The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

The Tears of the Earth: A Hike on Sólheimajökull Glacier July 21, 2019

Sólheimajökull

Sólheimajökull

It was our final day in Iceland before returning back to the US. We so many great experiences visiting this country of beautiful extremes, but more than anything, what we wanted to see on our last day was a glacier. We talked about it, and decided that we should see a glacier, as we might never be able to see one again. We booked a beginner glacier hike on Sólheimajökull glacier, a hike that took you way up into the glacier.

 

Where the glacier used to be, 2010. Where I am standing and taking the photograph is where it was in mid 2009.

It was a misty and cool day; small droplets of rain pressed against us at the parking lot at the base of the glacier. Before us, the Sólheimajökull glacier loomed, white and black and gray. After getting fitted with safety harnesses, helmets, crampons, and pick axes, our group of twelve set off to the glacier hike. Our guide, who was originally from the Alps and who had been hiking glaciers his whole life, first took us to a sign as we walked along the edge of an enormous lake. He stopped and said, “In 2010, this is where the glacier was. Each year, it gets smaller. In the winter, it stops melting but never regrows. But we’ve still got quite a hike to get to the glacier as you can see.” The sign he showed us had many different numbers with years. Last year, in 2018, the glacier receded more than any other year: 118 meters. And so, we continued our hike, which took about 15 minutes, walking along the edge glacier’s melt pool.  This link offers a video that shows the melting of the Sólheimajökull glacier from the years 2007- 2015.

 

One of the tours they now advertise in Iceland the “kayak the glacier” experience. There is a kind of horseshoe shaped lake that is made when a glacier reaches its largest size and then begins to melt. You’ve seen this shape before on a map: its reflected in the bowl-shaped bottom of Lake Michigan. That bowl shape is created by the melting of a glacier. As a glacier advances, it  moves earth itself, pushing up stone, soil, and bedrock; the powerful edge of it creating a wall of stone. As the glacier recedes, it leaves that wall of stone behind, and as it melts, that stone creates a natural dam, and the bowl-shaped area behind the dam fills with water. Water that tourists can kayak in. Water that is created, in part, by the 2600 miles it took me to fly to Iceland. Water that is, for all intents and purposes, the tears that the earth cries.

 

Icebergs and the melt pool at Sólheimajökull

Icebergs and the melt pool at Sólheimajökull

As I stood at the bottom of the glacier, I realized how small I was in comparison to the massive block of ice. The Sólheimajökull glacier took up all the space, moving into our field of vision, white, black, and sometimes blue, daunting in its appearance. As we got close, you could see the shimmering of the melt water coming off of it, moving into the lake below.  Icebergs, also, floated in the lake–our guide explained that those icebergs crack off the glacier frequently and will likely be gone by the end of the summer.  So much ice.  So much to melt.

 

We carefully put our crampons on our feet and, single file, began our ascent into the glacier.  As soon as we stepped foot on the glacier, my heart grew heavy with sorrow. The most striking feature of the glacier wasn’t the beauty. It wasn’t the black ash from various volcanic activity, or the white and blue ice. The most striking feature was how fast it was melting. Everywhere the glacier was melting. The day we were there, it was around 50 degrees, now a fairly common temperature for Iceland this time of year. And everywhere you looked, the glacier was glistening. Little drips became streams, streams became bigger streams, and eventually, they flowed into quite large rivers, running down the glacier. Standing anywhere on the glacier, you could observe this and watch the ice melt and take milennia of black and gray ash along with it.

 

At one point, our guide stopped and pointed to a mountain quite far off from where we stood. Less than a decade ago, he told us, the glacier reached up to that nearby mountain. Now, that mountain isn’t reachable, the glacier is much lower, and there is a glacial river between us. I stood there and thought about it: that must have been millions of gallons of water in that short time, all melted away into the lake and eventually, ocean nearby.

 

Mountain where Sólheimajökull used to reach

Mountain where Sólheimajökull used to reach

The amount of melting made the Sólheimajökull a bit difficult to traverse. The tour company maintained a trail on the glacier, but it was an ever-moving target. As we hiked, we two people working on the trail on the glacier. They would cut a set of stairs, and then, within an hour or two, the stairs would melt and become dangerous and they’d have to cut new ones. This ever-evolving trail was now just part of the experience of walking on a glacier, as our guide explained.

 

The walk was a walk of extremes. The solid white and blue ice. The black and gray of the volcanic ash becoming unlocked as the glacier melted. One of the folks on our walk asked, “can we tell what volcanic eruption this ash came from?” Our guide said, “No, it all just melts together.” You could be standing on ash and melt from 10,000 years ago or even 100,000. Scientists with specialized equipment drilling core samples could tell, but we could not.  Here is an image of the entire glacier, Myrdalsjokull, from 1986 to September 2014.  The glacier we walked was one “arm” of this larger glacier.  You can see how massive it is, and you can glimpse the volcano that sits beneath.

 

Throughout our week in Iceland, I didn’t get a strong sense that the spirits of the land were welcoming or open to outsiders. Icelanders certainly capitalize on their island’s natural beauty as part of their tourist industry. And while you might enter a lava cave and be told of rooms called “the banquet hall of the elves” or “the troll’s den”,  or, you might see the stone stacks throughout the land that are there to appease the little people, the Icelandic people are not willing to talk about those aspects of their land.  They don’t speak of their relationship to the land spirits with outsiders. And neither do those spirits of the land seem interested in saying hello.  So I spent the week in Iceland not engaged heavily with the spirits of the land; things were just quiet.  Thus, I was certainly surprised when even before I walked up to it, the glacier immediately reached out to me and wanted to convey a message.

