Category Archives: Earth

Building an Earth Oven, Part II: Insulation, Finish Plaster, and Cob Mosaic

Friends enjoying the hot oven

Friends enjoying the hot oven

In last week’s post <LINK>, we began exploring the build of an earth oven.  An Earth Oven is a simple structure, made of clay, sand, straw, stone, and fire brick, that you can use to cook foods in a traditional way.  Last week’s post walked you through the first set of steps for building your oven.  In this post, we’ll finish the build, troubleshoot, and talk about how to bake in your oven.  When we last left off, the oven was drying after building the dome.   What is left to do is to add a layer of insulation and a finish plaster, and then offer the oven protection from the elements (an upcoming post cause I don’t have that last part done yet!)

Insulating Your Oven!

Mixing cob insulation layer--keep on adding straw until it barely stick together!

Mixing cob insulation layer–keep on adding straw until it barely stick together!

Once your oven is fairly dry, you will need to add an additional layer of insulation to the oven.  Insulation is critical for the success of your oven, as this determines how quickly the oven heats up and how long it holds heat.  If you want to bake 10 pizzas in a row in the oven, an insulated oven may be able to do it, while an oven with less insulation wouldn’t hold the high temperature long enough and you would have to repeatedly build fires. There are a few things that work and, as I discovered, some things that don’t work, for insulation.

One of the tried and true methods for insulation is to mix your cob with as much straw as possible so that it just barely is holding together. Straw itself has a lot of holes that trap air, so a layer of mostly straw will trap air, creating insulation. You want STRAW here and not hay (straw has many long and thin shafts with air in the middle; hay is basically dried grass).  If you get creative, you can also add lots of glass little bottles to your oven to get even more insulation.  I had read online somewhere that sawdust also makes a good insulation layer–this did not hold true in my experience.  I added a layer of sawdust-cob mix and it had very little insulating properties, so I had to add a second insulation layer.  So let’s add that layer!

To do this, you will mix up your cob, keeping it a little wetter than normal.  Take clean straw and, if you can, use scissors to cut it up if it’s really long (anything over about 12″ in length you can cut down a bit).  This makes it easier to cut it.  Then you mix it in and get ready to add it all over your entire oven.

My big mistake here is that I thought sawdust would be insulating enough, so my friends and I put on a layer of sawdust (and artwork) that we ended up having to cover up.  Ah well!

For extra insulation, I also added some small bottles; these created bigger pockets of air for extra insulation.  You don’t have to do this.  I had a bunch of bottles that I was having difficulty cleaning after they had tinctures in them for a long time, so I decided to put them to use in my earth oven.  You can see that in-progress shot above–the straw insulation with the extra bottles.

Goose helpers help to mix up some cob!

Finish Plaster and Decoration

At this point, you have a fully functional, very well insulated, earth oven. Now you can turn your attention to the decoration of your earth oven, the finish plaster, and figuring out how to put a good “hat” or roof on your oven. The reason you need to think about plaster and a roof is to protect it from the elements. This is an oven made of mud, and thus, exposure to the elements for any amount of time will damage it. Until you get your finishes on, you can put a tarp over it!

You have a lot of options for finish plasters and thinking about how to protect your oven.  Lime plasters are one option–here is a good introduction to lime plaster. If you do a lime plaster, you will have a nice breathable finish that is also very protective of rain and snow.

I made a cob-based finish plaster using a higher ratio of sand to prevent cracking. You will want to mix your plaster in advance and then do a test piece on your plaster to see if it’s cracking or not.  If it cracks, adjust your ratios (particularly see if you need more sand). You will also want to include a short fiber that is very strong. A lot of people use cattail fluff for this; but, I had an abundance of milkweed pods on the property (and I was already using the seeds for seed balls), so I decided to use the milkweed fluff and that worked great.

Plaster can be applied in a thin layer. What I did was to briefly wet down the outer layer (so that the plaster sticks) and then use a trowel and my hands to spread the plaster, about 1″ thick and smooth it out nicely. Here are a few steps:

Mixing my milkweed-based finish plaster–I felt like a frolicking fairy!

Wetting down for finish plaster

Wetting down for finish plaster

After I have started my final plaster–you can see the consistency of the milkweed plaster (a cattail plaster would look pretty similar).

Because I also wanted some artwork and decoration on my cob, I used the cob plaster to shape some nice spirals.  I saved up broken plates, cups, and bowls that had broken during regular use, and then I used a hammer to smash them up and give me smaller pieces.  I embedded these in the cob plaster and used a small sponge to wipe away excess.  When the plaster dried, I went back in and wiped it away again to clean up the mosaic pieces.

I’ll show a few detailed photos of the mosaic:

In this first photo, you can see how I shaped the finish plaster and added the spirals.  The finish plaster below this is still wet; if it wasn’t, I would have wetted it and also scored it with a stick or a butter knife to give the new plaster a bit to hold onto (just like you would do in pottery).  I added cob glue/grout to the inner area and kept adding a few pieces at a time. I did this with extra cob so that things would hold firmly.

Here you can see it as the mosaic progresses.

Now I’m going in and taking a wet sponge and sponging off most of the excess cob.  If there are areas that need more cob, I add it.  The idea is a smooth presentation.

Here’s what the finished mosaic and oven looks like!

The completed earth oven

The completed earth oven

Despite my best efforts, I still had a little cracking on my earth plaster, but I’m ok with that.  I needed to do a second test, and I didn’t, primarily because it was starting to get cold and I was running out of time to complete the build!

Sheltering your Earth oven

The final step for your earth oven is to create a shelter for it.  You either need a shelter or a finish plaster( lime plaster).  In temperate ecosystems with lots of rain and snow, a shelter is your best bet.  I am working on that final step this spring,  so I’ll share more about it once my friends and I finish that part.  It has taken some time because I’ve been harvesting lumber from the property–as trees fall down or are blown down by storms, I am gathering them up to use for my shelter.  This takes more time, but it’s also in reverence and respect for this land that had been logged before I came.

Final Thoughts and Troubleshooting

My oven has a crack! Nearly all earth ovens will develop a crack somewhere. That’s ok, and honestly, the crack can tell you a lot about the oven–as you learn about your oven, you will learn to read the crack to understand the temperature, etc.  This isn’t usually anything to worry about as long as you have built a strong structure.

Shrine on the path to the cob oven (that stone looks precariously placed but it’s actually quite stable! Kind of a cool optical illusion.

My oven takes a while to heat! Yes, it does.  This is not like turning on your fossil-fuel-driven oven.  Earth ovens take time and are absolutely ‘slow food’.  Because of this, you have to spend time tending the fire before you can cook.  To get pizzas, I start my oven about 4-4.5 hours before I want to bake.  If it’s below 40, I start it 5 hours before I want to bake.  This means every 30 min, I am going to tend my fire.  That’s part of the experience.  If you aren’t achieving baking temperatures, you probably need a longer fire.

My oven doesn’t seem hot enough. Get yourself an oven thermometer (the stand-up kind) and see what your internal temperature is.

I will be sharing more details about baking in the earth oven and some cool recipes to try in my 3rd post in this series!  Stay tuned.  In the meantime, I hope that this series has inspired you to get your hands in the mud and maybe build something or help someone build something.  Blessings!

Building an Earth Oven Part I: Foundation, Dome, and Structure

An earth oven is an oven made of cob (a mixture of clay, sand, and straw) with insulating features (firebricks, bottles).  It is an extremely efficient and sustainable method of doing any baking you might need to do. One firing of your earth oven can allow you to bake different things for hours (pizzas, breads, casseroles, vegetables, etc), and it takes only a small amount of wood to heat.  We fire ours by simply picking up deadfall sticks and branches, cutting them up, and that’s all we need. An Earth Oven is fully sustainable to build and to cook with, and you can locally source literally all of the materials for the oven (and in fact, minus fire bricks, you can probably harvest everything you need from your own land or the land around you).

The completed earth oven

The completed earth oven

An Earth Oven allows you to connect deeply with the earth itself, encouraging you to slow down, root, and ground.  It is certainly a nice example of “slow time” and “slow food”, as the oven takes a few hours to fire before you can bake in it, and it requires some learning.  With that said, the rewards of this approach way outweigh any challenges you might experience as you learn and grow.

 

The other thing about your oven that is rarely discussed is that it is truly a sensory experience.  Your earth oven will allow you to bake any number of delicious creations–and when you bake in it, the smell of the bread permeates the clay itself, and it has this incredible smell, unlike anything you’ve ever experienced.  Even on cold days, being near your oven will keep you warm (and your oven will stay warm for literally hours–possibly all night).  It is just such a wonderful thing.

Fire in the near-complete earth oven!

Fire in the near-complete earth oven!

Earth ovens are a wonderful kind of “hearthspace” where we can cook foods for ourselves and loved ones, use natural materials to build from the land and honor the land, and create a very sustainable and low-input cooking method that is a joy to make and a joy to bake in.  In this new series, I’ll offer full details about how to build an earth oven step by step!  This series will have three posts–today’s post covers materials, preparing the foundation, preparing the base, and creating the dome.  Next week’s post will explore insulating the oven and finishing the oven through a mosaic/cob, finish plaster, and options for doors.  The final post will explore how to cook in your earth oven and some tips and tricks I’ve learned in my first year with the earth oven.

 

Preparation: Materials

In order to build your earth oven, you will need to prepare some materials and do some prep work.  Earth ovens are not expensive to build–most of the investment is in your own time and labor.

Materials for building:

  • Stone and urbanite: You will need some kind of base for your oven; most people use local stone or even urbanite for a strong foundation.  Urbanite refers to waste materials like broken bricks, broken concrete blocks, etc.  You can use urbanite to “fill” the inside of your base and create a stable foundation.  I have also seen people build ovens on old large stumps or platforms.
  • Subsoil / cob: First, you will need access to your subsoil (that’s the soil that is not full of organic matter, but the soil below it). You will need quite a bit of subsoil, so make sure you have easy access. Once you have access to the subsoil, you will want to do some soil testing (which I explain in the link) so that you can be sure you have good subsoil to work with.  To access subsoil here, I found a tree that had gone down and uprooted itself–the roots and ground below it was full of all of the subsoil I needed.
  • Straw:  You will need a bale of straw for your cob.  Straw adds strength, can provide insulation, and can help hold your structure together.
  • Sharp sand. You may also need some sharp sand (known as builder’s sand) depending on what your cob tests reveal. You can get this from a landscape supply or building supply place.
  • Sand: In addition to the sharp sand as an additive, you will need sand to build your sand dome.
  • Newspaper: You will need 3-4 newspapers for your dome.
  • Bottles: You will need at least 20 wine bottles for insulating your base. These can be foraged from recycling bins, saved by friends, or even found at local restaurants. Depending on your structure, you can also use smaller recycled bottles to help with insulation (I did this, but some people use an only straw).

Tools for building:

  • Wheelbarrow or cart: You need something to move materials around your site.
  • Shovel: A shovel for digging subsoil and moving cob around.
  • Screen.  To prepare your subsoil, you will need to screen it of larger items (stones, debris, etc).  For this, you can build a simple soil screener (this also works great for screening compost!).  Make your soil screener large enough that it will sit over your wheelbarrow or cart that you will be using to move it.  I built mine with scrap lumber and 1/2″ hardware cloth.
  • 5-gallon buckets: A few buckets are super helpful.  They can move cob from where you mix it to your oven.  You can fill some with water to rinse your feet.
  • Tarps:  A small tarp will allow you to mix your cob.  You might want several, especially if you are doing the work yourself (I found that when I was doing the work myself, I would gather materials – screen cob, gather rocks, etc, on one day and then build on the next, so tarps were able to keep my cob screened and protect it from the elements).  You also will need a tarp to cover your cob oven until you can have a structure built for it.
Source of clay / subsoil - a tree that uprooted during a storm

Source of clay / subsoil – a tree that uprooted during a storm

Cob screen in action - this was built with scrap lumber and 1/2" hardware cloth

Cob screen in action – this was built with scrap lumber and 1/2″ hardware cloth

Other Tools and Materials:

  • Pizza peel (I created one from an old aluminum pan and an old rake handle)
  • Firing door and baking doors (more on this in an upcoming post)
  • Shelter structure

We’ll cover these last three in an upcoming post.

Preparation: Oven Size

You can decide how large of an earth oven you want to build.  There are many measurements in the Build Your Own Earth Oven which I used as a reference.  Here’s a simple diagram of the oven and dimensions that I used.  These allow you to figure out how large of a foundation and base you need and will determine the overall structure.

For example, to get good airflow, I created an oven that was 27″ in diameter, which included an 18″ high dome.  Your door should be 63% the height of the oven, or 11.5″ high.

Your oven can be larger or smaller, of course, depending on your needs.

Preparation: Selecting a site

I think it is really important to spend time selecting the right space.  Your space needs to drain well (especially if you are in a temperate climate that has snow/ice).  Your space also needs to be protected from the elements as cob is a natural material that will weather quickly if left without protection.  Your space should also align with your landscape (see setting intentions with nature).

Your oven should be somewhere easily accessible.  You will need to tend a fire every 20-30 minutes for four hours in order to have an earth oven hot enough for pizzas or other baked goods.  Thus, you don’t want to put it so far away from your house that its hard to tend the fire (but not close enough to cause any insurance issues!)

