The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

A Fire and Smoke Ritual for Land Healing and Blessing May 5, 2019

A few years ago, I led a smoke cleansing (smudge) stick making workshop at the OBOD’s East Coast Gathering event. As that event often has upwards of 100 attendees, I spent months growing and harvesting materials for the event so that everyone could make 1-2 sticks.  Sure enough, everyone got to make some smudge sticks and the workshop went great.  After the workshop, one of my friends and event fire tenders, Derek, came up to me and asked me about the leftover materials.  I had been placing them in a paper bag, and had planned on taking them home to make more sticks or return to the land. He said, “I want to make a smudge bomb and send healing smoke to this entire land.”  I said, “Yes, what a great idea!” So we tightly bundled up the remainder of the material, which filled at least 1/3 of the paper grocery bag, and wrapped it with the same cloth string.  The next day, as the Ovates were meeting around the fire circle in preparation for ritual, he brought out the smudge bomb.  The previous night’s fire had been a particularly large one, and in the morning, it still contained the embers from the fire the night before. Derek carefully placed the smudge bomb into the glowing embers.  It worked just as we hoped: it smoldered and sent up a healing and blessing smoke into the surrounding land. And it lasted quiet a long time!  Ever since that experience, I’ve been working with fire in different ways to think about how we might use fire and smoke to bless and heal large spaces, and how we can also make offerings in thanks to fire, humanity’s oldest friend and companion.  Today’s post compiles some of those ideas, big and small and is a follow-up to my ancestral Beltane fire post from last week.

 

Altar with various bundles, getting ready to burn

Land Healing through Fire and Smoke: A Fire and Smoke Ritual  in Three Parts

Using the “smudge bomb” experience for inspiration, I developed a larger technique for using fire and smoke for land healing and blessing, creating specific ritual objects that are created in a sacred manner and then burned to send that energy, by way of smoke and wind, to far off places.  As I described in my earlier series on land healing, land healing comes in many forms.  Energetic healing or palleative care can be useful in situations where the land is actively under duress (which unfortunately describes many places on earth currently), where physical land healing (through permaculture, seed scattering, etc) is not an option. One of the challentes with land healing, particularly on a larger scale, is that you don’t always have physical access to the land you want to heal.  I do think that doing ritual directly on the lands you want to heal is most effective–but doing something else at a distance can be equally as effective if you have some good way of transmitting that energy.  Thus, this ritual technique is very useful for spaces, far and wide, that are otherwise inaccessible: around here that would be large swaths of logging, strip mines, polluted waterways, etc.  It is also very useful for healing more distant concerns: the plight of polar bears in the Arctic or deforestation in the Amazon, the oceans, or some other “far away” issue.  Or maybe you want to do land healing working for the entire globe. Thus, this technique is one that you can use to send healing and blessing energy to the lands nearby–or quite distant, using air and smoke as a carrier.

 

Smoke is often seen in today’s culture very negatively primarily because of our challenged relationship with tobacco: we have secondhand smoke, smoking as a harmful and life-threatening, smoke from wildfires causing issues, and  much more. And yet, smoke cleansing and blessing practices have been used throughout human history and in many cultures as a blessing and purifying agent (this link has a nice overview; this link is a study to over 250 plants used in smoke healing around the world).  In the druid tradition and in other pagan traditions, we use these practices quite a bit: through smoke cleansing (smudge) sticks, incense, using tree resins– smoke helps us call in and establish air in ceremonies and connect deeply with that element.  We often use smoke clearing, incense and similar such things on a smaller scale–but why not consider it on a large-scale for land healing or blessing?

 

Thus this technique has three parts.  Each of these three parts has both a physical component and an energetic component. The parts are:

1. Creating a bundle or object that will turn to smoke and bring that energy, through the currents of the air, to other places.

2. Creating a fire in a sacred manner and opening a sacred space.

3. Burning and releasing the bundle and directing energy.

(And then, of course, closing out your space and giving thanks. )

 

Part 1: Making Your Healing Bundle / Healing Object

Now, I’ll walk through some potential options for how to create your own healing bundle.  I am giving you options below to spark your own creativity, s.  Before we get into the bundles, I want to offer a few general principles:

 

  • *Everything* in these bundles should be all natural, coming directly from nature. This is because you are burning the objects, so obviously, you don’t want to burn something that pollutes the air.  So for example, if you are using string, it should be cotton, hemp or jute (string can be plastic), wax (use soy wax or beeswax).  Because non-natural materials can release harmful chemicals into the air, thereby rendering any particular healing work you want to do ineffective.
  • Like most magical workings, I think its less important the physical form it takes and more the intentions you bring with it.  Work with what you have and don’t worry about replicating what I have here–rather, create things from your local environment that speak to you.
  • Look for opportunities: a fallen conifer branch, a neighbor trimming a hedge of rosemary or hemlock, a huge number of pinecones, abundant material on your own land, etc.
  • At the same time, a larger size bundle certainly does give a good ritual effect, which is something you might want to consider.  Small ones work great too, but large ones burn longer, giving you more time to focus healing energies in a particular direction.

Three sample bundles: pine cone/herb bundle, wood burned oak slab, and bundle of sticks wrapped with prayers and sealed with wax.

There are two kinds of bundles you can make: things that are meant to smolder and things that are meant to burn. Things that smolder  are more traditionally used like incense on coals, and are designed to be added to existing coals or a slow burning fire.  Things that burn, on the other hand, are designed to burn when a fire is hot (and usually are wooden in some way).

 

Some Possibilities for Things that Smolder:

 

The Herbal Healing Bundle: This technique uses a bundle of aromatic dried healing herbs, very similar to the “smudge bomb” I described in my opening–a mix of carefully chosen herbs for their healing effects.  You can design a specific bundle for a specific healing purpose based on the herbs that you choose (see my list here).  I like to create these at the end of the season, when I’m clearing out my garden, and I have to cut plants back anyways.  This is also a great use of the stalks of plants; so if I’m harvesting sage, rosemary, wormwood, tobacco, and other plants, after I harvest the leaves, I am often left with a lot of stalk matter that I don’t know what to do with–and it goes in the bundle.  Any material (other than poison ivy) would work fine for such a bundle, but I think it’s particularly good with aromatic healing herbs that burn well–rosemary, sage, thyme, mint, scented geranium, wormwood, mugwort, etc.   For this technique, if you are using dried herbs, I suggest using a paper bag (which you can write your intentions on and then place the herbs inside) and wrap it tight with cotton string.  Depending on the nature of the herbs, you might be able to make your bundle without the bag, especially if you have a lot of long plant stalks, etc.  If you are using green/fresh herbs, you probably want to just bundle them without the bag using cotton string so that they will have a chance to dry out.  If you don’t grow your own herbs and/or don’t do wild foraging, this options probably isn’t as good for you as it requires a good amount of herbs and obtaining them may be more cost prohibative.  Never fear, there are many other options!

 

The Resin and Herb Bundle:  Conifer resins are a great addition to the herbal healing bundle; they smolder and produce a very good deal of smoke and last for a long time.  You can add conifer resins to a standard herbal healing bundle or use them on their own.  You don’t want to throw these directly in a fire; they are better off smoldering on coals.  You can also add conifer needles and branches, which will sometimes crackle and pop.

 

Pine cone bundle – this was for blessing the conifers of the land

Pine cone / Herb Bundle: Pine cones make great smoldering options, as they often contain a lot of resin in them.  I like to sprinkle my pine cones with herbs and then bind them together.

 

Shapes, Rings, and Effigies: Rather than putting your materials in a bag, you might instsead choose to shape some form–a wreath, for example, offers additional symbolism. Certain kinds of herbs and plants are obviously better for this than others.  An easy way to do this is to get a wooden ring started (see my instructions here for how I did this for a different project) and then from there, you can use cotton string to wrap dried or fresh herbs around the ring, layering until you have somehing you are happy with.

 

Things that Burn:

The Conifer Bundle: Conifer trees love to burn, and many of them have needles that are flamable, even when they are green and not dried out.  Eastern white cedar and other cedars, in particular, goes up well.  You can create a bundle of fresh or dried conifer boughs (or create a wreath or other shape).  This would be a good way to use up material from your Yule tree or else if you or a neighbor were trimming hedges of confiers, etc.   Bundle them up with cotton string and watch the sparks fly!

 

The Wax and Herb Bundle: An alternative to the large bundle described above uses beeswax candles wraped in herbs.  Beeswax will burn very brightly and leave off powerful light, and thus, is particularly good when you want to be bringing energy into a situation.  Take 1-2 beeswax candles (or a small brick of beeswax) and then layer the outside with herbs.  Or, you can heat wax up till its just soft, and then, roll herbs into the candle.  When you throw this into the fire, it will burn brightly and send energy outward quickly.

 

The Wooden Message Bundle: A final option is to use wood itself to fashion something–a bundle of sticks, wrapped with messages or healing words.  A wooden round with wood burning or natural ink messages, a wooden object bound together with string; a vine wreath with tucked in messages, and so on.  The sky is really the limit here.

Burning a Land Healing and Blessing Slab at Beltane

This first photo is for a simple healing for my own land; working with a wooden slab that I created and later burned ritually.  My own land was damaged through logging the year before I bought it, and I’ve been doing a lot of healing work here.  Burning this in a central fire helped send that blessing energy out to the land (and after burning it, to help further the intention, I did some cleaning up of a burn pile left by the previous owners that I had found a few weeks earlier).

Prayers for the world bundle

The second was a more in-depth bundle I created for holding space for species in decline and in danger of extinction and for ecosystems under direct threat. Each of the sticks in the bundle was a message that I wrote and tied to each stick; each stick became part of the larger bundle, which I sealed with wax. Each of these prayers were global in nature, thus, the smoke would carry the energy where it needed to go.

 

Part 2: A Sacred Fire

The bundles can be made anytime in advance of your fire ritual.  You can also make them together, as a grove or group of people.  To do your ritual itself, you can choose an aspicious day for your ritual (a full moon, a new moon, one of the wheel of the year holidays, etc).  I used Beltane for my most recent bundles–which are what the photos are of in this post.

 

If you can, I suggest building the fire intentionally and using traditional techniques (or in the least, not starting your fire with fossil fuels like lighter fluid–this is a healing ceremony, and using fossil fuels which are causing so much ecological damage sends the wrong signal and energetically, has issues).

 

Fire ready to accept healing bundles

Fire ready to accept healing bundles

Prior to starting your fire, I suggest that you open up a sacred space using whatever method you typically use (for druids, this might include delcaring peace in the quarters, calling in the four elements, saying the druid’s prayer, and casting a circle or protective sphere around the space). Once you’ve setup your sacred space, light your fire and tend it till you have what you need: good coals you can rake into an open area (for the smoldering bundles) or a blaze (for the burnables).