 

Meltwater on the Sólheimajökull glacier

Meltwater on the Sólheimajökull glacier

As we climbed Sólheimajökull, I connected deeply with the spirit of place. The glacier itself, and the spirit of the mountain—between two active volcanoes, Katla and Eyjafjallajökull. Sólheimajökull first shared with me its anger, so angry that it was melting away. So angry at humans. I could feel the stress and strain as it spoke to me: to tell people what you have seen here. Tell of how the melting will flood their cities. Speak of the truth you have witnessed. I felt the anger in its voice, the anger radiating out of it, as it knew it was dying.

 

We continued to climb the glacier, witnessing its tragic beauty among the melting ice. Then a second voice emerged from Sólheimajökull, this one of sadness. I am losing myself, the glacier said. I am crying tears for the world. How many people who climb me today will speak of what they have seen? How many will change because of it?  How many have made me cry further just to walk upon me? I cry for us, the glacier said, and I cry for the world.

 

We had to climb over a large crevasse with water rushing through it. Our guide explained that this kind of crevasse was very dangerous and could easily drown you if you fell in.  Eventually this crevasse would literally crack a large chunk of the glacier off into the melt pool. As I navigated the crevice, I heard the glacier speak once again, this time, in despair. What is happening is happening. There is nothing to be done.  Our melting will reshape the world. I have been here for so long, and someday, I will be here again. But in the meantime, my waters will travel far and wide.

 

Upon meditation on this experience after returning home, I realized that I was hearing the many voices of this glacier working through the many stages of grief.  I was experiencing the grief that this sacred place was experiencing, conveying to me, perhaps so I could convey it to you.

 

Crevasse in melting glacier

Crevasse in melting glacier

We got to a high point on the glacier where you could see it continue to rise up for many miles into the mist.  Here the glacier flattened out quite a bit. It was here that our guide swung two pickaxes in the ice to create handholds and let us kneel down on them to drink the fresh glacial melt-water. Pure, cold, refreshing. As I drank the water, thirsty from our climb, I could feel the energy of the glacier. As I drank, the emotions that the glacier was conveying to me welled up within me, overflowing. Anger, fear, sadness, despair, acceptance. All at once, those feelings spread throughout me. As we made our way back down, I simply allowed myself to experience the myriad of complex feelings of this place.

 

The next day, on our flight home, we flew over Greenland and the lower part of the Arctic before landing back in the US. I looked down, out of the window of the plane, and saw so many small chunks of ice participating in their own complex patterns of melting, this time, with nobody to hear or witness up close.

 

Melting ice from the plane

Melting ice from the plane

How much damage did this trip to Iceland cost the earth? That’s the part that has been perhaps the hardest for me to process, as I’ve been thinking about and meditating on this experience. I went on this trip for pleasure. I’ve had little chance to travel, and I wanted to experience new things and visit somewhere completely different. But my very engagement with this glacier, my presence there, was part of why it was melting. Sure, you can say, but Dana, you can always offset your carbon for this. And yes, I always do offset my carbon from travel at the end of the year (most of it work related). But does that  offset matter? In the end, I chose to engage in an activity that speeded the melting of this sacred place.helped this glacier melt. One article, I read recently suggested that each trans-Atlantic flight, like the one I took, melts about 30 square feet of Arctic sea ice.  So for myself, my round trip contributed to 60 square feet of ice melted in the Arctic.

 

Just like the glacier, I’m full of a myriad of complex emotions. I’m glad to have this experience. I’m saddened by it. I recognize my own part in this.  I feel sorrow and anger and acceptance. We are all on the front lines of climate change, the 6th extinction happening, the age of the Anthropocene.  Every one of us is living in a time where we are aware of the problem, many of us trying to do something about it. At the same time, by participating in modern life, we can’t help but contributing to it.  This is the great Catch-22 of our age.  To see the glacier is to destroy the glacier.  To use fossil fuels necessary for modern life is to burn them.  How can I afford solar panels for my home without commuting to work each day in a fossil fuel powered vehicle?  The glacier weeps as I write.

 

But the other thing that this lesson has powerfully taught me is the power of experience. How many people, in seeing that melting glacier could really deny the truth of climate change? How could it be denied that these things are happening, powerfully and directly, before our very eyes?  This experience has changed me. I “knew” about the glaciers melting before.  Knew as in I intellectually engaged in an understanding about the fact that glaciers worldwide were melting. But it was not till I stood upon one, till I connected with the spirit of that place, and until I confronted my own contribution to that melting, could I really have wisdom surrounding it.

 

The glacier

The glacier

As I write these words, I’m attempting to convey some of that wisdom, that direct experience, but my words cannot have the impact of that weeping glacier. Book knowledge is what we engage with intellectually and logically, what we read or hear in order to better understand something. Book knowledge is mitigated by human language, words on paper or spoken aloud. These words, as I write them, are read by your eyes and processed by your brain. But they are a pale representation for the experience of standing there, of seeing the glacier weep, drinking its meltwater, and feeling its pain. But I’ve done my best, dear reader, and I hope it gives you a small piece into this experience and into that of one melting glacier. Can we find these same kinds of changes in our own ecosystems, and use them as local teaching tools? Perhaps we can, and perhaps that’s a message I can leave you with today.

 

PS:  I’m excited to announce that I just signed my first book contract a few weeks ago!  Because of this, I will be taking a few weeks off of blogging so that I can prepare my manuscript to submit to the publisher (which is quite a bit of work).  I’ll keep you updated on the progress, release date, etc.  Thanks for your understanding!

