book or two with me (like Newcomb’s) and then cross reference what I am seeing with what I’m learning.  Or finding a new plant, photographing it carefully, and working to identify it and learn what I can about it.  Remembering where it grows, checking it through the season and its life cycle.  Knowing and understanding, then, become like two sides of the coin of nature wisdom–it is necessary for us to have both to fully embrace this kind of connection with nature.

 

Probing nature

A final way in which you can build nature wisdom is in the tradition of the many naturalists who have contributed scientific knowledge of the natural world: Leopold, Darwin, Audobon, Humbolt, etc.  This kind of nature wisdom, which I am calling “probing nature” is engaging in the study of nature in some way.  Most of the time, we think about study in the form of systematic observation with notetaking (think the field journals of the naturalists) or through experimentation (think gardening experiments to see which plants produce a higher yield.) Most of the time, people think that this kind of thing is left only to scientists working in the field, but everyday people can also engage in a number of different kinds of things.

 

On the most basic level, this is simply a matter of satisfying your curiosity, and seeking answers to questions like, “I wonder what….”  or “Why does this…”  I recently did this on my property after seeing trees that had a hazel-like leaf and I was excited to discover that I potentially had “beaked hazelnuts” (a tree I hadn’t encountered before).  Now I can systematically observe this tree each day as it goes through its life cycle and see if the hazelnuts actually appear in the fall!  In order to do this, I’m observing the trees carefully 1-2 times a week and looking at them throughout their life cycle.  A second example is through my “potato bucket” experiment.  I had a bunch of sprouting potatoes back in March and it had been still so cold and the ground was frozen.  But these potatoes wanted to grow!  So I put some of them in buckets and large planters with holes and put them in the greenhouse to see what happened.  Would I get any yield? Now, it is mid June and I’m able to harvest the potatoes from these buckets.  As I have grown this variety before, I am certain that the harvest is not as great, but it is still something and is a very fantastic early potato crop.  This was a simple gardening experiment, and I learned a bit more about how to grow potatoes.

Potatoes!

Potatoes!

A second avenue for “probing nature” and one I highly recommend is citizen science, where you help contribute to a larger dataset of observations that are then used to build an understanding about the natural world.  I wrote about this here. These are projects, like Project Budburst, that help track different things happening in the ecosystem: the flight of the monarchs; the sighting of birds; the arrival of buds in the spring; the movement of wildlife, the various potential effects of climate change.  These, to me, are very important ways for druids and others who are committed to nature spirituality to get involved and help build our knowledge about the living earth.  I think this work is even more critical today than ever before: funding for climate change research and basic science surrounding the natural world is continuing to be cut; people like you and I can help fill in these gaps as volunteers and contribute to larger studies that make a difference.

 

Conclusion

Knowing nature is one of four ways I’ve outlined that we can cultivate a connection to the living earth. In the years that I’ve been practicing druidry, I have come to believe that it is my knowledge of nature that has helped me develop a much deeper connection to the living earth in so many different ways. It’s one thing to go out in a natural setting and appreciate and respect what you are seeing; it is a completely different experience to go out and be able to identify plants, animal tracks, stones, be able to read the water movements of a river, or predict weather changes by observing the clouds and wind.  You have a deeper appreciation of it, you are closer to it, and it is this deeper knowing that connects you in all kinds of new ways. Suddenly, you know plants names, their uses, how rare or abundant they are, if they are endangered, and even from this information, you can begin to ascertain their magic and spiritual connection.  And so, to me, the foundation of all of this rests in respecting the earth and in knowing her.

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A Druid’s Guide to Connecting with Nature, Part I: A Framework July 8, 2018

A lot of people find druidry because they want to “connect” with nature.  They want to attune to nature, feel part of it, gain knowledge and wisdom about it. But what does “connecting” to nature look like in practice?  Going out in the woods and feeling good?  Knowing the name of trees?  Walking with sacred intent in a natural place?  Spending time in nature?  All above the above? And so, over the next few posts, I want to spend more time with the concept of “connecting to nature” and share some strategies for what people can do to connect with nature in a multitude of ways.

As I’ve written about earlier, part of what I see as the core of druidry as a spiritual tradition is the work of “connection.” In that post, I talked about connecting to nature, connecting to the spirit, and connecting to the creative practices as three ways in which connection is manifest in this tradition. And, I believe, it is this search for connection that underlies so much of the interest in nature-based spiritual paths like druidry and the growing amount of druids worldwide.

Connecting to nature at the rocky shore

Connecting to nature at the rocky shore

 

A Framework for “Nature Connection”

I find that older books on nature can really offer perspectives that we’ve sometimes forgotten about. For example, The Field Book of Nature Activities and Conservation (1961) by Wiliam Hillcourt, five nature-oriented actions are outlined in the opening chapter. He suggests that we can know nature, probe nature, use nature, do nature, and conserve nature. I think this offers a beginning of a useful framework for thinking about this topic.

 

Drawing upon his five categories, and adding in my own definitions and additional areas that are pertinent to druids gives us a nature connection framework with four major areas with three specific activities for each area.

Nature Wisdom

The basis of much of nature connection is rooted in building an understanding and knowledge of the living earth. This first category, which I call “nature wisdom” helps us do just that.

  • Knowing nature – Knowing nature includes two aspects: knowledge, that is, learning about nature and being able to identify aspects of nature, ecosystems, ecology, botany, and much more.  This knowledge is typically gained from books, classes, and teachers.  It is knowledge that is passed on to us as part of human wisdom.  While knowing about nature used to be something that every human had, and was part of the formal or informal knowledge that was passed to each generation, for many of us living in western contexts, this often needs to be learned anew.  From my perspective, if I am going to honor nature, I better know something about her as well, and that “knowing nature” helps me begin to do that.
  • Understanding nature – As the druid’s prayer suggests, there is a distinction between knowledge and understanding. Knowing is having a piece of information in your head (e.g. wild yam is a forest-dwelling vine that has heart-shaped leaves). Understanding is the kind of knowing that can only be gained through direct experience in nature.  (Wild yam grows up this tree in this particular pattern and has these variations in the leaves. And it has a good energy about it.) Direct experience leads to understanding. I truly believe that both knowledge and understanding are necessary for building “nature wisdom.”
  • Probing nature – Probing nature is not something that everyone does, but it is something that everyone could do.  This can mean anything from scientific observations and interactions where we build knowledge about nature to well as building your own understanding of nature through systematic nature journaling, observation, and so forth. This is what the great naturalists did as they built systematic knowledge of nature; this what every citizen scientist does as she logs the first blooms through Project Budburst. This is also what any organic gardener does as he carefully tracks yields of vegetables based on different soil amendments. Asking questions and seeking answers about nature is what “probing nature” is all about.

