The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Wildcrafted Yule Tree Ornaments – Painted Wood, Wreaths, Awens, and Pentacles December 2, 2018

As the Winter Solstice is coming up quickly and the tree just went up this past week, I’ve been busy in my art studio and out on the land looking for great things to add to the Yule tree.  As a druid who is deeply concerned about the amount of plastic and “throw away‘ quick purchase items, like cheap plastic ornaments, I didn’t want to buy any ornaments for the tree, but rather, to make them from wildcrafted materials. So today, I wanted to share two simple ways to make nice ornaments for a Yule tree from natural materials and simple tools.

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Painted or Burned Wooden Round Ornaments

One simple method for creating ornaments is a painted or woodburned wood rounds. These are simple slices of wood that you can decorate in a variety of ways–painting them, burning them, or staining them.

A variety of wood rounds that are burned or painted. These are just about ready to hang!

A variety of wood rounds that are burned or painted. These are just about ready to hang!

Obtaining Wood:

You can cut rounds from either fresh or dry (seasoned) wood.  Most wood cracks as it dries out, so if you are cutting wood rounds fresh, you want to cut extra because some will crack as it dries.  If it is already seasoned wood, you can cut it without too much concern as the cracks are already present.  Even if you find dry wood in the woods, if its a rainy year, it may still crack a bit as it dries. The longer the wood sits outdoors, the more dark areas it will have and at some point, it will start to break down.

 

You might spend time looking for wood–what I like to do is take a small foldable hand saw with me regularly on my walks or hikes, and if I see a nice piece of wood that has recently fallen, I’ll take a piece of it back with me, using it as a walking stick till I get home.  I store these in my garage, and eventually, I have a nice pile for cutting.   You want fairly long pieces for using the saws (see below).

 

Some of my favorite woods to use are sugar maple, red maple, oak (harder to woodburn), sassafras, walnut, eastern helmock, or cherry.  Different woods produce different grains and colors, which you can all use to your artistic advantage.

 

Cutting rounds: In order to cut your wood rounds, you need either a table saw or miter saw to cut them; you could also use a hand saw but it would be very tedious.  If you don’t have one, ask around; chances are, a lot of people have these saws and would be willing to cut wood rounds for you or let you take 30 min to cut your own. I was without such a saw for many years, but finally invested in my own.

 

Cut your rounds to any thickness or size.  A miter saw also lets you cut them on a nice angle.

 

If you are cutting wet or fresh wood, one of the ways to minimize cracking is to put your freshly cut wood rounds in a paper bag for a few days.  The paper bag slows down the drying and there is less cracking.

 

Regardless, you will want to wait a few days before painting or burning them to make sure they aren’t going to crack.

 

Cut rounds of different sizes and woods.

Cut rounds of different sizes and woods.

 

Decorating Wood Rounds: You can do many different things to decorate your wood rounds. If you have a woodburner, this is a great and simple way to decorate them. You can also paint them with acrylic. Wood stains are not meant to be precise and will likely leak all through your wood, so unless you are staining the round all one color (say, on top of a woodburned design), stay away from traditional wood stains.  Yes, I learned this the hard way!

 

If you are not confident in your drawing skills, two options may help you.  First, you can purchase or make stencils of simple shapes and symbols, and use a stencil technique for your wood rounds.  The second is to print out designs and use a transfer paper (available in any art or craft supply store) to transfer the design, then paint or burn over it.

 

Simple woodburned rounds

Simple woodburned rounds

 

Stick Wreaths, Awens, and Pentacle Ornaments

This second kind of ornament is a little more involved, but produces beautiful results.  For this, you will need some hand clippers or loppers, wire of various colors, wire snippers, and access to various kinds of brush, shrubbery, vines, and/or small sticks. Here’s a photo of what we will be making next.

Some ornaments laying out to dry out

Some ornaments laying out to dry out

Finding the Right Woods

To make these delightful ornaments, you need two kinds of wood: one that is relatively bendy and one that is relatively firm and less bendy. You can test the bendability of wood by trying to bend them in half–if they bend easily, you have a good “wreath” material.  If they snap, that is a good “straight” material.

Bendable material should be able to do this without snapping

Bendable material should be able to do this without snapping

Wreath materials can be a lot of different things: most woody fines work great (Fox grape, other kinds of grape, buckthorn, bittersweet, to name a few).  Willow branches are fantastic for this–look for them of various kinds near wet areas.  Other bushes and shrubbery of various kinds can also be used.  For mine, I used an unidentified shrub (that was planted by the previous owners of the land) as well as some very young dogwood branches (that I needed to cut back anyways near my coop). Ideally, you should be able to bend it at least as far as in the photo above before it snaps (if not more, in the case of many thinner vines, etc).  Thin materials and new growth are best for the smaller ornaments.  These materials *must* be cut fresh and used within a few hours or they will dry out and lose their bendable quality.

 

Straight materials can be anything that you like.  I have some really lovely rose bushes that produce thornless straight branches–I like them for the green color.  Other branches I used this time around were some beaked hazels, cherry, and some maple.

A harvest for wreath materials

A harvest for wreath materials

Plan on harvesting the woods the same day you will make your wreaths and ornaments.

 

Making the Wreath

Depending on the length of your bendy wreath materials, you will likely need 1-3 pieces of material for each wreath.  You will have to coax the material to do what you want it to do.  Start by making a circle of the initial material, tucking in the end so it is held by the wreath.

Making your first loop

Making your first loop

For this, I like to start with the thicker end first, and keep working around, twisting it as I go.  You may have to help the wood bend by slowly bending it till it will keep the bend–each wood is unique.  The stuff I’m working with for this demo was definately less bendy than willow or grape vine, but still did a fine job as long as I was patient.

Wreath - step 2

Wreath – step 2

At some point, you should be able to have the end tuck in around the wreath.  Don’t worry if its completely circular at this point yet–just keep adding material.

Wreath - Step 3

Wreath – Step 3

You can see above where I have a little bend in the wreath material–once I add more, you won’t be able to see the bend.

Wreath 4 - Adding more material

Wreath 4 – Adding more material

Now I’ve added in a second piece.  Don’t yet worry about the ends–we will deal with those at the end.  Keep wrapping the material until you get a wreath the size you want.

Wreath trimming

Wreath trimming

 

As the wood dries, it will become very tight and the wreath will hold together on its own and hold its own shape.  When the wood is wet, however, you may need to secure it with some wire (that you can remove when its dry).  You can also, at this stage, trim any ends that are sticking out (as I am doing so above) or wait till they are dry to trim them.

 

Make as many wreaths as you like!  They are great on the tree on their own, or, you can take it a step further and make an awen or pentacle.

Various wreaths drying

Various wreaths drying, some with temporary wire.  These are made of the unidentified shrub material (tan/green) and some young dogwood branches (red).

Awen Ornament

Choose three straight pieces and cut them to just larger than your wreath.  They don’t have to be perfect at this stage–you can always trim them later.

Cutting branches for an awen symbol

Cutting branches for an awen symbol

Once you have your three straight pieces, begin attaching them at the top.  Simply wrap a thin wire around the branches and the wreath a few times till they are secure.  You could alternatively try to glue them, but I don’t think this is a good idea with shrinkage. Try to attach them as solidly as you can–if you are working with wet wood, they may losen and shrink as they dry.

Close up of awen top

Close up of awen top

Awen attached at top and middle bottom.

Awen attached at top and middle bottom.

Once you have the top attached, attached the middle bottom.  Then you can decide how far out you want the two outer rays of the awen.

Finished Awen ornament

Finished Awen ornament

Pentacle Ornament

Once you get your feet wet with the awen ornament, you can tackle the more complicated pentacle ornament. This is one with rose bush branch and the shrub from my yard.

Pentacle ornament on the Yule Tree

Pentacle ornament on the Yule Tree

For this, you will want five straight pieces that have a little give in them. They should be fresh wood, as you will have to bend them a bit over each other to get the effect right. As an optional step, if your pieces are quite thick, you migth shave them down on one side. This isn’t necessary if you have thinner pieces.

Shaving down edge of pentacle pieces

Shaving down edge of pentacle pieces

Now, begin to construct the pentacle.  Start by attaching two of the pieces to the top of the pentacle.

Two pieces attached.

Two pieces attached.

Here’s how the back of this looks at this stage. You can see how if you shave it, you can get a closer fit.

Top of pentacle with wire

Top of pentacle with wire

Now, 1/5 of the way down from the top, attach the next two pieces at the point of the star.  This gives you two of the five sides attached. You can mess around with which ones should lay on top of each other as you go–some sticks will fit better on top or bottom than others.

Attaching second two pieces

Attaching second two pieces

Now, go ahead and attach the other star point that can be completed (on the bottom right). Next, add in your 5th branch and figure out how to best fit it (it might fit better under rather than over previously attached sticks).  Keep attaching each of the sides.

Pentacle with all five sticks

Pentacle with all five sticks

Finally, attach your last sticks. You work with these wet because at this later stage, you may have to bend them a little to attach them to the wreath together.

Finished pentacle

Finished pentacle

At this stage, let them dry out for at least two days. The wood may shrink a bit, which will firm up your wreaths but may require you to tighten up the wire (which you can do by putting a simple bend in it or re-wrapping it).

 

Once they are dry, if you want, you can brush these with paint or just leave them natural.