 

Web of Life Ritual for Interconnectivity and Awareness July 14, 2019

Last week, we delved deeply into a critical aspect of land healing with two related concepts; thinking about the world in terms of (eco) systems and the interconnectivity of those ecosystems for all life. Last week was practical, full of discussions, definitions, and how you might design land regeneration projects with ecosystems and interconnectivity in mind.  And these things are critical on a physical level: all life depends on other life, all life is connected to other life, and all things great and small are interconnected. Thus, if we want to regenerate the land and engage in physical land healing, understanding and working with these concepts are critical. In addition to last week’s physical work, however, I think it’s really useful to develop ways of exploring these concepts spiritually and ritually. So today’s post takes us a step further and encourages us to explore these connections through ritual and journey-based meditation.

 

Building connections with nature

Building connections with nature

One of the reasons I believe that we should explore these concepts ritually is that human beings, in the 21st century, are living in some of the most disconnected times.  It is this disconnection and lack of awareness of the impact activities can make on broader ecosystems that have driven us into the ecological crisis of this age.  Ritual, meditation, and other spiritual practices help us better understand possibilities with different kinds of awareness: ritual and meditation practices help us feel through things, not just think about them in an abstract way.  They help ground us in them, spark energy with them–in essence, bring the elements together to create deeper awareness. We as humans have many ways of knowing.  Even if we understand these concepts intellectually, it’s important to build wisdom that can only come from experience.

 

Meditation on Interconnectivity

This first practice is a simple one, and uses a tool called discursive meditation to help you explore interconnectivity.  You can use the preliminaries for meditation discussed in this post if you are new to meditation. Go into a natural area, somewhere where nature is fully present.  First, begin by observing the world around you, paying attention to how things connect.  Where does the plant life grow? How does it connect to the water, the sun, the soil, the light?  Spend time simply observing and pondering these connections.  Once you have done this, close your eyes and envision yourself on this landscape.  In what ways are you connected to this place?  Explore those connections.  For example, you are breathing the oxygen that the trees are releasing. You are sitting on the soil where roots grow deep, and so on.  Now, envision yourself in the broader web of all life.  Recognize that you are, in some way, connected with every living thing.  Take time to explore this concept.  Finally, to conclude your meditation, visualize the connections between yourself and the broader world as lines of light–see the lines of light between you and the nearest tree, you and the waters, you and the sun, and so forth.  Feel those connections strongly present.  When you are finished, make an offering to the land.

 

Web of Life Ritual (Group and Solo)

This original ritual is designed simply as a awareness ritual: helping you as a human living in a very disconnected time to acknowledge, know, and honor the interconnected web of life.   I’m offering both solo versions and group versions; you can also feel free to adapt this as needed.

For this ritual, you will need nine strands of different colored ribbon, yarn, or string.  Ideally, these will be made from natural materials like cotton, wool, or help.  The nine strands represent the following:

  • The soil web of life
  • The waters of the world
  • The animal kingdom
  • The plant kingdom
  • The fungus and lichen kingdoms
  • The fishes, reptiles, and amphibians
  • The insect life
  • The celestial heavens (sun, moon, stars, comets, asteroids, etc)
  • Humanity (save this for last).

You can create as elaborate or as simple of a setup as you want for this ritual.  You might setup an altar with materials, etc.

 

Begin the ritual by opening up a sacred space in whatever means you typically do so (which may involve calling the quarters, establishing a circle or sphere of protection, calling in the elements, and so on).

 

Next, pick up your bundle of strands and choose the first strand and hold it in your hand. As you hold the strand, speak of the strand, calling those energies into the strand.  This should be spontaneous and from the heart.  Call forth the local representative for that group, or call on the group globally.  After you call them, spend time with that energy.  Think about your experiences with it, now it has touched you or you’ve interacted with it.

 

Soil web

Soil web

Here’s an example for the first strand, the soil web of life: Oh soil web of all life.  The millions of organisms who breathe life into every handful of soil. Fungal hyphae, nematodes, earth worms, bacteria, protozoa, all of the life that creates the building block of life.  Soil is sacred.  Soil is life reborn. The soil feeds us, supports us, and when we die, we return to the soil. I honor you, sacred soil web.

 

Now, envision energy coming into the strand from that which you had called.  Once you feel this is complete, move to the next strand, working your way

Save humanity for last, recognizing that despite the fact that we act and treat the world as distinct, we are not distinct or separate from it.  We are one.  Speak for humanity as interconnected and aware, bringing that energy powerfully into the strand.

 

Once you have done this with all nine strands, gather up your strands and tie them in a knot at the bottom.  As you tie, say, “We are all united in a sacredness of life, tied to this sacred planet and dependent on each other. We are interconnected.”

 

Now, attach the knot to something that will hold it while you braid it, taking three strands together and braiding them as one.  As you braid, say, “Weaving the web of life, weaving the web of spirit. All lives are connected, we are one.”  As you braid, envision the ecological web of life, the strands connecting each living thing and each living process.

 

After you are done, sit with the energies of the ritual for a time, allowing them to settle into you.  When you are ready, close out the space.  Hang your braid somewhere prominent or sacred to continue to remind you of the connection with all living things.