 

Part 3: Burning Your Bundle and Sending Energy Out

Once you are ready, place your bundle before you.  I like to do an elemental blessing of my bundle at the fire, blessing it with the four elements: earth, air, fire, and water, inviting those elements into the bundle to help with the healing work.  You could do other things here, for example, if you are a reiki practitioner, you could send some reiki energy into the bundle, etc.  You might also raise energy in the bundle in other ways; drumming a steady beat into the bundle also works great.

 

Burning the healing bundle–I let the fire go almost out, then I put it on there and it smoldered for a long time.

State your intentions for the bundle, and offer it to the fire.  Observe as it burns, watching it and seeing if you see any messages within the fire.  As it burns, you want to envision that energy going to where you want it to–that the winds take that energy to the places you wish it to travel.  This may take some time, and my suggestion is to hold space for the duration of the bundle burning and smoldering.  You might also do other things to help the energy get there: drum, dance, sing, etc.

 

Once you are done, close out the space, and if at all possible, allow the fire to burn out naturally.

 

The Druid’s Crane Bag April 21, 2019

A druid’s crane bag is a special bag, a magical bag, that many druids carry with them. Often full of shells, rocks, magical objects, feathers, stones, Ogham staves, representations of the elements, ritual tools, and much more, a crane bag is wonderfully unique to each druid! A few years ago, I shared a post about how to create a crane bag and a description of my bag at the time; today’s post revisits and deepens the treatment of this topic.  In this post, we’ll look at the concept of the crane bag and where it came from, four potential purposes for bags, and some tips and tricks for how to put them together and what they might include.  This is a wonderful part of the druid tradition that anyone, including those walking other paths, can enjoy!

 

My "ritual in a bag" crane bag, designed and created by me!

My “ritual in a bag” crane bag, which I recently completed. 

Crane Bag History and Purpose

The term “Crane bag” comes from Irish mythology.  In this mythos, Manannán mac Lir is a major sea god who is also the guardian of the otherworld.  One of his many treasures is a magical bag, known as a crane bag. As they myths go, he originally crafted the bag from the skin of a crane, hence the name. This wonderful, bottomless bag was full of many treasures: his knife and shirt, the shears of the King of Scotland, the helmet of the King of Lochlainn, the bones of Assal’s swine, a girdle of a great white whale’s back, birds, hounds, and other things.  His bag also contained human language, a powerful tool.  Some versions of the myths also suggest that the Ogham, the Celtic tree alphabet that is still in modern use, was also within the bag. In the myths, the bag’s treasures can be seen in the sea at high tide, but they disappear during low tide. In certain myths, the bag comes into the possession of Irish heroes such as Lug Lámfhota, Liath Luachra, and Fionn mac Cumhaill.

 

In the modern druid tradition, we are inspired by this mythology, and druids often create magical bags of their own.  A crane bag is not a singular thing, but as unique as each druid themselves: thus, the size, shape, and materials contained within the bag are up to an individual druid.  In the remainder of this post, I’ll show you various options for bags, styles, and purposes to help you develop your own crane bag.

 

Planning Your Crane Bag: Crane Bag Purposes and Options

Just as each druid’s path is unique, your crane bag should be an expression of you and your druid path. I think the most important consideration for your crane bag, even before we get into size, composition, or what goes into the bag is your purpose.  In talking with druids, particularly in the OBOD and AODA communities on the East Coast of the US, there seems to be three general purposes for crane bags: the ritual-in-a-bag approach, the power object bag approach, the field approach, or a combination of all three.

 

Some of the many things that can go in your crane bag

Some of the many things that can go in your crane bag

The Ritual-in-a-Bag.  The first approach to a druid’s crane bag is that it is a special bag that can hold all of your ritual tools. These tools, then, come with you wherever you go. For example, one druid I met at a gathering had a larger leather bag.  In this bag, she had her elemental representations, wand, a small sickle, and a small notebook. She indicated that anywhere she went, her tools could go with her, and she could easily break into “spontaneous” ritual with her tools at hand.  She also enjoyed carrying the bag to larger druid gatherings, thus, her tools went with her and also benefited from the energy raised at such gatherings. I have used this approach myself, and offer an example later in this article.

 

The Power Object Bag.  A second approach that seems common is to have a much smaller crane bag, one that is carried on your person frequently, or at all times.  Often, these will be bags small enough to fit in your pocket, around your neck under your clothing, or attached to a belt.  Contained within the bag are objects of spiritual significance to you–sacred stones, shells, sticks, herbs, teeth, bones, or whatever else is personally significant and powerful to you.  Those druids who I have spoken to who use this approach believe that you grow a stronger connection to the objects and bag the more the bag is physically with you. The objects, also, are able to lend you their strength, power, and protection throughout the day as you carry your bag.  A good friend of mine uses this approach; his is a small but ornate belt pouch that is always attached to his belt, and so each day, without fail, his crane bag goes with him.  It is with him when he works, hikes, drives, or whatever else he is doing.

 

The Field Bag. The third approach is creating a crane bag that will aid one out in nature–for this, you usually get not only objects of spiritual significance but also practical significance: land offerings, knives, folding saws, hori hori (an all purpose japanese gardening tool that is great for foraging and herbalism), bags, flint and steel or other fire-starting equipment, paracord, and more.  The philosophy behind this crane bag is that if you are going out in nature, it is useful to be prepared, particularly if you are interested in doing some wild food or medicine foraging, camp out for the evening, bushcraft, or other kinds of wildcrafting.  Thus, when a druid takes this bag with them, they are prepared for anything!

 

The Anything Goes/Combination Bag. The final approach uses a combination of all of the above–perhaps some items of personal significance along with a few ritual tools and a few tools to be out in the field.  My first crane bag, described in detail in my earlier post, uses this method (see all of the contents here). The benefit of this approach is that you end up with a multi-purpose bag that can serve a variety of needs.

 

Creating or Finding Your Crane Bag

My Crane Bag

My First Crane Bag: Repurposed secondhand find!

Today’s crane bags need not be made of crane leather, but can be made of any durable material: leather, hide, skin, linen, wool, cloth, denim, and so on. You can make your bag yourself, you can purchase it secondhand, or you can have someone make it for you. I do believe, in my conversations with many druids about their crane bags, that many prefer to make them, as it lends their own personal energy into the bag.  If you don’t make it yourself, find a special way of personalizing your bag.  For example, my first crane bag, pictured here, was a small denim bag with zippers and pockets that I found at a thrift store.  I personalized it by painting it with acrylics, and I am happy and delighted that the paint has held up for many, many years!

 

The bag can be large or small; however, you will want it large enough that it will fit your purpose and to carry what you would like it to carry (and think also about the future–what you might want to add to your bag at a later date). Depending on the size of your bag, it can be held or connected to a belt, cord, or slung across the shoulders and carried more like a traditional bag, depending on the size.  Most druids carry their crane bags into ritual (and around gatherings, if they attend), many may also carry them into the woods or other natural places, so it should also be something comfortable to take with you, particularly on long journeys or when you travel.

 

 

Items for Your Bag

Any item of spiritual or practical significance can go in your bag.  I encourage you to think about local ingredients, local materials, or those repurposed in other ways.  Many of the things in my bag are gifts from others or things that I found or made. Here’s a list of what I might consider essentials; these go in every crane bag that I have made or carry:

  • A small journal (Moleskine or other small journals work great for this). I never want to be out in the woods or anywhere else without my journal–this allows me to record my thoughts at any time. I especially appreciate this “old technology” as opposed to a cell phone for recording as I don’t think there is anything as disruptive of a sacred experience as pulling out one’s phone.
  • A few handy tools: I like to always take with me a lighter/matches, a knife, and a plastic or cloth bag or two to carry anything I find.  Even in my more “ritual tools” style crane bag, I make sure to have these with me.
  • Offerings.  I don’t go anywhere without offerings. I recently shared how to make a wildcrafted herbal blessing oil and  sacred herbal blend for offerings.  A blessed magic seed ball also makes a great offering. Anything you want to carry with you that you can offer is approrpriate.
  • Elements. As someone working within the context of both OBOD and AODA druidry, I find being able to work with the elements in physical form really helpful.  So I always have, in any bag, representations of each of these. They don’t have to be physical representations (fire, etc) but could be four small stones, woodburned images, and so on.  The sky is the limit!
Once I pull stuff out of my ritual-in-a-bag, I can make a beautiful altar setup for outdoor ritual work.

Once I pull stuff out of my ritual-in-a-bag, I can make a beautiful altar setup for outdoor ritual work.

 

Here is a much larger list that you might consider for including in your crane bag:

  • Rocks and minerals
  • Shells, corals, or sand (in a small bottle)
  • Plants, leaves, twigs, roots or pieces of bark
  • Herbs, oils, infusions, concoctions, tinctures, teas or healing brews
  • Seeds of all kinds
  • Feathers
  • Fur, nails, bones, claws, teeth or other animal parts (only those that are legal to have, of course)
  • Animal, plant, or spirit totems of any kind (for example, the small carved soapstone animals are a nice addition to a crane bag)
  • Divination tools, such as Ogham, runes, or tarot decks
  • Small musical instruments (like an ocarina, small flute, etc)
  • Jewelry or necklaces of significance
  • Tiny journals or books
  • A small altar cloth
  • Bags, jars, and other vessels for holding things (like collecting sacred waters, etc)
  • Ritual tools such as a small candle (a battery-powered candle is convenient when traveling), small sickle, knife, candle, etc.
  • Any other items with a spiritual purpose
  • Quarter stones (four or eight stones you can place at the circle to help hold the space)

 

Example Crane Bags: Druid’s Power Bag and Ritual in a Bag

I have three primary crane bags, one that fits each of the possibilities above.  My earlier post offered an example of an all purpose crane bag, so again, check that post out for photos.  I also have a regular backpack that I dedicate to foraging, but that has some sacred tools (the essentials) that will go with me on longer hikes.   I didn’t take photos of that one, as its not very pretty looking but is rather very functional.  But I did want to share examples of the other two: the druid’s power bag and the Ritual in the Bag crane bag.

 

The first bag is the Druid’s Power bag.  This is a small leather bag I made, and in the photograph, are some *examples* of what you could put in a bag.  I believe that the bag itself and the actual contents of a power bag should never be photographed, or really, even talked about.  This is a bag of sacred objects to you, and if you talk too much about it, you can talk the magic out of it.  So I am not showing you my actual contents, but I think this gives you a good example of what could contain and look like: natural items, small clay and stone statuary, beads, stones, jewelry, etc.  So in this photo we have some things people have given me, stones, stone animals, a bracelet, a ceramic bear, a painted pendant, nuts and seeds, and more.