 

I hope you enjoyed this simple tutorial for creating wonderful yule ornaments!  If anyone does this, please share a link to your creations or tag the druid’s garden on Facebook or Instagram (@druidsgardenart).  Thanks!

 

 

Druid Gratitude Practices – Nature Shrines and Offerings November 25, 2018

Black Raspberry in fruit

Black Raspberry in fruit

Every year, I look forward to the black raspberries that grow all throughout the fields and wild places where I live. These black raspberries are incredibly flavorful with with crunchy seeds. They have never been commercialized, meaning no company has grown them for profit. You cannot buy them in the store. You can only wait for late June and watch them ripen and invest the energy in picking. Each year, the black raspberries and so many other fruits, nuts, and wild foods are a gift from the land, the land that offers such abundance.  If I would purchase such berries in a store, my relationship with those berries would be fairly instrumental–I pay for them, they become part of a transaction, and then I eat them. There is no heart in such a transaction.  But because these berries can’t be bought or sold, when I pick them, the land is offering me the gift of sustenance.  Gifting is a much different kind of relationship, a powerful and connected relationship, a relationship that asks not only for reciprocation but gratitude.

 

Gratitude is an incredibly important aspect of reconnecting and reciprocating with the living earth. Given the recent cultural holiday of giving of thanks, I wanted to reflect on the idea of gratitude practices and share ideas for what we could do in the druid tradition to offer gratitude to the living earth and her many aspects. So in today’s post, we’ll explore how to develop a gratitude practice and why it matters.

 

What is a gratitude practice?

There are lots of words you might use to describe a gratitude practice: honoring, venerating, giving thanks, respecting, and so forth. What I’m calling a “gratitude practice” puts us in regular contact with the living earth and allows us to express our respect, gratitude, and offer our thanks to the living earth and various aspects of nature.  Nature provides everything for us–even if we are mostly disconnected in the western world from that process.  Re-imagining our relationship as one full of gratitude helps us reconnect to the living earth in incredibly powerful ways.

 

There are many, many ways to engage in gratitude practices–speaking them, writing them, saying them. One common gratitude practice is ancestor work, which I wrote more about in an earlier post, and where we are in gratitude towards those who came before. Today, I’ll explore a long-term strategy for gratitude practices surrounding the living earth–through choosing aspects of nature to honor, creating shrines, and making offerings.

 

Choosing Aspects of Nature to offer Gratitude

The word “honor” refers to treating someone or something with admiration, respect, and recognition. If we think about the way we honor humans–soldiers, guests, or dignitaries–we may offer gifts, set aside special spaces for them (statuary, memorials, etc), or hold various kinds of celebrations for them. For example, in American culture we have presidential monuments, days honoring Martin Luther king and others of importance, monuments to fallen soldiers, and we offer regular respect to those humans who have done something extraordinary. If we use this same kind of thinking to honor nature and aspects of nature, we can develop a deeper relationship to nature over time and make this a core of a gratitude practice.

 

Some druids may choose to honor all of nature or focus on “the land” or “the earth” as the center of a nature honoring practice, while other druids may choose to focus and work with a specific aspect of nature intensively. Working to honor that aspect of nature—say, an element manifested in the world, an animal, a tree or plant, a mountain, a river, a natural phenomenon (storms), etc, can put you in a very deep relationship with that particular aspect. Thus, choosing who or what to honor in the natural world is important and is highly individual. Some druids may have already been drawn to a particular animal, plant, place, or other aspect of nature, while others may need to seek out different aspects to honor. Perhaps you have a plant species you have always been drawn to, or perhaps an animal species frequently visits you.  Perhaps you’ve had powerful experiences in a particular place, or along a particular mountain ridge.  Perhaps you feel energized and excited by the storm. You can select one, or multiple aspects of nature, to honor. As you choose to work with nature or aspects of nature, recognize that gratitude is work of the heart. The most important choice, then, deals with your own personal connection to the living earth and her spirits. What aspect of nature is deeply meaningful to one person may not be to another—the point of all of this is to develop, for yourself, deep relationships. Follow your heart and intuition.  In this section’s activity, a specific ritual is given that can help you choose which aspects of nature you want to develop a devotional practice towards.

 

In an animistic perspective, we recognize the difference between matter and spirit, and in this case, both can be honored. For example, one druid decided to honor the black bear, so she begins by bringing in black bear imagery and statuary into her home; learning about the black bear; and creates a small shrine in the woods near her home to honor the greater spirit of the bear.  She also learns about a local movement to protect bear populations and volunteers her time. In doing these kinds of honoring activities, she is able to deeply connect with the bear energies and bring those energies into their life. In a second example, a druid chooses to honor the local mountain range where he was born and raised. He learns about this mountain range, its history, and what lives there and grows there; he spends time hiking and backpacking on various parts of the mountain range; and he does regular ritual to protect the mountain from harm. He also carries a piece of wood in his pocket from the mountain and places a second piece of wood on his home altar. He connects to the spirit of the mountain through deep meditation and journeying work.

 

Nature Shrines as a Gratitude Practice

Poison Ivy shrine

Poison Ivy shrine

One way of engaging in a gratitude practice is through creating a shrine or special space inside or outside of your home to honor the living earth and/or specific aspects of nature. In the druid tradition, a “shrine” is typically dedicated to a specific aspect of nature, while an “altar” is typically more of a working tool where you might engage in various kinds of rituals and practices. “Sacred spaces” are larger areas, perhaps containing a shrine or altar, that are dedicated to sacred activity. However, these can blend together, and we druids don’t get too picky about the differences.

 

To create a nature shrine, you need to consider four aspects: where the shrine will be, how you will construct the shrine,  what the goal of the shrine is, and how often you will interact with the shrine. There is no right or wrong way to answer these questions–but you should give them some thought.

 

To start getting your own creative juices flowing, I will now share a few shrines I’ve built over time:

  • Honoring the Fallen Shrine (Outdoor). The “honoring the fallen” shrine was a large shrine on a recently cut stump. The shrine consisted of sticks, stones, and bones, with a stack of stones in the middle. The sticks, stones, and bones came from sites that were damaged or hurting. The shrine honored trees, animals, and others who were passing on due to human interference. I would honor species going extinct, trees and forests that were cut, making regular weekly offerings at the shrine.
  • Protecting Waters Shrine (Indoor). The “waters” shrine was to honor the waters of all kinds: rain, lakes, rivers, streams, springs, and so on. I gathered water offerings from all over the world (and asked friends to bring me water from various places) and I would put the new waters in little glass vials with a label. The shrine held the glass vials. This shrine had a beautiful large bowl of water as the centerpiece, which I kept regularly filled. This shrine was near a large tub I had in my bathroom, up on a little ledge.
  • Poison Ivy Shrine (Outdoor). Everywhere I’ve lived, poison ivy has lived with me, and I’m one of the very sensitive people who get it easily. The poison ivy shrine was created to honor the poison ivy on the property and ask it not to harm me or my guests. I built this shrine in the winter when the poison ivy was more dormant after scoping out a place with the most poison ivy on the property. I created a small shelf with several rocks and then created a clay statue that was my personification of poison ivy. I put the statue on the rock shelf. And then, I let this shrine alone.  As the poison ivy grew back into the space, it mostly covered the stone and statue.  I left this shrine largely be, as poison ivy wanted to be left alone!
  • Land Healing Shrine (Outdoor, Group). I created a land healing shrine with a group of druids was a land healing shrine, also on a large stump. We took fallen wood from the property, cut it into wood rounds, and then woodburned protective and healing symbols and ogham onto the wood. We left these on the shrine along with aspects of the four elements. The goal of this shrine was to send healing out to the land.
  • The Mother Earth Shrine (Outdoor). This shrine was created to honor the entirety of the land and all of her spirits. I would frequently gather new things for this shrine from wild places and add them to the shrine. Over time, the pile grew quite large! The shrine itself was wild—I never cleaned leaves off the shrine but rather let everything layer just like it does in nature. I left regular offerings of cornmeal here as part of my daily spiritual practices.
  • The Animals Shrine (Indoor). I created a small shrine, using only photographs on a wall space, in my office. I wanted to honor certain animals in my local ecosystem and also draw upon aspects of those animals while at work. The cluster of photos didn’t appear to anyone as a sacred space, but I understood the intent of the work.

 

One the things you might notice about the shrine examples I’ve offered above is that the shrines don’t just have a theme—the have an intention or goal. Your goals and intentions may evolve as you work deeply with the spirits of nature, so you can see these kinds of shrines as evolving things. I do think as you create a shrine, the shrine will evolve just as you evolve!

 

Earth Shrine

Earth Shrine

Sourcing Materials for Your Shrine

Sourcing materials for your shrine is also a critical choice, and sends a particular kind of message to the land and her spirits. For outdoor spaces, it is a good idea to make sure anything that you leave will not cause harm or pollution to the land. Further, you want to make sure that the earth was not harmed in the creating of that thing or the taking of that thing. This means you might use more naturally-oriented things or representations: sticks, stones, collected objects, secondhand objects, handcrafted objects, and so on. You can make beautiful shrines, altars, and sacred spaces using materials only from the land around you in many cases. Using things directly from the land allows them to break down and return to the land gracefully.