 

Web of Life Ritual: Group Variant

This ritual can be done in a group setting. Each person in the group can be assigned one or more strands to speak about.  If there are more than 9 people, you can also add more strands to represent other natural features (the winds, the mineral kingdom, the molten core of the earth, etc). Make the strands long enough that after they are braided, each participant can leave with their own segment of the stranded (tied off and knotted individually). During the braiding, you can take turns weaving the strands or you can assign one braider as their part in the ritual. At the end, anywhere you want to cut a part of the strand, tie it off and then cut it so that each person gets a piece of the strand to take home with them.

 

Healing the Web of Life Ritual

Once you have your braided strand, you can use it as a as the key focus for various kinds of land healing.  Here is a simple ritual using this approach (and feel free to experiment!).  You can use this ritual in conjunction with the one above or do this at a different time, as you feel led.

 

Materials: you will need your strand (previously created) and an herbal blessing oil (recipe for oil here) or incense (something to offer a blessing).

 

Open up a sacred space in your usual way.  As part of your opening, make sure you call forth the power of the elements to assist you in your work; you will need energies other than your own for this ritual.

 

Pick up your strand, connect with the energies represented in the strand.

 

After you have connected with the energies in the strand, bless your strand with the herbal oil or incense.  Speak to each of the energies, as you feel led.  For example, for the soil web of life, you might  say, “Soil web of life.  I know you are under duress as we lose inches of topsoil every year, and as soil webs are destroyed by chemicals, stripping, and more.  I send you healing and light.”

 

Go through each of the nine strands: the soil web of life; the waters of the world; the animal kingdom; the plant kingdom; the fungus and lichen kingdoms; the fishes, reptiles and amphibians; the insect kingdom; the celestial heavens; and humanity.

 

After blessing each strand individually, focus on radiating those energies outward to the greater world.  Spend as much time as you need to visualize this firmly.

 

Finally, spend a few minutes in meditation and quietude, seeing if any insights or messages arise.  Alternatively, use a divination system at this time to see what additional healing work should be done.

 

Close out your space.

 

Sacred Tree Profile: Cherry (Prunus Serotina)’s Magic, Mythology, Medicine and Meaning June 23, 2019

Butterfly on choke cherry

When most people think of cherry trees, they think about plump, juicy, red or purple cherries from cultivated cherry trees.  However, here in the USA, we have a variety of wild cherries that are an interwoven and rich part of our landscape. An enigmatic tree found throughout the eastern part of North America and South America is prunus serotina, the wild cherry, black cherry, mountain black cherry, or rum cherry tree. Most people interact with this tree not in its living form, but through the beautiful reddish-brown heartwood that this tree produces, and that can be frequently found in their furniture and flooring.  And yet, this tree has so much more to offer than just beautiful wood! While I’m targeting my comments today about the black cherry, many of the material found here can be about *any* cherry tree local to you, including domesticated cherries.  Many other kinds of wild cherries may also be found along the US East Coast region: prunus avium (the wild sweet cherry) and prunus virginiana (choke cherry). Black cherry and other wild cherries of the prunus species are truly American trees and hence, should be considered as part of our magical landscape here in the USA.

 

This post is part of my Sacred Trees in the Americas series, where I explore sacred trees within a specifically American context, drawing upon folklore, herbalism, magic, and more. I think it’s particularly important that US druids and those following other nature-based paths in North America understand how the trees here might be different and just as magical as traditional European trees. Thus, this series provides research and insight on the many trees here in the US East Coast.  Previous trees in this series include Juniper, Birch, Elder, Walnut, Eastern White Cedar, Hemlock, Sugar Maple, Hawthorn, Hickory, Beech, Ash, White Pine, and Oak.  And now, let’s learn more about the Black Cherry!

 

Black Cherry Growth and Ecology

Black cherry is a medium sized tree, often found on the edges of forests. When it is young, it can be shade tolerant, but older cherries prefer to have more sunlight, and thus, you can often find them along the edges of forests, pushing the forest into new areas. Cherries are prone to being blown over by strong winds because they primarily have lateral/fibrous (spreading) root systems rather than a deep tap root. Cherries can live between 150 and 200 years.  They are commonly found in the ‘dry’ or ‘mesic’ forest habitats more broadly. Here in Western PA, they are a very common tree, often growing in mixed oak/beech hardwood forests or hickory/oak forests, but also found on the edges of hemlock forests.

 

Identification of the tree depends on its age. Leaves are typically about 2-5 inches in length with fine tooth and an ovate-lacerate shape (elongated oval with points). Young cherry trees have a dark, smooth bark which is banded with lighter brown lines that are horizontal.  Older cherry trees have very dark gray/dark brown or almost black bark that is highly textured, but you can still see the bands (see photos).  A strong almond scent (very unique to cherries) can be smelled when leaves are crushed or branches are broken–more on this later in the post).

 

Younger and older black cherry trees

Birds, butterflies, and moths feed and grow on black cherry, including the eastern tiger swallowtail butterfly, who lays eggs individually on the black cherry leaves.  Other caterpillars who depend on the trees include the red-spotted purple caterpillar and the coral haristreak caterpillar. Unfortunately, it is also a favorite of the destructive eastern tent caterpillar, which can make large nests in the tree and strip trees of leaves. Usually, the cherries can bounce back the following year after a serious Eastern Tent Caterpillar issue. When the cherry is in bloom, it is a nectar source for many insects including bees, wasps, and butterflies. When the cherry is in fruit, it is a food source for many animals and birds including raccoon, rabbits, chipmunks, squirrels, bears, and more.