Potential power bag with objects

Potential power bag with objects

 

The other bag I want to show today is the “ritual in a bag” crane bag. I have been working on this bag for six months, and I’m delighted to have completed it to share with you.  The goal of this bag was simple: I do a lot of ritual work outside, right on my land or in a nearby state park. What was happening is that when I needed tools, I’d put them in a basket from my altar, but the tools were quite heavy and bringing them back up the mountain on my land was a problem, and carrying them into the woods at the state park was even more of a problem (it isn’t fun to carry four large ceramic altar bowls!)  Further, when I have friends that visit, we often go into the woods with sacred intent, and I wanted a bag that I could literally just ‘grab and go’ that offered me everything I needed to do a nice ritual with the bells and whistles. I’ve also been working hard to improve my leather working skills, so this bag was also a challenge to me as a bardic practitioner. Finally, I wanted my sacred plant allies to be with me with the energy of the bag.  I wanted it small enough that I could put it in my foraging bag and still had room for other tools.

Hawthorn and elder each are on a pocket on the front of the bag, behind the flap

Hawthorn and elder each are on a pocket on the front of the bag, behind the flap

The leather bag itself I designed and put together.  I used leather tooling and then a leather acrylic and acrylic sealer on the bag itself, which I hope will last over time (we will see!)  This brought beauty into the bag and helped imbue my own energy with it.  On the bag, I have some of my most sacred plant allies: wild yam (on the edge of the strap), ghost pipe, hawthorn, and elder.  These are all plants I regularly work with and who are local to my ecosystem.

Another shot of the bag

Another shot of the bag

Inside the bag, I have everything that I need for a ritual.  This includes five copper bowls (I purchased these on Etsy from a regional craftsperson; they are great because they are super durable and light).  Four of these are for the elements and the fifth is for offerings or other purposes.  When I’m out in the woods, I usually fill the air bowl with sand or soil, then stick an incense block or cone in it.  The fire bowl gets a little candle (with jar, otherwise it will go out), the water bowl gets some local water, and the earth bowl can be filled with soil, rocks, nuts, sticks, whatever is around.  In the photo, you can also see two little incense containers and also a smoke clearing stick (smudge stick), it has its own little package.  You can also see the small altar cloth (this particular cloth was a gift from a dear friend and mentor, and is a very cherished part of my ritual gear), which rolls up nicely and fits in the bottom of the bag.

Ritual tools in the bag

Ritual tools in the bag

Finally, I have an elemental woodburning with an awen; when I place this on my altar, it reminds me of the four directions (extremely useful for someone like me with dyslexia).

Elemental woodburned piece for remembering the directions!

Here are some other things that show up in my ritual-in-a-bag: my favorite ritual flute, a small knife (used mostly for ritual, but also for herb harvesting), a vial for water (I like to save water from my rituals or from places where I do ritual and add it to a water altar), a lighter, and a journal.

More crane bag tools

More crane bag tools

One of the keys I think to keeping a small crane bag is careful packaging.  I have used a lot of special packaging to keep things together: sewing little bags for the elemental bowls, having a wrap for my tarot deck, having a wrap for my my smoke clearing stick so that it doesn’t flake off everywhere in the bag, and so forth.  One of the bags below contains all of my land offerings.

Packaging helps!

Packaging helps!

 

Even with all of these great tools, which you can carry everywhere, what doesn’t fit in the bag is Acorn!

Acorn is blessing the altar!

Acorn is blessing the altar!

 

I hope that this post helps de-mystify the druid’s crane bag and offers you a number of ideas that you might use in your own druid based, OBOD, AODA, or nature spirituality practice. In the words of John Gilbert, former AODA Archdruid of Air, “Your Druid Crane Bag is the badge of a Druid. Wear it with pride and with honor to yourself and the Druid Craft.”

 

Working Deeply with Water: A River Healing Ritual April 14, 2019

A healthy stream

A healthy stream

One of the incredible things about the hydrologic (water) cycle on our great planet is how connected these cycles are and how a single drop of water may continually travel the globe over a period of time. The waters that rain down upon me here in Western PA likely came after being evaporated from the Pacific Ocean and making their way in gas form across the North American continent.  From the clouds, they solidfy and rain down, slowly moving down our mountain property to the stream that sits at the bottom of our property: Penn Run.  Penn Run leads into Two Lick Creek, which runs into Blacklick creek, which runs into the Conemaugh River.  The Conemaugh becomes the Kiskiminetas, which runs into the Allegheny, which meets the Monongahela in Pittsburgh and becomes the Ohio. After passing cities such as Cincinnati and Louisville, it merges with the Mississippi on the border of Kentucky and Missouri.  From there, the Mississippi makes its way south to New Orleans and into the Gulf of Mexico. There, the water joins the Atlantic, likely evaporating again and raining somewhere on Europe or Asia and eventually making its way back to the Pacific Ocean.  And thus, the cycle continues–from the single drop of rain that lands on my land here, the waters of the world are endlessly such cycled.  Thus, any water you interact with has no specific “home” but rather, continues to travel the globe, maybe being locked up in ice for a few millenia or being in an aquifer for a while, but eventually beginning the travels once more.

It’s a useful exercise to map out what I just did above, so that you understand where water that you interact with locally is part of this great cycle.  The rivers are like veins, the earth the body, and these veins provide life to our great earth mother, literally, bringing her life.  aters throughout the world are challenged: pollution, plastics and microplastics, draining of aquifers, damming of rivers, and other major issues can be found thrhought the world: rather than being pure and offering life, sometimes our waters are so sick and damaged that marine life cannot live in our waterways and it is unhealthful to those who live near them. Where I live here in Western PA, a local legacy of mining has made many waters very polluted through Acid Mine Drainage and other historical problems (tanning, logging) and current agricultural runoff. While some rivers, like the Clarion River, have been radically brought back to health thanks to local conservation efforts so many of our small streams and rivers are still very polluted.

 

Given the status of the waters worldwide, I found it important to do rituals and healing water work to let these rivers know that I stood in witness and honor them.  This is good work that any druid or nature-based spiritual practitoner can do.  Regular water work in this way can help us “give back” to this incredible, magical cycle of water that sustains us and offers us life.  In last week’s post, I offered suggestions for how to work deeply with water, to with and build a water shrine full of sacred waters and water gathering experiences. This post offers the perspective of “giving back” and doing deep water healing work. For these experiences, you can use the “coming together” waters as I described last week, or, if you prefer, you can use any water you feel is sacred (rainwater, water from a special sacred spring, and so on).  While you can do this ritual at any time of the year, I find that Spring, when the waters are flowing, is a particularly good time to bring this kind of healing energy back to the land.

 

 

A Water Healing Ritual for Rivers, Lakes, Streams, Springs Oceans, Bays and any other Natural Water Source

This ritual can be done with any water source and is designed to provide energetic healing for the waters.  This ritual draws upon two concepts: the first is that the rivers and bodies of water are just like the blood that flows in our bodies, and hence, it uses a heartbeat metaphor to connect with that life power.  Second, it uses the energetic principle of homeoapthy, the idea that a tiny amount of a healing agent can bring life and vitality to a whole body (in this case, a whole body of water).  This ritual plants the “seed” of that healing through sacred waters.

A healed and restored river (the Clarion!)

A healed and restored river (the Clarion!)

Materials: Sacred Water.  This ritual uses a specially prepared “sacred water” blend;  you have two options for this.  Regardless of what water you use, make sure you boil your water prior to use (you are introducing this sacred water into a new environment, and you don’t want to introduce any pathogens, etc).

  • Option 1: This ritual can use the “coming together waters” from my last post. Otherwise, you will want to get any clean, pure and natural source of water (a local spring, rainwater or snowmelt, etc).  Usually, what I will do is get a bowl of rainwater, add three drops of my “coming together” waters and then boil the whole thing. Then when it cools, I can add this to a vial and to my crane bag for travel to the location.
  • Option 2: Again, take a fresh water source, boil it, and add in healing and blessing herbs.  Any medicinal herbs that fit your purpose can work here, but I especially like home-grown herbs like mint, oregano, thyme, monarda–things that help fight human illness, and thus, metaphorically, offer healing.  A small amount of this is all you need, again, I add this to a vial and to my crane bag.

You can also combine both approaches, or use another of your choosing.  Regardless, you should have this water prepared prior to your ceremony.

 

Other supplies: A drum or shaker is very useful , but if you don’t have one, you can simply use your hands or rocks. You can choose to setup an altar for this ritual on the side of the body of water; if so, you will want representations of the elements and anything else you deem approrpiate.

 

Research: If necessary, write down the flow of the water that you are healing (similar to what I did in the opening of this blog post).  You will be speaking these words as you do your ritual (and if you are blessing the ocean, you might choose to instead explore the currents of the ocean and the places that the water may visit).

 

Choosing Your Location: If you are working with a body of water that flows, I suggest physically journeying to the headwaters of that water source as much as you can.  Rivers flow, and the closer to the source of the river you go, the more of the waterway you can affect.  I also realize that in many cases this is not possible.  If you are going to a source that doesn’t flow (like the ocean) then any sacred spot is appropriate.

 

The Ritual

Altar for water healing

Altar for water healing

Setup. Find a quiet spot along the body of water where you will do your ritual. Setup an atlar from things you brought as well as from things you find; I like to leave a small stone cairn there after the ritual, so I will usually setup an altar in a way where most of it can be left after the ritual concludes.  Place your vial of healing water on the altar.

 

Open a Sacred Space: Open up a sacred space in any manner that you use (I use OBOD or AODA’s grove opening, for example, but you can use anything else.  A typical opening calls in the quarters, declares peace in the quarters, and casts some kind of protective sphere or circle around you for the purpose of the ritual).

 

The Heartbeat. Begin by doing drumming, using a shaker, or, if you don’t have these materials, using two rocks and knocking one against the other.  The idea here is that you want to create a heartbeat.  This is the heartbeat that beats within you, and the one that beats metaphorically within the land itself.  Spend some time connecting with this heartbeat.  It is helping to attune you, as a healing agent, to the water.

 

Adding Healing Waters: Now, take your vial and pour the vial into the waterway.  As you pour, speak words of healing if you feel so led.  Speak also of the journey that this water will take, and all of the different bodes of water that it will reach.

 

Connecting with the Waters: Place your hand in the water after you are done pouring and simply feel the water flowing away from you.  In your mind’s eye, follow that water as it begins healing and bringing vitality into each waterway. Imagine the journey your waters will take and as they reach each new water source, imagine the healing energy infusing in each waterway and the vitality that coems with healing.  Imagine healthy ecosystems, fish, plant life, insect life, and all the things that healthy waterways bring.  Take all the time you need to do this.

 

The Heartbeat.  Again, return to your drum or stones and once again, connect with the heartbeat of the land. Note any changes you feel in the heartbeat of the land and the waters that connect it.