 

Building Your Shrine

Spend time planning and building a shrine to nature or to a specific aspect of nature. The process shouldn’t be rushed—often, the process of building a shrine takes time and unfolds in unexpected ways! First, you want to source the right location. Whether indoors or outdoors, it takes time to find the right spot. If it is in the house, you want to think about where it might be, and how visitors and other family members may interact with it (or not), and may respect it, or not. I once created a beautiful shrine in a guest bedroom, which worked except when I had guests who didn’t understand it and didn’t respect it well.

If it is outdoors, you again want to think about other people who may have access to the shrine and how public or private the shrine will be. I prefer to keep shrines as private as possible, unless I’m working with a group of fellow druids and we are co-constructing a shrine (as one example explored above). When sourcing a location, I recommend taking some time and doing multiple visits to ascertain the right location and if the spirits of the land would welcome the shrine. There are lots of considerations for location, particularly in terms of the weather, seasons, accessibility, visibility, and human interaction.

 

Once you’ve selected your spot, now comes the fun part of building the shrine.  I like to see a nature shrine as an evolving thing—just as the wheel of the year turns in nature, so too your shrine evolve as you find new things for it.  Shrines do not have to be complex, even a small stack of stones or ring of sticks works beautifully for a shrine.

 

The timing of initially setting up your shrine also can be important. Choose a day or time that is meaningful—a new or full moon, one of the druid holidays (solstices, equinoxes, cross quarter days) or some other day that lends itself well to the energies of your new endeavor.

 

Tending Your Shrine

After you have your shrine built, you’ll want to think about how you might regularly tend it.  Regular attention to the shrine assures that you are connecting deeply with the energies of the shrine and connecting with that aspect of nature and that you are investing time, energy, and care into the shrine.  Regular tending may include clearing the shrine of debris, replacing objects, and so forth. It may also be quietly sitting with the shrine, meditating near it, and simply observing it during the various seasons (if outdoors).  There are lots of ways you can regularly tend and visit your shrine.

 

Offerings

Offering on a stone cairn

Offering on a stone cairn

Another thing you can do regularly at your shrine is make offerings–this helps you “give back” and engage in a more reciprocal relationship with the living earth.  Offerings are often symbolic representations of our understanding of the give and take relationship we have with the earth that provides abundance. One of the ways you might think about offerings within a druid framework is that they are part of a larger gratitude practice. That is, through offerings, we are giving thanks, acknowledging, and honoring nature.

 

In terms of what to offer, the general principle here that I like to follow is this: my offering should be an offering of something that I value and that is important to me, not simply an empty gesture of something that I purchased.  These things may be physical or non-physical.

 

On the side of physical things: many things that can be purchased are problematic because their purchase put additional strain on the land (the resources that produced it, the shipping and fossil fuels, the packaging that creates plastic waste, etc.). So you want to give any physical offerings some careful thought.  One of the ways you might get around this is by either growing offerings, finding them, or wildcrafting them. A great offering could be something as simple as acorn caps gathered in the fall with a symbol painted on them in a natural ink. You could gather small stones or pieces of bark and bless them with the elements, and then use them as an offering. Another option is to create or grow a sacred offering blend of herbs (I use home-grown tobacco, lavender leaf, and rose petals as my current mix, see this post for more information).  You can also purchase offerings that are sustainably created—go to a farmer’s market and buy a bottle of locally produced organic wine or locally milled cornmeal or flour, for example.

 

Non-physical things make wonderful offerings as well.  Bardic practices, like drumming, dancing, singing, and so forth can be a great offering of your time, energy and spirit. I will also note here that music in particular is a great offering if you want to honor the spirits of the land while others are around—I like to take my flute to majestic places (which often have other people visiting them) and play a song or two.  The intention of the song is an offering to the land, but it doesn’t hurt to have others hear it too.

 

I hope that this post was useful in thinking about one way–among many–that we might engage in a regular gratitude practice as part of our paths in honoring and connecting with our most sacred earth.

 

Home-Grown and Wildcrafted Smudge Sticks: Plant List and Recipes November 18, 2018

Basket of newly made smudge sticks

Basket of newly made smudge sticks

Creating homemade smudge sticks with local ingredients is a wonderful activity to do this time of year.  As the plants die back, you can harvest whatever you aren’t using for other purposes and create a number of beautiful smudges that can be used for many different purposes: clearing, honoring spirits, protection, setting intentions, letting go, bringing in, preparing for ritual or mediation, and much more.

 

A few years ago, I wrote an initial post on homemade smudge sticks using local ingredients–this has become my most popular post on my blog.  Given that, I wanted to offer a follow-up post with some additional information and share a few smudge stick recipes for specific purposes. For initial instructions on how to make your sticks, please see my first post.  This post expands the plant list that you can use to make smudges and also offers smudge stick recipes for various purposes.

 

Expanded Ingredient List for Smudge Stick Making

The following is a much expanded ingredient list from my first post–it not only talks about different plants you can explore in smudge stick making, but offers their latin names and also if they can be wildharvested or need to be garden grown.

 

Aromatic Cultivated and Wildharvested Herbs. This list represents plants that you can easily find in the wild and/or grow in a garden.  The information I’m providing is based on the US East coast/Upper Midwest, so you will need to adapt accordingly.  (C) refers to the need to cultivate this herb in most places in the US Upper East Coast or Midwest, while (W) indicates you might be able to find it in the wild.

  • Bay leaf (C)(Laurus nobilis):  Bay has a wide range of magical uses: to banish or expel, to protect, to support, to prepare folks for deeper magical work. If you aren’t sure what to use as smudge, bay is a great choice due to its flexibility! You can cultivate bay plants; alternatively, pick up some bay leaves in the spice section of the grocery store .
  • Coltsfoot (C)(Tussilago farfara): Coltsfoot is used primarily for divination, and due to its very early bloom time in the spring and beautiful yellow flower, it is also associated with sun work and the coming of spring. Leaves can be harvested in the spring or fall, you can find it along roadways in full sun or part shade areas. The leaf is large and can be used as a wrap for other smudge ingredients. The flower, looking similar to a dandelion but smaller, and blooming in early spring, can also be used in smudges.
  • Eucalyptus (C) (Eucalyptus spp.)– Another herb for clearing work; its smolders nicely and produces a powerful scent.  It combines beautifully with sage and lavender.  You have to plant this in my region–it doesn’t grow wild, but will grow to a nice size over the summer and you can use it.  You can also get whole leaf in some places if it isn’t local. While you can find it in craft stores in the US, I don’t know what they treat it with–I’d use it from an herbal supplier first.
  • Hyssop (C) (Hyssopus officinalis) – An herb with ancient connections to purification work; you can also use this to keep away negativity that is thrown in your direction.  Hyssop smells wonderful when burned.  I’ve also used Anise hyssop in a similar way; the two do burn differently (anise hyssop is more aromatic and smells and burns like black licorice).
  • Lavender (C) (Lavandula spp.) – Lavender helps with clear thinking, relaxation, and focus.  You can use both leaf stalks and flower heads in smudges–lavender flowers give smudges beautiful colors and appeal.  Lavender combines beautifully with sage or sweetgrass.
  • Lemongrass (C) (Cymbopogon): Cleansing, removing obstacles, purification.  You can grow this or even pick up stalks in the local grocery store.  Burns with a lemony scent and produces good smoke.
  • Mugwort (W, C) (Artemisia vulgaris) – Mugwort has a nice smell when burned (and its also used in a lot of herbal smoking blends).  Mugwort is specifically tied to dreams and can produce very vivid dreaming.  It is also wonderful for any other kind of trance or journeying work. While this is a powerful dreaming is a good thing in the short term, do keep in mind that vivid dreams over a long period of time can exhaust you–so use mugwort with care and not daily, but definitely use it!  Mugwort also grows beautifully straight and tall, and really does do well in smudges.  A lot of people cultivate mugwort, but I find it wild growing everywhere around where I live.  I really love this plant for both tea (harvested young) and smudges

    ingredients laid out to make some smudges--tobacco leaf and empty seed pods in front left corner.

    ingredients laid out to make some smudges–tobacco leaf and empty seed pods in front left corner.