 

Wood and Other Uses

The wood of the cherry is well known, as it is a common wood used for interiors, furniture, tools, flooring, and more. Cherry is a beautiful, reddish brown wood with a straight grain. It is a favorite of woodworkers as it is delightful to work with and beautiful when polished.  It is not as hard as oak, near as soft of maple, making it a wood that is firm yet beautiful to work with.

 

The berries, when using methods I’ve described before on the blog, can be made into a great ink or dye; it offers a purple/blue color. It doesn’t have a good light fastness (like most other natural berry dyes) but in my experience, if you use alum as a mordant, it can improve the light fastness. The berries are almost always in abundance, but they can be difficult to reach on high up trees.

 

The cherry pits (seeds) are also often harvested and eaten by wild critters. If you visit the base of an older wild cherry tree, you will often see the little half-cups of the seeds, dried and brown. If you are interested in natural crafts, these can make nice beads (with a tiny hole bored or drilled into them).

 

Cherry Leaves and Cyanide

Cherry is an interesting tree because while the fruit is edible and medicinal, and the inner bark is also medicinal, most of the rest of the tree is extremely toxic. Cherry foliage and pits contain hydrocyanic acid. You can smell this when you crush a leaf or cut a part of a cherry tree–it has that distinct bitter almond smell. The leaves have the highest concentration of hydrocyanic acid, and as the leaves wilt, they produce cyanide. This makes the leaves extremely toxic to humans and many livestock animals, such as goats or sheep.  In fact, we had planned on getting goats for our homestead here for fiber, milk, and for clearing brush, but after we learned about the toxicity of the cherry leaves (which we have everywhere on the property) we decided not to do so and went a different route with our animals.  This is because one handful of wilted cherry leaves is enough to kill a full size goat!  Needless to say, Cherry’s toxicity is not to be trifled with.

 

Foraging for Cherries

Thick bark of an older black cherry tree

At the same time that cherry’s leaves have such poison, black cherries are delightful and abundant to eat, high in antioxidants and nutrients, and an excellent wild food. Sam Thayer notes in the Forager’s Harvest that you should harvest the berries only when they are overripe, that is, a deep purple color.  I will also note that in my experience, different trees may produce slightly different tasting berries, some more or less bitter than the others.  If you are going to forage for them and you have some choice, I suggest tasting various trees! The variety in different trees can be quite distinct, with some tasting almost like a commercial cherry and others being nearly inedible and very bitter. So, once you find a tree that you can eat raw, you have found a good tree to turn the fruit into jelly or other tasty treats.  Even if a cherry tree has a little bit of bitterness, you can usually use sweetness to counteract it and allow for an enjoyable tasty tree.

 

Like many other fruits in the rose family (including apples and peaches), cherry pits also do contain hydrocyanic acid, and those, should be removed during or before preparation.  You can cook them slightly, mash them down, and strain out the pits, which is probably the easiest method of removing them.

 

This bitterness of any wild cherry can be reduced with the use of sugar, but any jams or jellies that you produce from it will still have some bitterness if your fruit started off bitter.  I have found that the bitterness is pretty tasty combined with meats or fish and add dimension and complexity (and bitter foods are healthy for our digestion). A simple recipe, offered by Euell Gibbons in Stalking the Wild Asparagus book is a cherry jelly.  He suggests adding apple juice to the jelly to improve the flavor.  Take any number of quarts of black cherry and add 1 cup of water.  Take unripe apples and slice them and add them (or add some pectin as per package instructions).  Simmer this for 30 min then strain.  Take 2 cups of cherry juice and 2 cups of apple juice, and add 4 cups sugar (you could also add less sugar by using Pamona’s pectin; I prefer to can with honey using this approach).  Boil till it jells and then hot water bath can using standard fruit approaches (10 min for half pints, 15 min for pints, etc).

 

In Using Wayside Plants, Nelson Coon notes the difference between serotina (wild cherry) and virginiana (choke cherry) are as follows: chokecherry has more pointed leaves, bitter/acidic fruit, and shorter fruit clusters  He notes that while both can be made into tasty jellies, the choke cherry produce more bitter fruit.  I have also found this to be the case, and often, the serotina and virginana are growing right next to each other!  Sam Thayer recommends another approach to working with black cherry. After harvesting them, he puts them in the fridge for two days.  This reduces the astringency and bitterness, and then you can make jellies or fruit leather.

 

Cherry as Medicine

In Matthew Wood’s Earth Wise Herbal: New World Herbs, Wood notes that in the 19th century, wild cherry was considered an “indispensable” medicine by both pioneers and Native Americans; he suggests that it was likely one of the most commonly used herbs native to the US during that time period.  Wood notes that wild cherry works as a sedative, particularly for the circulatory system.  It is particularly useful for coughs due to irritation, coughs that linger on after an infection has passed, and those that have fluid or mucus in the lungs, such as through bronchitis, pleurisy, etc. He recommends collecting root bark if at all possible, and preferably in the spring when the cyanogens are lowest. He notes that while the bark does contain trace amounts amounts of cyanide, it is not enough to cause any health issues, particularly when it is used medicinally and for short term issues.

 

Prussic acid in found in wild cherry trees are particularly useful for coughs and many herbalists use it as a their go-to cough syrup remedy.  For this, you want the inner bark from any wild cherry. This is to be used for acute conditions short term only, but it is very effective. A simple cough syrup is to boil down 1/2 cup of the chopped inner bark of wild cherry for 30 min in 1 pint water.  Then, strain it and let it cool. Add raw honey at this point to taste.  Usually, I will freeze this in ice cub trays, then you can keep using it as needed and keep it till you need it.  Alternatively, you can simply make a strong tea of the wild cherry bark that you dry.  If you have a wild cherry nearby though, no need to dry it in advance–just harvest it fresh and prepare it as needed!  I have used this recipe many times myself, and it is just as effective as over-the-counter medicines.