Abundance of harvest

Abundance of harvest

Nature Engagement

Nature Activity is the second broad category that helps us establish a connection with nature by engaging with and through nature. This category includes how we use nature, interact with nature, and do things in nature.

 

  • Using Nature – That humans can–and need to–use nature is a key part of not only our connection with nature, but also for our survival. Using nature is twofold: on one hand, it is about learning how to use the natural world for meeting our needs; on the other, it is about the reciprocation activities that must be present in that use so that it is sustainable over a period of time. So using nature includes learning the uses of many plants, animals, and other aspects of nature and would include foraging, natural building, hunting, and bushcraft skills.  This is about how to work with nature to bring productive abundance to our gardens and lands, how to make dyes or spin cloth from plants we grow, and so many more ways that we can turn a part of nature into something that we can eat, wear, or make.  And, it is also understanding local plant or animal populations, understanding the carrying capacity of the land, and learning how to give back.  That is,  engaging in sustainable (minimally) or regenerative use where we give as much as we get (through tending the wilds, scattering seeds, and doing other regenerative activities, see next section).
  • Nature Activity – These are the various activities that you can engage in  while in nature, such as kayaking, camping, backpacking, skiing, and so on. These activities help us get into new parts of nature and let us have fun and relaxation while doing so. Nature, then, becomes a canvas for some of the ways we engage in healthful activities and learn more about the living world.
  • Creating with/through nature – A third way that nature activity happens is through the flow of awen, through creative inspiration.  This might include finding aspects of nature as a muse for creative acts (poetry, song, dance, music, artwork, etc) or else directly working with nature in terms of creating artistic media (wooden drums, berry inks, vine-based charcoals, hand papermaking, etc.). This category is essentially the synthesis of the bardic arts and the living earth–and there is much to explore here!

 

Nature Reciprocity

Inherent in the use of nature and our dependency on nature is reciprocation. Inherent in the term “sustainability” is the idea that what we take from the land still allows that land to be abundant and healthful, that the resources used will be able to replenish themselves (with or without human help).  But, like many permaculture designers, I find that the term “sustainability” lacks the power of good–the recognition that humans have took too much (at least here in the US) for over three centuries.  It isn’t enough to sustain, but we must learn to nurture and regenerate. This helps us achieve long-term health and balance of the land while also attending to our own needs.  This reciprocity has at least three areas.

  • Conserving nature – Working to protect nature and conserve existing ecosystems; such as those that are pristine or those that are actively healthy or healing. This includes a range of “conservation” activities that may include protecting new areas, protecting endangered species, encouraging native plant and pollinator populations, river cleanups, building new trail systems, political action, and so on. Conserving nature can also include exploring our own ways of reducing our impact on the planet as a whole, engaging in actions that help us preserve and protect existing resources from further degradation and exploitation.
  • Regenerating and Healing Nature – Working with the land to help heal damaged ecosystems and bring ecosystems back into health, we might use both ritual means (land healing ceremonies) and physical means (such as permaculture design techniques). In this case, we recognize that a great deal of land has been degraded and we can work actively to help be a force of good and bring these lands to a healthier state ecologically.  For example: turning a lawn into a butterfly sanctuary or a food forest is a good example of this practice.
  • Offerings to Nature: Throughout time, humans have recognized that rituals and ceremonies designed to offer something back, physically or metaphysically, was also part of reciprocity.  Offerings in this case are symbolic representations of our understanding of the give and take relationship we have with the earth that provides abundance. A wassail ceremony, for example, is an excellent example of the kind of ceremony I am talking about, as are simple blessings and offerings of food, drink, etc.

 

Nature Reverence

A nature based shrine

A nature based shrine

Everything that I’ve been writing about is a form of honoring nature.  When you develop nature wisdom, you honor nature.  When you learn how nature can offer you so much–and what you can offer in return–you are honoring nature.  But there are also specific activities that are more distinct, more intentional, that put honoring nature as central.

  • Respecting Nature – I believe that honoring nature begins, first and foremost, with a mindset. Most people in Western society are socialized to think of themselves first–what can I do that best benefits me, etc.  Through respect of nature, we can add “what can I do that best benefits the land” as an additional (or primary) category in our minds.  Recognizing and engaging in thought, word, and deed that recognizes the sanctity of life and the living earth  is the first step in honoring nature.  This internal mindset, then, will manifest as outward action in a variety of ways.
  • Honoring nature – Honoring nature also involves offering respect and reverence for the natural world and recognizing the sanctity of all life through ritual and intentional action.  This can be through engaging in various kinds of ritual for benefit of life on the planet and the living earth–such as through seasonal celebration or land healing rituals. Another way we might honor nature is through creating physical spaces in our homes and out on the broader landscape. This may include creating physical shrines upon the landscape, home altars, and more.
  • Communing with nature – Nature can often facilitate deeply spiritual experiences for us, experiences that help us understand the land and our place in it in greater depth.  Many traditions facilitate these experiences surrounding rites of passage or coming of age rituals, but these experiences are open to anyone. Having deeply intense and spiritual experiences with nature; experiences that may fundamentally alter your understanding of yourself, your spiritual practice, and the living earth.  May include things like a druid retreat, vision questing, journeys, long-term work on a single site (like a druid’s anchor spot), and more.

 

Looking at this list above, there are clearly a lot of ways that “connection’ with nature can happen. There are likely ways I’m missing,  but I do think that this list is a good start for someone who wants to connect but isn’t sure how to do so beyond the “go into the woods and feel good” kind of thing!  Since each of these four topics can be a post in itself, that’s exactly what I’ll do next–delve into activities for each of these and how we might engage deeply with them.  Blessings as you connect with the living earth!