  • Mullein (W) (Verbascum thapsus) – Soft, fuzzy mullein leaves have a nice “smoldering” quality–they smolder in the same way that sage smolders.  They don’t smell nearly as nice, but the smoke itself does have a beneficial impact on the lungs and can, medicinally, be used for “clearing” out the lungs of toxins.  In Buddhist practice, the lungs are said to house grief.  I think, for a personal smudge stick where I was working to clear out some deep emotions and emotional recovery, I would most definitely put mullein in becuase of that clearing/grief/lung connection.
  • Rosemary (C) (Rosmarinus officinalis) – Rosemary is another clearing and protective herb.  It is also another staple for smudges.  Interestingly enough, you can use both the root and the plant of rosemary–and they have different qualities.  The rosemary stalks burn wonderfully in a smudge.  Don’t let them get too dried out or the needles fall off easily and you will have a hard time wrapping them and keeping them intact.  You might look at the different varieties of rosemary–not only do they smell slightly different, but they burn slightly different as well.
  • Sage (C) (Salvia spp.) – Sage is a clearing herb that helps purify and cleanse spaces of negative energy.  All sages energtically work similarly, but do have some fairly unique smells.  Here are some different sage options:
    • White Sage can be grown in gardens and has a potent, distinctive smell.  The seeds are rather hard to start (only about a 20% germination rate) and it doesn’t like it too wet–it likes it hot. I usually plant this in my greenhouse as it is hotter and drier than the rest of my yard for the summer months.  You can use white sage stalks and leaves in your smudge sticks.  If you can’t grow it, you often can also find sage bundles in metaphysical shops (and you can take the bundles apart and mix them with other plants).
    • Desert Sage also has a lighter, sweeter smell than white sage.  I haven’t grown this myself, but have gotten some from friends who were out west. It also is relatively easy to find in the shops.
    • Garden Sage is a wonderful choice for multiple purposes–culinary arts as well as smudge sticks.  I harvest back the garden sage plants in the fall for use in smudges and for cooking!  It has a deeper sage smell than the other two.
    • Clary Sage has larger leaves and a more musky smell.  Works great for smudges!
  • Scented Geranium (C) (Pelargonium Spp.): Geranium is associated with prosperity, happiness, and love. The leaves and stalks of scented geraniums make wonderful smudge stick ingredients.  They burn similar to the smell that the geranium has.  i have had the most experience with my lemon scented geranium for smudges, but there are many options here.  Pick one up and it will grow in a pot all summer for you.
  • Sweet Clover (W) (Melilotus officinalis) – A great locally available plant that smells fairly similar to sweet grass (and attracts spirits and honors them, like sweet grass) is sweet clover.  Sweet clover is dotted over roadsides and fields around midsummer. It does not burn quite as sweetly as sweetgrass, it has similar qualities and a similar smell.
  • Sweet Grass (C) (Hierochloe odorata) – Sweet grass gets spirits’ attention and can be used any any visionary or honoring work. I cultivate a patch of sweetgrass (moved with me several times and originally given as a gift) and it works great for smudges.  Sometimes, I will put a full section of a sweetgrass braid in a smudge (see my photos).  That really gets some attention and looks amazing.
  • Thyme (C) (Thymus vulgaris): This gentle garden and culinary herb is an incredibly powerful magical plant.  Thyme helps with the removal of negative emotions, healing, and emotional healing. It looks so pretty in a smudge bundle too, especially the lemon thyme varieties.
  • Tobacco (C) (Nicotinana Rustica): Home grown tobacco is my go-to offertory plant, making offerings in particular to the spirits of the land, particularly of the plant kingdom.  Tobacco also helps other plants do their work better (it amplifies their power and connects you deeply with their energies).  I grow my own tobacco, and I use the leaves for offerings and use the stalks in smudge sticks.
  • Valerian (C) (Valeriana officinalis) – Valerian is one of the most powerful and potent cleansing and clearing herbs. A little valerian goes a long way.  The fresh flowers smell sweet, but as they dry, they take on a potent wet-dog style aroma. The dried flower stalks work great in smudges. You can also use the roots, but the roots smell even more like a wet dog–and your smudge will smell similarly when burned.  And  your house will smell just with the roots sitting out in a smudge stick.  That physical potency lends itself well to the spirit plant, for I have found nothing better to clear out a space.  Burn with the windows open!
  • Wormwood (C, W) (Artemisia absinthium): Another super protective and clearing herb is Artemesia Absinthium (Common Wormwood).  It has a pleasant smell when it burns, and is clearing, but in a more gentle way than valerian.
  • Yarrow (C, W) (Achillea Millefolium): Yarrow is another herb I like to use a lot in my smudges for its energetic qualities; it smells a lot like itself when it burns due to the high volatile oil content.  Yarrow is used for workings where you don’t want to be seen or you need to hide or conceal something.  It is also useful for strength and divination.

Trees and Shrubs.  Traditionally, cedars (like incense cedar or red cedar) were used for smudges out in the western part of the US.  In my bioregion, conifers mostly produce the best smudges, although some a few other options exist.

  • Eastern Red Cedar/Juniper (Juniperus virginiana): Junpier is a strongly protective herb and useful for male strength and for banishing. This is a wonderfully aromatic plant with berries that also are used medicinally.  I love using juniper in my smudges–but it has little prickly bits, so use it carefully so that you don’t get stabbed.
  • Eastern White Cedar (Thuja Occidantalis):  Eastern white cedar is a great smudge to help cleanse and open up a sacred space.  It also helps with cleansing negative emotions, grief, or other pain.  It is also tied to longevity and illumination. Eastern White Cedar crackles and pops when it is freshly dry due to its high amount of volatile oils.  If you use the cedar branches when they are first dried, they smell wonderful but literally crackle and pop when you burn them due to all of the volatile oils—which is a bit of a fire hazard, but also can kind of be fun. However, if you hang the cedar in your house for a few months and let it dry out, the oils slowly dry out of the cedar and then you can make your smudge sticks. The sticks at this point will smoke beautifully.
  • White Pine (Pinus Strobus): White pine is associated with peace (both outer and inner), drawing things out (including pain), cleansing and purification, and wayfinding. White pine needles burn beautifully and smell a bit like a pine-vanilla when they burn.  Wonderful in any smudge stick!
  • Blue Spruce (Picea pungens, Picea glauca): Spruce offers healing, resilience, strength, getting past the darkness. The latin name says a lot about the scent of the spruce tree: pungens – it is pungent!  The blue spruce has a very musky smell which goes well for working with animal magic and other nature-focused approaches.  The white spruce is less musky and very strengthening and potent.  Beware–most spruce needles are sharp and may need to be handled carefully when harvesting and making smudges.
  • Staghorn sumac(Rhus Typhina): Staghorn sumac is a wonderful addition to any smudge stick.  While you can use the leaves or fuzzy berry clusters, I much prefer the berry clusters.  If you are using the leaves, you need to get them into the center of the smudge stick or they crumble as they dry. You can make smudges with small clusters of berries and or collect and use the leaves after they have gone red in the fall for the best smoke.  Staghorn sumac has a very calming effect (I use it as an herbal smoke for my bees) and smolders nicely–plus, it is a beautiful red color that provides visual beauty in your smudge.  It has a fairly pleasant smoke (not very aromatic, but copious).  Staghorn sumac is a plant that offers creative approaches to thinking and cunning, which can certainly be of use.
Smudge sticks with various components--center one has a sweetgrass braid!

Smudge sticks with various components–center one has a sweetgrass braid!

Visual Components.  There is also a visual component to making a nice smudge stick, and I think this is where various wild flowers can lend a hand. Most of the flowers don’t have a particularly strong smell when burned, but a bit of purple or yellow or white in your smudge can look absolutely beautiful (and add energetically to your smudge). A visit to any flower field in the height of the summer will certainly give you much to work with–I love adding black eyed susans, sprigs of blue queen sage, or yellow ox-eye daies to smudges.  You can also cultivate flowers like statice or baby’s breath which hold their beautify for long periods of time for your smudges (I would not buy these commercially as they are almost always sprayed with something you don’t want to make airborne). There are SO many options to experiment with!

 

 Recipes for Smudge Sticks

Now that we have so many wonderful ingredients to choose from for home-grown smudges, what kinds of combinations smell nice and work well?  The following are some combinations I have used for various purposes.  You may not have all of the ingredients on these lists–you can eliminate ingredients you don’t have and mix and match.  In the end, your intuition should be the best gauge for what plants to put together for what purposes.  Here are some of my personal favorites:

Recipes for the Wheel of the Year

  • Winter Solstice Smudge: For bringing the light back into the world. Cedar, Juniper, and White Pine.
  • Imbolc Smudge: For Purification and Renewal: Hyssop, Rosemary, Cedar, and Sage
  • Spring Equinox Smudge: Letting the Awen Flow: Lavender, Sage, and Cedar
  • Beltane Smudge Smudge: Fertility: Wormwood, Motherwort, Lavender
  • Summer Solstice Smudge: Drawing Strength and Power:  Scented geranium, wormwood, juniper
  • Lughnassadh Smudge: Land blessing/Offering: Tobacco and White Pine
  • Fall Equinox Smudge: Seeking Balance: Bay, Rosemary, Mullein, Thyme, and White Pine
  • Samhain Smudge: Honoring the Ancestors – Bay, Sweet Grass or Sweet Clover (or both), Cedar

 Recipes for Other Purposes

  • Visioning and Journeying Smudge:  Any of the following, individually or in combination: Mugwort, Bay, Lavender, Sweet Grass, Sweet Clover, Yarrow, White Pine, Staghorn Sumac
  • Letting Go of Grief/Pain: Mullein, Juniper, Thyme, White Pine
  • Really Super Cleansing: Valerian, Rosemary, Wormwood
  • Divination: Coltsfoot, mugwort, White Pine
  • Establishing Sacred/Ritual Space: Bay, Yarrow, Sage, Cedar, Staghorn Sumac

 

 

Sacred Tree Profile: Oak’s Medicine, Magic, Mythology, and Meanings November 11, 2018

A glorious oak tree in fall colors!

A glorious oak tree in fall colors!

There is nothing quite as majestic as an oak, which is likely why ancient druids met in groves of them to perform their ceremonies.   As I write this, I look at my glorious black oaks, white oaks, and burr oaks in the surrounding landscape and their incredible mantle of gold, tan, crimson and oranges.  Where I live, the oaks keep the green on their leaves through most of the fall season, and begin their transition into color just before Samhain. The oaks and beeches, here, are the very last to lose their leaves–if they lose them at all.  Many of the oaks, especially the younger ones, keep their leaves all winter, dry and crackling, and only drop them before they bud out again in the spring.   Their behavior in the fall and winter months is certainly a testament to their energy and strength.  All across the land, the oaks’ powerful presence here at this time of no time, holding space for all of us as we move further into the dark half of the year.