 

Euell Gibbons gives another recipe for wild cherry cough syrup in his Stalking the Wild Asparagus book that I really like: 1 cup red clover blossoms, 1 cup white pine needles (preferably new growth), 1 cup mullein leaves, and 1/2 cup inner bark from the wild cherry.  Boil all of this in a quart of water covered for 20 min.  Strain and add 1 pint honey, then can it.  (I like this recipe, but I’d omit the honey and can it without, then add the honey later.  Raw honey is amazing, but heat removes much of the medicinal virtues).

 

Magic of the Cherry Tree in Global Traditions

Cherry does not seem to have much of a place in the traditional western magical traditions, particularly those deriving from Europe–which makes sense, as cherry is a North American Tree.

Leaves of cherry tree

In the European traditions, when it shows up, it does not often show up as a tree of power.  For example, in Celtic Myth and Legend by Charles Squire, the book describe the Battle of Godeu (or the Battle of the Trees) and in this battle with Hades, while many trees fought valiantly (oak, hawthorn, heather, holly) many others, including the poor cherry tree did not fare so well and was broken during the battle. This battle is told in the Book of Taliesin as well.

 

What information there is about the cherry’s power suggests that cherry is tied to love, emotions, and romance, something that is consistent both from Europe as well as from folk magic here in the US.  Culpepper notes in his Herbal that cherry is a tree governed by Venus. In the American hoodoo traditions, according to Cat Yronwood’s Hoodoo Root and Herb Magic, cherry is used primarily in love-drawing spells for drawing love, romance, or enticing someone. Thus, in American Hoodoo, it is frequently used in love-drawing mojo bags, oils, dressed candles. We see this same association in an old book, Grimories, who talks about using the “essences of the cherry tree” when when desires another. Interestingly enough, Native American talking sticks can also be made of cherry, and when they are, they are also tied to expression, emotion, and love. Yet, Cherry trees do not feature prominently in the stories that I have been searching (and that I usually share as part of these posts). Occasionally, someone eats a cherry in a story, or, someone notes that cherry is not good for making bows. But the tree has no distinct magical connection in the mythology of the Americas that I can ascertain.

 

In another American classic grimore, The Long Lost Friend by John George Hoffman (1820), which is one of the premier books in PA Dutch Braucherei, the cherry tree is used to help cure the “poll-evil” in horses. The Poll Evil is an inflamed back of the head which can burst (today, this is treated with antibiotics). The full charm involves breaking off three twigs from a cherry tree, one in the morning, one in the evening, and one at midnight.  You wrap these in pieces of your shirt, then clean the poll-evil with it.  Then you have to poop on the twigs while the twigs are facing north. Then you stir the wound again with the dirtied twigs a day or two later.  Yep, good stuff :P.

 

One of the places that cherry tree is very dominant is in Japan, and Cherry has different meanings in eastern societies.  Japanese cherries, or “sakura” symbolize the concept of “mono no aware,” or the understanding that life and things are transient, impermanent, and that a small amount of sadness or wistfulness can be had at their passing.  Cherry blossoms, which bloom en masse in Japan are thus symbolic of “mono no aware” and encourage people to reflect on the transience of all things.  We also see the tie to love from myths like “the Holy Cherry Tree of Musubi-no-Kami Temple” where a magnificent old cherry tree encouraged people to build a shrine dedicated to the “God of Love”.

 

Meanings and Magic for North America

So to summarize all of the above, we can see three distinct meanings for the Cherry tree, based on its ecology, medicine, uses, and mythology:

 

Cherry tree as a drawing love and romance.  The American traditions are strongly consistent in this, showing that cherry here in the US has the power for love: to bring it, to help it last, and to foster romance.

 

A small grove of cherries on the edge of the homestead

Cherry tree emphasizes the fragility, impermanence, and ephemeral nature of life.  The Japanese tradition is strong here, but so is, frankly, the fact that cherry can produce such a noxious poison.  The leaves of the cherry tree wilt and cause livestock (or people) to die who consume them.  That ecology sends, to me, a very strong emphasis on the idea that life is fragile!

 

Cherry, likewise, sends the message that the same aspects of nature can be both healing and destructive. Cherry is a tree of extremes: both one of the best natural medicines we have native to the Americas while also being one of the most destructive poisons we have.  Much of nature is like this, and this is a powerful natural lesson. The ocean is a very good example of this: the ocean can provide food and medicine, but also tidal waves and tsunamis.  I think every part of nature is truly like this: and cherry so beautifully emphasizes this lesson.  Nature is.  It is not good, it is not evil, it simply is.  I can be harnessed as a powerful tool, or it can harm or kill you.  Part of that depends on your own knowledge, and part, on the conditions at hand.

 

Wine Cap Mushroom Cultivation: Wood Chips, Garden Beds, Recipes, and More June 9, 2019

How many times have you seen your neighbors getting tree work done or had tree work done yourself? The landscape company often comes with the big wood chipper and truck and then, after cutting up the wood, hauls that beautiful pile of chips off to some unknown location. Last year, our electric company came through and was doing tree work along our driveway and road to prune and cut trees too close to the power lines. We asked them to dump the wood chips on our property, and they were happy to do so. A lot of times, companies have to pay or go far out of their way to dump wood chips, and they see them as a “waste”; they will almost always dump them for free if you ask!  But a pile of wood chips are harldy a waste–they can offer you multiple yields over a period of years.  In today’s post, we’ll look at mushrooms from a permaculture and druidic perspective and see one way we can use them to both understand nature’s alchemy as well as cultivate home-grown food, focusing on using fresh wood chip piles.