 

Wild Food Profile: Milkweed + Fried Milkweed Pod Recipe June 30, 2018

Monarch catepillar enjoying a milkweed feast--they know the good stuff when they see it!

Monarch caterpillar enjoying a milkweed feast–they know the good stuff when they see it!

I love the summer months for foraging wild foods.  One of my very favorite wild foods is Common Milkweed (asclepias syriaca).  Around here, the pods are just beginning to form–and its a great time to explore this delightful wild food.  They have a light vegetable taste, maybe something like a sugar snap pea–very tasty and delicious.  In fact, this is one of the best wild foods, allowing you to have four different harvests from the plant at four different times during the spring, summer, and early fall.

 

Ethical Harvesting and Nurturing Practice

With the excitement of harvesting from common milkweed, however, comes a serious responsibility.  New farming techniques over the last 20 years have eliminated many of the hedges that used to be full of milkweed.  Because of this issue, the monarchs have been in serious decline.  When I teach this plant during wild plant walks, I tell people who want to eat milkweed that if you want to do so, you have to do your part first. Given the decline of monarchs and milkweed, it is necessary to first propagate it.

 

This is my suggestions: find where the milkweed grows in year 1.  Observe it, see the monarch larvae enjoying the leaves.  In the fall, come to the patch and harvest some of the seed pods (not all).  Scatter some seeds just beyond the current patch. Then, scatter them in at least 4 new places that will be good for milkweed.  If you have land, save seeds and start them in the spring (put them in the fridge for a few weeks before planting; they need a few weeks of cold stratification).   If you don’t know where milkweed is at all, order some seed online and start a patch.  Plant them in your veggie garden or along your house or in a community garden plot–they are a vegetable!

 

In year two, once you’ve established a new milkweed patch and have scattered the seeds, it is now ethical to harvest some (but not all) of that patch.  Keep spreading the seeds anywhere you can.  We need a lot more milkweed out there.  So for every plant you harvest from, you should be planting three more!  This is what reciprocation is all about–we can eat delicious vegetables from nature, but while we do so, give back more than we are taking.

 

Every year, I suggest scattering more of the milkweed seeds and getting others to grow them.  We can all do our part to help these amazing butterflies and plants continue to thrive.   I think doing whatever you can to create more milkweed is necessary before harvesting it.  This creates a positive relationship with the plant, shows you are ready to give before you are ready to take, and honors the spirit of both the milkweed and the monarch.

 

Abundant milkweed along a field

Abundant milkweed along a field

Milkweed as a Vegetable

Ok, so assuming that you’ve done your due diligence to ethically harvest this plant, let’s talk about how great it is to eat!  Milkweed offers four opportunities to eat different parts of the plant as the season goes on.

 

Shoots.  The shoots in the spring are the first harvest you can enjoy from this plant.  If you harvest the shoot, obviously, the rest of the plant won’t be there for the monarchs–so again, being sustainable in your harvesting and cultivating new beds of milkweed in places you have access to is really important.  You can harvest these like bamboo shoots or asparagus–cut when young, usually around 6″ or so, and steam or saute in butter.  Delicious!

 

Flower Heads: The unopened or slightly opened flower heads are the second harvest, occurring about a month after the shoots take off.  For my bioregion, this is usually early to mid June.  The flower heads can be treated just like broccoli–steamed, sauteed, or batter dipped and fried.  I like to dredge them in cornstarch and some salt and herbs and give them a flash fry. Delightful!

 

Pods: My favorite harvest from milkweed is the flower pod.  You want to look for the immature pods, 2″ or less across.  You can eat the whole pod, and treat it pretty much like you’d treat okra (but I think okra tastes nowhere near as good as Milkweed!) Remember when harvesting these, you are preventing the plant from going into seed, so harvest selectively and ethically.

 

Silk: Probably the most unique harvest is the silk; this comes from more mature pods before the seeds go brown.  You would remove the outer pod (which as it gets bigger, it gets tougher, which pretty much applies to any green vegetable!). Once the outer pod is removed, you can pull out the inner silk.  These can be baked into dishes or steamed–they literally get stretchy and taste kind of like a vegetable-flavored mozzarella.  I know that sound weird, but its super good.

 

Pan Fried Milkweed Pods Recipe

I’ll now walk you through one of my favorite ways of preparing this delicious vegetable.  First, find yourself some milkweed pods that are 2″ or less in length.  I wrapped mine up in a leaf when I was out and about and checking on a patch I had been cultivating for some years.

Milkweed harvest

Milkweed harvest

Usually they don’t need washed or anything, but you can check and wash them if its appropriate.

Next, you dredge them in flour or cornstarch.  A plastic bag or bowl works great for this.  I like to use a bag and just shake it up with them inside.

Bag with cornstarch

Bag with cornstarch

Next, you dredge them in egg.  (What? Aren’t you supposed to do the egg first? Actually, if you do the egg after, the batter is much lighter and fluffier!)

Dredge in egg

Dredge in egg

Then, you heat some frying oil in a pan (I am frying in olive oil, but you could do others) and when the oil is hot, pan fry them.  I prefer to use an iron skillet for this for even heat.

Oh yeah!

Oh yeah!

Next, you drain them on a paper towel.

Finished delicious treats.

Finished delicious treats.

My family enjoyed them with chicken, homemade refrigerator pickles, and a nettle-dill dip dip (which I posted a recipe to sometime before).

The meal

The meal

Take a bite and enjoy!

Yum!

Yum!

 

May your milkweed seeking and cultivation be fruitful and the land be abundant!

 

2018 Mount Haemus Award Article – Channeling the Awen Within: An Exploration of Learning the Bardic Arts in the Modern Druid Tradition June 8, 2018

I am excited to annouce that my 2018 Mount Haemus Award article, titled “Channeling the Awen Within: An Exploration of Learning the Bardic Arts in the Druid Tradition” has been released on OBOD’s website (a better formatted PDF is at the bottom of the page; I suggest downloading and reading that). In 2020, I will travel to the UK to deliver a talk tied to the paper itself, as every four years, OBOD offers a Mount Haemus lecture for the four most recent scholars. Every eight years, OBOD publishes a volume, and the next volume will also include this paper. Given this incredible honor–and the fact that the project is now finally finished (whew!)–I wanted to take a bit of time today to talk about the project, what I learned, and how I hope it can help others.