 

This is a post in my “sacred trees in the Americas” series where I explore sacred trees in the context of North America, particularly the upper Midwest and East coast. Often, the meaning of trees and the place of these sacred trees in the ecosystem differs from traditional European sources, and so I’m working through a number of dominant trees here with extensive research, exploring their physical uses, meanings, magic, sacred traditions, and more.  Previous trees in this series have included: Elder, Walnut, Eastern White Cedar, Hemlock, Sugar Maple, Hawthorn, Hickory, Beech, Ash, and White Pine. Today, we will be exploring the majestic oak, a dominant tree in much of North America.

 

Oaks in Many Forms

In North America alone, over 56 species of Oaks make their home.  Where I live, we have about 20 different species of oak, although certainly, a few oak species dominate: chestnut oak, white oak, northern red oak, swamp oak, and black oak.  In other parts of the US and Canada, different oaks may be present or dominant.  The good news is pretty much wherever you go that is not a desert here, you can find oaks!  And this is great news for druids, as the oak has been a primary symbol of druidry since the time of the ancients.

 

One dominant, majestic oak in the eastern seaboard is the White Oak (quercus alba); white oak is the most dominant species in North America. White oaks can grow up to 100 feet high, with a 5 foot diameter trunk.  One of the few places you see such large oaks are in old growth forests, such as Cooks Forest in Western PA.  Black oaks (quercus veluntina) are much smaller trees, getting up to 80 feet high with a smaller 3′ trunk.   All oaks have a very strong, hard wood with a close grain.  Oak in past times was used for any situation where strength and durability were required: old barns, oak barrels, railroad ties, posts, ships, hardwood floors, and furniture, to name a few.

 

Like most other hardwood nut trees (hickory, walnut, butternut), oaks are relatively slow growing and long lived.  Some white oaks can live 600 years or more. Oaks are considered a “climax” species, meaning that once mature oaks are present, the forest is considered mature and no additional ecological succession will take place. Oaks are a keystone species in many forests on the East coast and in the Appalachian mountains: the oaks provide understory, food, and habitat for many other species and drive the overall shape of the forest.  A typical mixed oak forest may also include hickory, white ash, tulip poplar, beech, sugar maple, or black cherry with an understory of serviceberry, spicebush, or witch hazel.  This is contrast to the other typical forest type, which here, would be the birch/beech/hemlock forest with an understory of witch hazel.  Of course, I am writing here of the typical types of forests found in the Allegheny mountains; your own observations of your local ecosystem will also be helpful to determine how oak functions where you live.

 

Honey mushrooms (known around here as “pa-pinkies”) can be found on the roots of oaks infected with them. The infection that produces the honey mushrooms is armirillia root rot; it can be characterized by, as   writes in Field and Forest, “blackish, fibrous, rootish strands extending up the tree beneath the bark.”  Unfortunately, honey mushrooms, while delicious, kill oak trees.  The cycle of life can be a fierce one; I’ve seen honey mushrooms take out ancient oaks, turning them into soil once again, and have watched young acorns sprout in the remains of their ancestors.

 

Acorns from the Tree of Life

Acorns from the Tree of Life

Acorns and Acorn Eating Cultures

“The World looks different when you eat acorns.”  Samuel Thayer, Nature’s Garden

Most oaks, like other hardwoods, have to be between 30-40 to produce acorns and up to 60 years to produce a full crop of nuts. Oaks flower in the spring; depending on the frosts that year, the frost may impact their nut harvest.  According to Samuel Thayer in Nature’s Garden, oaks produce a strong acorn crop every 2-3 years.  This is an ecological adaptation to prevent the populations of squirrels and other rodents that eat acorns to eat the entire crop each year.  Smaller crops for two years keep populations small, and a large crop in a 3rd year will ensure the survival and continuance of the oak.  Further, smaller crops train animals to “hoard” the nuts, stowing them in the ground and forgetting them, so that more oaks are born.

 

All acorns are edible, but in order to eat them, they have to be properly prepared.  Different oaks have smaller or larger nuts–around here, my favorite for eating is the chestnut oak or the white oak, both of which produce very large nuts.  These nuts are also both delicious when roasted.  Acorns, like all other parts of the oak, contain tannic acid, which makes the acorn bitter without preparation.  Leeching the tannic acid out of the acorns (through water extraction or boiling) turns acorns into incredibly delicious nuts and flour.  For extensive instructions on how to harvest, leech, and prepare acorns, I suggest Samuel Thayer’s Nature’s Garden.  Another good resource is the book Acorn and EatEm by Suellen OceanEuell Gibbons has several great recipes for Acorns in Stalking the Wild Asparagus, including candied acorns, acorn grits, acorn meal, and acorn bread and cakes.

 

The Native Americans used acorns as a key food source, making acorn meal and creating a flatbread that was eaten by many tribes (acorn was so important to so many tribes, they were called “acorn eating” tribes).  Native Americans also used the inner bark (containing tannins up to 11%) which could be used as an astringent for many internal purposes. Thayer suggests that because of the history of exploitation and conquering in North America, part of the reason that acorns are widely thought to be poisonous was due to European-Americans disdain for Native American peoples.  Returning, then, to the acorn as a food source can help us not only connect with the oak, but also deeply honor the ancestors of the land.

As druids know, the term “druid” is commonly translated “oak knowledge”, “oak-knower” or “oak-seer” referring to the fact that druids had knowledge of the oaks (and as oaks are a pinnacle species, therefore, druids had knowledge of the broader landscape) or perhaps, understood oaks on the inner and outer planes.  In the druid tradition, oak is tied to that same ancient symbol of the druid possessing strength, knowledge, and wisdom.  Through taking on the term druid, we bring the power and strength of the oak int our lives and tradition.  We don’t have a lot of surviving information about the Ancient Druids and their rituals, but one of the most famous was described by Pliny the Elder describes the druids as “magicians” who “hold nothing more sacred than mistletoe and a tree on which it is growing, provided it is a hard-timbered oak….mistletoe is rare and when found it is gathered with great ceremony, and particularly on the sixth day of the moon.”  The ritual is that two white bulls are brought, a white-clad priest climbs the oak tree and cuts the mistletoe with a golden sickle, and then they sacrifice the bulls and pray.  This mistletoe, growing on the oak, was said to be the most powerful medicine, curing all poisons and allowing an infertile animal to reproduce.  Pliny notes that druids performed all of their rites in sacred oak groves; when the druids were destroyed, the Romans cut all of their sacred oak groves down.  You can imagine what those ancient groves must have been like when you encounter even a single ancient oak tree–majesty and presence.

 

Oak leaves in late fall

Oak leaves in late fall

In the Encyclopedia of Natural Magic, John Michael Greer notes that oak is a tree of power you can use it to direct and channel high levels of energy., particularly earth magic or weather magic.  He suggests that the oak is the “most powerful of trees in Northern European tree magic.”

 

In the American Hoodoo tradition, Cat Yronwode describes in Hoodoo Herb and Root Magic that Oak (especially Quercus Alba) can be brewed into a tea and then added to a bath to remove jinxes; usually, a rootworker will also rub the client vigorously downward and pray as part of this removal.  She also notes that oak and mistletoe are burned together to smoke jinxed people or to remove unsettled spirits or ghosts from a house/place of business (I wonder if this oak and mistletoe combination ties back to the ancient druids? Most certainly!).  She also notes that oak galls increase the power of any herbal blend for any magical purpose; it can be carried or brewed into a tea for bathing to increase the potency of other workings.

 

Culpepper’s Herbal notes that the oak is governed by jupiter and that the oak is known to to help resist poison of both “venomous creatures” and those of herbs and plants.   

 

Finally, in alchemical circles, an article by Jean Dubuis titled The Preparation of a Powerful Spagyric Elixir without a Laboratory  also offers some additional insight on the oak (here’s a link to one version).  Dubuis essentially made a vitalizing spagyric tincture of acorn (for those not familiar with spagyrics, spagyrics are plant alchemy and allow you to make powerful, energetic plant medicine made in line with the alignment of the planets using specific techniques.)   This oak elixir is vitalizing, carrying the energies of life.

 

Oak as Herbal Medicine

Primarily, oak is used as an astringent to help tone and firm up lax or leaky tissue.  Of the astringents available in North America, it is one of the most potent.  I was taught by herbalist Jim McDonald to harvest the inner bark of oaks for this purpose, specifically, the oak’s cambium.  This, we dried and made into a tea/toner or into a tincture for internal use.  Matthew Wood in his Earthwise Herbal (Old World Plants) likewise shares that oaks’ astringency is present in any oak tree.  He mentions specifically the usefulness of oak for gum disease/loose gums, varicose veins, and other such lax/goopy conditions in the body.  He also notes that oak can be used mentally just like it is physically.  He writes that Oak, when used as a flower essence, “is the great remedy when the integrity of mind or body has been broken down by long, arduous suffering or usage….persons who struggle against adversity; never give up but never succeed; [oak] helps a person choose the battles they can win” (294-5).