 

Close your space. Close out your sacred space and thank the spirits for their blessings.

 

Group Variant 1: A Ritual in Two Parts

This ritual can be done in two parts, perhaps at two different grove events, or at a weekend ceremony.  First, ask everyone to bring water from a sacred place to the ceremony.  Do a “combining waters” ceremony with the group, similar to what I described in my last post.  For this ceremony, setup a central bowl. Each participant in the group will step forward and speak the name of their sacred water, and offer their sacred water to the bowl.  They can share anything they like about that water.  Once all of the waters have been added, the group can place their hands over the water and bless it, chanting “Awens”, drumming, or doing any kind of energizing blessing.  After the ceremony, the waters can then be put in small glass vials and each participant can take their own “coming together” vial. One of these vials can be saved for water healing work.  See Variant 2 for instructions about how to do this ritual with a group.

Sacred Waters being infused with life

Sacred Waters being infused with life

Group Variant 2: Healing Water Ritual

In this variant, one person prepares the sacred waters, but the group does the blessing.  You can have multiple people doing the “heartbeat” and keep that heartbeat going throughout the ceremony, while others add the water and speak the journey that the waters will take.  You can also add a water blessing for each person who is part of the ritual as a final step.

 

I hope that these rituals will serve you well in your water healing/land healing needs.  I’ve been doing some form of this ritual for many years, and while I can’t stop all of the Acid Mine Drainage (although I certainly lend my efforts and funds in that regard), I do feel that this is something I can do, and the spirits of the waters certainly appriciate it.

 

Working Deeply with Water: Waters of the World Shrine and Sacred Waters April 7, 2019

Primal Water from the Plant Spirit Oracle; tan paint is from Tanoma Iron Oxide!

Primal Water from the Plant Spirit Oracle

In the druid tradition, water represents the west, the place of emotions and intuition, the place of our ancestors and of the honored dead. Water is often connected with the salmon of wisdom, the salmon who dwells in a sacred pool, offering his wisdom to those who seek him. Water may serve as a gateway to other worlds and as a tool for scrying. Water can be used as a tool understand flows of all kinds. You can study flowing water through observation, fishing, boating or swimming and connected with in order to help us understand deep insights.  Snow and ice can likewise, be used as spiritual tools.  Water-based animals like turtles, fish, salamanders, dragonflies or water-based plants like cattail, calamus, or lotus are powerful allies for spiritual work. Working deeply with water is part of several druid teachings and courses, and thus, finding ways of doing that kind of work is important.   Today, I wanted to share some suggestions and ideas for working with the element of water.

 

Because I like to root our druidry in the here and now, I think its important to understand why, on the physical and spiritual level, water is a good element to be focusing on now.  Partially, I want to do this because in the last two months, I’ve been tackling a lot of difficult topics surrounding “Druidry for the 21st century“, and I hope that this post will help offer some soothing and healing. But tied to the issues that I’ve been recently discussing, we have a host of environmental challenges with water: global warming causing ocean acidification and coral bleaching; huge dead zones and polluted rivers; acid mine drainage issues; and issues with draining aquifers are all problems that the earth is facing.  We also have a host of social problems surrounding water, like major floods or droughts, issues of water ownership and issues of the drinkability of water (such as the ongoing water saga in Flint MI or the protests by the Water Protectors to protect the land and drinking water sources).

 

Further, It seems that right now, the emotional water energy of the world is out of balance: people only feel and focus on their emotional reaction rather than critically analyze (air), tensions are heated, and social unrest is present.  I do not believe that there is any coincidence that as the waters of the world are under pressure and threat that we see this unbalanced water energy in our social sphere. As a druid, I understand the relationship of these things.  Water is life. When we abuse that water, that abuse unbalances the waters of the world and we, thus, are unbalanced as well.  Given these larger problems, I think its good to cultivate a positive and meaningful connection with balanced water energy.  This helps us have a buffer between all that unbalanced watery and emotional energy that is plaguing us, for one.  But also, deep water work can open up worlds and new insights to us.

 

Collecting the Sacred Waters

My very special vial of Iona water

My very special vial of Iona water

Some years ago, at the OBOD’s East Coast Gathering, I was gifted with a very special vial of water. Thea Worthington, the OBOD modron at the time, offered me the water  that she had brought from Iona, the Isle of Druids. I had never been to Iona or the UK (and I still haven’t been) and this sacred water, coming from my the land of my ancestors–and spiritual ancestors–was a very cherished gift. When I brought the water home and placed it in a glass vial, it was literally humming with energy. I began using it in my spiritual work in various ways; taking a single drop of it and adding it to local water to ‘charge’ that water, bringing it into my rituals and the rituals of our grove, and so forth. Soon after, I began collecting waters from sacred places that I was visiting–waters of the many sacred springs, lakes, rivers, and oceans. After this experience, and through closely working with these waters. Each time I would gather the water, I put it in a small glass dram vial, and gave it a label. If others were going to visit places I may never go, I asked them to bring me water back with them.  Thus, over a period of 6 years, my “water collection” has grown quite considerably! Further, I found that physically working with the waters led to many spiritual experiences and insights — and you can build a whole spiritual practice surrounding collecting, honoring, and working with sacred waters.

 

You might consider starting your own water collection and working with waters deeply.  I’ve learned a few things that can help you if you want to do this kind of work, which is the basis of the rest of the ritual and spiritual work outlined in this post.

 

A local sacred spring for water honoring and collection

A local sacred spring for water honoring and collection

Bring a vessel. First, when you are out and about, always take some kind of collection vessel with you.  If you are out locally, you can also use your water bottle to bring back some water at the end of a hike or from some other outing. I try to keep a vial with me in my crane bag and foraging bag; that way, I will always have the opportunity to collect some water. I also keep a spare vial or bottle in my car for other adventures.  That way, when the opportunity to gather some water comes up, I am able to take advantage of it!

 

Now, when you travel on a plane, you need some planning and forethought.  I like to put my sacred water in a simple spray bottle labeled “hairspray.”  I have never had customs or TSA give me trouble with this, as long as it is packed away in my quart ziplock bag or in a checked bag.  Tincture bottles can also be used for this purpose.

 

Collect water with sacred intent. Second, I think its important to collect water with sacred intent. You want to make an offering to the water in exchange for the water you are taking. I like to do something sonic or energetic for this.  I may offer a stone from my land, chant, or play my flute. I like to do something that can resonate with the water in some meaningful way. I also, by the way, will clean up any garbage at the site where I am collecting if there is any to be found.

 

Frankfort Mineral Springs - A great place to collect some water

Frankfort Mineral Springs – A great place to collect some water

Knowing where to collect. I think that most places are good places to collect water.  I like to think about it this way: even if the source where I am collecting water from is polluted, it is good to represent that water source.  That river or lake or whatever still has a spirit, still has live that is trying to live there.  I treat polluted water sources differently in my ritual work though, and I’ll explain that below.  So if you are going to do this practice, collect widely.

 

Enlist help. If you have friends or family who are traveling somewhere that you may never go, ask them to bring you back a bit of water.  You can also involve other druids by doing a water exchange or using water in your rituals–ask everyone to bring some water (see combined waters – group ritual)  below.

 

Label and store carefully.  I purchase clear 1 dram vials with a lid, and use those for my waters, which works really well.  I used corked glass bottles for a while, but they tend to dry up after a year or two; the plastic lids never dry out.  Pour your water you collected into the vial, then, seal it up tightly.  Taking some colored paper and a pen, make yourself some kind of little label.  I tie these onto my bottles, but I could just as easily tape the label on there with packing tape.  The rest of the water, if safe, I offer my plants or the land.  If not safe (due to pollution), I will usually send it down the sink with a thanks.

 

At this point, once you have some waters you’ve collected, you can start to work with them in really amazing ways!

 

Creating Your Sacred Water Shrine and Ritual of Coming-Together Waters

Once you have started a water collection, you can build a shrine and welcome each of the waters into your collection with a ritual. I will offer you the basics of the ritual, with the understanding that you can frame it how you like, in any tradition you like.

 

Find a place where you can have your water shrine.  It should NOT be a place that cats or kids can easily get to.  In fact, in both of my homes, I kept my water shrine on a counter or near my tub.  That’s where it is located currently; my art studio and sacred space has an attached bathroom, and the whole bathroom is dedicated to the theme of water, flow, and Awen. I have an Awen shrine in the bathroom focusing on flow and honoring water, and opposite side, I have my sacred waters shrine.   IF this isn’t an option for you, consider getting a nice decorative  box for your waters to serve as your shrine.  That or a high shelf might be an option to you.

 

One you have a place, you’ll want to think about how you are going to arrange your water vials.  I got a nice cut wood round, sanded it a bit, and used that–and it works great.

 

Now you are ready for the ceremony. There are two options: You can do this in a regular ritual space you use, or you can do it in the bathtub. The bathtub has one advantage–you can, immediately during the ceremony, connect with your sacred waters much more deeply when you are in water yourself.  If you don’t want to or are not able to do it in the tub, you can do that part of the ceremony later (it is offered below).  Before you begin, you will need your water shrine area prepared, all of your vials present, and you will need dropper and one empty vial or bowl for the ceremony.  Before the ceremony begins, fill the bowl with rain water, spring water, or melted snow from your local area (some form of pure water).

 

The Ceremony

 

My sacred water shrine, which currently may be in need of expansion!

My sacred water shrine, which currently may be in need of expansion!

Open up a sacred space in your usual manner.

 

Begin with thanks for the water.  Say some words in gratitude, play music, drum, dance, whatever you feel led to do.  Allow the emotion to flow through you.

 

Arrange the vials of water in front of you, however many you have. Pick the first vial up, and through the glass, sense the energy of the water. Focus on the water for a time, simply feeling its energy and remembering how you gathered it–what the day was like, where you were, where the water comes from. Then, focus and see if there are any messages, insights, feelings. Once you are done with the vial, offer thanks and place your vial on the shrine. Continue this process till all of the vials are placed.

 

Now, take your bowl and dropper. Bless the bowl however you see fit and then pick up each water again. Using your intuition, sense the water and if it should be used for spiritual purposes. If you get an affirmative, take 3 drops of the water from the vial and place it in the bowl.  I do not recommend that you include any waters that are polluted to your sacred combined waters.  For example, my sister traveled to India and brought back water from the Ganga river.  When I did this ceremony and welcomed the Ganga waters to my shrine, I had the very clear message that I was not to open the bottle or work with that water in any way beyond sending that river healing energy (the Ganga is the 6th most polluted river in the world, with over 600 miles of dead zones).

 

At the end of this ceremony, if you are already bathing, do the full bathing ceremony below. If not, you can close out your space and when you have an opportunity, do a full bathing ceremony if that ceremony speaks to you.