 

What I Learned

Regeneration, card 79 from the 3rd edition of the Tarot of Trees

Regeneration, card 79 from the 3rd edition of the Tarot of Trees

This project was probably the most fun I have had as a learning researcher–I surveyed over 250 druids and conducted in-depth interviews with 15 druids from all around the world. I was able to connect with so many interesting people who adored the bardic arts, or who wanted to start a bardic practice, or who dabbled.  I got to know them, as people, as druids, as practitioners of the bardic arts. The project really took on a life of its own; I was able to delve deeply into the lived experiences of these druids and understand a lot more about how creativity and the bardic arts worked for them, but also how they discovered druidry, went deeper into their druid paths, and more.

 

I would say the most important thing I learned is that it takes a tremendous amount of courage to pick up a bardic art, especially if you haven’t done it before or grown up with it, and this is due to the presence of so much negative cultural baggage surrounding “talent” (which I discuss both in the Mount Haemus paper as well as in my bardic arts series on this blog). But that for those who were able to take that step forward, knowing they wouldn’t be good at it when they started–the rewards were incredible. I didn’t have the space to share the countless stories about just how important the bardic arts were for druids around the world. For some, they described it as their very breath, the thing that gets them up in the morning, the thing that helps them make sense of the world around them. People found deeply rich and meaningful spiritual rewards in their bardic practices–irrespective of how “good” or “talented” they felt they were. In fact, for many dedicated practitioners, it wasn’t about the product at all–it was about the act of creating. In the same way that doing a meditation isn’t about the act of meditation, it is about the spiritual benefits and calm one feels afterwards–the daily living benefits. The bardic arts were the same–it was less about producing something good, and more about simply creating/dancing/singing/knitting/playing music, or whatever else it was.  It didn’t matter what it was, but it was deeply spiritual and beneifical.

 

The second major finding  was the power of community. The Eisteddfodau, in particular, was deeply meaningful for those people who had access to them, even once a year at a major druid gathering.  I had attended these for years and had certainly enjoyed them, but for many they were positively transformational for many and helped the community, and individuals, overcome some of the challenges we face when taking up bardic arts.

 

After doing this research, I now understand how critically important the bardic arts are to the druid tradition.  So important, I would argue, that it should be of prime concern for us as a tradition to work to promote them, to reduce the negative language surrounding talent that disempowers people from taking them up or purusing them, and that we find ways of encouraging people to embrace the bardic arts. To make them as central to our tradition as they are to the individuals who practice them.

 

A final thing I discovered, which was outside of the scope of the paper, so I’ll just share it here, was the incredible and varied ways in which people stumbled upon or came into the druid tradition. Finding druidry was an act, for many, of coming home. Of finding a term to describe oneself, a term that had been lacking. In many cases, it was like they stumbled upon this great treasure, a spiritual path that fit them, and began walking it. The cycle of the year, the cycle of the seasons, the channeling of awen–these were deeply moving aspects for druids. It was amazing to hear so many “coming home” stories of people who were proud to call themselves druids, to learn that druidry was a thing, and to seek their spiritual solice and joy in the living earth.  What a wonderful and delightful tradition we belong to!

 

 

Indian Ghost Pipe - A painting from my ongoing Healing Plant Spirit Oracle project

Indian Ghost Pipe – A painting from my ongoing Healing Plant Spirit Oracle project

Why this topic?

Now that I’ve shared some of the major findings and things that excite me, I also wanted to take a few minutes to share some of what drew me to this topic. This project was born out of a few places. First, and foremost, druidry is quite unique in its celebration of the bardic arts as part of our spiritual practice.  This is foreign to folks, especially those coming out of Abrahamic religions.  I remember one person saying to me, “what, so you can paint and that’s spiritual work?” and I was like yes, I honor nature, and painting her is part of my spiritual work.  So for non-druids, wrapping one’s head around that is difficult.  But once you have wrapped your head around it, it becomes an extremely powerful experience–creativity as spirituality.  In my Mount Haemus piece, I shared stories from my participants about their deep spiritual relationship with their bardic arts.  I, too, had experienced a powerful spiritual practice in my artwork and in my flute playing, and I wanted to discover how more people may be able to have similar experiences.  Part of the impetus for doing this particular project was rooted in that joy that I discovered as I walked the druid path and brought together my love of nature and my love of creating things.  I wanted to know how the bardic arts functioned for others and the journeys that people took.

 

A second motivating factor for why I wanted to do the project was from my mentoring work with the AODA, people who are working on the AODA’s first, second, or third degrees have some choice. They can choose to pursue bardic arts (which are any of the creative or performative arts: music, dance, visual arts, fine crafts, etc); they can choose to pursue the ovate arts, through the study and exploration of nature; or they can choose to pursue the druid arts, which would involve magic, divniation, astrology, mysticism, and more.  When people make their choice, or talk to me about their choice, they often qualify reasons why they didn’t make another choice: “Oh, I’ll never be a good artist.”  Or “Oh, I can’t sing at all.”  It was sad to me, as someone who has dedicated so much of my life to the study of all three branches of druidry, to see people who had already believed they were going to fail before they even began. I knew that this came from a lot of sources, some of which I wrote about in terms of my participants for the Mount Haemus piece and some of which I wrote about on my blog in my “Taking up the path of the bard” series in terms of my own bardic practice.  But I wanted to explore this moe.

 

A third reason was in people’s reactions to my own artwork–after 13 years of dedicated painting and lots of mistakes, I have continued to be extremely frustrated when people attributed all that I had achieved as an artist to “talent.”  It happens literally anytime I posted a photo on social media–people coming in saying, with the best of intentions, meaning to be complimentary, “you are so talented, I could never do that.” And what frustrated me was that it wasn’t talent, its not like I picked up a paintbrush yesterday and created a masterpiece.  Rather, it was a ton of hard work and decication to my craft, expert feedback, study, and challenging myself in new directions. I wrote about this more specifically in my post on the bardic arts surrounding “practice makes perfect.”  That post was motivated entirely from that situation.  I was so pleased to learn in the study that for druids, it was about the process of creating something and the tie to spirituality, rather than the product that was to be something commodified.