For my earth oven, I decided to build in a little nook on the edge of the property that leads into forest.  That provided both shelter from the elements (and it will get a permanent roof this year) as well as being pretty close

Preparation: Clearing and Foundation

To build your earth oven, it begins with a good foundation. Any cob structure should have “a good hat and feet”, and the foundation is the “feet” part of that equation.  Here is step by step how I built my foundation.

I began by measuring out my foundation – 46″ based on the height of my oven.   Then I removed all of the plant material (as described in this post); I worked to replant any material that needed to be replanted, etc.

Clearing the space

After clearing, I dug down 1.5 feet and added a gravel base for drainage.  Its hard to tell from these photos, but we are on a slight incline, so I made a drainage area to the left of what you see here.

Foundation of gravel

Foundation

Preparing and Mixing Cob

The next step is to screen and create your cob.   I went to my site with my wheelbarrow and put a 5 gallon bucket at a time in my screen.  Using a rock, I worked the cob through the screen. (More details about making cob here).

Screening cob

Screening cob

After that, I moved it to my building site and prepared to mix the cob.

Subsoil screened and ready to mix!

Subsoil screened and ready to mix!

To mix the cob, you will need an old tarp, two or more buckets of water (I like to use warm water!), and some happy feet.  First create a well in the center of your cob and, just like making noodles or dough by hand, then start mixing the cob with your feet.  You can use the tarp to flip the cob and keep working it.

For building, you will want to also add handfuls of straw (I cut the straw up so it’s a little shorter) and work that in.  Ideally, you want something with a good consistency that sticks together and isn’t too wet and crumbly.  You can add more water or more soil as you mix.  I have more detailed instructions on mixing cob in an earlier post.

Mixing cob

Mixing cob

You can also get others to help you–friends, children, or even geese.

Goose helpers

Goose helpers

Building your base

In addition to the cob, you will also need something to build your base up that is fireproof and stable–rock or brick is a very good choice for you. For my foundation, I used a mixture of cob along with locally foraged stones and urbanite (old concrete bricks that were broken and strewn about the property.) A good foundation and good base are critical to the success of your oven. You want to build your base high enough that it’s comfortable for you to fire and use the oven.  I kept mine pretty low cause I like to sit on the ground when I work!

I began by mapping out a circle (using a string and some chalk) and building the outside of the circle up using the cob as a mortar.  On the inside, I added my urbanite brick pieces and filled in all holes with smaller stones and cob.  Here’s the first layer.

Building the base.

Building the base.

As I worked, I continued to build up the stones on the outside.  Since I also planned some decoration, I had stones I had already added mosaic to that I wanted to include.  These pieces were made of mosaic materials leftover from both from doing my mosaic bathtub a few years ago + broken pottery and plates that I save.

My mosaic stones

My mosaic stones

It took me two building sessions, but the base continued to grow.

Base after adding mosaic stones

Base after adding mosaic stones

You can see that I’m building up the inside of the base as I build up the outside of the base.

Base before insulation layer

Base before insulation layer

At this stage, I have the base at the top level and as high as I want it.  You can see I am using a piece of wood and a level to check to make sure everything is level as I work. The next step is to add the insulation layer to the base.  The insulation layer is made up of a straw-rich cob combined with wine bottles.  Bottles offer insulation, which keeps heat from getting absorbed by the stone below.  Insulation is really an important feature of these ovens–investing the time to do insulation will allow your oven to be used in colder temperatures, hold heat longer, and heat up sooner (meaning you use less wood to make that happen).

Thick layer of cob in base

Thick layer of cob in base

I started this with a thick layer of straw-rich cob. Straw itself is insulating as it traps small amounts of air in it as it is worked into the cob.

Next, I layered the bottles with more cob in between each to create a solid foundation.

Bottle insulation

Bottle insulation

Here’s the bottles with more cob added

Bottles getting covered

Bottles getting covered in cob

After the bottle layer, I used the board to smooth out the layer and wait for the base to dry about a week before continuing.

The base is done!

The base is done!

Except that we have powerful raccoon activity, and that night, someone tried to dig up my base to see what was in the bottles!

Coon activity

Coon activity

I repaired the cob and then started putting a tarp over it at night to deter the raccoons until my base was a bit more dry.

Laying your firebrick

Firebrick layout

Firebrick layout

To start your hearth, you want to put down a fresh layer of cob so that you can set the bricks in carefully.  Slide the bricks against each other and make everything perfectly level.  To make an oven that is XXX” inside (which is enough to cook a few breads and two small pizzas, perfect for small groups or families) you can use fifteen firebricks in the following pattern (the two firebricks in the back were redundant and I removed them later).

Notice here that I’m also planning a lip to pull my pizzas in and out of the oven.

Circle for dome

Using a string, I made a circle to show me where to build the sand dome for the oven itself.   Now I’m ready to build the actual oven.

Creating Your Sand Dome

I think the most labor-intensive part of this entire process is building the dome and cobbing the dome. Everything else can be done in stages, but this really has to be done all at once. This part is a great time to invite some friends or family to help you if you are doing this on your own.

Start by mixing 1-2 large batches of cob (with straw reinforcement) and tarping that while you build the dome.

To build the dome, you will want a ruler (to test the height of the dome), newspaper, and a few wheelbarrows of sand.  I mixed my sand right in the wheel barrow and got it to a consistency where it would build up well.

Mixing the sand

Mixing the sand

Building the dome

Building the dome

So then, start building the dome, using the guide you drew.  I stuck a metal art ruler down the center of the dome so I would know exactly how tall it was (with a goal of 18″ tall).

As you get further along, you can take a small board and smooth and shape the sand dome.  PUll out the ruler, and you are ready to build!

The completed dome

The completed dome

Go head and coat the whole sand dome with a layer of thick wet newspaper (this creates a barrier both to keep the cob from sticking to the sand and gives you a sense of where to dig out later.

Now, you want at least a 2-3″ thick layer of cob all around the dome.  You dont’ want to press the cob into the dome, but rather, shape the walls downward with your hands.

Building the oven

Building the oven

Keep working your way up.

Oven build continued

Oven build continued

A lot of ovens have some kind of door area. We used old bricks to build our door area (planned out in advanced).  To keep the door balanced, we added two pieces of packing foam that we cut to the right size.  These were later pulled out when the structure was dry.

Building the arch

Building the arch

The arch proved a bit tricky–we layered sticks in between the sand dome and the foam arches and that provided enough stability until the oven dried.

Here is our completed first layer of the cob oven.

first layer of cob finished!

first layer of cob finished!

At this point, you will want to give your oven some time to dry.  We put a little pavilion over it and allowed the summer sun to dry it out.

Digging out the oven

The next step is to dig out your oven and light a few small fires to help dry out the inside of the oven. You can just use your hands, a small trowel, or a stick.  You want to be careful as you dig out so that you are not digging into the cob itself (hence why the newspaper barrier is so useful).

Digging out the oven

Digging out the oven

I used my shovel to remove the bulk of the sand and then got in there with my hands as I got closer to the walls. I let the oven sit another week after I pulled out the sand, and then I lit a small fire for a few days to get the inside dried out.  Here’s the very first fire.

First fire

First fire

Alright! That’s over half of the oven build.  In my next post, I’ll show how I added layers of insulation, a final plaster, and also decorated it with more mosaic pieces that were salvaged from broken pottery.

Goose helpers and the druid builder!

Goose helpers and the druid builder!

One final thing I want to say now is this is an incredibly good way to connect with the element of earth.  There is nothing more grounding than having your feet and hands directly in the soil, shaping it, honoring it, and getting to know it.  I really enjoyed my time building this and felt incredibly grounded afterward!

Bringing back the Hearth: Ancestral Fires for Protection, Connection, and Comfort

Sacred tea over the fire

Sacred tea over the fire

Fire is one of the most ancient tools that humans have and one of the things that separates our species from others on this beautiful planet.  Humans have an incredible ancestral connection to fire. Think about how a fire draws you in–when you see a campfire or fire in a hearth, you want to get close and stay warm. That is probably because we humans have been working with fire for somewhere between 1 million and 1.5 million years. 1.5 million years ago, our ancient ancestors would have been Homo Erectus; and so, as we evolved into Homo Sapiens, it is very likely that fire was already with us. For more information on fire and ancestral fires, I suggest checking out this post!

Because of this deep connection, if we move forward quite a bit in time, we can understand why as people built permanent homes, the hearth–that which contained the fire safely indoors–was the center of the home. Yet today, fire is something that many modern homes have completely lost–where we’ve boxed up fire in stoves or use electricity or gas instead of our more ancient heat, light, and cooking source.  Most people in modern homes have almost no connection to the equipment that keeps them warm in the winter or cooks their food–and that ancient ancestral connection to fire is missing.  So in today’s post, I wanted to talk about working with a hearth in a magical way–how you can reclaim an abandoned hearth, create a “hearth space” indoors even if you don’t have a hearth, or create an outdoor hearth, all as part of sacred actions.

A Hearth

A hearth has different levels of meaning and rich history in many different cultures.  Let’s start with language because language can offer fascinating aspects of history. “Hearth” itself can be traced back to Proto-Indo European *ker, which has connections to modern words in English including hearth, coal, and carbon.  Anything that goes back as far as Proto-Indo-European demonstrates a very common thing present in very ancient human cultures situated in Europe and India, and is a little slice into that ancestral history.  From there, we see that Hearth is present in Old  English as ‘heorð” later moving into our more modern term.  Latin also gives us another clue, with the Latin word for hearth being “focis” or “focus”, demonstrating the importance of the hearth.  Thus, value and connection to fire and to a hearth is literally woven into our language as far back as we can trace.

Traditional peoples give us another insight into the importance of fire. As explained in Ropes to God: Experiencing the Bushmen Spiritual Universe, Keeney describes how the Kalahari Bushmen, have the fire as part of the center of their community activities–the fire each night is where they share their stories of the day, eat, and connect with others.  Stories shared around this fire are the property of the entire community, and are a way for them to weave connection with their surrounding landscape.  Here in the US, you can see the importance of the indoor hearth by visiting our oldest houses or seeing historical reenactment.  In early US history, the hearth was centered in the home, massive hearths that measured 6 or more feet across with many different cooking tools.  These hearths started to slowly be replaced during the industrial revolution as a focus on efficiency and productivity became core values.  Thus, the traditional open hearth became replaced by more “efficient” and “hands-off” technologies in the last 150 or so years. In his book On Reverence of Wood, Eric Sloane describes fire as being “unceremoniously boxed up” in boxes of Iron; he argues that this “boxing” of fire created disconnection both with wood and fire.  While the idea of a hearth may look different in different cultures and parts of the world, the fact that some form of fire and heat exists to cook, to connect, and to warm with seems to be a staple of human existence.

A very different kind of hearth--the earth oven at the druid's garden homestead!

A very different kind of hearth–the earth oven at the druid’s garden homestead!

The traditional hearth even inside a house is the center of the home, and I would argue the hearth functions a bit differently than any modern equivalent, like a kitchen. If you think about the center of the home now, depending on the home and family, it is likely the living room, where everyone crowds around the TV, or perhaps the kitchen table, where everyone eats.  But neither of these spaces has quite the same relationship with you in terms of comfort, protection, and warmth that a traditional hearth has. I believe that in moving away from traditional fire cooking and hearths, we’ve lost something important, something rooted in slow time and slow living that would be useful for us to consider bringing back.

Key Features of the Hearth: Physically and Magically

If we want to think about re-creating some of these important spaces for ourselves (regardless of whether or not we have access to indoor fire), it’s useful to understand the different features of a hearth from both a physical and magical perspective.

On the practical side, a hearth is first and foremost a fireproof surface that creates a safe space for your fire or stove to burn.  The hearth extends well beyond your open fireplace or stove, creating, literally, a safety net for any coals, sparks, or flames that may jump out of the fire. The hearth is what contains the fire, makes it safe, and also provides us additional tools to engage with it. If we consider this from a magical perspective, the hearth literally is built for physical protection, making it potentially very good to use for magical protective work.

There’s also a communal aspect to the hearth.  Prior to the replacement of open fireplaces with coal, gas, or electric stoves/boilers/heaters, the hearth was also the source of warmth, heat, and light for much of the year.  As the cold and dark closed in during the dark times, families would gather around the hearth to tell stories, share meals, work on various handicrafts and repairs, and spend time together. We see this feature in hearths whether or not it’s an outdoor or indoor space. Thus, the hearth is a space that allows us to share with each other and to stay warm and comforted–again, connecting to blessing, protection, and stability.

The hearth at Yule with natural decorations

The hearth at Yule with natural decorations

Fire provides us safety and life. Making fire is a critical skill for all humans (going back to my discussion of Reskilling at Imbolc a few weeks ago). Making fire was certainly one of the very first skills our ancient ancestors would teach their young, because for many, it would mean the difference between life and death. A fire can be the difference between safety and fear, between freezing and warm, and between safe water to drink and unsafe water. Again, we see the theme of safety and also having something that is a powerful tool to help us provide for our needs.