 

Each time you have a new water, you can use the above ceremony to add that water to the shrine.  Or, if you are doing a lot of collection, you can wait till you have a few vials to add and do them all at once.

 

After your ritual concludes, you have created a very powerful bowl of sacred water with many different water energies, what I call the “coming together” water.  Add this water to a vial and label it.  If there is any remaining water in your bowl, water your plants with it, or pour it on the earth to offer your blessing.  If your vial gets low, you can always add more waters (and treat this like a “mother” essence, infinately able to be added to and used).

 

Setting the stage with a water-based altar

Setting the stage with a water-based altar

Healing and Blessing Bathing Ritual

You can do this ritual, as I said above, as part of your shrine building and coming together water ritual, otherwise, you can do this anytime you feel led.  I find this ritual is particularly powerful for when I am having a hard time emotionally and my emotions (and thus water) is out of balance.  I also find this ritual useful for healing of all kinds.  This ritual is useful to cultivate the flow of Awen in your life. This ritual is best done in a bathtub, but not all people have access to bathtubs.  Thus, I give a shower variant at the end.

 

Now, I want to talk a little bit about what to do at the end of the ritual (before I offer instructions).  In the tradition of hoodoo and more broadly, from many folk magic traditions, a bathing ritual is complete only after a person has drip dried–that is, towelling off after the ritual literally “wipes away” the magic.  I think that drip dry option adds an additional layer to the ceremony.

 

Prepare your bathroom for sacred work. I prefer to do this ritual at night, and I use at least four large tapers to light my bathroom. This provides ample light and sets the right ambience. Burn some incense and do whatever else you’d like to set the stage. You can play some soft instrumental music for this ritual. Additionally, make sure you have your vial of coming together waters and a dropper bottle.

 

Open up your sacred space, then fill and enter your tub.  Have your vial with you. Holding the vial in  your hand, speak your sacred intent to the water (healing, creative flow, balancing, flexibility, etc).  Then, open up your vial and use your dropper to drop 3 water droplets into your tub.  Close the vial and then swish the water around.  Now, simply relax.  Meditate, journey, breathe deeply, listen to music–just allow that sacred water to work on you in various ways.

 

When you have allowed the sacred waters to do the work, thank the waters for their gifts and healing. Then, pull your drain and leave the tub. If at all possible, do not use a towel and allow yourself to drip dry.  Close out your sacred space.

 

 

The same altar, but in the day. What a difference!

The same altar, but in the day. What a difference!

Shower variant: Place the sacred waters in a bucket of warm water.  Take the water into the shower and using a sponge, sponge yourself all over.  Do everything else the same as described above.

 

 

I hope this has been a useful way for you to think about how to work in a sacred way with water as part of your druid or nature-based spiritual path.  I still have a lot more to share about these water practices, but, since this post is getting quite long, I’ll finish up next week. Next week, stay tuned for by offering you some other ceremonies and ways to use your combined waters and also how to do a “coming together” waters ritual in a grove/group setting.

 

Cultural Appropriation, Plant Relationships, and Nature Connection March 31, 2019

As a druid, someone who connects to the local landscape spiritually, I’ve gotten my fair share questions about cultural appropriation and druidry’s relationship to indigenous practices, particularly traditions indigenous to the USA. The conversation may go something like this, “So druidry, is that like Native American?” My response is, “Druids and Native Americans both honor and respect the land, and see spiritual significance in nature.  However, Druidry comes from a different cultural tradition (the British Isles, particularly Wales) and our relationship with the land, spiritual practices, and celebrations are completely different than indigenous peoples in North America”  Another thing that happens with some frequency is that I describe something on this blog, like land healing, building sacred spaces, or other such spiritual work. And someone who has never commented before leaves a comment that says something like “You don’t have a right to do that, this land belongs to Native Americans” or “You need to ask permission from those who used to live here to work spiritually with the land.” I usually delete these comments because they seem more concerned with virtue signaling than about honoring and healing the land and building bridges or building understanding.  But in my time in druid leadership in various places, I see a lot of white druids seriously grappling with these same kinds of questions and issues–and so I want to share my thoughts.

 

Another observation: here in the US, white people who are trying to reconnect to their land spiritually carry around a lot of baggage. Guilt about the atrocities that were committed so that we could live on this land, guilt about what was done before we were born, guilt about always being an “imposter” here on the land, guilt about living here now. Even if you don’t know your family history, if you are white, the cultural history and legacy of the broader US are more than sufficient. There’s also a lot of fear–fear of connecting deeply with nature, fear of appropriation (even inadvertent appropriation), fear of doing something wrong, of somehow doing more damage than has been already done. I never realized the extent of this fear and guilt–even within me–till I met druid who had recently came from Europe and moved to the US. I connected with her at a druid event where I was leading a workshop and ritual. After the workshop, she said to me that she felt that Americans were so afraid of their land. After her comment, we had more discussions and I started to pay attention, and I realized how acute her observation was. Culturally, there’s also this idea that if you are a white person, you really don’t have the right or privilege to connect with the land here. So the guilt sets in, the fear sets in, and people do nothing.  How, then, can white American druids build a relationship with nature, given these cultural complexities?  How can we build a relationship rooted in honoring the ancestors of the land and recognizing culturally, what work we have to do? And, do we have a right to do so? And why should we? Those questions are the subject of today’s blog post.

 

Building connections with nature

Building connections with nature

As I’ve discussed before on this blog, druidry as a spiritual path is ultimately about connection and relationship building. People who find druidry and take up the druid path are concerned with building deeper connections to nature, physically and in spirit, and in living a life that is nurturing of the earth rather than destructive of her. People from all walks of life, ethnicities, religious backgrounds, etc, can join the druid tradition; it is open to anyone who seeks this path. I want to frame this entire discussion about cultural appropriation in terms of relationship, as I think it is a useful and productive lens. So let’s start by thinking about the definition of relationship. Here are a few dictionary definitions, useful to get us started. Definition A: “the way in which two or more concepts, objects, or people are connected, or the state of being connected” and B: “the way in which two or more people or groups regard and behave toward each other.” In the case of druid practice, we are exploring ways that we, as 21st century human beings living in specific ecosystems, and coming out of specific cultural and historical traditions, connect spiritually with our living ecosystems around us. My definition here, then, accounts not only for a specific person, but that person living in a specific context, and bringing specific history with them.  And it is this “cultural and historical context” that has everything to do with appropriation–but also, nature relationship.

 

Here in Pennsylvania, prior to white colonization, old growth forests covered the land, producing massive amounts of mast crops (acorns and chestnuts) with about 1/3 of the total forest cover in hardwood nut trees; streams were clear and full of fish; animals and hunting lands were abundant. Native Americans, as M. Kat Anderson describes in Tending the Wilds, tended these lands and had them in a very healthy state of abundance. As non-industrial societies, they depended on the land, build spiritual practices surrounding their relationship to the land, and many tribes had rich animistic traditions surrounding the land and her spirits. Traditions that, in some cases, spanned hundreds or thousands of years.  Framing this in terms of relationship–generations upon generations of Native Americans were tending the wilds and cultivating a sacred relationship with their landscape. Every person in that tribe gained strength from those ancestral connections to land, established over generations upon generations. Even for a native person today, those connections are still present, and I think they are beautifully described in the works of Robin Wall Kimmerer, among other native authors.

 

But a white person’s cultural relationship to our local landscape here in the USA is completely different. Let’s take a look at my own cultural relationship as an example.  As a white person living in Western PA in the 21st century, I can trace my ancestors back to the late 1600’s and 1700’s arriving on American soil.  My ancestors were some of the first people to arrive to Pennsylvania; and some of the first to push westward into Western PA and settle the Laurel Highlands region. My family heritage is Irish, Welsh, Scottish, English (about 75%) and German (25%). The strongest cultural heritage I grew up with was Pennsylvania German (Dutch) traditions, passed on to me in some small ways by my grandmother. This makes me very, very white, and the descendant of coal miners, farmers, steel mill workers, loggers, and other people who worked hard to colonize and extract the rich resources of Pennsylvania to fuel growing industrialization. In our family records, and in my own ancestry research, I know that when my ancestors first arrived, these lands were a cornucopia of abundance and were pristine. Within less than 150 years due to their efforts, these lands were desolate wastelands, extracted of their wood, coal, iron, tannins, animals, fish–anything that could feed the industry.  I know from a copy of the Department of Forestry’s Annual Report from 1898 from PA, that less than 4% of forest cover remained by the turn of the 20th century in counties where my ancestors settled. Further, in less than two centuries, Native peoples who made these lands their home were slaughtered or forcefully relocated to “Indian Territory” in Oklahoma. When I look upon the lands where I was born, lands that are still the subject of many extraction activities, I have to recognize the colonialist legacy that produced me. That’s the cultural and historical reality of the blood that moves through my veins.  Regardless of how much I have personally worked to reconnect with the land, I cannot deny or change this history.  My ancestry offers me little positive spiritual “connection”, historical or otherwise, to this land.  So I return to my original question, “How, then, can I, as a white druid, build a relationship with nature?”

Acid Mine Drainage--a local stream demonstrating the cultural legacy of white people in this region

Acid Mine Drainage–a local stream demonstrating the cultural legacy of white people in this region

 

Probably the worst way to answer these questions is to engage in cultural appropriation. When we look at the above–it makes sense that no white person wanting to connect spiritually with nature wants the cultural and historical baggage that being white on this soil brings. (For the record, it doesn’t matter if we want it, it is ours and we need to acknowledge it and work to right these wrongs). And so, a white person might be drawn away from their own cultural traditions, which offer no spiritual connection to the land, and instead, attempt to shift themselves into a different relationship with nature. Some people choose to do this, most unfortunately, by trying to appropriate various Native American traditions. Some have tried to spiritually practice like a Native American, of appropriate Native American traditions or beliefs as their own, or, in the most extreme cases, even claiming to be offering ceremony in a Native American way or in the way of a specific tribe. Native Americans call such people who appropriate their traditions “plastic shamans”; and I think the term is apt. In other words, these white people are attempting to claim the relationship to the land that only Native Americans have a right to. Understanding this issue as tied to relationship, the appropriation is not just about appropriating specific ceremonies or traditions, but really, it is an attempt to claim that indigenous relationship to the land and her spirits. (There are exceptions: in some limited cases, a white person has been welcomed into a tribe or by an elder and taught with intention.)