 

Finally,  I did the project because I had professional expertise in the area of learning. In my mundane life, I’m a professor and learning researcher, and for over a decade, I have been studying in various forms how people learn to write (particularly in academic contexts) and how they develop as writers over time.  I already understood learning and developmental theories that might support the project,  I had used qualitative and quantiative research methods for years (and taught others how to use them at the doctoral level) and so it was already within my expertise as a scholar to work on a project in that regard.  And I thought there might be something interesting that my particular expertise could contribute to the broader druid tradition.  And certainly, I think there was!

Spirit of Blackberry/Bramble, 2016Spirit of Blackberry/Bramble, 2016

Spirit of Blackberry/Bramble, 2016

 

So this was a very exciting and fulfilling project for me, both as a druid, and as a scholar.  In truth, I am so proud of our community: proud of the tradition we continue to develop, proud of how we’ve overcome challenges to become bards, and so delighted to have gotten to know so many more druids in the course of this project.

 

Well, what are you still doing here?  Go over to the OBOD site and read the piece if you are interested!

 

PS: Next week I will return to my regularly scheduled blogging–thanks for your patience as I put in some gardens and did some travel!

 

Tree Alchemy: Hydrosols and Essential Oils from Sacred Trees May 20, 2018

Nature can provide tremendous wisdom and healing, especially when we work with our local ecosystems and ecologies. One of the most powerful ways of working healing with nature, I believe, is to combine the innate healing properties of plants with your own various kinds of medicinal preparations. The plants and trees offer the raw material and your hands and tools shape that material into something that heals the body, mind, and/or spirit. Working to transform tree and plant matter through alchemical processes into medicine–and then taking that medicine–can be an incredibly powerful way of establishing deep relationships not only with the living earth but with the trees themselves. Today, I want to talk about a particular kind of medicine known as a “hydrosol” and talk about how you might make your own with plant and tree material.  This is especially beneficial for today as many of us are thinking about planning our year, what we will be planting and growing in containers and in gardens, and so forth.

 

Harvesting Goldenrod for hydrosol preparation

Harvesting Goldenrod for hydrosol preparation

Alchemy in the Inner and Outer Worlds

Alchemy is the ancient art of matter transformation. Alchemists worked to turn base metals into gold, to render the philosopher’s stone for that purpose. Alchemists also worked with plants through spagyrics, the practice of plant alchemy. It was believed by the alchemists that the process of alchemy, as the material moved through the black, red, and white phases, didn’t just happen on the physical plane, but rather facilitated transformations of mind, body, and soul.  I, like most folks of this time period, have never done anything with metal alchemical work (it is highly toxic).  But for many years, I’ve been fascinated by spagyrics, and have made a number of preparations using those techniques.  (For good reading on the subject, I suggest Mark Stavish’s Path of Alchemy as an introduction).  Because Alchemy is an inner and outer process, there is a whole movement of “inner alchemy” or “spiritual alchemy” work, work that can be can be used for inner transformations. The thing about any alchemical process is this: matter has to be broken down with fire and heat in order to be reformed in a more pure manner.

 

I’ve been thinking a lot about the work we might do with trees and alchemy and have been experimenting in various ways in that direction. Basic spagryic preparations (which are detailed in Mark Stavish’s excellent work) combine macerating plant matter in high-proof alcohol (that is, soaking it for a period of time) and going through a process of refinement where the material that was macerated is burned and the ash is further refined. Eventually, the refined materials are combined for a highly potent medicine.

 

I think there are other kinds of work you can do with plants and tree matter that are a little less direct. On the most passive side that requires little tools, preparation, or time, a simple flower essence (where a bowl of spring water is held up to a leaf or flower of the plant, imbuing that plant energetically) is a good first step. Somewhere in the middle, requiring some preparation, tools, and time, we have the hydrosol and the creation of an essential oil. On the far side, requiring much preparation and time, we have the full spagyric plant preparation.

 

Hydrosols and Essential Oils

Hydrosols are also known as “floral waters” although they can be made of much more than just flowers.  They are produced by a simple distillation process. You can purchase fancy equipment (often known as an Alembic or Still) to do this or you can do it with stuff you likely have already in your kitchen (I am going to offer information on both approaches.)  I used the simple stovetop approach with kitchen materials for many years before, using about $10 worth of materials from the thrift store for very small batches.  Then, last year, I finally invested in a medium-sized copper alembic to do more advanced preparations.

 

The process of making a hydrosol, which I’ll detail with photographs below, involves gathering fresh plant material that is aromatic in nature.  You will need a lot of plant matter – usually several pounds.  It involves heating the material up to create steam, cooling that steam and condensing it back into a liquid form that is medicinal and relatively shelf stable).

 

Hydrosols are sacred medicine in their own right, although they are often seen as “by products” of the essential oil distillation process.  When you heat up plant matter that has high amounts of volatile oils, those oils also come out through the distillation process and sit on the top of the hydrosol.  Most people working on this process at home, particularly with sacred trees, may not produce enough oil to make it worth their while, although some plants, like lavender or goldenrod, certainly can do so, especially if you do several batches of distillation.

Choosing Your Material

Harvest your plant material with reverence and respect. Hydrosols and distillation take a good deal plant material (particularly if you are using an Alembic and doing a higher amount of distillation). Keep this in mind as you are planning for the garden this year! Plant material should be safe to consume or at least put on the body. Despite my positive relationship with Poison Ivy, I would not, under any circumstances do a steam distillation of it!

 

Any plant or tree that is typically used in herbal practice and that has a scent would be a good choice. Common kitchen herbs are often used such as:

  • Sage
  • Rosemary
  • Lavender
  • Rose(petals)
  • Mints
  • Thyme
  • Oregano
  • Monarda/bee balm
  • Scented geranium

In terms of trees, the leaves or needles would work.  Ones I’ve experimented with include:

  • Blue Spruce (needles)
  • White Pine (needles)
  • Eastern Hemlock (needles)
  • Black Birch (budding branches)
  • Sassafras (root)

 

Harvesting the Herbs/Plants/Branches

Harvest your material on a sunny day when it is not raining. The rain, particularly for flowers or aromatic leaves, can dilute the plant oils and overall result.  Harvest the plant matter in abundant areas or grow it yourself to ensure that you are not taking too much from the plant matter. Generally speaking, if the plant is rare, doing a tincture is probably the best way to use that plant’s energy because it is the most efficient.  If the plant is very abundant, a steam distillation would be a good choice.