The hearth also puts you in direct connection with the elements. To make a fire, you would have to gather wood and prepare it–requiring knowledge of the land, how to forage, dry and store wood, tinder, and kindling. You also need knowledge for how to use those materials to start a fire through the application of air and friction. These require connection to nature through the wood and stones in the hearth, the element of air for oxygen which feeds the flame, as well as the element of fire itself through the blaze.

Finally, the hearth is where, traditionally, meals are cooked and shared.  Before modern stoves or burners, a hearth was the only source of heat for cooking, and people spent a great deal of time at the hearth. Unlike your modern stove, hearth cooking requires a lot more monitoring, knowledge, time, and skill. That is, you are tending the fire, you are working carefully with the coals, and you are building a relationship with it as you cook your meal. There is simply no equivalent to cooking over the fire vs. cooking over a stove.   So here, we see the principles of connection as well as slowing down.

Thus, like many things that were developed before modern industrialization, to truly experience a hearth in a traditional sense requires that we move back to “slow time”. A hearth requires that we attend to it regularly. As we build and feed the fire, the fire requires our time and energy.  We have to gather the wood, store the wood, bring the wood in.  We have to make sure the fire stays burning in a safe way.  As we put our time and energy into the hearth, we are rewarded with a deepening sense of connection to that space as well as the warmth, protection, blessing, and stability of that place.  Even if you don’t have a hearth in your home, there are things that you can do to create this sense of warmth, protection, and comfort.

Creating and Tending a Hearth space

Depending on where you live, how you create a hearth space will likely be very different.  I’ll cover some options based on your living circumstances.  Ultimately, not everyone has a hearth or hearth space in their house that they could already use, so we can get creative.

A Traditional Hearth.  If you have any kind of wood-based heating in your house that is in your living area, this would be your obvious choice for cultivating a hearth space.  I’ve been in a lot of houses where their hearth sits unused in favor of more modern heating and cooking sources. My suggestion to those who are blessed with this feature in their home is to use it if they aren’t already!  Make this the center of some activity, such as through reading, cooking, entertaining friends, or spending long cozy nights near the hearth.  Spend time decorating your hearth, making it feel welcoming and homey. Make it a point to start a fire and enjoy being near it regularly.  Perhaps learn some hearth cooking. Do what you can to make this space welcoming, sacred, and inviting.

A Hearth Shrine and cozy space.  Many people do not have a traditional hearth space–maybe you live in an apartment or a more modern home that does not have a fireplace.  For many years, I was in this same situation, and I discovered that there are many other things that you can do to still bring that energy of protection, comfort, and fire to your life. Using the principles above, consider how you might create a space that is cozy, comforting, and that puts fire at the center. For example, place a shallow bowl with sand and add a number of beeswax pillar candles to the bowl–this will create a “fire area” that you can then safely enjoy.  Or, you can use a candelabra or some other candle holder, decorate it, and place it in a central space where you often spend time. I have found that using multiple candles really helps you get this “fire” effect.  The other piece of this is to make it comforting, inviting, and a place you want to spend time.  You can set your hearth candles up each time, or you can give it a permanent place in your home.  You may also be in a living circumstance where candles aren’t allowed to be burned (such as a college dorm or apartment).  In that case, you might look to electric candles or even those little plug-in fireplaces–something that will give you some fire-like effect. Around your hearth altar, you can practice bardic arts or crafts, read, meditate, eat your meals, spend time with others, and really practice slowing down.

An Outdoor Hearth Space.  Another option for the warmer months is to create an outdoor hearth space. Using the same principles as an indoor hearth, you can create a central firepit that can be lit regularly or even an outdoor kitchen, earth oven, or another outdoor cooking area. Outdoor hearths can be wonderful spaces to spend evenings in the spring, summer, and fall, and still practice connecting with fire, slowing down, and connecting to the living earth.  At the Druid’s Garden homestead, we’ve been working on building an outdoor kitchen–we have our cob earth oven mostly finished, we have a completed rocket stove griddle/ maple sap boiler, and we’ll be working on some rocket stove burners and a naturally built pavilion in the years to come.  This has become a center point for us–with cozy chairs and a warm fire, you can stay out near the outdoor kitchen and use it for sacred activities.

Hearth Space Activities

Now that you have created or reclaimed some space where you can have a hearth, you might wonder what kinds of spiritual activities and sacred work can be done at the hearth.  I would suggest a number of both mundane and magical practices.

Slowing down. Tending a fire requires us to slow down and move with earth time.  Committing to a hearth practice is a commitment to taking your time to tend a fire and give that space some of your attention.  Relaxing, breathing deeply, and simply getting into the rhythm of the flames is an extremely relaxing and important thing to do. One of the things your hearth space can remind you to do is just to slow down, breathe, and relax.

Cooking. If you are working with a fire, cookstove, or outdoor space, learning how to cook on the fire can be a really wonderful thing to do–it puts you in a much deeper relationship with food and with fire. I’ve started learning hearthside cooking in the last few years.  Fire cooking does require different tools than you might use in your traditional kitchen–one of the most useful is a cast iron dutch oven with small legs, which is typically used with coals.  You simply take coals from your fire and place them on the bottom and top of the oven (or set the oven in a fire that has gone to coals) and wait. Other useful tools are any cast iron pans (you can use them both on the fire and on your regular stove), griddles, trivets, and other tools.  Antique stores are one of the best places to pickup cast iron cookware–and this cookware will last you a lifetime. Once you’ve gotten your hands on a piece of cast iron or two, you can make many different dishes and start to explore this ancient art.

Spiritual Activities:  A hearth is an amazing time for any number of spiritual activities. Meditation, spending time connecting with the elements of fire and earth, ritual work or spiritual study are all good choices.

The hearth holding the 14 winter solstice candles--you can see the light of sunrise coming back in!  The long night is over and the hearth held space as we hold vigil.

The hearth holding the 14 winter solstice candles–you can see the light of sunrise coming back in! The long night is over and the hearth held space as we hold vigil.

Ritual activities: Your hearth can also be the center of ritual activities, particularly those in the dark half of the year if you are indoors, or outdoors during the light half of the year. Around our hearth we have in our home, we’ve held grove events and rituals that have centered on the hearth. For example, we have built ancestor altars using the mantle above the hearth, where then the ancestors are invited in for the rest of the gathering.  We have also used the hearth for celebrating the winter solstice, where we place 14 candles (representing the 14 hours of darkness) and each candle (for more on this, see The Druid’s Book of Ceremonies, Prayers and Songs, which has an entry by Robert Pactti on this approach).

These are just a small taste of the many things you can do as you are thinking about connecting with the ancient element of fire, connecting with nature and the living earth, and learning how to more fully embrace the ancestral ways–which will also be the ways of the future.

I would love to hear stories of your own fires, hearths, and work in this area!

Putting the Garden to Sleep: End of Season Activities and Rituals

Garden bed with scarecrow

The day before the first hard frost. Our garden is still bountiful as the Butzemann watches over all….As the darkness continues to grow deeper on the landscape, it is high time to consider how to put the garden to rest for the winter and honor the garden that has offered you so much bounty and joy for the season. I actually find this one of my favorite gardening activities of the year, both on a metaphysical and physical level. There’s something special about “tucking” your garden in after a productive growing season and knowing that the land will go fallow and rest as the cold and ice come. Here are both the physical activities and sacred activities that you can do to help put your garden to rest.

Do note that my timings are based on the temperate climate in Western Pennsylvania, USDA Zone 6A.  You can adapt appropriately based on your own end-of-season and seasonal changes.

Metaphysical Activities

Metaphysical activities support the garden and the downward/restful flow of energy that allows the land to be fallow before returning to abundance in the spring.  For millennia, our ancient ancestors all through the world did rituals and ceremonies to support the abundance and health of the land; these are intended in the same direction. (For some you can do later in the year, see this post).  Physical and metaphysical activities go hand in hand–everything that we do in the physical world has an impact on the metaphysical, and vice versa.  Thus, by working on both levels, we are able to achieve maximum effect.

Burning the Butzemann

In the Pennsylvania Dutch Tradition, the Butzemann is created at Imbolc and set out to protect your crops and land at the Spring Equinox–and we practice this tradition each year.  At the Spring Equinox, a friendly guardian spirit is invited into the Butzemann to guard the crops and flocks for the coming season. And at Samhain, the Butzemann must be burned to release the guardian spirit and offer thanks.  What we usually do is build a bonfire somewhere near or on Samhain.  Then we take our Butzemann to the fire and once again call the Butzemann by name (the naming tradition being very important) and speak of the good things that happened on the homestead and garden (e.g. you protected our crops well, we harvested 15 pumpkins, our flocks were safe from hawks, etc).  Then we release the Butzemann to the flames and watch it burn (which is always really cool).  This completes the Butzemann ceremony until Imbolc when a new Butzemann is constructed (from the previous garden’s materials and other burnable materials) and the cycle begins again.

Honoring the Soil and Compost through the Soil Web Ceremony

Garden shrine with fall bounty and freshly fallen oak leaves

Compost is a major theme this time of year, as so many things die to have their nutrients reclaimed by the soil web of life. Even perennials, including plants and trees, contribute to this great soil web of life.  Thus, it is very appropriate to honor the soil web this time of year.

For this, I like to do a “soil web” dance.  This is an embodied ritual that involves me dancing (barefoot if possible) on the earth, allowing my footsteps to be my prayer to the earth.  I may be moved to praise the soil web, the nematodes, the worms, the bacteria, the protozoa, and so much more.  My dance always involves dancing in the garden, through the paths, and eventually to the compost pile.  At the compost pile, I leave an offering (last garden harvest food and/or liquid gold are very appropriate here).  I may also make symbols with sticks with leaves as a shrine to the soil.

If you created a “last harvest” meal, you can use this as an additional offering (see below).

A “Rest Well” Chanting Ritual for Gardens and Land

Inviting the land into peaceful slumber is another way you can put the garden to bed on a metaphysical level.  For this, I particularly like using Ogham and chanting magic (with a drum if it’s warm enough).  I chant the following ogham (you can adapt these to your own ecosystem or needs)

  • Ruis (Elder) pronounced RWEESH: Elder is for endings, cycles, and resolution.
  • Phagos (Beech) pronounced FAH-gus: For preservation, sleep, history, and memory.
  • Quert (Apple) pronounced KWEIRT: Apple is for future abundance, blessings, and harvests.

So the chant would go:

Ruis – Ruis – Ruis
Phagos – Phagos – Phagos
Quert – Quert – Quert

And after this, you can start playing with the syllables of each of the three trees in any order, such as:
QUE–eee—iii–rr–tt – QUERT  QQQQ —EEERRRR —TTT
And so forth.  Just allow your vocal cords and body to explore this expression fully.

End your ritual chant with a focus on Ruis, as Ruis is the Ogham connected to the present moment.

As you chant, really envision the energy of each of these trees coming forth: the Elder coming in to help aid with the end of the season, for closing down, and for resolution.  The Beech carries the garden/land through the darkness of winter, where it is able to rest, the soil is preserved, and carries forth the memory of the past into the future. And finally, the Apple, which offers the promise of future abundance and carries a blessing to the garden/land.  Really project this energy as you chant.  As you feel the ritual is complete, start to wind down, ending with chanting Ruis very softly.

Garlic Ritual: A Land/Sea/Sky blessing

Garlic cloves ready for planting!

Garlic cloves ready for planting!

The garlic planting ritual is a really nice way of seeding a blessing for the entire season to come.  Garlic is the last thing to be planted in the fall in our ecosystem (at the time you plant garlic, your fall crops should already be being harvested).  And that garlic will stay in the ground for almost 9 months, being harvested in the heat of the summer.  In the winter, the garlic sets deep roots and then, as the spring comes, it sends its green shoots up into the air.

After you plant your garlic, honor your garlic with a simple land, sea, sky blessing. Gather up the following materials:

  • A bowl of hardwood ash (or compost)
  • A large bowl or bucket of clean water (rainwater, snowmelt, spring water, water from a local spring or creek) and a bough of a conifer (Eastern hemlock is what I use, but you could also use white pine, cedar, juniper, etc)
  • A flute or other woodwind instrument (or your breath)

You can put your items on the ground or create an altar for the ceremony.

Sprinkle the ash/compost on the bed and say, “With the blessing of the earth, may you root deeply this winter.  May your roots and bulbs be blessed, and through that blessing, bless this garden in the year to come.”

Next, asperge the bed with water by dipping the branch into the bucket of water and flicking it all over the bed.  Say, “With the blessings of the sacred pool, may you be nourished and grow.  May your bulbs and roots be blessed, and through that blessing, bless this garden in the year to come.”

Finally, play your flute/woodwind instrument.  If you do not have a woodwind instrument, you can get down and blow directly on the soil, offering your breath to the soil.  When you are done, say, “With the blessing of the air, may you sprout in the spring and grow strong through the summer.  May your entire being be blessed, and through this blessing, bless this garden in the year to come.

Finally, cross your arms and bow your head. Say anything else that comes to mind at this point, honoring your garden.  If you created a “last harvest” meal, you can use this as an additional offering for the garlic.

Physical Activities

Physical activities are probably the typical things that people do in the fall–but some of these have a bit of a magical twist.  I’ll share the physical counterparts and how these are ritualized and connected to the work above.