 

The relationship metaphor is a really useful one here for breaking down why cultural appropriation is so problematic and why cultural appropriation should have no place in the druidry–or any nature-based spiritual practice–of white people. You might think about your current relationships you have with other people: each one is unique, each one is different. Your immediate and extended family and friend network are all relationships cultivated over a long period of time. Each person in you know has a different relationship with you than any other person. Maybe one friend is fun to hang out with and chill out, but another one is a good travel partner, and still another you can share your deepest secrets with. If you have a partner or spouse, certainly, that relationship is very sacred and very unique.  You wouldn’t want another person to try to barge in and claim your spouse as their own–you would rightfully be defensive, angry, and demand that person stop. That’s essentially what I think appropriation is–taking someone else’s relationship with the land and claiming it as yours. It is no wonder that people whose traditions are subject to such appropriation are rightfully upset about it.

 

Further, relationships are complex and nested. I’m individual, yes, with my own ethics, spiritual path, and decisions to make. I’ve worked hard to build my relationship with my local land over time.  But I bring with me–in the very blood that flows through me–the DNA of my ancestors. I bring with me, for good or for ill, that cultural legacy and that history, the choices that they made, and I am living the benefits and consequences of those choices. As a white person, I simply cannot hope to have the same kind of relationship that a Native person has on this land today–because relationships aren’t just about individuals, they are about cultures and generations of people. Under no circumstances could I *ever* replicate someone else’s cultural relationship to the land, even if I tried.  Not only is trying to do so problematic from a cultural, ethical, and historical standpoint, it is deeply problematic from a spiritual one (and I don’t think the land spirits are having any of it).

 

My druid's garden full of sacred plants!

My druid’s garden full of sacred plants!

Now, let’s take a look at a very specific plant example here, to further illustrate my point. A few posts ago I wrote about the issues surrounding white sage and other at-risk plants. Let’s dig into white sage specifically, as it is an American plant used by a number of native traditions. There are a lot of different perspectives surrounding white sage and whether or not white people should use it.  These perspectives range from “don’t even look at this plant if you aren’t native” to “buy white sage from natives and support them” to “anyone can use this plant for any purpose.” I think the first line of reasoning suggests that only one culture can have a relationship with a plant that grows broadly, thus, cutting off that plant medicine and spirit to anyone else. As a druid, I see all of nature as sacred, particularly, the nature growing in my own ecosystem, and I think each person and culture can build new relationships with plants. At the same time, I also think the last perspective is problematic, as that is the source of white privilege and cultural appropriation.  What I see as the thing here is acknowledging that other cultures and people may have a specific relationship with a plant, and it is not ok to try to mimic that relationship with a plant. Instead, druids and others can build their own relationships with plants–relationships that are their own. White sage certainly has chemical properties that may help clear and heal. However, native tribes, such as the Luiseno and Cahuilla people in California, built up a very sacred relationship with white sage over millenia. Someone who is not part of that cultural legacy has no right to try to claim that specific relationship with white sage. This goes back to why indigenous peoples get upset when white people try to appropriate their plants and ceremonies–its trying to lay claim to a spiritual relationship that belongs to a culture.  If the plant’s use comes from a cultural tradition that you can rightfully access, then great, access it.  But if it doesn’t, those doors are closed to you, and you will never have a key. But it will be yours.  But what you DO have the ability to do is to create your own relationship.  It will be a different door.  It will be a different relationship. It will be a different key.

 

 

The land, her spirits, here in the US, even after all that is happened culturally, welcome relationships with white people.  But for white people living here, these must be *new relationships* and they need to be built upon acknowledging and honoring the past, building trust, and about repairations, accountability, and building trust. It is up to each of us to forge those connections, and for larger druid groups to start to do that on a broader, generational level. In other words, white people have build those relationships ourselves, and they are going to be inherently different looking because of our own identities, cultures, and histories. This is why talking about cultural appropriation matters–because we have our work cut out for us, and there are no easy short cuts. If we want to build deep, meaningful, and lasting relationships with the land here, we’ve got to do the work from the ground up. If we are appropriating someone else’s culture and spiritual practice, we aren’t doing the hard and necessary work of relationship building for our own tradition–hence, we are perpetuating more colonizing behavior.

 

So, as white druids living in 21st century American soil, we have a lot of work ahead of us.  I see at a number of things that we can do to build our own traditions and relationships with this land, and offer this list as a starting point.

 

A love of the land and nurturing of spirit

A love of the land and nurturing of spirit

Become a nurturer and healer of the land. Reject the cultural values of exploitation and colonization that have shaped white people’s legacy here on American soil. Instead, work to reduce your own ecological footprint, learn to heal the land (through permaculture, sustainable living, conservation, other means), and develop a very different relationship with the physical landscape than other white people, past or present. Relationships with spirits are mirrored on the physical world. To get the land and spirits to trust you, to recognize you are different than other white faces that have come before, you have to behave differently–outside of the typical behaviors of exploitation. This is part of breaking down the past cultural legacy and establishing new patterns.

 

Honor the ancestors of the land and recognize those who came before you on this soil.  I think there are lots of ways to honor the ancestors of the land, and here are a few of those that I use.  First, learn about who the ancestors of the land where you live. Learn about who they were, what they did, how they lived, their stories, and what happened to them. For example, the peoples who lived where my home is located now were Osage, Shawnee, and Susquehannock. Today, the Osage and Shawnee are in Oklahoma, which is where they were forcefully moved by the US government. The Susquehannok are said to be extinct. (To find out who used to live in your region,  you might start with this site.) Once you know about them, find some way of honoring them regularly: perhaps say their names at the start of your rituals, create a shrine, or do an honoring ceremony as part of your practice.

 

Support and recognize the rights of indigenous peoples today. If there are still native peoples in your area or region, find ways of supporting them–if they need someone to come to a fight or take a stand, be that ally.  If there are not native tribes in your area, consider finding a cause that you can assist in that supports the rights of indigenous people regionally or globally. For example, I donate regularly to an organization called Cultural Survival, which fights globally for indigenous peoples’ rights. I also subscribe to their mailing list, which often has items you can take action on and keep you informed about global developments. I also think, as a white person, it is really important to do the “ground work”  to speak up for indigenous rights. Have compassionate conversations with other people about cultural appropriation, indigenous rights, and history.  Talk about these issues.  Recognize your own flaws and misjudgments.  Apologize. Learn and grow.

 

Recognize that we are building relationships, over time, in a new way. Because we are white people on US soil, we have very little to build upon. We are here, inventing and growing this tradition organically, a tradition imported from white ancestors, yes, but from a far off place. While this is a major challenge before us, it is also a really exciting opportunity.  In permaculture terms, we talk about the problem being the solution–in this case, our problem allows us to build something anew.  Something that responds to this time, this place, and honors our own path as white druids in the 21st century while not dishonoring those who were here before us. This requires us to deeply invest our time in learning about the land through building nature wisdom, nature connection, and our own rituals.

 

I hope this piece is helpful for those white druids who are struggling with these issues.  For this post, I am indebted to members of Sun Spiral grove, who spoke with me at multiple settings about these issues, and including members of the grove who read and offered me feedback on this post.  I also realize and recognzie that there may be things I haven’t thought about.  This is a tough topic, and I appriciate your respectful feedback. Blessings!

 

Druidry for the 21st Century: Plant-Based Spiritual Supplies and Global Demand March 24, 2019

Can you even imagine druidry without plants or trees?  Plants and trees are some of our strongest allies for the work that we do, and are often connected to almost everything that we do spiritually. Plant spirits are teachers, guides, and allies.  From before we had recorded history in any culture, the plant spirits were there, growing with us, guiding us, healing us, and supporting us on our journey. Today’s modern druid practice continues that tradition: we burn plants for smoke cleansing, clearing, and helping to energize spaces. We use trees as part of divination and sacred rites. We use plants as healers, for magical healing and physical healing, and to connect with on deep levels.  Plants have long been friends of humans–and have long walked beside us, hand in hand, as we do our sacred work.  And today, we’ll explore ways we can offer that same kind of honor, respect, and nurturing in return–on both a local and global scale, given that we are in the age of the Anthropocene.  For other posts in this series, please see Druidry for the 21st Century, Druidry in the Anthropocene, and Psychopoming the Anthropocene.

 

In the age of the Anthropocene, given the strain on many ecosystems and species, it is necessary to be an “ethical” consumer–both reducing overall consumption, and when it is necessary to buy, knowing where our goods come from, who makes them and in what conditions, and what we are really supporting. This behavior, in turn, helps certain ethical products and companies succeed and creates less demand for unethical and damaging products. In the progressive circles, the idea of “voting with your dollars” comes to mind.  We see this movement in food (local eating), clothing, electronics, and many more kinds of goods. There are good, bad, and ugly choices out there, and making ethical choices helps promote better livelihoods and protects ecosystems.

 

Ginseng my family grew

Ginseng my family grew

With over half of the world’s species in serious decline, threatened, or endangered, I don’t think we can simply enjoy using whatever we find in the local pagan shop (even if we want to support that shop!). When you walk into one of these shops, or start browsing online, you can find literally thousands of places that are selling palo santo, white sage, sandalwood, and many other critically endangered plants.  These plants are critically endangered because of their overuse, particularly by people who are far disconnected from their growth, harvest, and ecosystems. I’d like to suggest that we take the wisdom of the “ethical consumer” movement and apply it to the purchasing spiritual materials.  This is particularly important for druidry and neopaganism, where it isn’t just about the physical, but also, the spirit. Ethical plant use, where we know where the plant comes from, how much of it remains, and how our own choice of using this plant is a necessary part. While I’m focusing on plants today, I want to add that this really applies to any goods we may use as part of our spiritual practice from two angles: the physical and spirit.

 

The Physical: Land, livelihood, Indigenous Practice, and Ecosystems

I already grow and use a lot of my own herbs for spiritual and medicinal purposes, but occasionally, still enjoy the choice rare ingredient that I purchase or that is given to me as a gift. For example, the other night, I was burning a piece of Palo Santo that a friend had given me as a birthday gift and got the distinct question, “do you even know me?”  The answer was, shamefully, no, I did not.  So I started to research it, I found a host of material that suggests that the ethics of Palo Santo are all about the sourcing:  it can be harvested ethically and be used to support native peoples and ecosystems, or it can be stripped bare.  In holding my own piece of Palo Santo wood, I realized I couldn’t answer the important questions: where did this come from? How was it harvested? Who harvested it?  Who profited from it? A few days later, after doing some research, I saw a post shared by a friend on social media.  This post came from a woman native to Colombia who said that Palo Santo was being stripped from her forests, and begging people to stop using it.

 

Palo Santo is hardly unique in this respect–there are so many plants that are now in global demand due to their uses for medicine or spiritual purposes. The work of Kelly Ablard is useful here.  Her website details information on essential oil plants and their conservation status. As she describes, as global demand for certain plants rise, the plants become so lucrative that are over-harvested and can be poached, reducing biodiversity and threatening local people’s traditions and livelihoods.  As the link I shared in the last paragraph about Palo Santo harvesting suggests, in purchasing plants for spiritual supplies, you can make choices that encourage biodiversity, enhance people’s livelihoods, and support life.  Or you can make unknown choices, which are almost *always* the bad ones.  Knowledge of sourcing is critically important.