 

The timing also matters–plants have different levels of aromatic oils at different times of year. If I was doing a black birch preparation, I would do this in the early spring due to the amount of sweet oil in the birch branches that time (due to the flowing of sap). Other plants, like the conifers, don’t matter as much. Flowers and herbs should be harvested at their peak–so when lavender is in flower, for example, but before it goes to seed.

A large hedge of Eastern Hemlocks on the edge of a field provides an excellent place to gather material.

A large hedge of Eastern Hemlocks on the edge of a field provides an excellent place to gather material.

A friend and I went out and harvested a number of plants to fire up the copper alembic. We did four distillations, two of herbs (goldenrod and sweet clover) and two of trees (eastern hemlock and blue spruce). We experimented with different kinds of approaches to the distillation.

The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.

The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.

 

Distillation Process

Now I am going to walk step by step through the distillation process.

Preparing the Alembic and the Plant Matter

Once we were home, we removed large stem material and did our best to crush up the hemlock needles. We had not done this with the blue spruce (instead, placing whole small branches in the alembic) and that proved to give us very little essential oil, but certainly, a nice hydrosol. Breaking up the hemlock material took more work, but we believe, it was worth it as we had a better preparation.

Stripping needles and soaking plant matter in spring water

Stripping needles and soaking plant matter in spring water

 

After we soaked the needles, we added fresh spring water (harvested at my local sacred spring, Heffley Spring) for the distillation. If you can’t get access to fresh water, I would consider using distilled water. The point is this: the process is very potent, and I certainly wouldn’t want any human-added chemicals, like chlorine, in my distillation.

Spring water is added to the alembic base

Spring water is added to the alembic base

 

My alembic also has an addition column where you can cram more plant matter in and the top that also takes plant matter. So I did this–so both the base and column are filled with plant matter (this photo shows Goldenrod), and the base is also filled with water. That gives you a lot of plant matter at once to steam distill–probably 10x what I used with my other method.

Plant matter being packed in.

Plant matter being packed in.

Sealing the Alembic

In the traditional method, Rye flour is used to seal up the alembic prior to steaming it. If you have severe allergies to gluten, I would suggest a sticky rice flour or tapioca flour in the place of rye.  I haven’t tried this, but I think it would work. First you mix a big batch of the Rye flour up.  It looks a lot like a sticky bread dough.  I didn’t measure, just added enough water till I got a nice paste.

Mixing up the rye flour paste

Mixing up the rye flour paste

Then you basically smear it into the cracks and crevices of the entire alembic to hold it together. The idea is to seal it up so that as it starts to steam, it doesn’t leak steam anywhere.

Adding it to the Alembic

Adding it to the Alembic

The flour is a fun yet messy job.

Sealed up and ready to go!

Sealed up and ready to go!

Distillation

Distillation works with the heating up of the plant matter and water to create steam then cooling it down quickly for condensation. That’s the entire process.  So you will need something to heat it up (I used a small outdoor burner) and you will need something to cool it down (I used lines with a small submersible fish tank pump and ice cold water).

The full system

The full system

I forgot to take a photo of the pump part of the system. The condenser unit has two cooper pipes sticking out of it–the top one flows water in and the bottom one pulls water out. You can keep the system cold if you flow cold water into it. Online, some people just use this from their tap, if they have a spring or well, the water is cold enough if you keep flowing it through. I didn’t have this, so instead, I used several bags of ice and a cooler. I placed the submersible pump at the bottom of the cooler and then ran the tubing through it and into the condenser. I used a little clamp to regulate the pressure of the water (so it would stay level, which required some work).

 

I found that the unit took about 30 minutes to heat up and about 45 minutes to actually start condensing the steam.  I let it run two or so hours, until the water no longer looked cloudy when it was coming out of the condenser unit.

Collecting the steam!

Collecting the steam!

This final water has both your essential oil and the distillation in it.  You can purchase a fancy oil separator (which I didn’t have when I did this) but I used a different method.  In my case, the only plant that produced enough essential oil to really take off the top was goldenrod.  To do this, I simply poured it all into a mason jar and then froze the whole thing.  The hydrosol freezes but the oil does not. I then pulled it out of the freezer and used a pipette to pull the oil off the top of the jar, then unfroze the hydrosol and put it in neat little spritzer bottles.

 

Conclusion

Since doing this last fall, I have shared these hydrosols with many friends in the druid community. They remark on their potency–the spruce gives an incredible lift me up, the white pine brings peace, and the hemlock brings stability and space (mental space/clarity, is the way one person described it). In truth, the goldenrod got a little skunky/funky, but did produce  a nice oil, so I’m not sure I’ll do that one again (and I didn’t give that one away!).

 

Creating tree hydrosols and essential oils represents a unique and beautiful way to connect with the potent medicine of the trees and work with them for healing and transformation. What seems like an intimidating process is actually a very simple one: refining potent medicine through the application of fire, water, and ice.  The practice of alchemy, of course, isn’t just about producing a physical medicine–but rather, the refinement and work on the level of the soul. Alchemical preparations not only as medicine for the body, but medicine for the soul.

PS: After this post, I will be taking several weeks off of regular posting on this blog to do some travel.  I look forward to returning later in June to my regular posting.  Blessings!

 

Wild Food Profile: Eat Your Hostas! May 1, 2018

Often, when you are interested in unusual and wild foods, a season for a delectable treat may only last for a few short days or weeks. A fun early spring food that is usually popping up around or before Beltane in temperate parts of North America is the hosta. Yes, you heard me–that large leafy green plant that most only consider a deer resistant ornamental. This plant is a favorite of typical landscapers; it seems to show up in nearly every suburban and urban yard. Because I like finding ways to turn typical lawns into more healthy ecosystems that create habitat, food, and joy and that “stacks functions” in permaculture terms, learning to do something with these “typical” lawn plants is a great idea. And so, hostas are a wonderful food this time of year to harvest when they are still in “shoot” form. They are quite good–have a taste that is slightly bitter, and somewhat like lettuce. Hostas been enjoyed around the world, particlarly in Japan (they also understand and eat Burdock regularly; burdock is another great spring food!) The Japanese call hosta “Urui” and eat them raw or stir fried, often with soy sauce (which is a great way to eat them).