Putting the Garden to Rest / Fall bed Prep

In the process of fall bed prep--the back bed got very weedy this year so we are sheet mulching it for weed suppression. We add a nice layer of our own finished compost. Chicken flock assists.

In the process of fall bed prep–the back bed got very weedy this year so we are sheet mulching it for weed suppression. We add a nice layer of our own finished compost. Chicken flock assists.

Fall bed prep can be any number of things.  At the Druid’s Garden homestead, we use sheet mulching/lasagna gardening techniques for our annual vegetable garden areas, and so this is the best time to build soil.  After the first hard frost (for us, usually mid-October), we clear away any weedy material and cut back annual plants (leaving the roots in the soil; they will break down and aid in soil compaction).

Then we do some sheet mulching–depending on the bed, this might include a layer of fall leaves and compost, a layer of cardboard (if the weeds got out of control) or simply a layer of finished compost.  If we are starting new beds, we always build them in the fall with layers of finished compost, hot compost/straw bedding (from chickens, ducks, geese, and guinea coops), and leaves.  You can also consider a winter cover crop (which doubles as fodder for your animals).   As you are doing this work physically, you can be doing the metaphysical work I described above.  (If you use this method, in the spring, all you need to do is use a broadfork or garden fork to aerate the bed!).

For perennial beds, we will do our final herb harvest of the season, tying up bundles of herbs in the house to dry.  We will trim back plants that die back during winter (e.g. echinacea, mountain mint, monarda, etc), and cover up plants that benefit from light cover (strawberries). We will also harvest any extra seeds from our refugia garden so that we can scatter them or give them away in the coming months or year.

Garlic is the one crop that you plant this time of year, and garlic can have its own special ritual, as I described above. I have instructions for planting garlic here.

Once all the summer crops and those that died back after the hard frost are removed, then you can do the “rest well” chant above. Obviously, anything that is still growing (kale, lettuce, etc) is covered and protected for the coming cold, and to extend the harvest season (for more on this approach, see Eliot Coleman’s Winter Harvest Handbook).  I like to use these last garden foods through Yule and finish them off for our Yule feast.

Making Compost

Chickens scratching it up!

Compost making is a great thing to do in the fall, as the winter will allow the compost to break down.  At the Druids Garden Homestead, we have chickens to do some of this work for us, but I’ll share a chicken compost and a non-chicken compost method.  Our method is to rake up as many fall leaves as we can and place these in a large pile near the coop (of course, jumping and meditating in them is also part of this!).  Then, as the snow and ice comes down, we layer another layer of leaves in the chicken run.  They don’t like walking on snow and ice, and this keeps them comfortable and occupied.  They scratch the leaves up, poop their nitrogen-rich poop, and are happy chickens.  When about mid-April rolls around and the ground thaws out, I muck out all of the chicken leaves (along with giving all of the coops a thorough cleaning, which gives us a lot of straw).  I layer the chicken leaves/compost with the straw in thin layers, piling this up as high as it will go.  You can add anything else here you like (non-weedy) such as coffee grounds and other fresh compost items. With a warm summer, this breaks down into an amazing pile of compost by late fall—just about the time you are doing your garden bed.

If you don’t have chickens, take fall leaves (preferably mulched) and add them in thin layers with other good compost-making things: manure, vegetable scraps, eggshells, coffee grounds, all of the old garden plants that died back during frost (non-weedy) and anything else you have.  Keep your layers of leaves pretty thin, especially if you weren’t able to mulch them.  Note that some leaves break down really quickly like maple, where others (oak) take a really long time to break down.  This approach should get you a nice pile of finished compost by next fall.

For either, honor the compost by doing the Soil Web Dance.  You can honor your new piles or your finished piles (or general composting area)

Final Harvest of Summer Crops

Finished compost

The final harvest of summer crops for us comes in the days before the first hard frost.  Some things with a light frost can be preserved, but once we hit about 35 degrees, that’s enough to kill of almost all of the summer crops: peppers, nasturtium, tomatoes, basil, pumpkins, squash, beans, zucchini, etc.  Thus, starting in early October, we pay very close attention to the nightly temperatures, doing row cover as necessary.  But, when our first hard frost is imminent, we harvest the last of the crops: all the green tomatoes that will ripen on the counter for the next few weeks, beans, corn, peppers, basil, etc.  We like to cook a special meal with this (Samhain meal if possible, depending on the year) and make a special offering from this for some of the ceremonies above.  It is a great way to enjoy the last fruits of the summer season and also create a special offering food.

Gathering for Next Year’s Butzemann

As we are clearing the gardens and the Butzemann, we begin to think about next year’s Butzemann.  It is customary to collect some of the materials for use in next year’s Butzemann from this year’s landscape.  As we cut the gardens back, we gather materials that are stowed away in our shed till Imbolc.  I always like to leave an offering for any plant who is going to be part of the Butzemann.  For example, this year, the big patch of Mugwort spoke to me to be included for next year, so I have a large bundle of her saved for next year’s Butzemann.

Conclusion

Late fall is truly one of my favorite times because there is so much richness in how you can engage in sacred gardening and sacred action. I hope that this post has provided you with some ideas for how you might honor your soil, put your garden to rest, and start setting up physically and energetically for the season to come.  Blessings!

Beltane Gardening Rituals: Garden Blessings, Standing Stones, and Energy Workings

Here in the Laurel Highlands of Western PA, Beltane marks the start of “planting” season, where we move our indoor seeds out into the greenhouse to harden off, where many seeds like carrots and beans start to go into the ground directly, and where the land is budding and blooming with the joy that spring offers.  And so in today’s post, I’m going to share some Beltane spring garden blessing ideas for you, as you can craft your own sacred “druid’s garden”.

One of our amazing sacred gardens here at the Druid's Garden Homestead!

One of our amazing sacred gardens here at the Druid’s Garden Homestead!

The concept of “blessing” is quite wide-ranging.  In the broadest sense, a garden blessing is any working that offers positive energy and protection to a growing space for a season, ensuring your plants a bountiful harvest, long life, and joyful existence.  Blessings can be extremely wide-ranging and pretty much anything you do can have some positive effect if you set to it with the right intention.   In the tradition of this blog, I’ll offer three possibilities for doing garden blessings at the start of your growing season: prayers and offerings, rituals to raise positive energy, and creating a standing stone shrine.  These blessings can be worked directly into a Beltane ritual or at any other time of power when you want to create a ritual link to your sacred gardening practice.

Preliminaries: Blessings, Energies, and Standing Stones for Sacred Gardens

I have a few preliminaries for consideration before we get into the Beltane blessings. First, you want to be clear about your intentions for growing plants or blessing this garden space.  Are you growing annual vegetables (tomatoes, corn, cucumbers, beans, etc) for your family? Are you creating a sacred garden for growing offerings, smoke cleansing sticks, or other sacred tools?  Are you cultivating a perennial flower bed for pollinators?  Does it do a bit of all three or something else? I would suggest spending some time thinking about your intentions for the space you are blessing so that you can choose the right kind of blessing and establish your intentions clearly.  Those intentions are set in part I of the ritual.

The second thing is that everything with the land should be done in a place of reverence, respect, and reciprocation with the living earth. I write this again and again on this blog for a simple reason:  here in the USA, at least, we are so indoctrinated to take what we want from nature, see nature as a thing in service to us, and do damage to the living earth through our action that it is often a subconscious behavior.  Thus, it takes a lot of mindful distancing and reprogramming our brains to think differently all the time.  So as you do any of these blessings, bringing in that feeling of reverence, respect, and reciprocation is critical to this work.

The three aspects that I am sharing can be used together in a single ritual or they can be used individually.  If you are planning a single ritual with the three, you will want to open up a sacred space as befitting your own practice (I use the AODA’s Solitary Grove opening, as AODA’s druidry forms a core of my practice).  Once you have your space opened, you can engage in the three activities–or just do one.  You can also adapt these specifically for your own needs.

I’m using the example of dedicating a newly expanded garden space that exclusively grows herbs for sacred uses (I will share more about this space in an upcoming post and how I developed it). I have a new bed that grows various sages, sagebrush, tobacco, and sweetgrass–all of these I use exclusively for sacred purposes such as making smoke clearing sticks and offering blends. I may give some of these plants away to friends and fellow druids, but I do not sell them. So my example below uses this in context: you should adapt this as necessary for your own needs.

A slate standing stone. I found this kayaking last year and it wanted to be in the garden. It took a few years to find this!

For part 1, you will want rainwater or other sacred water, incense or a smoke clearing stick, and an offering (water with liquid gold, something you’ve baked, or your own offering blend), and some form of divination. You can also set up a simple altar with anything else you would like to dedicate the space.  For Part 2, you will need a shovel or trowel, a small standing stone (any stone that can be placed 1/3 of the way in the soil and 2/3 out), healing waters, and spring flowers or other markers of the season (use what you can find locally).  The stone can be as small as 6″ tall or much taller as you can find!  Please make sure the stone is willing to serve in this capacity before you put it to use–sometimes finding a standing stone can take time and you can skip over part II and do it later if you don’t have a stone available. For part 3, you only need yourself.

This ceremony draws from several sources, but the most prominent is the Sphere of Protection used by the Ancient Order of Druids in America (which is adapted used in the 3rd part of the ceremony).  For more on the magic of setting standing stones and on how to learn the sphere of protection, I recommend The Druid Magic Handbook by John Michael Greer.

Overview

The first practice is a simple one of acknowledgment, respect, and dedication–setting your intention for space, making an offering, and offering prayer and blessing for the garden. The second part of this ritual sets a standing stone in the center of the bed.  Ancient cultures, including those who set stones throughout the UK, recognized that a standing stone offers light and blessing to the land.  In the druid tradition, we recognize the power of standing stones, both to connect us to our ancient ancestors and also in radiating the solar current down into the telluric. The third part creates a sphere of protection for the garden for the coming season by drawing upon the energies of the seven elements.

Beltane Garden Blessing, Part I: Intentions, Prayers, Offerings, and Messages

Open up your sacred space.

Start by setting your intentions for the garden space.  This should come from the heart.  You can adapt the following:

“Spirits of place, spirits of this garden, I dedicate this new garden bed for the purposes of growing herbs for my sacred work in walking the path of druidry and healing the land.  Sage, sweetgrass, tobacco, lavender, and mugwort, may you grow tall and strong.  May you thrive in the heat of the summers, and may your roots and seeds rest with the deep winters to emerge again in the spring.  May we work in partnership and joy this day and through the coming season.” 

Make your offering to the garden bed as you see fit.  I like to place mine just in the soil.

“I make this offering in friendship and respect.  With my hands and my heart, I will work to prepare this space for you to grow and thrive. May I always remember to take only what you are willing to give, and may we work in partnership.”

Now, pour the rainwater over the bed.

“The waters of life bless you, this day and always.”

Light the smoke clearing stick and blow the smoke gently across the bed.

“May the fire of the sun and the ashes of these herbs bless you this season.”

Pause and simply take a moment to enjoy being in the presence of the new garden bed.  Pull out your divination system and ask, “I would love to hear what messages you have for me, that might guide my work with you this coming season.”

Use your divination system (drawing a card, using inner communication, drawing an ogham, whatever you best use)

If this is the end of your ceremony, close out your grove.  If not, move to part two.

Beltane Garden Blessing, Part II: Setting a Standing Stone

Hold the stone before you (or touch it, if it is quite heavy): “I honor this grandmother stone.  She who is millions of years old, and who carries with her the wisdom of the earth mother.  Dear stone, will you aid me in bringing blessing and light to this garden?”

Wait for a clear indication to proceed (this may be an inner response or some positive feeling).

Placing standing stone in the bed

Dig your hole to place the standing stone.  The stone should be placed 1/3 of the way into the soil and remain 2/3 out, reaching to the sky.  Once you’ve dug your hole, pour the healing waters in the hole and say, “Cradle of the earth, accept this stone and the blessing of these sacred waters.  May you be blessed and nurtured this day and always.”

Place your stone.  As you place it, intone the words of power, “Awen, Awen, Awen”.   Pack the soil tightly around the stone.  Pour the remainder of the water on the stone, saying “I offer you this water as a symbol of gratitude for your blessing in this garden.”  Circle the stone with spring flowers. “I adorn you with flowers, honoring the life that you will bring.”  Chant additional “Awens”.  As you chant, feel the rays of the solar current descending into the stone and radiating out into your garden bed.

Close your sacred grove or move to part III.

Beltane Garden Blessing, Part III: A Sphere of Protection for the Garden

Say, “Now that this garden is blessed and the stone is set to radiate energy to this land, I offer a weaving of protection for the season to come.”

Move to the east and call the east in whatever format you see fit or use this: “Spirits of the east, powers of the rising sun and the hawk of May soaring in the heights of the morning, I call to you to protect this sacred garden, this day and always.” Feel the powers of the east present in your space.

Move to the south and call the south in whatever format you see fit or use this: “Spirits of the south, powers of the summer sun and the stag in the summer greenwood, I call to you to protect this sacred garden, this day and always.” Feel the powers of the east present in your space.

Move to the west and call the west in whatever format you see fit, or use this: “Spirits of the west, powers of the salmon of wisdom in the sacred pool, I call to you to protect this sacred garden, this day and always.”  Feel the powers of the west present in your space.