 

I have witnessed the vicious cycle of over harvesting driven by global demand firsthand here in the Appalachians, such as the case of wild ginseng. When I was a child, my grandfather used to come back with beautiful wild ginseng roots, and we would brew up ginseng tea and enjoy it as a special treat.  I remember those roots–the look of them, the feel of them, the energy of them.  He would only every bring back a small amount, as he was tending his wild patch long-term so that, as he told me once, “my grandkids will be able to harvest this as I did.”  However, the patch was stripped bare by ginseng wildharvesters (I call them poachers) ages ago–every last root was taken.  A good quality dried American Ginseng root, wildharvested, currently goes for between $500-$800 a dried pound, and there are many ginseng dealers that will pay top dollar for anyone who can deliver.  They don’t care where it comes from, only what they can make from it (and the demand for ginseng is growing). So what happens is that people–usually poor people, out of work due to our poor economy–literally scour our mountains for Ginseng, Black Cohosh, Reishi, and other in-demand medicinal plants–and when they find them, they harvest all they can. Over the years, I have covered thousands of miles of forests, nearly all of them here in the Appalachians.  And I’ve never seen a single wild ginseng plant.   The demand for ginseng is primarily from China–a far off place wanting to pay top dollar for high quality ginseng.  Chinese people buying American ginseng have no idea what it is doing to the  wild ginseng populations here.  And so locals here don’t even get to see the plant, much less, build a relationship with it–it is no longer part of our forest ecology. That same story can be told about many, many of these in demand sacred plants–and I think its useful to see that this overharvest problem can happen anywhere, even in “developed” nations like the US. (In the case of ginseng, I will also note that a new forest-grown initiative is helping change the way ginseng is harvested, which is great–but not enough to restore wild populations).

 

Sacred cedar

Sacred cedar

The “Wildharvest” label is fraught with problems. I have spoken to a lot of people in teaching herbalism classes who think it’s better if its wildharvested. I say, “better for who?”  Certainly not better for the plant population!  Wild harvesters who are harvesting for profit have a wide range of practices and ethics. You have no idea what the total population of the plant is, you have no idea how many different wildharvesters came through an area, or how many they take.  A farm, on the other hand, is growing and harvesting there for the long-term, harvesting each year and conserving populations.  Here, most of our wild harvesters looking for ginseng are folks that are out of work and pretty desperate for cash, particularly because of the long decline of the rust belt economy.

 

Knowing which plants are of particularly concern and how they are harvested is also an important part of this process. One good source of information on some plants in North America is the United Plant Savers; just this year, White Sage was added to their list due to wildharvesting and overharvesting.  Ablard’s notes critically endangered plants by region. These include Palo Santo (Peru), Juniper Berry (from Morocco), Sandalwood (Timor Leste), Spikenard, and Agarwood. Her lists also include sweet almond, olive, cedar, elm, and sassafras (in certain locations), and Eastern Hemlock here in the USA.  A lot of plants that are endangered are “whole plant” harvests; ginseng being a good example–if harvesting wood or roots, or all of the aerial parts of a plant, what is left of that plant afterwards?

 

The other piece of this is cultural appropriation. While smoke cleansing (what are commonly called smudging or smudging ceremonies) of all kind are used widely in global traditions (such as this delightful German practice that Christian Brunner describes on his blog) the use of particular plants for smoke cleansing is tied to certain indigenous practices.  White sage has been in the spotlight recently as one such plant. Increased demand for white sage use are driving up the prices of white sage, and reducing native access to wild white sage (due to commercial wildharvesting), and putting white sage plants themselves at risk. Even the term “smudging” is coming under question as a term that appropriates a native practice; see this perspective shared here. I think the key takeaway here is that some of these plants are tied to indigenous traditions, and should be respected as such, particularly when it comes to specific ceremonies and/or wild populations under use by indigenous peoples.

 

In the end, the questions I keep coming back to are: Is it right or ethical that we use these plants to the point of their extinction? Is it right to create such demand for plants that native peoples who depend on them for spiritual practices and cannot find them to use?  Can we find a better way?  These are important questions, but just as important are the spiritual implication of sourcing of plant material.

 

Spiritual: Energy, Honoring, and Connections

Even if we put every physical consideration aside, there is still the matter of spirit–honoring the spirit of the plant, working with the spirit of the plant, and connecting to the spirit of the plant.  Attending to our connection and relationship with the spirit of a specific plant we are using spiritually matters if we want our spiritual practices to have effect.  Sure, I could wave some rosemary and sage around to “clear” my room before doing a ritual, but if my relationship with sage is one rooted in blind consumption, and not connection, is that sage really going to want to support my efforts? What energy tied to the plant’s harvest and sale, is being brought in at the same time?  The way in which the plant was obtained has a direct relationship with the connection–and depth of connection–I am able to have with the plant.  If I purchase a plant from an unknown source, I am bringing all of the energy of that source into my spiritual practice.  Who harvested it, how it was harvested, how it was handled, how it was sold, how it was transported–and in the case of poaching and overharvesting, that may be energy I very much do not want to have in my life.  What was that plant’s life–and harvest–like?  Was it done respectfully? Was it done in a sacred manner?  If not, do I even have any hope of connecting with it spiritually? These questions are critical in developing spiritual practices surrounding plant use.

 

Anytime we use a plant as part of our sacred practices, we are building relationships with that plant.  Plants work physically and spiritually, but for many of the deeper spiritual uses, they really do require a deep connection.  For example, many herbalists, understand and quietly share about entheogenic properties of Calamus (Sweet flag). You can’t get there with a single huge dose of Calamus. You have to connect with the spirit of the Calamus, build a relationship with it over a long period of time.  As part of this, you have to work with the plant, tend it, plant it, spend time with it, meditate with it, and ethically and respectfully harvest it. At some point, sometimes years or decades later, Calamus open you up for visions and experiences. This isn’t something you can buy or purchase or force to happen–it is something you cultivate over time.  Calamus offers you a process of initiation–and it must be done with the utmost respect and patience.

 

The need to cultivate deep relationships to really “know” a plant and use it for good spiritual effect is necessary for  every plant we might work with spiritually.  Each plant offers us an initiation into its own mysteries, teachings, and magic; and having those initiations will allow you to use the plant to its full magical or spiritual effect.  However, we have to build that relationship.  It’s hard to build a relationship with a plant that has had suffering, death, and pain as part of its sourcing. In the case of some plants, sure, you can use them spiritually, but you aren’t ever going to breach that barrier into deeper work if these other concerns are present.  I can burn my piece of Palo Santo, and it smells nice and produces a calming energy.  But that experience is very surface.  But under no circumstances, could I ever build a deep relationship with that particular wood, given the conditions under which it was harvested and the energy that it now carries with it.

 

Ethical Plant Use in the Anthropocene: Purchasing, Growing,  and Wildharvesting

 

Given the above, I’d like to advocate for the key practice of ethical plant use in druidry and other neo-pagan paths.  By the term “ethics,” I draw upon permaculture‘s three ethics of people care, earth care, and fair share.  People Care encourages us to think about the sourcing of the plant (if you are not growing it yourself) and how the harvest of this plant is tied to local communities and local labor.  Earth Care asks us to consider how the harvest of this plant may have affected the plant and plant species itself as well as the broader ecosystem where the plant grows. Fair Share  asks us to take only what we need of the plant, and certainly, to make sure this plant is available to indigenous peoples who might depend upon it–fair share can take place both on and individual level or a cultural level. Now let’s consider a range of alternative practices to simply “consuming” plants.

White spruce resin, locally harvested from my land

White spruce resin, locally harvested from my land

 

Substitutions: Yes, palo santo, frankincense, sandalwood, and so on smell amazing–but do I really  need these specific plants? Can I instead use local plants that are growing in your own ecosystem, or even backyard? For example, I brought back a small amount of Frankincense when I visited Oman a few years ago and have been slowly using it, but learning what I have about Frankincense and the disappearing frankincense trees, I will not purchase any more.  Frankincense cannot be cultivated commercially, and overharvesing is killing trees–and will severely impact cultures that depend on it as part of their cultural and religious traditions.  I have already replaced Frankincense  with locally harvested white pine resin, which has a similar smell and similar energetic qualities–and which I can harvest myself, thus, cultivating a deeper relationship with white pine and my local bioregion.

 

Ethical Purchasing: Earth Care, People Care, and Fair Share. Purchasing is still on the table, but it should be done with ethics in mind.  Some purchases are very good, and can support initiatives that help honor the plant and build livelihoods and ecosystems for local peoples. If you are buying locally or online, before you buy, ask some good questions to ensure an ethical and sustainable harvest.

The questions I like to ask before purchasing are:

  • Where does this plant come from?  (Look for places engaged in sustainable harvesting, like this example from Fair Trade Frankincense)
  • How is this plant harvested? (Learn about your plant. Root or wood harvests are most damaging, and can often kill the plant, but other harvests, like leaf or resin, may also be extremely damaging, particularly if they harm the plant or prevent it from going to seed.)
  • Who harvested this plant? Under what conditions? (How are individuals, cultures, and communities impacted by this harvest?  Be skeptical of a “wildharvest” label, recognizing the lack of oversight for many wildharvesting operations.)
  • Who is profiting from this plant?

If purchasing locally, if the shop owner can’t tell you the answers (especially to the first three questions below), perhaps encourage that person to consider a different source.  If buying online, you can ask the same information if it is not available.  For Palo Santo, for example, Mountain Rose Herbs describes exactly where they get their Palo Santo and their conservation efforts. If I wanted more Palo Santo and it was very important to my practice, I’d want to get it from this kind of source–where I am not only supporting a local farm in Equador, but also supporting the replanting of Palo Santo trees.  To me, this is critical–a good purchase can do a lot of good and support people care, earth care, and fair share.

 

Ethical Growing: The easiest way to manage a population and cultivate deep relationships is to grow it yourself, if you can. For example, I never buy white sage, but I love the smell and I do like to use it as part of certain incense blends that I make and use regularly.  Thus, I grow it myself, and try to let some of my plants to go seed so that I can sustainably grow it in the future.  Even if you don’t have land to grow large amounts of plants on, you can still grow a number of your own magical herbs.  In fact, many garden herbs are potentate magical allies and readily available for purchase in the spring.  A pot of rosemary, sage, white sage, bay laurel, thyme, or lavender would all be a very useful culinary, magical, and medicinal ally–and you build your relationship considerably with each time you tend the plant.  You can also grow many things outdoors, if you have the space.