 

 

Oak in the Mythology of Native American Peoples

I have already written of the critical importance of oak as a sustaining food for many of the tribes of North America, spanning the whole way from the east to the west coast.

Spirit of the Oak from the Plant Spirit Oracle

Spirit of the Oak from the Plant Spirit Oracle

In “American Indian Fairy Tales” Margaret Compton tells a story where the prince of the hares, a trickster, has his feet burned by the sun and then decides to go on a journey.  Finally, he comes to the edge of the world where a cliff of trees stands tall.  He asks the trees what they are good for, and ash, birch, and oak responds.  Oak tells him, “I shelter the great warriors.  I mark the spot for their councils.  From my boughs are made the swift arrow that bring food to the feet of the hunter and carry the death to his enemies.

 

In an article with a modern Native American elder of both O’odham and Chicano heritage, Dennis Martinez.  In the article Martinez shared a number of features of oaks in the US west coast.  He noted that both red oak and white oak were considered so important to the native peoples of California that they considered the oak the “tree of life” because of its benefits both as food and medicine.  There were many acorn-eating cultures in California up even until the 19th century in the US.

 

In one of my favorite Senaca legends, the mighty oak stands along with the tribe of the conifers (white pine, hemlock, and the others) to hold his leaves and to wear down the winter and bring spring in again.  Not only does this show the strength of the oak during the winter months (when many other deciduous trees are sleeping) but it also shows the connection of the oak to longevity and power.

 

A Sioux legend, The Man and the Oak, tells a story of a young woman who is taken in by a chief’s family.  She falls in love with the chief’s son, but since she is now a member of the family, it is not permissible.  The young woman sneaks into the son’s tent for several nights, and in attempting to see her face by stoking a fire, accidentally burns her.  He is so distraught that he goes under an oak tree and stays there all day and into the night.  A small oak tree grows up through him and pins him and he cannot move. The young woman disappeared, and the oak tree is found to be a curse.  A thunder god appears and frees the man of his curse, crumbling the oak tree.

 

The Magic and Mystery of the Oak in North America

An incredibly consistent image of the oak seems present from the different kinds of literature, mythology, herbal, and magical traditions in both North America and Europe.  Here are three core meanings for the oak:

 

  • Strength: The oak is obviously a sign of strength, both the strength of its branches and wood, and its strengthening qualities as a medicine and magical tree.  All cultures have revered the oak and sought such strengthening qualities, and that strength can be seen throughout the lore.
  • Wisdom/Knowledge: Tied to the ancient term for “druid” as “oak knowledge” oak has long been associated with knowledge and wisdom.  We can see this also in the Native American lore, where oak “makes space for councils”.
  • Vitality/Life: The most ancient druid ritual we have, as well as new work by Dubuis and others, suggests oak’s vitalizing quality.  Oak can heal poison, strengthen the sick, and certainly, bring vitality and energy through the blessing of the acorn, as a “tree of life.”
  • Thunder/Weather: As we can see from both the IndoEuropean traditions as well as certain native american lore, oak is also tied to weather/thunder and thunder deities.

 

I hope you’ve enjoyed this brief foray into the majestic oak tree–and if you haven’t yet had a chance to visit an oak as it dons its incredible fall mantle of colors, perhaps this is the week to do so!  Dear readers, I would also love to hear from you any stories you want to share about the incredible oak tree.

 

Weather Prognostication and the Wooly Bear Caterpillar October 17, 2018

In the last week, I’ve seen almost 50 wooly bear caterpillars. These caterpillars are also known as “wooly caterpillar”, “bear caterpillar” and “wooly worms” (latin: phyrrhartica isabella). These fuzzy, brown and black caterpillars come out just as the weather grows cold. I often find hidding in woodpiles or garden mulch getting ready to hibernate till the spring. The cold seems to summon them forth–you see nothing of them all summer, and then, a few weeks before Samhain they are everywhere. And, dear readers, they are here with a message.

 

These caterpillars, not unlike other famous wildlife in the area, have long been known to predict the harshness of winter. If a wooly bear caterpillar has more brown than black, that means the winter is mild. But, if the caterpillar has more black than brown, the winter will be tough. Here’s a graphic I made to share this wooly bear caterpillar prognostication!

 

The more advanced version of this was taught to me by my grandfather, George Custer, who said that you can “read” the beginning and end of winter with the caterpillar. The brown and black do matter, but the more black at the beginning of the caterpillar, the harsher the beginning of winter will be. The more black at the back of the caterpillar, the more harsh the end of winter will be, and the more prolonged.

Here’s some live examples from photos I’ve taken over the last few years.  This wooly was from last year (and did, in fact, predict a terribly harsh and cold winter!)

 

 

This is a wooly I just found this year–I’m hoping this little guy is right and that winter will be mild and very pleasant!

 

There are stories about where this tradition originated and how it was popularized in the mid 1800’s (you can read more here). This particular folk tradition appears to exist all along the Appalachian mountains, anywhere that the caterpillar typically lives. And the wooly bear is not the only weather prognosticator in this region; we also have Punxsutawney Phil, the groundhog 45 minutes north of where I live who also does weather predictions about winter and the coming of spring.

 

I think that embracing these kinds of folk traditions is an important part of rewilding our druid and nature-based spiritual practices. These kinds of locally-based traditions get is more intune and aware of our surroundings.  And folk traditions, whether rooted or not in reality, have tremendous power.

 

Before modern weather prediction, humans relied on a large number of subtle cute from the land and clouds to know what kinds of weather was happening and what to expect both short term and throughout the winter.  Preparation for winter, effective preparation, was critical to survival.  Being able to read the land in this way was a skill that many people once had. I don’t think a lot of us realize how much we see without understanding.  A book ( Finding Your Way Without a Map or Compass by Harold Gatty).  really helped illustrate just how much I didn’t know, and Gatty’s book is a great place to start regaining this lost wisdom.  Gatty shares a lot of information about how to read the landscape, the clouds, the trees, and so on to establish prevailing wind patterns, read the weather, and get from one place to another. His is a rather scientific and observational approach. I like to combine his approach with more esoteric approaches, like the wooly bear’s weather predictions. The combination of these things can help us be more aware and prepared in our environment.

 

The Wooly Caterpillar!

The Wooly Caterpillar!

 

I love seeing the wooly bear caterpillars this time of year. Yes, they say, winter is coming. And yes, you need to prepare. I think its great that they live in my woodpile–just what I need to be attending to before winter comes. I hope that you, dear readers, are settling in. The caterpillars tell me that winter will be fairly mild this year.

 

(I’d also be delighted to hear about other folk customs of similar animal/insect divinations if you have any to share!)

 

A Druid’s Guide to Herbalism, Part I:Harvesting by the Sun, Moon, and Stars, and Sacred Intent October 14, 2018

Field of Goldenrod in Fall

Field of Goldenrod in Fall

A field of goldenrod, nettle, and aster greet me on this warm post- Fall Equinox day.  As the moon comes up with a sliver in the afternoon sky, I joyfully take my basket and harvest knife into the field for my fall plant preparations. The breeze has change on the air–winter is coming soon, and the sacred medicines I prepare will bring my family nourishment and strength for the coming dark half of the year. As we are well into the harvest season at this lovely Fall Equinox, I thought I’d take the time to talk about harvesting and preparation by the sun and moon and honoring the harvest. Next week, I’ll talk about the most basic plant preparations and we’ll end this series with talking about energetic preparations through the creation of flower and leaf essences.  That is, we’ll talk about the medicine of both the body and of the soul.

 

Wheel of the Sun, the Phase of the Moon, and the Turning of the Stars

With working with plant spirits, as we’ve been exploring in this series, we can do everything with sacred intent and awareness that plants aren’t just physical beings. This includes our planting, harvesting, and plant preparations. I have found that when I time my herbal practices by the wheel of the sun (harvesting and planting on sacred days, particularly Beltane, the Summer Solstice, Lughnasadh, the Fall Equinox, and Samhain), these sacred times add a bit of magic to my plant preparations. Further, by working with the plants on these sacred days, I begin building a more rich and full wheel of the year practice focusing on medicine and healing. This means, that, over the years, I have special plants that I harvest at certain times of year, and part of my celebration of that sacred say includes harvesting plants. Some of these plants, like tobacco, are plants that I grow while others are wild plants that I have cultivated a relationship with over time. For example, Elder is one such plant: the Summer Solstice is “here” for me when elder is in bloom, and I will often make elderflower cordial on that day to enjoy throughout the year. When the Elder is ripe with fruit, Lughnasadh is here, and I make elderberry elixir for health and healing. These two plant preparations are not only critical to the health of my family throughout the year, but also help me mark and celebrate these holidays with something meaningful.  You might select a few plants to cultivate this kind of yearly relationship with.

 

Moon phases

Moon phases – the Land card from the Plant Spirit Oracle

The phases of the moon offer additional opportunities for sacred timing and herbal preparations. To me, there is little as enjoyable as going out under the full moon or dark moon to create a flower essence. There are two ways to use the phases of the moon: the simple way based only on moon phase, and the more complex way based on what planet astrologically the moon is in at that given time.  In terms of moon phases, preparing and harvesting at a new moon or during the waxing moon is good for when you want to bring healing into the body, strengthen the body, or offer nutrients to the body. The full moon  brings power to herbal creations and energizes them. A waning moon helps draw out or remove toxins, sickness, or other impurities.  If I want to work with removing sickness from the body, perhaps I start with a lunar flower essence of wormwood or walnut, created during the waning moon, and draw upon that energy to help remove sickness.