Move to the north and call to the north in whatever format you see fit, or use this: “Spirits of the north, powers of the great bear in the starry heavens and the tall stones, I call to you to protect this sacred garden, this day and always. ”  Feel the powers of the north present in your space.

Place your hands on the soil of your garden bed.  Call to the telluric currents of the earth in whatever format you see fit, or use this: “Spirits of the land beneath this sacred garden, spirit below, telluric current of energy that flows through this land, I call to you to well up and protect this sacred garden, this day and always.”

Stand up and raise your hands to the sky.  Call to the solar currents of the heavens in whatever format you see fit, or use this: “Spirits of the skies above this sacred garden, spirit above, solar current of energy that flows from the sun and the turning wheel of the stars, I call to you to descend and protect this sacred garden, this day and always.”

Final Standing Stone with Stone Altar

Place your hands upon the stone at the center of your garden (or on your bed if you did not do part II).  Call forth to the six elements and ask for their protection.  “By the six elements here invoked, and here present, I call upon the lunar current, spirit within, the spark of life within all beings.  May these elements combine and form a sphere of protection around this sacred garden, this day and always.” As you do this, envision the elements coming together in the center of the stone and then radiating outward to form a multicolored sphere that protects the garden bed.  Firmly establish this image in your mind.

Step back and offer gratitude, “I thank the powers for their blessings on this garden and on this working.”

Close your sacred space.

 

Dear readers, I would love to hear how you’ve done garden blessings and if you decided to use this at any point.  Blessings of Beltane!

Standing stone - bringing the solar into the telluric

Standing Stones at the Summer Solstice

Ancient peoples set standing stones in various places in the world.  In places, such as in the British Isles or Iceland, you can still often find these standing stones, trilithons, stone circles or stacks of stones.  While their many uses are shrouded in antiquity and subject to some speculation, in the Druid Magic Handbook, John Michael Greer describes standing stones can channel the solar current into the earth, which offers blessing and healing to the land.  I think it’s likely that standing stones can do many other things (tell time, point to astronomical features, be places of worship and community). Today, new groups of people and individuals are choosing to set stones. For our purposes, today, setting stones for land blessing and healing is certainly a good thing to do to provide spiritual support for the land.

The Summer Solstice is a fantastic time to raise a standing stone–in your garden, in a natural place you visit, or even in a planter on your windowsill. You can set a standing stone as part of a permanent sacred grove, sacred garden, or other such space of worship and do this as part of your solstice activities.  The full energy of the light of the sun will infuse your standing stone, allowing it to radiate blessing and light to the landscape.

Choosing Your Stone, Location, and Timing

A stone circle at Sirius Ecovillage--rebuilding sacred landscape features

A stone circle at Sirius Ecovillage–rebuilding sacred landscape features

As someone who has raised standing stones with many others at ritual events, I know how hard this work is to do, especially on a larger scale. Ancient—and modern—standing stones and stone circles were set by communities of people working together, often over long periods of time. The size of a stone that a single person, or small group of people, could set is nowhere near the massive stones of old, such as those seen at Stonehenge, Avebury, or other ancient sites in the UK.

And yet a smaller stone, set by one or two people, is no less effective at bringing in that healing energy and light, creating a space for ritual, and allowing you to commune with the land.

Begin by looking for a stone that you could manage to carry and set on your own or with a small group of friends.  I usually look for stones that are long and thin. Standing stones are ideal if they are able to be placed 1/3 in the ground and 2/3 out of it, somewhere that gets sun. Thus, the best standing stones are ones that are tall and somewhat long but not necessarily very wide. That’s a general guideline, however, and your stone might end up being something shaped very differently. Stones that contain some quartz are ideal (as quartz is an excellent transmitter of energy). Where I live, we have mostly shale and sandstone, I’d choose sandstone over shale since the sandstone has a higher quartz content.

Take your time looking for your standing stone. Look for it when you are hiking, in your yard, walking along streams, just being out in the world. A standing stone will find you when the time is right. I find a lot of these kinds of stones when I’m hiking and kayaking, but getting them back to where I might set them can prove difficult–so understand your own limits or move a stone slowly over time.

Once you have your stone, find the right place to set it—a place where you feel inspired by spirit to do so. This could be anywhere—an edge of a forest or field, in your backyard, even on your patio set in a pot with flowers (if you use this option, consider then moving your ‘energized’ soil to places in need of healing.  Like all other aspects of land healing, make sure that you engage in appropriate deep listening to make sure A) setting the standing stone is appropriate and wanted and B) that you have the right time and location to do such work.

Raising stones the old fashioned way

Raising stones the old fashioned way…yes that’s uphill!

To set your stone, choose a fortuitous day and time. The most fortuitous day of a year and timing for setting a standing stone is noon at the Summer Solstice, as you are calling upon the energy of the sun, and setting the stone when the solar energy is at its peak in both time of day and year will be powerful. You can choose any other day or time that is fortuitous, however, but I do suggest you set it at noon if at all possible.

Physically, to set a stone, you dig a hole, place it where you want it to go, and fill it back in, checking to make sure the stone stays in the position you want it as you fill.  Most standing stones go about 1/3 into the ground for the sake of stability.  I really recommend keeping it natural–no pouring concrete.  Just fill it in with whatever you dig out, add some gravel or smaller stones if you like for stability, and your stone should do well.

If you want, you can plant something around your stone (flowers or veggies if its in a garden, seeds or acorns you find nearby where you are setting the stone) and leave an offering.

You might like to use the following ritual for setting your standing stone.

Ritual for Setting a Standing Stone

Materials: Assemble all of your supplies prior to beginning your ritual. This should include tools needed to move and place your stone (such as a shovel) as well as blessing materials to bless the hole your stone will be seated in.  The ritual below uses an herbal tea made from fresh healing herbs: rosemary, sage, oregano, and lavender as well as a blessing sigil (a pentagram or other sigil as appropriate).

The Ritual

Open up your sacred grove in the manner you usually do.

Begin by stating your intentions for the healing to take place.  While I highly recommend you use your own words, you can also use the words here: “Land before me. What a journey you have had to get to this place.  And now, your healing is coming forth. As you regrow, as you heal, know that I am with you.  I set this standing stone today to aid you with your healing, that you may grow bountiful and diverse.”

Now, bless your stone. Pour some of the tea over the stone, and bless the stones in your own words.  Or you can say, “Sacred stone, sacred ancestor who has been on this land for millennia, thank you for lending your healing power as a channel for the solar current.”

Prepare to dig the hole. Say, “Spirits of nature, powers of this land, I offer my energy to prepare this earth.”

Standing stone - bringing the solar into the telluric

Standing stone – bringing the solar into the telluric

Dig the hole.  As you dig, focus your mind on healing for the land.

After you dig the hole, bless the hole with your own words, or say, “Sacred earth, oh cradle for this stone. Hold this stone firm, and be a conduit for healing to radiate forth.” Pour the remainder of the healing waters in the hole.  Place a blessing sigil in the hole as well.

Set the stone, making sure you firmly tamp down the soil all around the hole.

After you finish, say, “From above to below, from the solar to the telluric, may this stone radiate healing energy to all of the lands. Each day as the sun rises until the sun sets, this stone will serve as a conduit to channel nywfre (noo-iv-ruh) throughout this land.”

Visualize the rays of the sun warming the stone, and then envision the stone channeling those rays into the earth, a beautiful golden light emanating from the stone in all directions. Visualize those rays of golden energy helping plants regrow, seeds take root, eggs hatch, and young ones grow.  Imagine the land before you as a healthy, strong, and abundant place for all.

Offer your own vow as a caretaker of the land (optional, if you feel led).  “As I close this ceremony, I offer myself as a force of good and healing in service to this land.  Lead me as to what you need me to do.  Speak, and I will listen.  I honor you and heed your call.”  Bow your head and cross your arms.

Close the ritual space.

Closing

This ritual is most effective if you visit the stone and continue to offer healing and blessing.  After the initial setting of the stone, you might come back every solstice and equinox and do a full season of healing rituals or use it as a focal point for other work.  Or just come by the stone to commune with nature, meditate, and enjoy the energy.  I hope that the long days of summer (or long nights of winter for those in the southern hemisphere) bless you and keep you safe.

PS: If you haven’t had a chance to check out the Tarot of Trees 10th Anniversary Edition Indegogo Campaign, please consider doing so.  We are working to bring the Tarot of Trees in a revised and larger edition.  Thanks for your support!

Finding Balance at the Spring Equinox: A Sun Ritual Using the Three Druid Elements

The Spring Equinox, Alban Eiler, is the time when the light and the dark in the world are in balance. The timing of the Equinox is fortuitous–this time of balance–after such turmoil in the world. Here in the last two weeks here in the US, we’ve been on a whirlwind of change where nearly every person’s life has been radically disrupted and changed due to the global pandemic. Given the circumstances of where we are, today, I’d like to offer a balancing ritual for Spring Equinox that you can do personally to help bring balance into your life.  (I’m posting this a few days early from my usual weekly post so that you have it in time for the Equinox!)

 

Preliminaries

A representation of the 3 druid elements

A representation of the 3 druid elements

This ritual uses the three druid elements: Gywar, Calas, and Nyfre, drawn from the druid revival for the ritual. These three terms, deriving from old Welsh, represent three principles in the universe.  I think they are particularly useful for a spring equinox balancing ritual.

 

Nwyfre (NOO-iv-ruh) literally translates as “sky” or “heaven” and refers to the life force or vital energy that is in each of us.  Nywfre is the spark of life, that which separates an inanimate thing from an animate being.

 

Gwyar (GOO-yar) literally translates as “blood”, and refers to the concept of flow, flexibility, fluidity, motion, and general change. This is the element that acts like water, flowing around obstacles rather than hitting up against them.

 

Calas (CAH-lass) is tied to the old Welsh word “Caled” and literally translates as “hard”.  This is the element of solidity, stability, and grounding.

 

What’s interesting is that to truly have balance, we can’t just focus on Calas (grounding), which might be the first thing that would come to mind.  A situation as unstable as what is before us requires us to balance the three elements together: we do need Calas to help us be stable and rooted, but we also need a great deal of Gwyar, as the situation is evolving rapidly and nobody knows what is next.  Nwyfre is life itself–and embracing life during this challenging time focuses our energy not on the chaos and fear of death but on the energies of life, thus bringing us into greater harmony.

 

This ritual also uses three prayers (two from the druid tradition and one I wrote) and uses the chanting of another welsh term, Awen.  For more on Awen, see this post.

 

The following ritual would ideally be done in three parts: as the sun rises, at mid-day, and as the sun sets (this is the first version of the ritual I present). The second variant of the ritual still uses the energy of the sunrise, noonday, and sunset times of the sun, but in a metaphorical sense. Thus, I will offer two variants of the ritual.

 

The Ritual: Balancing of Gwyar, Calas, and Nyfre: A Three-Part Sunrise – Noonday and Sunset Ritual

The solar current rising at sunrise

Sunrise

Select a sacred place that you can return to at three points in the day: sunrise (or early morning), noon, and sunset.  Ideally, this should be a place that you can open up a sacred grove in, leave, and return to throughout the day and one where nobody else will disturb for the day (e.g. a spot outside or a spare bedroom). If you would like, you can set up an altar in this spot.

 

For this ritual, you should also have an offering for the land and her spirits. See this post for more on offerings. In terms of your offering, I think what you do, and how you offer, are very personal things. Offerings should be personal and tied to those spirits/deities/powers/lands/places you work with.

 

Sunrise:

Either in the early morning or just as the light is beginning to come into the world, go to your sacred space.

 

Open up a sacred grove in your tradition. For this, I suggest using whatever grove / sacred space opening you have in your tradition or using the AODA’s Solitary Grove Opening. If you do not have a dedicated spot for the three stages of ritual, I instead suggest doing the AODA’s Sphere of Protection ritual around yourself to start the ritual.

 

Make your offering in your own words. Leave your offering in your space.

 

As the sun is beginning to rise (or observing the rising sun), say, “Sunrise is a time when the sun rises from the earth.  The promise of the day is before us.  The balance between light and dark is here.  We enter the light half of the year, full of promise and possibility.”

 

Pause, continuing to observe the sun. Then say, “As the sun rises with possibility, I call upon this moment to provide me fluidity, flexibility, and the ability to adapt to a radically changing world. I now intone the ancient word for flow: “Gywar (GOO-yar), Gywar, Gwyar.” (Chant this as much as you feel led).

 

Stand facing the sun, and feel its rays upon your skin. Observe how the light continues to change as the sun rises. Feel the possibility of this moment. Pay attention to how the winds flow upon the land, and how the land awakens. Spend some time in mediation as the sun rises, drawing upon the fluidity and flexibility of this moment.

 

Say a Prayer of Flow (By Dana O’Driscoll):

Let me be like the waters,
Let me move like the sea,
Let me flow with the currents,
Let my spirit be free

Let me fly like an eagle
Let me buzz like a bee
Let me swim like an otter
Let my spirit be free

When the world is crushing
And I am unable to see
Let me flow like the river,
Let the awen flow in me!

 

When you are finished, leave the sacred space and go about your day until the mid-day sun.

 

Noon:

Enter your sacred space. Take a few moments to come back into your ritual mindset through deep breathing and quieting your mind.