 

Ethical Wildharvesting: Some plants, and trees, are harder to grow in pots in your windowsill or garden but certainly can be wildharvested ethically, taking only what you need, helping populations grow by spreading seeds, and tending the land that supports the plants.  I like to wildharvest plants on private lands (asking landowners, developing relationships with them) so that I know exactly how many people are harvesting there and how much is being taken.  Harvesting on public lands presents a much larger problem because even if you take only a little, you are never sure how much is being taken by others (hence, my ginseng example above).  For more on tree incenses and resins you can harvest from North America based on my own research, see this post.  For more on how to create wildharveted and home-grown smudge sticks for smoke cleansing, see here and here.  For more on how to learn foraging and wildharvesting, see my series here and here.

 

I hope this has been a helpful way of thinking about how to respond to the Anthropocene–it might seem like a small piece of the larger puzzle, but it is a piece we have a lot of direct control over. For these populations of plants, communities, and ecosystems, making ethical choices, reducing our demand, and practicing people care, earth care, and fair share may make all the difference.

 

Spring Equinox Rituals: Rituals of Looking Back and Looking Forward March 17, 2019

Sometimes, when we are hiking on a trail, we are in a hurry to get somewhere–that far off vantage point, that mile marker on the map, or just seeing what is over the next horizon. I remember hiking with some friends who regularly backpacked; they were so intent on speeding through the woods to their goal and putting the miles behind them that they  left me behind at multiple points as I got off the trail to explore something. This “speeding towards a goal” is, perhaps, part of who we are as humans, and certainly, a product of Western Civilization, which is so growth and progress oriented.  Even with our spiritual practice, we can be so intent on focusing on a goal (that next grade or degree, for example) that we forget about the journey itself.  On this trail, the day I took this photo, my intuition told me to pause and turn around. I stopped, turned around, and there on the opposite side of the tree was a beautiful specimen of my favorite mushroom, Chicken of the Woods.  Had I kept on going in the direction, I never would have seen the mushroom, and I would have missed my dinner.  All it took was choosing to look behind me that allowed me to find it!

Trail through the woods

Trail through the woods

 

The Spring Equinox offers us one of two “balance” moments in the wheel of the year, where the light and dark are in balance, where we sit between the threshold of the dark half of the year (what is behind us) and the light half of the year (what is in front of us).  As a balance point, but also as a time of year that is “gaining” energy, I find that the Spring Equinox is my favorite time of the year for a pause, a chance to stop on our trail, and simply taking in where we’ve been and taking a chance to think about where we are heading next.  So in this post, I’m going to detail an activity (that you can ritualized, as I do) to take that moment of pause and reflect back on your spiritual journey, and what’s to come.

 

Reflection is when we consider, ponder, and look back upon things we previously experienced. Reflection helps us understand where we’ve come from, and helps us, to some extent, figure out where we are going next. Just like many of our sacred holidays in the druid tradition allow us to “pause” and experience the moment in time, so too does doing this kind of reflective work for our own spirituality  Reflection is a critical component of any spiritual practice; it helps us grow deeper and more intentionally.  Some reflective practices simply reviewing what has come before–while others encourage goal setting or envisioning the future to come.  Reflection can be done in a multitude of ways: through spiritual journaling, through mediation, through sharing stories with others.

 

All of the following activities are “ritualized” ways of reflection; that is, they are engaging in reflection as a sacred activity, part of ritual and certainly, part of spiritual life.

 

A Spring Equinox Ritual of Reflection and Growth (Solitary)

This first ritual is a way to reflect upon your journey–it is meant to be a solitary ritual.  I’ve done this ritual for a number of years (not every year, but usually every other year) and it is a very powerful experience.  Budget at least an hour or two for the ritual itself–it can sometimes take time to reflect.

 

Ritual Supplies and Preparation

Materials for Reflection and Your Journey. To do this ritual, you’ll need to gather up any spiritual journals or notes that you have.  If you belong to a druid order like OBOD or AODA, you might also want to get any end-of-coursework reflections that you wrote.  For the ritual, it will be helpful if you put these journals in chronological order (especially if you have a lot of them!  If you are starting out, you may only have one, and that’s fine too!)  Additionally, gather up items of spiritual significance to you.  You don’t need everything here, but think about highlights–these could be items that helped mark the start of your journey or helped you on the path.  They may be new or old.  Bring them into your ritual space.

 

Rosemary from the Plant Spirit Oracle

Rosemary from the Plant Spirit Oracle

Rosemary tea or springs of fresh rosemary. Rosemary is a powerful herb that helps us with remembrance; it is a very useful plant spirit ally to use in this ritual. I suggest preparing some rosemary tea (place about 1 tbsp of rosemary (dried or fresh) in 1-2 cups boiling water, let seep for 5 min, and then add honey or sugar).  Alternatively, you can use a rosemary incense or have fresh sprigs of rosemary nearby. You can easily obtain this even at a grocery store, and the ritual is much better with Rosemary as an ally!

 

Other Objects: Elements, etc. Prepare an altar with the elements and/or representations of any other energies or spirits/beings/deities that you work with.  You want anyone or anything that has been with you on this journey to join you for this work.

 

A Journal/Paper and a Pen: For writing as part of the ceremony.

 

Spiritual Cleansing:  I strongly suggest before doing the ritual itself, you do some kind of cleansing.  Smudging yourself with rosemary and sage smoke, taking a ritual bath, and so on, are all possibilities here.

 

The Ritual:

Part 1: Open up a sacred space:  Open up a sacred grove in your tradition (if you don’t know how, there is an overview in this post).  This typically involves cleansing the space, declaring your intent, declaring peace, drawing in the elements, and creating a protective circle or sphere.

 

Next, invite anyone (spirits, guides, plants, elements, etc) into the space that you would like to come with you on your journey.  Take all the time you need to do this; its important to have your spiritual support for this ritual.

 

At the end of the opening, sip your rosemary tea or crush a few rosemary needles in your fingers and smell them.  Call upon the sacred power of rosemary to assist you in this journey.  You can say anything that comes to you, or use this:

Rosemary, holder of the keys of memory
Rosemary, keeper of histories of time
Rosemary, holder of insight and reflection
Rosemary, sacred plant ally, help us remember.

Drink your rosemary tea and enjoy it throughout the rest of the ceremony.

 

Part 2: Creating your Physical Journey Map. Once you have your sacred space open, begin by arranging your objects and journals around you chronologically. Use a table, the floor, etc.  When I do this, I usually use the floor and surround myself with objects on all sides.  As you are arranging, think about when these things came into your life, and begin by creating a “roadmap” of where you’ve been, something you could physically see. Take all the time you need to do this (and it doesn’t have to be exact!)

 

Part 3: Reflecting on your Journey.  Now that you have everything arranged in chronological order, spend time reflecting on your journey.  You might read selected entries from your journal.  As you pick up each journal or object, hold it and speak of it or meditate upon it.  Work your way through the entire “map” you created.  Note anything “new” you realize or, just as importantly, insights you had forgotten about.   Reading previous journal entries, I find, is really useful and helpful in this process–it lets me clearly see where I was and where I’m going next!

 

Part 4: Deep insights. After your reflection, consider any major insights you have from the experience of creating your map and reflection. Write these down; these deep insights.  These are the key lessons from you previous experience, and that which can follow you into the future.

 

Part 5: The Journey to Come. Now, reflect on the next year to come. The Spring Equinox is a time of new beginnings and starting new things, so you might consider what you’d like to accomplish spiritually in this next year–get these down in writing and put them somewhere that you will see them often.

 

Close out the Space. Thank Rosemary, thank those who you called, and close out the space.  As an additional way to honor rosemary, you might consider growing a rosemary plant this year as a way of remembering the past journey and honoring the journey to come!

 

 

Storytelling Ritual of Looking Back and Foward (Group)

This second reflective ritual is a great ritual for 2 or more people, and would be appropriate for a grove or even getting a few friends together.  The amount of objects or journal entries shared largely depend on how many people you have in the group–obviously, 2-3 people can each share a lot more than 20 or 30 in a larger setting!  You can also change the theme of the ritual: today’s ritual focuses on reflecting on past spiritual journeys, but you could have them reflect on gifts others have given, ancestors, favorite plants, etc.

 

Ritual Preparation:

Memory/Storytelling Objects: Instruct each person who is coming to the ritual to bring objects or journal entries about key moments in their spiritual life.  These should be objects that hold some significance to the person.  Even in a larger group, if a person can’t share all that he/she/they brought, they can still have these objects with them–the selection process itself is sacred.

 

Prepare an Altar Space: Create a large altar space, something that everyone can add their objects to during the ritual.  A folding table with a nice tablecloth works great.

 

The Ritual:

Open up a sacred space:  Open up a sacred space in whatever tradition you use.

 

Honor Rosemary. Honor Rosemary and invite her spirit into the space. Bring rosemary physically into the space in some way:  you can asperge each participant with rosemary (take rosemary and dip her in water, and then lightly fling the water on each participant or lathe their forehead with it).  You can also offer rosemary tea or a rosemary smudge/incense (even rosemary needles burned on a charcoal block work great!)

As you conclude, all participants say:

Rosemary, holder of the keys of memory
Rosemary, keeper of histories of time
Rosemary, holder of insight and reflection
Rosemary, sacred plant ally, help us remember.

 

The Storytelling. Depending on the number of people, there are a few ways you can do this.  With a small group, you might go around the circle, and each person talking about their key object they brought and telling their own story, and then adding it to the altar.  With a much larger group, people could break into several groups, which would allow each person more time to tell their story.  After the groups reconvene, they add their objects to the altar.

 

Looking Forward: Each participant gets a sheet of paper and a pen, and then can write their spiritual goals for the coming year.  The goals can be shared aloud if participants choose or simply kept quiet.

 

Close out the space. Close out the space in your usual fashion.

 

Life Journey Ritual (Solo)

Life is a journey!

Life is a journey!

A final ritual you can do doesn’t use objects, but relies on the mind and memory itself.  For this ritual, prepare the rosemary as described above and open the sacred space.  Then, step back into the beginning of your spiritual journey–where you started in childhood, the different paths you took, and how, ultimately, you ended up here.  Spend time reflecting and remembering each major step you took–and then reflect on things to come.  This journey can take a lot of forms and end you up in really interesting places!

 

 

Final Thoughts

There are a lot of variations you could do with these rituals, but I think the core ideas are there: spend time journeying into your past, integrating the many experiences that you have had, and then moving forward into the present so that you can fully make use of the amazing spiritual insights and lessons that you have gained.  This technique is useful to you at *any stage* of your journey–and you get different things out of it.  I remember the first year I did it–as a new druid–and reading my journals after just a year was incredible.  Now, nearly 15 years in, its hard to believe how far I’ve come and exciting to think about where I’m heading next.  May the blessings of the spring equinox be upon you!