 

In this post, I’ll walk you through how to harvest and enjoy this springtime treat!

 

The Gargoyle says, "time for dinner! These hosta shoots are ready to harvest!"

The Gargoyle says, “time for dinner! These hosta shoots are ready to harvest!”

 

Like many vegetables, the younger the plant, the more tender the vegetable. This is true of hostas–I am harvesting them after they have been coming up about a week–you can continue to harvest patches that are larger than this (although at some point, you’d switch to boiling them rather than frying them). Even larger and older hosta leaves can be treated like spinach and boiled and used in a variety of ways. But I like these tender shoots the best. This size to a bit larger (3″ – 6″) is a really good size for tasty and tender eating.

Cat Inspection of the hosta is a success

Cat Inspection of the hosta is a success

I have about six hosta plants at the new property, so I harvested 3-4 shoots from each plant.  According to other hosta connseours online,  you can harvest up to half the leaves without compromising the health of the plant. But I’m happy with a meal or two and enjoying the beauty of the plant for the rest of the season.

Success--shoots harvested with a simple kitchen knife

Success–shoots harvested with a simple kitchen knife

The pinkish part of the hosta that is the outer layer of the shoot as they come up is more bitter than the rest of the plant (which has only slight bitterness), so you will want to remove the outer 1-2 layers on the bottom for the young shoots. In the case of my photo below, I’m removing the two bottom pinkish layers.

Preparing the hostas.

Preparing the hostas.

Once you have your layers removed, it is time to cook them!

Ready to cook!

Ready to cook!

There are lots of ways to prepare some hostas. The simpleist way to prepare them is what I do for a lot of wild foods and mushrooms–fry them in butter and add a bit of salt and garlic.  A cast iron skillet works beautifully for this.  A good alternative is to fry them in sesame oil and add a bit of soy sauce, sesame seeds, and a pinch of brown sugar.

Butter and garlic for hosta shoots

Butter and garlic for hosta shoots

Pan fry them for 3-5 minutes until they turn a darker color. Again, the younger they are, the more tender they are and the less they need cooked.  Ones this young can easily be eaten raw, but I like them better this way.

Nearly done!

Nearly done!

They make an excellent side or main dish. Here’s to many springtime foragable foods!

Delicious!

Delicious!

 

A Beltane Blessing: Recipe for Sacred Herbal Offering Blend April 29, 2018

Sacred blend being stuffed in leather pouch for around the neck

Sacred blend being stuffed in leather pouch for around the neck

Offerings to the land, spirits, and/or diety are a common stable in many traditions, druidry being no exception. Many opportunities present themselves and having something you carry with you can be built into your regular druid practice (and kept within, say, a crane bag).  Some years ago, I wrote about sustainable offerings and the kinds of offerings you can leave as part of a regular spiritual practice. These offerings might be home-grown herbs (as in the case of today’s post), home-brewed alcohol, small blessed stones, home baked bread or cakes, small shells, even your own nitrogen-rich urine.  I think the important thing with any offering is that it truly puts no strain on the ecosystem–but rather, is a true blessing.

 

In the spirit of this idea of sustainable and sacred offerings, in today’s post, I’ll share the recipe for one of my own sacred herbal blends that I often carry with me and use for leaving small offerings—in nooks of trees, on stones, in an offering bowl, as an offering as part of ritual, and so on. This kind of offering blend is a perfect thing to make at Beltane, as the energy of Beltane is full of vitality and life, of healing and blessing. Using the energy of Beltane to mix and bless these herbs brings that energy to the land and spirits throughout the year.

 

Sustainability and Suitability of Offerings

The key to leaving any offering is that it won’t damage the ecosystem or cause it harm–either in the leaving of said offering or in its creation. This means you have to take some serious care and consideration to develop an offering blend that gives back rather than takes. In the case of the herbal offerings I’m talking about today, it is critical that you leave only materials that will naturally break down and that will not spread any seeds that do not belong in the ecosystem.

 

Towards that end, I take two precautions with the herbal blend presented here. First, I use only leaf matter and flower matter (harvested long before the formation of seeds). Second, I bake the plant matter at 350 degrees for 10 minutes, killing off anything that might be present in the plant matter so that it is harmless and safe to leave (and bonus: it makes the house smell great!)

 

An alternative, another kind of herbal offering entirely, which I’ve talked about in some of my wildtending posts, is to intentionally leave seeds that are rare and in need of replanting–but that’s a different kind of thing–you can read more about that in this post. That is certainly another kind of herbal offering that you can leave.

 

An Introduction to the Herbs

A blend of herbs....

A blend of herbs….

For my blend, I wanted to use a combination of tobacco leaves and flowers (home grown), lavender flowers, rose petals, and  .  You can use any number of herbs you can grow yourself or buy organically: I like flowers a lot, as well as aromatic herbs for a nice smell (mints, rosemary, thyme, oregano, sages, etc).  Here are the herbs from this specific blend:

 

Nicotiana Rustica, or Wild Tobacco. Each year, I grow Nicotiana Rustica, which is an old form of tobacco known as “Aztec Tobacco” or “Wild Tobacco.”  I’ve grown it successfully in a garden as well as in smaller pots in a windowsill. It is super easy to grow and grows prolifically.  It will self seed if you allow it to.  Wild Tobacco is not a kind of tobacco used for smoking as it has up to nine times the concentration of nicotine compared to a traditional tobacco grown for smoking (although in some parts of South America, Shamans use it as part of entheogenic mixtures). I have found that this particular strain of tobacco is well received by the spirits of the land and they are joyful in receiving it. This variety is native to North America, but is usually not cultivated because it is too potent for the common misuses of tobacco today. By growing this plant myself, and, by being a non-smoker, I am cultivating a sacred relationship with a plant that has long been used as an offering here on the land in North America–and a plant that is often well received when given in reverence and respect to the spirits and the land. I feel, in some way, that I am reclaiming a relationship with this tobacco plant, returning it to its sacred, rather than its mundane and abused, purpose. It is still early in the year, and you can readily get seeds for this variety–so consider cultivating some!