 

Say, “Noon-day is when the power of the sun is at its zenith. This is when the sun’s rays offer life and vitality to all.  As the sun is at its height, I call upon this moment to provide me vitality, strength, and energy.  I now intone the ancient word for the lifeforce, “Nwyfre (NOO-iv-ruh), Nywfre, Nywfre.”

 

At this point, spend some moments in the light of the sun.  Soak in the sun’s vital rays, and observe the leaves and plant life upon the landscape and their interaction with the sun.  You might feel led to do some movement meditation, dance, or another vitalizing movement at this time.  when you feel the work is complete,  say the Druid’s Prayer:

 

Grant, O Spirits, your protection
And in protection, strength
And in strength, understanding
And in understanding, knowledge
And in knowledge, the knowledge of justice
And in the knowledge of justice, the love of it
And in the love of it, the love of all existences
And in the love of all existences, the love of earth our mother and all Goodness.

 

Chant three Awens (Ahh-oh-en) <As you chant the Awens, feel this vitalizing force settle deeply within you.>

 

Leave the sacred space until sunset.

 

Sunset: Arrive just as the sun is setting, where it is just beginning to touch the edge of the horizon.

 

Say, “Sunset is a time when the sun meets the earth.  As the sun enter’s the earth’s embrace, I call upon this moment to provide me grounding, stability, and peace.  I now intone the ancient word for grounding: Calas (CAY-lass), Calas, Calas.”(Chant this as much as you feel led).

 

At this point, if you can, lay or sit upon the ground.  Feel the solidity of the ground beneath your feet.  Feel the deepening darkness on the landscape.  Spend some time in meditation as the darkness comes.  As the darkness comes, feel the womb of the earth supporting you, grounding you, and providing you peace.

 

When you are finished with your meditation, say the Druid’s Peace Prayer (this is my own variant):

 

“Deep within the still center of my being may I find peace.” <Pause, feeling the peace within you>

“Quietly, within the circle of this grove, may I share peace.” <Pause, feeling the peace within this space>

“Gently within the circle of all life, may I radiate peace.” <Pause, feeling the peace emanating from you outward.”

 

Close your sacred space (using your own tradition or using the AODA’s solitary grove closing ritual).

Single Moment Variant

Sunset

The above ritual uses three moments in time to call upon the druid elements and uses druid prayer (mostly traditional, one new one) to help connect to those energies.  I suggest removing the first two druids prayers, finishing instead with just the Druid’s Peace Prayer, and using visualization techniques for each of the moments where you would otherwise be in the sun. I also suggest using a drum, bell or another instrument to shift between the three points of the sun’s path across the sky.

 

Here is the adapted ritual.

 

Open up your sacred space and make your offering.  For this, I suggest using whatever grove / sacred space opening you have in your tradition or using the AODA’s Solitary Grove Opening.

 

Make your offering in your own words.

 

Say: “Sunrise is a time when the sun rises from the earth.  The promise of the day is before us.  The balance between light and dark is here.  We enter the light half of the year, full of promise and possibility.”

 

“As the sun rises with possibility, I call upon this moment to provide me fluidity, flexibility, and the ability to adapt to a radically changing world.  I now intone the ancient word for flow: “Gywar (GOO-yar), Gywar, Gwyar.” (Chant this as much as you feel led).

 

Envision the most beautiful sunrise you have ever seen. Feel the possibility and anticipation of the sun at the start of the new day.  Bring this possibility, flow, and energy into your life.

 

Pause, play a few notes on your instrument, ring a bell or singing bowl.  When you are ready to proceed:

 

Say, “Noon-day is when the power of the sun is at its zenith. This is when the sun’s rays offer life and vitality to all.  As the sun is at its height, I call upon this moment to provide me vitality, strength, and energy.  I now intone the ancient word for the lifeforce, “Nwyfre (NOO-iv-ruh), Nywfre, Nywfre.”

 

At this point, envision the sun at its highest point on a warm summer day.  Envision yourself soaking in the sun’s vital rays. You might feel led to do some movement meditation, dance, or another vitalizing movement at this time.

 

Pause, play again a few notes on your instrument, ring a bell, or use a singing bowl.  When you are ready to proceed:

 

Say, “Sunset is a time when the sun meets the earth.  As the sun enter’s the earth’s embrace, I call upon this moment to provide me grounding, stability, and peace.  I now intone the ancient word for grounding: Calas (CAY-lass), Calas, Calas.”(Chant this as much as you feel led).

 

At this point, if you can, lay or sit upon the ground.  Feel the solidity of the ground beneath your feet.  Envision a beautiful sunset, the most beautiful sunset you have ever seen, in your mind’s eye.  Envision that sun setting, and feel the deepening darkness on the landscape.  Feel the womb of the earth supporting you, grounding you, and providing you peace.

 

When you are finished with your meditation, say the Druid’s Peace Prayer (this is my own variant):

 

“Deep within the still center of my being may I find peace.” <Pause, feeling the peace within you>

“Quietly, within the circle of this grove, may I share peace.” <Pause, feeling the peace within this space>

“Gently within the circle of all life, may I radiate peace.” <Pause, feeling the peace emanating from you outward.”

 

Close your sacred space (using your own tradition or using the AODA’s solitary grove closing ritual)

Land Blessing Ceremony using the Seven Element (AODA) Framework

Loving the Land

Loving the Land (Earth Element card from the Plant Spirit Oracle!)

Last week, I provided an overview of the AODA’s seven-element system.  I have worked with this system as my primary magical and energetic practice for almost 15 years and have found it to be an extraordinarily flexible and engaging approach to working with the land, the spirits of nature, and providing blessing and healing to the land. Thus, today’s ritual is a land blessing ceremony, with both solitary practitioner and group variants.

 

Many traditional land blessing ceremonies include using some form of energy (in our case, the seven elements) to bless and protect a space. This ceremony draws upon the energy of the seven directions for blessing and healing.  This ceremony is ideally done walking the perimeter of a piece of land you want to protect.  If you aren’t able to walk a perimeter of the space due to size or other considerations, you can adapt it by simply calling in the elements. I would suggest before doing this ceremony, you do deep listening (chapter 2) with the land to make sure such a ceremony would be welcome (it almost always is!) This ceremony has individual and group variations.

 

Land Blessing Ceremony for a Solitary Practitioner

Materials: A bowl of lightly salted water and a smoke cleansing (smudge) stick (with a candle or lighter for relighting). A bowl of herbs, soil, or sand for marking the circle of spirit below. A wand, staff, sword, or knife for tracing the circle of spirit above. A bell, rattle, or drum for sounding spirit within. You can place all materials on a central altar and/or lay them on the ground.  Prior to the ritual, select a central stone, tree or other natural feature to be the anchor for the energy that you will be raising.

 

Declare intentions.  Start the ritual by declaring your intentions in your own words. For example: “The purpose of this ceremony is to bless and protect this landscape and allow for regeneration to happen.  I am here as a healer, friend, and fellow inhabitant of this land.  May peace abide in this working and throughout these lands.”

 

Make an offering.  See Chapter X for appropriate offerings. You can use your own words or say, “Spirits of place, spirits of this land, I make this offering to honor and acknowledge you. Guardians of this place, of matter or spirit, be with this place.”  Pause and wait for any messages or feelings before continuing.

 

Fire and Air.  Walk the perimeter of the land and/or in a large circle within the land for the next part. As you walk, you will begin by blessing the space with the four classical elements, air, fire, water, and earth. First, bless and clear the space using air and fire with your smoke purification stick. As you walk, visualize the elements of air and fire strongly in this place (you can envision them as a yellow and red light). As you walk in a Deosil (clockwise) pattern, chant:

Smoke of healing herbs and sacred fires that purify. Clear and bless this place.”

When you return to the place you began, pause as envision the energy of air and fire.

 

Earth and Water. Now, bless and clear the space with water and earth.  Again, envision the elements strongly in this space (you can envision them as a blue and green light). Take your bowl of water and flick it out with your fingers as you walk.

            “Waters of the sacred pool and salt of the earth.  Clear and bless this place.”

When you return to the place you began, pause as envision the energy of water and earth.

 

 

Spirit Below and Telluric Current. Move to the center of the space. Say, “I call upon the three aspects of spirit, those which connect the worlds. Let the spirit which flows within all living beings bless and protect this place today and always.”

 

Draw a circle on the ground in a desoil, as large as you would like. Alternatively, you can once again walk the perimeter of your space. Mark as you are drawing your circle, mark it with the herbs/flowers/sand. Move to the center of the circle and place your hands on the earth.  Pause and envision the currents of energy deep within the earth. Say, “I call to spirit below to bless and protect this land. Great telluric current that moves through this land, great soil web of all life, I ask that you fill this land with your energy and blessing.”

 

Pause and envision the currents deep within the heart of the earth as a green-gold, rising up from the core of the earth and blessing the land around you, bathing the land in a gold-green glow.

 

Spirit Above and Solar Current.  Using your hand or other tool (wand, staff, etc.) draw a circle in the air above you. Alternatively, if your space is small, you can walk the perimeter with your hand or tool in the air. Move to the center of your circle and raise your hands into the sky.  Pause and envision the energy of the sun and movement of the planets, all providing energy and influence. Say, ““I call to spirit above to bless and protect this land. Sun that shines above and the turning wheel of the stars that bathes this land in radiance, I ask that you fill this land with your energy and blessing.”

 

Pause and envision the sun radiating the solar current down to you a beautiful yellow golden light. Envision the stars and planets each contributing their own light. This light blesses the land around you, bathing the land in a golden glow.

 

Spirit Within and Lunar Current. Using the drum, noisemaker, or a simple chant, begin to reach out to the spirit within all things. The spark of life, the nywfre that flows within each thing, this is the power of spirit within. Place your hands on a living thing within the land, such as a central tree or stone, and sense the spirit within it.  Say, “I call to spirit within, the enduring spirit within all things. Spirit that connects us all, I ask that you fill this land with your energy and blessing.”

 

Pause and envision the spark of life and spirit of all things, rising up from within.  Envision the other six energies coming to the central point where you have your anchor stone/tree and see the energy pouring into that anchor point, only then to radiate outward to the surrounding land being protected.

 

Deep Listening and Divination.

Make space for the spirits of the land to communicate with you before finishing your ceremony. For this, I suggest either deep listening (if you have honed your skills) or using a divination system. Allow yourself to grow quiet and let the voices of the land speak to you.

 

Gratitude and Closing

Close the ceremony by thanking the seven directions.

Move to the east and say, “Spirits of the east, powers of air, thank you for your blessing this day.”

Move to the south and say, “Spirits of the south, powers of fire, thank you for your blessing this day.”

Move to the west and say, “Spirits of the west, powers of water, thank you for your blessing this day.”

Move to the north and say, “Spirits of the north, powers of earth, thank you for your blessing this day.”

Move to the center, and put your hands on the earth.  Say, “Spirits of the below, power of the telluric current, thank you for your blessing this day.”

Raise your hands to the heavens.  Say, “Spirits of the above, power of the solar current, thank you for your blessing this day.”

Cross your arms over your chest and close your eyes.  Say, “Spirit within all things, power of the lunar current, thank you for your blessing this day.”

 

Group Ceremony Variant

This ritual can be done in a group setting. If you have less than seven people, divide up the elements between you. You can also split up earth and water and air and fire into separate elements (see language below). If you have a larger group, multiple people can carry a representation of the element and/or some other energy raising object, such as bell, drum, or rattle.  Language for all four elements is as follows:

Air:      “Smoke of healing herbs and sacred fires that purify. Clear and bless this place.”

Fire:    “Sacred fires that purify.  Clear and bless this place.”

Water: “Waters of the sacred pool.  Clear and bless this place.”

Earth:  “Salt of the earth.  Clear and bless this place.”

 

 

Seven Elements as a Framework

The nice thing about the seven-element framework is that its quite adaptable.  Once you have it, you can do a lot of different things with it–this land blessing ceremony is but one of any number of options.  Blessings till next time!

 

 

The AODA’s Seven Element System: Above, Below, Within, Earth, Air, Fire, Water

The AODA's Sphere of Protection in a Tree

The AODA’s Sphere of Protection in a Tree demonstrating the seven-element framework

 

Perhaps the first thing to think about in any system of spiritual or magical practice is the way in which a practice offers a framework to understand reality. These frameworks vary widely based on the spiritual tradition: some use a complex system of deities to map concepts to reality.  Deities often have domains and represent certain aspects of reality (e.g the Horned God Cernunnos of Celtic Mythology can represent fertility, abundance, the land itself, and so forth). Other systems may have songs, stories, and dances to help explain the world.  Other systems may recognize different kinds of energies and map them (such as the Jewish Kabbalah or Yggdrasil, the world tree, in Norse tradition, In AODA, our primary framework is a seven-element framework. The seven-element system is a highly adaptable and non-dogmatic framework that you can use for a variety of purposes, whether or not you belong to AODA. As an elemental framework, it works with a classification of energies present on the land to provide a framework for raising and drawing energy in particular ways, for rituals and more. Once you have an understanding of a system of representation like the seven elements, you can work with it in any myriad of ways to develop your own unique practices, adapt it to your local ecosystem, and so forth.