 

The turning wheel of the stars combined with the moon phase through astrology, offers yet a third possibility for harvesting and herbal preparation. This way is the most in-depth, but also perhaps, most powerful. This way to plant, harvest, and prepare herbal preparations by the phase of the moon is to use astrology, specifically, the moon sign. Each month, the moon spends about two days in each of the 12 astrological signs. The easiest way to know what phase the moon is in is to purchase a biodynamic calendar or a farmer’s almanac; both of these will offer this information. Generally speaking, here is what is important to know:

 

  • Water Signs (Cancer, Pisces, and Scorpio): When the moon is in one of these signs, it is a good time for harvesting leafy, above ground material for herbal preparations.
  • Earth Signs (Taurus, Capricorn, Virgo): When the moon is in one of these signs, it is a good time for harvesting and working with roots (below ground material) for herbal preparations.
  • Air signs (Aquarius, Gemini, Libra): When the moon is in one of these signs, it is considered fairly barren and dry.  Libra, however, is also associated with flowers, so flower harvests and preparations are appropriate under Libra. Otherwise, these signs should be avoided for plant preparations and harvest.
  • Fire Signs (Aries, Leo, Sagittarius): These signs are good “removal” signs, so good for weeding, but not very good for harvest (with the exception of the fourth quarter fire sign, this will be good for preservation).  Generally, you want to avoid harvesting under these signs.

 

These moon phases are fairly complex and can change on a daily basis; what I like about the biodynamic calendar and/or farmer’s almanac is that they spell it out for you on each day (and down to each minute). If you are practicing astrology, you wouldn’t need this kind of tool, but if you aren’t, it is very useful.

 

These are all tried and true methods for working with plants and also recognizing the many different ways in which sacred timing can be used to increase the potency of the plants. There are many opportunities to choose timing that best fits your purpose with herbal creations, and doing so adds a layer of sacredness to your actions.  Some of these systems may be contradictory (what if the moon is in a fire sign, but it is the Fall Equinox and you want to harvest?) so you need to pick your time and focus on the energy of that particular aspect.  I have found that the wheel of the sun has the most power, and if not, I will use a combination of the second two; or work hard to find the perfect moment where all three are in alignment (like 2 days before the fall equinox when the full moon is taurus for root harvest and preparation!) You don’t always get such amazing timing, but when you can, it makes the event more meaningful.

 

Honoring Spirit and Harvesting Plants

From an animistic perspective, when you harvest a plant or do any other kind of plant preparation, engaging in respect and honor is part of the necessary work. Part of this is because plants are lending you healing power through its actual body; in the case of root harvests, your harvest may end the life of that plant entirely. I believe that part of the sacred medicine of the plant is built into the relationship that you, as preparer, have with the plant itself.  In taking any part of a plant for healing purposes, and asking a plant to work for us, it is only right that we honor the plant spirit as part of our harvest.  We can harvest ethically and with sacred intent. So let’s talk about a few ways we might do this:

 

Honoring the plant. Prior to harvest, make an offering of some kind to the plant. This can be anything simple: a blend of herbs specially prepared (see my tobacco Beltane blend, for example), a song, music, drumming, a dance, a bit of your own liquid gold, a bit of your own energy, a small stone or other token.  Doing this ensures reciprocation between you and the plant, and lets the plant spirit know that you respect it. I belive this also makes the medicine stronger, as you are building a relationship of respect and mutuality with the plant. You might find, through inner listening, that the plant has a particular kind of offering it wants you to make–and different plants, just like other kinds of people, have a variety of different preferences.

Offering on a stone cairn

Offering on a stone cairn

 

Harvesting for life. Harvest only what you need and think you’ll use.  For anything above the ground, harvest parts of plants or plants at the end of their life cycle, taking a small amounts.  For plants that are abundant, you can harvest more; for plants that are rare, harvest very little (or cultivate them further before harvesting anything at all). If you are doing a root harvest, make sure that your harvest will not damage the larger plant population.  I grow or wild cultivate nearly all of the plants I want to do a root harvest from, that way I am in control of exactly how many plants I have planted and how many I am going to harvest. I will not harvest from wild populations unless A) they are extraordinarily abundant and B) I have already worked to spread these populations further.  You can also consider doing plant or flower essences for plants that are extremely rare (Indian Ghost Pipe being a good example).

 

Cultivation and Relationship. Harvest and preparation are not one-shot events but rather, can be lifetime experiences rooted in a practice of nature spirituality. This means that these plants aren’t just a passerby you interact with once in a while, but can be strong plant allies and friends. Recently, I shared a post at Lughnasadh about how to cultivate long-standing relationships with plant spirits.  I used sacred tobacco (nicotiana rustica) as my example for this work and offered one strategy to do so.  The plant spirit posts I also recently shared offer more tools for this work.

 

That’s it for this week–during my next post, we’ll get into four different kinds of preparations you can make: drying herbs and teas, tinctures, infused oils and salves, and finally, plant essences.

 

Sacred Tree Profile: Apple’s Medicine, Magic, Mythology, and Meanings September 30, 2018

“Nothing gives more yet asks for less in return, than a tree: particularly, the apple” –Johnny Appleseed

“As the apple-tree among the trees of the wood, so is my loved one among the sons. I took my rest under his shade with great delight, and his fruit was sweet to my taste.” – The Song of Solomon

 

Spirit of the Apple - from the Plant Spirit Oracle (www.plantspiritoracle.com)

Spirit of the Apple – from the Plant Spirit Oracle (www.plantspiritoracle.com)

All summer long, we have had so much rain and thunderstorms.  Penn Run, a small creek behind my home, once again overflowed, raising several feet for a time.  When the waters had subsided, I was delighted to find delicious wild apples lining the banks–the river had carried them to me as a blessing for this wonderful Fall Equinox!  It reminded me that I have been wanting to write of the apple–of her magic, of her folklore, and of her abundance=. And so today’s post explores the delicious, nutritious, and extremely magical apple tree (pyrus malus, malus spp.) and the blessings that she offers. This post continues my longer series on Sacred Trees in the Americas, where I explore the many aspects of trees native or naturalized to the Eastern and Midwest regions of the US. Previous entries have included Elder, Walnut, Eastern White Cedar, Eastern Hemlock, Sugar Maple, Hawthorn, Hickory, Sassafras, Beech, Ash, and White Pine.

 

About the Apple

Nearly everyone knows about apples, but often, the common experiences with apples are what people see in the grocery store–a select number of perfectly waxed and shiny varities–golden delicious, gala, or granny smith. These commercialized varities are only a tiny piece of the incredible apples that you can find in the wild.  Another thing that I’ve heard regularly is that people believe that crab apples (and wild apples in general) are poisonous and cannot be eaten.  There is nothing further from the truth–wild apples are wonderful, rich, sometimes tart, sometimes mealy, but often a surprise and delight to those who seek them out.  Apples of all kinds are easy to find, abundant, and–this time of year–completely free!

 

Apples will typically bear every two years (biennially) while other apples are bred to offer fruit every year. In the spring, apple blossoms fill the air–each mature apple can produce anywhere between 50,000 and 100,000 blooms, which can be smelled up to 1/3 a mile away.  These blooms offer a critical early nectar source for bees and other insect life.  Less than 5% of those blooms will ever set fruit; some are unpollenated and others don’t form properly.  Sometime in June, the “june drop” occurs where the tree drops any fruit that isn’t setting properly.  By late August or early September, the tree fruits and the fruits grow ripe and sweet.

 

Of Apples and Ancestors

John Eastman, in Field and Forest, has much to share about the apple tree.  he notes, as any wild food forager will attest, that commercially grown apples are grafted and carefully managed, those growing in the wilds offer much wider varitey.  He notes that orchards allowed to go wild or otherwise abandoned will, over time, change their apple composition and may end up “reverting to more ancestral types of fruit.”  I love this idea and vision–and certainly, a stroll through the country to find wild apples this time of year connects us back to the ancestral, magical traditions surrounding so many aspects of the apple tree.  Apples offer us much in terms of ancestral traditions.

 

One ancestral tradition closely tied to the apple here in the US was Johnny Appleseed, a historical and legendary figure who spread apples all over the US.  Eastman notes that some crab apples do appear native to the US, but nearly all of the apples we have were spread by Appleseed and others looking to make “cider” (and by that, I mean hard cider!)

 

In Eric Sloane’s A Reverence for Wood, Sloane writes about the important place of apples in Colonial America.  Because the early colonists were told not to drink any of the water, they depended on drinking cider (the alcohol of which would be safe).  Even small children were raised drinking apple cider as their primary beverage. Even late into the winter, apples from root cellars were brought out and made into many things–this made the apple one of the primary foods and drinks.  Unlike today’s limited varities, Sloane notes that in the 1700’s, there were close to 2000 known varities of apples.  Most orchards were planted with many varities to ensure an extended harvest, and different kinds of apples had different purposes (cider apples, storage apples, fresh eating apples).  Special care was taken both in the harvesting and preserving of apples; Sloane notes that special apples were often hung carefully by their stems in the house or packed away in straw for the winter months.