 

I like to gather the flowers as they bud–each little stalk will produce a new flower and drop it regularly, much like common mullein. I will typically gather up most of the flowers and later, seed pods (to share the seeds).  And I will cut the stalks and allow the leaves to naturally dry (they slowly turn brown). I save the stalks for use in smudge sticks that are specifically created as “offering” and “blessing” sticks.  Both the dried leaves and stalks smoulder nicely.

 

In this blend, the wild tobacco represents an offering to the land that is sincere and represents a desire for continuing a sacred relationship with the land.

 

Nicotiana Rustica

Nicotiana Rustica

Rose / Rosa spp (flowers/petals): My second ingredient in this blend is rose petals–they produce a beautiful smell and color, and make the blend really delightful. However, they have a more important purpose, and that purpose is protective and healing in nature. Rose, medicinally speaking, helps heal the heart and also has thorns which offer protection. I gather rose petals around Lughnassadh each year (or earlier, depending on the specific species).  Rose is under the dominion of Venus.

 

Lavender (Lavandula spp) Lavender flowers are a third ingredient that comes in my sacred offering blend (and occasionally, lavender stalks and leaves, although I usually save these for smudge stick making as well).  Lavender, which is a Mercury herb, has been used for millenia for purification and warding purposes–and that’s exactly what it is used for in this blend.

 

Elder (flower, Sambuccus Canadensis; Sambuccus Spp.). I have written pretty extensively about elder in an earlier post, so you can find complete information on Elder in that post.  In this blend, I gather Elderflower (right around or on the Summer Solstice).  I turn much of this elder into Elderflower cordial and tea but save some of it for my sacred offering blend. Elder offers a connection to the realm of spirit and for bringing good energy into the land through the connection with the summer solstice and solar current.

 

These are the four plants I commonly use in my blend, but as I said above, you can use any plant that speaks to you and that you’ve developed a relationship with. Here are some ideas:

 

  • Conifers: Eastern White Cedar, White Pine, Eastern Hemlock (needles), Spruces, etc. Other tree leaves would also be fine!
  • Herbs (leaf, flower, stem): Mints, Lemon Balm, Oregano, Marjoram, Basil, Thyme (if you are unable to grow them, you can buy organic blends at the grocery store or fresh at a farmer’s market, and dry them and blend them)
  • Flowers: Any flower petal that you can dry (avoiding any seeds)

 

The key to any blend is that you think about the magical purpose and energy behind each herb/plant/tree as well as your own relationship with it. This is a great way to begin to cultivate relationships with certain plants for certain purposes as well. If you “grow your offerings” this season, by the end of the year when you are ready to make such a blend, you’ll have spent a full season with that plant. If the plant is a perennial or you save some of the seeds, then your relationship with that plant deepens over the years. For example, I’ve been growing Nicotiana Rustica for about 8 years now, and each year, as I save the seeds and replant them, and share them with friends, my relationship with this plant deepens–and the power of the offering I give also deepens.

 

To me, every part of the cultivating and harvesting of this sacred blend is, in fact, part of the sacred relationship I am cultivating with nature. By tending the plants, or finding them carefully in the wilds, I can continue to build a specific blend that honors the land our deepens our relationship.

 

Magical Crafting and Making the Blend

The good news about a sacred offering blend is there is no right or wrong way to blend it. I would suggest, in fact, that your intuition (rather than measuring select ingredients) goes further than a specific recipe. However, I do have some suggestions to follow:

 

Select a sacred time. In my case, I decided to make this blend on the full moon closest to Beltane. This draws both on the power of the moon and the energy of the sun.

Bowl and simple altar setup for creating sacred offering herb blend

Bowl and simple altar setup for creating sacred offering herb blend

Open a sacred grove. In the druid revival tradition, this would include calling in the sacred animals, calling in the elements, blessing/purifying with the elements, saying the druid’s prayer, establishing a protective sphere or circle.

 

Cut your Herbs (if necessary). Many home grown herbs are not in very small pieces, so I find it is useful to cut them. I do this with a pair of scissors.

Cutting tobacco leaf

Cutting tobacco leaf

Blend Your Herbs. Gather your herbs together and blend them. I find that using a clockwise motion while I chant or sing helps bless them and brings some of my own energy into the mixture.

Blending the herbs

Blending the herbs

Bless Your Herbs. You might use a simple blessing to empower the herbs further with sacred intent. I used an elemental blessing, drawing upon the energies already called and simply moving each elemental bowl clockwise above the herbal blend.

 

Store Your Blend. Depending on what you are going to do next, you might put your herbal blend in a mason jar to keep it airtight. The last batch I blended was primarily for gifts, so I instead put them in little bags with labels and also filled up my own offering bag again.

Bagging my herbs for gifts

Bagging my herbs for gifts

Attaching labels for the herb blend

Attaching labels for the herb blend

Close Your Sacred Space. Close your sacred space once your magical crafting is complete!

 

How to Use Herbal Offerings

There’s not really a wrong way to use an herbal offering, but I can give you some ideas of how I’ve used these.

 

Offering on a stone cairn

Offering on a stone cairn

Land Healing Purposes. When I see land in need of healing–an abandoned lot, a tree that has been cut down, a recently poisoned lawn, I will leave a pinch of the offering. This is just to let the land know that I am here, I honor it, and I am present. I have left these pinches near cut Christmas trees during the  holiday season–again, as a space holding gesture.

 

Land Blessing Purposes. When I’m interacting with the land, I will leave a pinch. For example, if I’m camping out somewhere, when I first arrive and again when I leave, I will leave a pinch of the offering. If I’m hiking, I will leave some as a I walk at a few points.

 

Ritual Offering Purposes. Because I always honor the land and the spirits of the land as a primary part of my own ritual work, I use this blend as an offering to the land.

 

You can do a lot of things with this sacred blend–or another like it! I wish you a blessed Beltane–and happy magical crafting!