 

The seven elements include three aspects of spirit: spirit above, spirit below, and spirit within, as well as earth, air, fire, and water. Thus, in this post, I’ll explain the historical roots of this framework and some of its features. This post is really the precursor to next week’s post when I show how this kind of framework can be used to create any number of rituals and practices, including land healing and blessing.  (As a reminder, since I became Grand Archdruid of AODA, I’m dedicating one post a month to AODA-specific practices!)

 

Understanding the Elements as a System of Representation and as Symbols

The first part of the seven-element framework is the four classical elements. The classical elements of earth, air, fire, and water or some similar equivalent were part of many ancient cultures including those of Ancient Greece, Persia, Babylonia, Tibet, and China. In ancient Persia around 600 BCE, the ancient philosopher Zarathustra (Zoroaster) seems to have originated–or at least, first written down–the four-element theory and described the four elements as “sacred” and “essential for the survival of all living beings and therefore should be venerated and kept free from any contamination.”[3] The failure to keep these elements pure could anger the gods. If only the modern world had such wisdom!

 

As in the classic period, today, the elements can be seen both as physical things (e.g. the soil as earth, the fire as fire, water in a stream) as well as metaphysical. Thus, we can see the four elements represented in nature and in revival druid symbolism, but also emotionally and physically in the human body. For example, earth in the druid tradition is tied to the energy of the bear, trees, and stones on the physical landscape. We can see representations of the earth everywhere we look–in the mountains, the stones, the caves. Its also tied to the personality qualities of determination and perseverance, the physical bodily qualities of being strong or having a high constitution, and the metaphysical qualities of grounding and rootedness. If we were to trace the element of earth back to through traditional western herbalism, we’d also see earth connected to the melancholic temperament, which indicates a deeply reflective, introspective, and quiet individual. Thus, the element of earth as a concept gives us a system to help classify and categorize the worlds within and without. This kind of thing is quite useful when you want to call upon all of the above with a single word or symbol, as we do in the Sphere of Protection ritual and other such rituals in AODA.  What I mean here is this: if I want to bring these qualities into my life, a simple thing I could do is trace the symbol of earth in the air each day (in AODA, it is a circle with a line pointing to the earth), carry a stone in my pocket, or lay down upon the earth.

 

What any elemental (or other) framework does, including AODA’s 7 element system, the Hebrew Kabbalistic Tree of Life, the Chinese 5 element system, and so on, is offer a way to represent the world.  It offers a way to take the complexity of matter and spirit and put it into an accessible framework that can be worked, adapted, and understood. Elemental frameworks, such as the classic four elements work to create a more simple system to represent the complexities of reality. The elements are symbols. Symbols are simplified things (e.g. a word, an image) that stand-in for something else or represents it, usually a set of much more nuanced and complex concepts. Symbols help us interpret and understand the world, and offer us frameworks not only for meditation and ritual but also for daily life.

 

The reasons you might to want to master such a system are numerous. For me, it helps me design effective and on-the-spot rituals and practices, design effective meditations, understand the ways my life may be in balance or out of it, and allows me to have a system of understanding in which to work as a druid.

 

 

The Four Elements

And so we begin with the four elements in AODA’s system, drawn from the broader druid revival and western antiquity.  These are some of the classic meanings for each, but in AODA practice, we encourage individuals to adapt these meanings as they see fit.

 

Earth is the element tied to the north, to the dark moon, to the energy of winter and midnight.  We find the earth physically in mountains, stones, trees, all of what classical writers would call “the firmament.”  The energy of earth, manifesting metaphysically, offers grounding, stability, strength, and perseverance. Earth encourages us to be grounded and stable in our work.  In the druid revival tradition, earth is often associated with the great bear, both manifested in the heavens as Ursa Major, but also on earth as a physical bear, who represents many of earth’s qualities.

 

Air is the element tied to the east, to the waxing moon, to the energy of spring and dawn.  We find the air physically in the wind, the sky, the clouds, the rustle of the leaves as they blow in the breeze.  The energy of air, manifesting metaphysically, offers us clarity, knowledge, wisdom, focus, and objectivity. Air encourages us to temper our emotions with reason, evidence, and clear thinking.  In the druid revival tradition, air is associated with the hawk soaring in the air at dawn.

 

Fire is the element tied to the south, to the full moon, to the energy of summer and noon.  We find the fire physically as a fire itself (such as that at a campsite or in your fireplace) but also in the combustion materials to create heat and energy (in the modern world, oil or electricity). The energy of fire, manifesting metaphysically, has to do with our inspiration, transformation, creativity, passions, and will—how we direct our lives and what we want to bring into manifestation. In the classical texts, fire is often closest to the divine as it is a transformative agent. In the druid revival tradition, fire is associated with the stag, often depicted in a summer forest.

 

Water element from the Plant Spirit Oracle

Water is the element tied to the west, to the waning moon, the energy of fall and the dusk.  We find the water physically in rivers, lakes, oceans, springs, streams, storms, and even in our own bodies. The energy of water, manifesting metaphysically, offers us intuition, emotion, healing, wisdom, connection, particularly connection with nature and spirit, and flow. In the druid revival tradition, water is associated with the salmon of wisdom, originally coming from the Fenian cycle[4] of Irish mythology, where the salmon who lived in the well of wisdom ate nine hazelnuts and was later caught by Finn, who cooked the salmon and had the wisdom transferred to him.  We might then see the water as helping us have wisdom, which is the integration of the head/heart and subconscious/conscious mind.

 

What I’ve just shared are the meanings that are most common. But in AODA practice, we encourage druids to develop “wildcrafted” and ecoregional druidries. So a druid living in California might have a different interpretation of what these elements are on their landscape than one living in Pennsylvania.  In fact, my own elemental animal interpretations are different based on the dominant animals in my landscape and I tie each of my elements to sacred trees. Each druid can thus adapt these basic meanings and directions as they see fit for their own wildcrafted and ecoregional druidry.

The Three Aspects of Spirit and the Three Currents

Drawing upon the earlier writings of the Greek writer Empedocles who introduced the four elements to the Ancient Greek World, Aristotle added a 5th element, Aether (spirit) to the four classical elements. The original four elements were considered four states of matter with the fifth being a connection to the metaphysical (that which is beyond the physical).  In AODA, we recognize three aspects of spirit–above, below, and within.  This distinction is certainly present in the druid revival (for example, see Trilithon, volume 1 for a druid revival text on the telluric current).

 

Spirit Above: The Solar Current

The Solar current is the energy—physical and metaphysical—that comes from the sun, our ultimate source of life. The solar current is magically associated with things in the sky: the heavens and birds: hawks, eagles, and roosters. Additionally, I have found that certain plants also can draw and radiate solar energy quote effectively—Dandelion (dominant in the spring); St. John’s Wort (dominant in at midsummer), and goldenrod (dominant in the fall) are three such plants. For Land healing or other earth-based work, we can use these specific solar plants when we need to light up dark places (energetically) and focus the solar current’s healing light.

 

Solar energy, being directly tied to the sun, changes based on the position of the sun in the sky on a daily basis.  That is, solar energy is different at noon than it is at dusk, dawn, or midnight. It also changes based on where the sun is in the wheel of the year; the energy of the sun is different on June 21st, the summer solstice than it is on the Winter Solstice on Dec 21st.)

 

Connected to the sun are the other solar bodies in our solar system and more broadly in the celestial heavens. In the Druid Magic Handbook, John Michael Greer notes that other planets in the solar system directly reflect the energy of the sun, so astrological influences can help us understand the current manifestation of the solar current at various present moments.  This is all to say that solar energy is ever powerful, and ever-changing, in our lives.

 

Standing stone - bringing the solar into the telluric

Standing stone – bringing the solar into the telluric

We can see the solar current manifested differently in the world’s religions—Christianity, for example, is a very solar focused tradition.  When you look at pictures of saints or Jesus, they are often accompanied by rays of light from heaven, god’s light shining down, even the halo of light around the head of a saint or Jesus. Buddhism, likewise, focuses on achieving “higher levels” of consciousness and being—these are all solar in nature. Any time that you hear things about ascension, the light of the sun, and so on, that’s the solar energy being connected to and being drawn upon. Part of the allure of these traditions, in some cases, is the idea of escapism—since the material earth is problematic and imperfect, we can ascend and go to more perfect realms. The problem with some of this thinking is that it separates the living earth from all things sacred or holy—I firmly believe that part of the reason that such pillaging of the planet is happening is because of the emphasis in dominant world religions on solar aspects as divine and earthy aspects as not.  The earth, then, is seen only as a resource worth taking from.

 

Spirit Below: The Telluric Current

While the light of the sun comes down to earth, the Telluric current rises from the heat and energy of the earth itself. Ecologically, we have the molten core of the earth which drives the earth’s tectonic plates and thus, shapes the landmass on the surface. Tectonic plates and landmasses, along with the energy of the sun and the composition of the atmosphere, determine our climate[1]. The great soil web of life, which contains millions of organisms in a single teaspoon of rich soil[2], also supports all life. Thus, we can see the importance of the biological aspects of the earth in the larger patterns of life on this planet.

 

The telluric current’s name comes from “Tellus,” a name for the ancient Roman goddess of the earth. She was also known as “terra mater” or Mother earth; later, this was a word in Latin “telluric” meaning “land, territory or earth.” These ancient connections, then, are present in the name itself, where the earth and her energy were often personified and worshipped as divine.

 

This telluric energy starts at the center of the earth and rises up, through the layers of the stone and molten flows, through the groundwater and underwater aquifers, through the minerals and layers of fossils, and into the crust of the earth. It takes its shape from what is on the surface: plants, trees, roads, rivers, valleys, rivers, and so on. As Greer notes in the Druid Magic Handbook, it is powerfully affected by underground sources of water (aquifers); springs and wells that come up from the land have very strong concentrations of telluric energy. This helps explain both why sacred wells, throughout the ages, have been such an important part of spiritual traditions in many parts of the world–and why we can use spring water for healing and energizing purposes. This also explains why fracking, which taints the underground waters themselves, is so horrifically bad.

 

As RJ Stewart notes in Earthlight, it is from the currents of the earth that the nutrients flow from the living earth into our bodies, regenerating them. It is from the telluric that you can find the light of transformation and regeneration. The telluric represents the dark places in the world, the energy found in caves and deep in the depths of our souls. The telluric energy sometimes is about confronting the shadows within ourselves and realizing that those are part of us too. It is about lived experience—the act of being—rather than rationalizing and talking about. In Lines Upon the Landscape, Pennick and Devereux sum this up nicely when they write, “For us, the sense of traveling through a dark and elemental landscape, pregnant with magical and spiritual forces, is no longer experienced. We have separated ourselves from the land and live within our own abstractions” (246). Take a minute to think about the word “dark” – in modern Western culture, it is immediately associated with evil (showing our strong solar bias).  But darkness can be a place of rest, of quietude, of inner learning and knowing.

 

There are fewer traditions that work primarily with the telluric currents—the Underworld tradition (see R. J. Stewart’s line of books as an example) is one such tradition. Many forms of shamanism, where the practitioner is going down into the depths of the earth or their own consciousness to seek allies and assistance is also telluric in nature. These traditions are frequently concerned with transforming the here and now, and seeing the earth as sacred, understanding the sacred soil upon which life depends.  It’s also unfortunate because, throughout history, many telluric-based religions that were indigenous and earth-based were essentially wiped out by solar ones.

Elemental Wheel - Animals in the Druid Tradition (Artwork by yours truly, Dana O'Driscoll)

Elemental Wheel – Traditional Elemental Animals in the Druid Tradition (Artwork by yours truly, Dana O’Driscoll)

Spirit Within: Awakening the Lunar Current

A third current—the lunar current–can be created by consciously bringing the solar current and the telluric current together in union. As Greer writes in the Druid Magic Handbook “When the lunar current awakens in an individual, it awakens the inner sense and unfolds into enlightenment. When it awakens in the land, it brings healing, fertility, and plenty” (p. 30).

 

We can see ancient humans’ deep knowledge of the three currents and their interaction reflected in the ancient ley lines upon the landscape—for example in Cuzco, Peru, which means “navel of the earth” had at its center, the Inca Temple of the Sun. It was here in the Inca temple that the Coricancha (the emperor) sat at the heart of the temple; radiating the light of the sun outward from this temple like a sunburst was a large web of straight lines reaching into the countryside (Lines upon the Landscape, Pennick and Devereux, 251). On the other side of the world, we see the same principles at play in China, where the Chinese emperor sat on his throne in the center of the Imperial Palace (the “Purple Forbidden City”), centered on the imperial road and with gates leading outward to the four directions (Pennick and Devereux, 251). In these, and in other ancient civilizations, the rulers, associated with the sun or considering themselves as “sun gods” or “sons of heaven” radiated via these “transmission lines” to bring the solar energy down and radiate it outward to bless the manifestation of the telluric. In both cases, the ruler was the personal awakening that third current and sending it out for the bounty and health of the land.

 

The lunar current also helps us resolve the binary created by the telluric and solar currents—it shows us that unification is possible and art of awakening the lunar current can be part of our healing arts in magical practice. To return to our opening discussion of “energy”; the Nwyfre flows from the awakening of this third current, through the alchemical synthesis and transformation of the other two into the third.  We can see this unification present also in the works of Jung–the unconscious (represented by the telluric) and the conscious (represented by the solar) come into unison to create a more complete and whole person when unified (a process Jung calls individuation).