 

And of course, one of the longstanding ancestral traditions is the wassail. I’ve written fairly extensively about the “wassail” traditions surrounding apple.  Because of the importance of the apple as a staple food and drink crop, people would go out to the trees in January 6th or 17th (old 12th night, depending on how you calculate it) to bless the trees, make offerings to the trees, and drive evil spirits away from the trees in order to ensure an abundant harvest for the coming season.  Make no mistake–these wassail traditions were magical traditions focused on bringing good health, fertility, and abundance to the land–and they are very old ancestral magic that has begun making its way back into our modern era.  Here is another classical interpretation on the wassail.

 

Wild Apple Foraging

Sometimes, you can still come across these old and abandoned apple orachards and have a very good time as a wild food forager, harvesting hundreds of pounds of apples of all shapes, colors, and varities.  But for me, foraging for apples begins not in the fall at the time of harvest, but in the spring. Apples are easiest to spot when they are in bloom in their swath of pink, red, or white blossoms.  I note where these apples are and then, later starting in late August or early Stepember, I return to these trees for a potential harvest.  Harvesting apples is simple–as soon as the tree is ready to give you its fruit (as in, the fruit is easy to pull from the tree and ready to drop) the apple is ready to eat.  Try many apples in the wild–you will find some incredible varities and tastes!  Some of the wild apples can certainly be tart, however, in “Stalking the Wild Asparagus” Euell Gibbons offers a suggestion of waiting till frost sets in for some wild apple varities, as the frost will sweeten their otherwise tart taste. Good, tart crab apples will sweeten when cooked (and make some of the more delicious apple pies or sauces that you will ever eat!)

 

Crab apples - these are tart and sweet!

Crab apples – these are tart and sweet!

 

Gibbons suggests the following recipe for wild apple jelly.  He suggests gathering up wild apples and quartering them, removing any insect damage, worms, etc.  Put these apples in a pot and cover with water, simmering for 20 min with the lid on.  Let this cool and strain the juice.  (I will add that if you have a small fruit press, you can even press these apples–after cooking they will be easy and you will get more flavor).  This juice can be used to make a jelly.  I like to use Pomona’s pectin (a low-sugar pectin) to help this set and add 1/2 cup honey to 4 cups juice for a delightful wild apple jelly.  I’ve also shared a few previous posts on making delicious things with apples, such as applesauce and pressing apples into cider. 

 

If you do come across an old apple tree or old orchard in the US on the East Coast, look around nearby.  You will almost always find an old foundation from the people who likely planted that apple tree.

 

Apples and  Modern Folklore and Herbalism

Apple in Modern Folklore

Unlike many of the previous trees covered in this series, which are largely unknown to the average person, the apple has a special place even in present day culture. We have many references to the apple in present society–people are either good apples or bad apple. One bad apple will spoil the bunch. Newton was apparently hit on the head with an apple and that led to his insight on the theory of gravity. The Buddah gained enlightenment under an apple tree–as did the Merlin in some Arthurian folklore.  Snow white was, of course, seduced with a poison apple. An apple a day keeps the doctor away.  In this folklore, good apples are tied to insight, fertility, and health, while bad apples will lead to ruin and poor health.

 

Apples and Healing

“An Apple a Day keeps the doctor away” is a common saying–but this saying has quite a bit of truth. As far back as Culpepper, we have records of apples being used for a variety of healing uses. Culpepper offers a range of uses, from using them to soothe “hot and bilious stomachs”, to roasting them and adding frankincense to a poultice to address pain in the abdomen or side.  He notes their generally cooling quality. He also notes that an apple syrup will surely assist with “faintings, palpitations, and melaoncholy.” It seems there is very little that those in the western world in the middle ages and Reniassance.

 

Today, likewise, herbalists recognize the importance of apples to health.  Matthew Wood, in his Earthwise Herbal (Old World Plants) notes that apples are a “true folk medicine” in that accounts of what apples can do in terms of health vary widely.  Each herbalist, therefore, had his or her own personal experience with how to use the apple.  However, Wood notes some consitenencies–apples are cooling and moistening (reflected in what I just wrote above about Culpepper), apples before they are ripe have an astringent quality (making your mouth pucker).  Therefore, herbalists today use apple for a variety of “hot” conditions such as burns, fever, headaches, and kidney strain/pain.

 

Apple in the Western Esoteric Traditions

The Apple has a privledge place in the Western Esoteric Traditions and has a wide and varied interpretation of its magical powers and uses.  Here are some highlights:

 

Love magic:  In the Encyclopedia of Natural Magic, John Michael Greer notes that apples are in the sign of Venus (in Libra) and that they were most typically used in love magic (love drawing). This association goes back to at least Roman times, according to this source, where figs (known as “love apples”) eventually had their meanings transferred to apples on trees. This is also consisten from the American Hoodoo tradition, where Cat Yronwode says that apple is used as a “sweetener” to atract someone to love, but also for sweetening up customers or bringing in business.

 

The most amazing tasting apples from my neighbor's house

The most amazing tasting apples from my neighbor’s house

Expelling evil.  In “Ancient Legends, Mystic Charms, and Superstitions of Ireland” from 1887, a spell about apples and elder is written, “IT is said by time wise women and fairy doctors that the roots of the elder tree, and the roots of an apple tree that bears red apples, if boiled together and drunk fasting, will expel any evil living thing or evil spirit that may have taken up its abode in the body of a man.”

 

Apple as a Magical Key or Gateway. In “The Glass Mountain” from The Yellow Fairy Book, a book of celtic fairy tales, there is a golden apple tree that sits on top of a glass mountain. This apple grants people entrance into a splendid castle with stores of food, riches, and a princess waiting to be rescued by a valliant knight.  The apple tree’s apples are gaurded by an eagle. A young man makes it up to the apple tree and battles the eagle; he wins but sustains a wound.  He places the peel of one of the golden apples on his wound, and then goes to the castle to claim his bride.  This is but one of many Celtic tales that demonstrate apple as a gateway; the very famous Fairy Faith in Celtic Countries also describes apple branches as gateways to the otherworld.

 

Eternal Youth and Eternal Life. In the Norse tradition, there is an apple tree in Asgard that offers eternal youth to any who eat of its fruit. Iduna, a Goddess, tends the tree–and only with her tending do the apples grow.

 

Apple and Healing  Long Lost Friend (an American Grimorie of PA Dutch Folk Magic) suggests that the roots of an apple tree are good for curing a toothache, by way of using a needle, blood, and some tranfserence magic. This is but one of many ways which apple is seen as a healing tool for both mundane and magical reasons.

 

Apple’s Protective Nature.  As nearly every pagan can attest, cutting the apple in half horizontally reveals a pentacle.  Apple carries so much magic within her that it is literally reflected both in her fruit and in the blossoms–which form five petals.

 

Apple in Native American Traditions

A lot of Native American lore involves apple trees, but not necessarily magical qualities of them. I think that this was partially because apple was brought to the New World long after many of the mythologies were established. There are a few things present, however:

 

Apples as a fragrant blessing. One legend, from an unknown tribe, surrounds the fragrance of apple blossoms and flowers. In this story, a baby is carried by a panther under blooming apple trees, a baby who turns into a woman that “falls from heaven.” The villagers take her in, and she loves the flowers and blooms more than anything.  She dies and plans on moving onto the little people, but decides to first bless her village that gave her so much–so she makes the blooms, including the apple blooms, more fragrant.

 

Apple as a Gateway to the World.  In another legend from the Huron tribe, the world is divided into two parts. One part is the “sky world” where the people lived, and the second world is the lower world, which was all water, where the animals lived. A girl who lived in the sky world was tired and went to take a nap underneath an apple tree.  A hole appeared under the tree and she fell through along with the apple tree to the lower world below. She is caught by two swans, and then big turtle brings all of the animals together. They decide to bring the soil up from the depths of the water to create an island for her to live on. This doesn’t work well, but eventually, the animals spread seeds and dirt onto big turtles back, and the girl lives there. Now, the whole world rests on big turtle’s back, which is why this land is called “turtle island.”

 

A magical apple pie!

A magical apple pie!

Apple’s Magic and Meanings

Apple’s Blessings.  Apple offers blessings, abundance, fertility, and magic in nearly every story she shows up in.  Apple’s blessings are apparent from her giving nature–apples can sustain people through difficult winters, they can be baked, fermented, dried, and made into wonderful and delicious foods that nurture and heal as much as they sustain.  Apple offers us connection to our ancestors and our future through her nurturing spirit, blessings, and wisdom.

 

Apple as Healing and Life-Giving.   The “Golden Apples” present in so much of the magical lore demonstrate the life-sustaining and longevity properties of apples.  Magical golden apples offer keys to eternal youth, eternal life, and healing.

 

Apple as a Gateway.  Like her sister the hawthorn (although to a lesser extent), apple trees can be gateways to other realms and experiences–the holes that open in the ground, the apple as a key to the castle, the sleeping person under the apple that is transported to a new place.  Apple offers us these journeys and experiences–in a much more gentle way than Hawthorn.

 

Whew! After all of that research and fun, I think I’m off to make use of these “flood apples” and bake myself a nice apple pie with these beautiful “flood” apples.  And to you, dear readers, I wish you an abundant harvest at this beautiful fall equinox.