 

Adapting the Seven Element Framework to Your Practice

If you are drawn to this framework or are a member of AODA, you might find it helpful to start mapping out your own understanding of these elements in your life and in your local landscape and building a seven-element mandala of ideas, experiences, and themes.  You can do this in many ways and, over time, you can layer many different meanings and understandings into your elemental mandalas.  This practice can take time to understand and requires some interaction and observation with the earth around you.  You can use the attached graphic to the left (click on the graphic for a full-size version) to help you map out the different relationships if you’d like.

 

Seven Element Framework Graphical Representation

Here are some of the many ways you can think about building your own:

  • What local animals to you represent each of the seven elements?
  • What local herbs to you represent each of the seven elements?
  • What local trees to you represent each of the seven elements?
  • See if you can identify local features that mark the elements and directions where you live: a mountain to the north, a river to the west, and so on (this practice may also have you switching directions–e.g. if you live on the east coast, the largest body of water is to the east, not
  • the west!)
  • What emotions tie to each of these elements?
  • Can you develop a movement for each of these elements?
  • If you practice bardic arts, you might consider developing a poem, painting, carving, photograph, or any other practice
  • Can you make a physical representation of this framework on an altar or in your landscape?

 

As an example of how this might work, in the photos earlier in this article, I shared one such bardic/artistic representation of my own. Earlier this year, I was asked to create a set of large elemental banners for the upcoming MAGUS 2020 gathering, which is primarily an OBOD gathering, so they were looking for elemental four-quarter banners.  I was asked to do them with an herbal/plant theme. Thus, I spent some time sketching and meditating on what local herbs would be appropriate (and put them into the seven elemental framework, even though I was only painting the first four for the gathering!)  I came up with the following list of herbs based on my own understanding, observation, and attunement with the local region and made several shifts and revisions during the development process.  Here’s my list:

  • Air/East/Spring Equinox: Dandelion (Taraxacum officinale).  Dandelion is excellent for east because she grows in the spring, she has a yellow flower, she is a dominant plant upon the landscape offering food and medicine, and when she goes into seed, she “takes to the air”.
  • Fire/South/Summer Solstice: Monarda / Bee Balm (Monarda didyma) Monarda here in this region blooms a firey red, bright pink, or light purple in the heat of the summer, usually throughout July.  This medicinal herb is also a very spicy plant–if you eat a leaf, you will have a spicy sensation.  It also helps fight illness and is a native plant here.  I could think of no better plant for fire/south because of both when monarda blooms and monarda’s firey physical nature.
  • Water/West/Fall Equinox: Cattail (Typha latifolia).  Cattail is another native plant here in our bioregion, and a very important one from an ecological perspective, as it helps cleanse and keep our waterways clear.  Like the other plants here, Cattail is a perennial plant, but it is most dominant in the fall as it grows its seed head (which is where it gets the name “cattail”.  Cattail is a water cleansing and water-loving plant often found on the edges of lakes and swamps.  It was perfect for the west!
  • Earth/North/Winter Solstice: Wintergreen (Gaultheria procumbens).  Wintergreen is another native perennial plant here, and while it has its green, waxy, and minty-tasting leaves year-round, by the winter solstice it is producing bright red berries that are flavorful and delicious.  Wintergreen stays green through the winter months.
  • Spirit Above:  Milkweed (Asclepias syriaca).  Milkweed offers such abundance, including four separate harvests for food, during the year, that I think it’s an excellent plant for spirit above.  Part of this is that it has a “spirit” quality as it slowly opens its pods as the season progresses and releases the delightful seed fluffs to the wind.  On a beautiful fall day here, you will see thousands of them in the air, offering a very ethereal quality. It has an enduring nature–there is some form of milkweed always on our landscape, whether it be the beautiful golden pods in the deep winter months to the shoots in the spring.
  • Spirit Below. Ghost pipe (monotropa uniflora).  Another plant imbued with spirit, ghost pipe is a parasitic plant that feeds on dead plant matter (and thus, does not have chlorophyll, giving it a “ghostly” appearance).  Part of why I selected this plant for spirit below is that has tremendous medicinal virtues associated with grounding–this plant is often used for people who need to come back from a bad experience (mental, alcohol/drug-induced or otherwise) and it helps them bring their way back to a place of stability–in a way that no other plant does.  It also has an enduring nature; even through all seasons
  • Spirit within. Sage (Salvia officinalis).  The uses of sage for spiritual purposes can be found in many cultures worldwide (it truly may be a “global” herb as far as spiritual practices are concerned).  Sages are found throughout the world, and certainly, here in my own ecosystem, where they are perennial, easy to grow, and abundant.  Sage has a long history of spiritual use in the druid tradition, and certainly, it burns beautifully, connecting matter with spirit, and serving as a connecting herb.  It has the quality of bringing mind, body, and spirit into the same place.

This is only one set of interpretations of the seven-element system, but I hope this example shows you how you might adapt this system to your own local ecosystem and understanding.  Next week, we’ll continue with the adaptations and work with the seven-element system, as I’ll further illustrate these concepts and how they can work together for land blessing and other kinds of rituals!

 

[1] Ruddiman, William F., ed. Tectonic uplift and climate change. Springer Science & Business Media, 2013.

[2] ch, Jeff, and Wayne Lewis. Teaming with microbes. Workman Publishing Company, 2010.

[3] Habashi, Fathi. “Zoroaster and the theory of four elements.” Bulletin for the History of Chemistry 25, no. 2 (2000): 109-115.

[4] Nagy, Joseph Falaky. “Fenian Cycle.” The Encyclopedia of Medieval Literature in Britain (2017): 1-5.

Earthen Nature Spirit Statues with Cob

An earth spirit statue in my greenhouse, freshly made with sticks and an oak gall

A lifetime ago, myself and a dear friend dug some clay out of a hillside.  We each took half of it.  My half of the clay was used to form an earthen statue, a guardian statue, for that same friend who was struggling with terminal cancer while still in his early 20’s. It had a wooden tree knot head, stones for its belly, a stick staff, and an earthen body.  My friend accepted it reverently, and it went with him everywhere, even till the end. As he struggled with his battle with cancer, it grew nicked and chipped.  The wooden head fell off, just as my friend’s brain cancer grew more serious. When he passed on, the earthen statue passed on with him, returning to the earth. This statue was an impermanent being; fashioned of unfired clay. It was brittle, yet, in its own way, full of strength. It was ephemeral, and yet perfect in its lack of permanence.  It was a spirit statue, channeled from nature, with a bit of spirit within it, there to help my friend on his journey.

 

I had forgotten about this small statue until quite recently.  I’ve been cobbing several times a week, working to get my back greenhouse cobblestone/cob heatsink wall done.  One day, I had just a little cob left over. Not enough to set more stones on the wall, but enough to play with.  I started to shape it and felt the power of the Awen and of spirit flowing through me.  I saw a vision of all of these earthen statues, shaped, with sticks, shells formed and strong. I saw them left, to break down quietly in the elements and return to the earth with her blessing. And then, I remembered that earthen statue that I made all those years ago to try to provide healing and strength for my friend. And so, I’ve been experimenting working with such earth spirit statues. After sharing a few of my photos with friends, several suggested that I write about how I make these and how I use them ceremonially.  So today’s post, part of my cob building series, looks at the process of making earthen nature spirit statues all from simple materials found in your local landscape.  This is something that ANYONE can do, regardless of artistic skill.  So let’s get muddy!

 

Ephemeral Sacred Objects

In earlier posts on this blog, I worked with the idea of building nature shrines and sacred spaces of all kinds.  One of the things I often stressed as part of that work was not bringing things into those spaces that might be harmful or damaging to the land.  So I suggested natural things, things like shells, stones, wood, bones–things that you gather yourself, from the land, and allow to return to the land.  Or I suggested things that would easily return to the land, like wood burned object, hand-dyed natural fibers, etc. These will break down quickly due to the elements, but that’s exactly the point.

 

Many earth spirit statues

As I have talked about over the last few weeks, Cob is a natural building material made of clay, sand, and straw.  When you make something from Cob, it’s not fired.  It will not hold up to water. It will break down in the snow, wind, rain, and ice. Why, then, would you make statues out of cob if you know they will break down? First, because there is a magic in impermanence, magic in the making.  When you know something is only going to be a certain way only for a short period of time, it holds additional value.  For example, when my strawberry patch starts to produce the best-tasting strawberries, I know there is a short window, maybe 2 weeks, where I get to enjoy them fresh from the plant.  The rest of the year, I might enjoy preserves, but never that fresh succulent strawberry right from the vine.  Sacred objects can be like that too–an object you carefully construct, with the full knowledge that it will be broken down, creates a different kind of relationship. A sacred relationship based on the immediate moment. Creating these statues asks you to be in a place for this moment in time, to simply be present, making these, working with the cob between your hands. Letting the natural objects find their own shape and in their own time.  And not rushing it.   For there is much magic in the making.

 

There is magic in the making, and there is magic in the placing. An earthen spirit statue’s goal is to return gracefully to the land.  If you want, you can work slow magic with these, on nature’s time and at nature’s pace, as part of this work.  Almost all of my earthen spirit statues are used for the purposes of land healing.  As I shape them, I speak my healing words into them, I work healing energies through my fingertips. I sing, I chant, I smile, I laugh. I put the energy of life and light into my statues. And maybe when they are done, I put some more into them ritually, adding the powers of the elements and the sacred animals of the druid tradition.  Then, they become like little healing shrines all to themselves.  Carefully wrap one and put it in your backpack while you are on a hike, leaving it in the nook of a tree.  Place one on a stone in a stream, knowing the floods will carry it away.  Bury one in a snowdrift in a logged forest to offer peace to the survivors.  Offer one to your local lady of the lake.  Place one in your garden to nurture your plants to grow, letting it become soil you will plant in.

Gathering Materials and Decorations

There are two parts to an earthen spirit statue.  Natural items, such as feathers, leaves, sticks, stones, nuts, roots, seeds, and more are one of those parts. Take a small basket into the woods, beach, bog, desert or whatever is near you.  Walk intentionally and slowly, letting small bits of nature speak to you.  If they call out, pick them up, and leave an offering in thanks.  Once you have a good selection to work with, its time to make your cob!

 

Making Cob

And so, let us put our feet and hands into the earth and make our cob! For an introduction to our delightful material, you should look at the introduction to cob construction here, and how to make cob here. I will also offer basic instructions here, as they differ slightly from the instructions on my introduction to cob page. In a nutshell, cob is a combination of clay, sand, and straw.  This combination, in the right amount (1 part clay/silt to 2 parts sand) makes a perfect material for building earthen spirit statues.

To make your cob:

  • Dig down to the subsoil (see here for more details).  Fill up part of a wheelbarrow (1/2 or so).  Screen it, removing any rocks, sticks, or other debris.  The goal is to have just clay, sand, and straw.
  • Put your material on a tarp.  Make a well in the center of the soil, and then, add water.  Mix with your feet, putting your prayers, energy, and love into that material.  Dance with the spirits as you dance on your cob.  Take a side of your tarp and flip the cob, adding more water to make a good firm dough consistency.
  • If you want extra strength, you can add a bit of fine straw.  To add straw, take your scissors and carefully cut the straw up into 1/2 in pieces or less.  then sprinkle it through, working it in with your feet.
  • Pick up some of your cob.  It should hold its shape well and you should be able to work it.  Add more soil if its too wet and more water if it’s too dry and crumbly.
  • The goal is a nice firm but doughy texture that will hold its shape and that you can form.

 

Goose blessing of my cob

Make Your Statues

Make your statues however you see fit.  the easiest way is to create a cylinder by rolling the cob in your hands or on a solid surface. Then, find the natural objects you want to include.  Press them into the cob, shaping it as you go.  Stick some sticks coming out of it, shells, or dried turkey tail mushrooms (or similar small polypore mushroom). Let the objects speak to you, and let the clay speak to you. Make no thought if it is “good” or “right”; refrain from any value judgments. Your goal is to channel the spirits of nature, and they are not concerned with the physical vessel you are creating.  Don’t fuss over it.  Let it be complete, and make another.  And another, and another, until you feel you are done.  As you make, laugh. Get muddy. Sing to the statues, drum.  Call for the sacred powers of nature who might aid you.  Put happy, healing, and light energy into your work.  Let go.

 

Bless your statues

If you feel the need, you can do an additional blessing for your statues.  Draw upon the power of earth, air, fire, and water, and give a blessing to them–smudge them with incense, drip some beeswax on them or hold them to the flame.  Give them some water drips, smear them with soil.

 

More earth spirit statues!

Place your statues

Find a home for your statues in the nooks and crannies of the landscape.  They want to travel, go somewhere, send their healing energy out as they begin to break down. Put them in unconventional places.  Put the in places in need of light and healing.  Put them on nature shrines.  Put them in your druid’s anchor spot. Visit them and watch them break down, or leave them never to return. You can put one on your altar for a while, but make an agreement between the two of you how long it will be there so that you can return it at the right time (these energies are meant to move between you and the land freely). There is no right or wrong path, just you, the spirits of nature, and how spirit moves through you.