 

Wine cap mushrooms on wood chips

Wine cap mushrooms on wood chips

About Mushrooms

Mushrooms are amazing: they are in a kingdom by themselves (fungi) and are in a kingdom all to themselves.  They do not contain chlorophyll, so they are unlike plants. They are saprophytes, breaking down organic matter (usually wood) and feeding on the nutrients contained within. In this way, they work as part of nature’s system of decomposition, breaking down the old so that the new can begin again. Their “bodies” consist of fungal hyphae (which are white or tan lines or threads that run through soil, wood, etc). The threads are also called mycelium. They also consist of the fruit, which is what we call a mushroom. The fruit of the mushroom is actually its reproductive system, which is what the mushroom itself sends up to reproduce (via spores, in most species).

 

I think we can learn a lot from the mushroom  kingdom, both from a permaculture perspective as well as a spiritual/druidic perspective.  On the permaculture side, the mushrooms remind us that nothing is waste: they can break down not only wood but also many of our own human wastes: cardboard, newspaper, office paper, and coffee grounds.  Amazingly, they can also be used to pull toxins and do “mycoremediation” to help damaged sites heal.  this includes pulling toxins and pollution from soil as well as pulling toxins and oils in water contaimination.  Mushrooms are truely amazing!  On the spiritual side, the mushroom is one of the great alchemists of nature: taking waste (dross) and turning it into soil which can then can nourish plants–soil is what the entire ecosystem is based upon!

 

The mushroom we are talking about today is the Wine Cap mushroom, also known as King Stropharia (stropharia rugoso-annulata), sometimes also called “Composter mushrooms” or “Garden giants.” You can purchase these online from a variety of mushroom companies; my spawn came from Tradd Cotter’s Mushroom Mountain. I’ve had the pleasure of taking multiple workshops from Tradd at our local Mother Earth News Fair, and I like his company and ethics a lot!  The nice thing about these mushrooms in particuar is that they are versitile and easy to keep cultivating. Once you have some mycelium, its possible to keep spreading these mushrooms as long as they have something to eat.  So if you have your own chipper, a ready supply of leaves or other compost waste, these mushrooms will keep on going!  So let’s talk about a few ways you can work with Wine caps.

 

Wine cap mushroom

Wine cap mushroom

Wood Chips

The techniques that I am sharing today only work on a fresh woodchip pile (less than a few weeks old). If you try this with an older wood chip pile, or in a pile that has been dead wood recently chipped, it is likely that other species of mushrooms have already colonized your pile.  What this means, then, is that when you try to colonize your pile with your own mushroom spawn, there may be considerable competititon and you may not get the mushrooms you hope to get (You also need to be *very* careful about ID in this case).

 

As I mentioned in the introduction, wood chips are fairly easy to obtain in many parts of the US, at least.  You might be able to get them from local muncipalities, and certainly, from local private tree services.  Most of them are all too happy to drop off piles of mulch to you so they don’t have to drive far to dump them and/or pay to have them dumped.  You may also be doing some of your own brush clearing; again, any fresh woodchips will do for this process.

 

Seeding Your Pile

 

To seed your pile, simply break up your mushroom spawn into smaller pieces, dig holes in your pile (a foot or less down) and add the spawn.  After the pile was dumped, in early August, a few of my druid friends and I seeded our pile in about 15 minutes.

Layers of mycelium with mushrooms growing out the top. I was removing mulch for other areas and got this amazing photo!

In addition to moisture and food, mushrooms need oxygen.  If your pile is too tightly compacted, you may only get mycelium growing on the top of the pile.  Never fear–once you remove some of the mulch for other purposes (see below), the mycelium can colonize further into the pile.

 

Fruiting

At some point, typically for Wine Caps, when the temperatures hit above 60 degrees, your pile will start to fruit.  Our pile started fruiting in April, and is still fruiting at the beginning of June.  Thus far, we’ve harvested at least 20 lbs of mushrooms from the pile.  As exciting as the huge wine cap mushrooms are, they often get buggy and full of worms.  Thus, it is best to harvest the smaller mushrooms to eat and leave the larger ones in the pile to spore and to produce food for others.

 

Spreading the Mushroom Love: Mushrooms in the Garden and More

Once you have an innoculated pile, you can use your wood chips all through your garden and as mulch.  Anywhere you do this, you are likely to get mushrooms popping up, which is an amazing food production source!  Here are some of many possibilities:

  • Mulched Mushroom Garden Paths: Add several layers of cardboard to your garden paths and then mulch with a thick layer of innoculated wood chips.  Your paths will last at least 2 years, and probably at some point, they will fruit with mushrooms.
  • Mulched Mushroom Garden Beds: All garden beds benefit from mulching. If you look at a forest, you will never see bare soil on the forest floor: it is always mulched with a rich pile of leaves, etc. This helps the forest prevent erosion and retain  nutrients. Many gardeners leave their soil bare, which allows the sunlight to quickly strip it of moisture. By adding a thick layer of mulch (straw, leaf rot, or wood mulch) you can prevent the loss of mosture, and likely, never have to water your garden again.  That’s my method: layers of mulch equals never needing to water, unless we have some kind of severe drought!  Adding your mushroom-innoculated mulch to your beds benefits the whole garden.  This page offers a lot more details on this practice, debunks myths about wood chips in the garden, and offers information on why it works.  Keep your wood chip mulch to 2-3″ deep at the most and you will have no probmes–and you will get more mushrooms. In fact, every place that we have spread this mulch has fruited at least once this spring!
  • Mulched Tree Areas: Your trees, likely, can also benefit from some innoculated mulch. I put this around my fruit trees, being careful not to mulch the trunks too closely.  This does the same thing for the trees that it does for the garden!
  • Mulched Paths: You can mulch any other paths with this approach, including forest trails and so on.  I am working on some forest trails through our wooded areas, and these mushroom mulched paths are a wonderful addition. Again, I use thick layers of newspaper or cardboard (when necessary) or simply mulch (if the forest floor is largely bare, as mature forests sometimes are).  You can further get fancy and line your mulched paths with stones. Part of why I do this is that our tick issues in Western PA have grown extremely intense; it is better for us to mulch and keep nice wide paths than to be covered in ticks (we also have guinea fowl and chickens for tick patrol, and they do a great job!)
  • Mulched Planters: You can also mulch container garden pots and planters with a light layer of this mushroom mulch.  You may not get any fruiting mushrooms (I haven’t seen any on ours yet) but you certainly will get the benefit of the water retention!

 

Wine caps growing in wood chips

Wine caps growing in wood chips

Wine Cap Cuisine

Wine caps are a mild and delicious mushroom, with a growth habit similar to a portabella.  They do not have a strong flavor, and when they cook, they produce a lot of liquid, which needs to be accounted for in any recipe.  For the best way to taste the mushroom flavor itself, you can simply fry these in some olive oil or put them on the grill brushed with olive oil.  You can also stuff them (I like to stuff them with rice, veggies and cheese) or make a simple cream of mushroom soup.  Essentially, any recipe that calls for a portabella mushroom can be instead used with a wine cap.  Here’s one such recipe I made this week

Wine Cap Mushroom Soup

  • 1 lb of wine cap mushrooms, washed and sliced
  • 1/2 cup marsala wine
  • 2 tbsp olive oil
  • fresh thyme, chives, and parsley
  • 1 onion
  • 2 garlic cloves, crushed
  • 1 cup sliced kale
  • 1 quart vegetable or chicken broth
  • 1 cup heavy cream
  • salt and pepper to taste

Sautee the mushrooms in olive oil until they start to soften (about 5 min).  Add the wine, onions, and garlic, and simmer for an additional five minutes.  Add the broth, herbs, and salt/pepper and put a lid on your soup, allowing it to cook for 15 more minutes, until the mushrooms and onions are tender.  Remove from heat.  Add kale and heavy cream, and let the flavors meld on the stove for 10-15 min before serving.  Serve with some fresh chives on the top.

 

Examples of older wine caps, not as good for cuisine due to the worms. Cut the small ones instead.

Radical Mushrooms: Kitty Litter and Other Decomposition Projects

I didn’t stop with the wood chip pile with regards to how to keep working with the Wine Cap mushrooms.  I wanted to use mushrooms t help break down other “waste” products at the house.  have three cats, and they have long been using natural plant-based cat litters, usually a pine base or a wheat based litter.  I saw instructions like these, knowing that people use kitty litter (fresh) for mushroom cultivation for eating.  While I had no intention of eating mushrooms grown in used kitty litter, In this case, I was wondering if the mushrooms would work in this litter to help break it down (and thus not put it in a landfill, but return those nutrients to nature).  I first started with a regular compost pile, putting a few palattes together, which in about 1.5 years, was full of cat litter.  I put some mushroom spawn in the pile in the fall, at the same time I seeded the much larger mulch pile, but nothing happened.  I think it had too much ammonia and not enough oxygen.  I took the palatte composter apart, and instead, spread the kitty litter in a thinner area, only about 6″ deep.  I again seeded it with mushroom spawn: and this time, it worked.  I now have a kitty litter composting area.  I add litter only to one side, and allow the mushrooms to slowly break down the litter that has sat longer.  This simply stays on the edge of the woods, effectively eliminating the landfill and returning those nutrients to the earth.  I call this a mushroom win!   I will also note that I do *not* pick or eat the mushrooms in this pile, but other wildlife seems to enjoy them.

 

I hope this brief look into how to tranfsorm “waste” into resources for the druid’s garden is helpful and inspirational to you!

 

Embracing Ancestral Fires and Fire-starting at Beltane April 28, 2019

An awen-shaped sacred fire, created from my flint and steel

An awen-shaped sacred fire, created from my flint and steel

The tiny sparks from my flint and steel shower down on my char cloth.  This flint and steel set was a gift from a fellow druid from almost a decade ago, a gift that has long offered me a connection with my ancestors.  It takes me a few moments to remember the technique he taught me, striking the steel against the flint in a particular way with a particulary angle to my body.  Starting a fire in an ancestral way isn’t just a mental act; its an emboded one.  I breathe deeply and remember, and the tiny sparks fly from my tools to the char cloth. After a few more attempts, a single spark lands on the cloth and starts to glow orange. I carefully pick up the char cloth and blow on it to increase the ember size, then place it in a specially prepared “nest” of bark, pine pitch, and soft cattail and milkweed fibers.  I blow some more on the nest.  At first, nothing happens, and I fear the spark is lost.  But then it starts smoking, more and more, and suddenly, the whole nest is aflame.  I lay this nest carefully down and begin layering thin plant stalks and dried materials that I had prepared in advance, slowly building the fire from that tiny ember.  In 30 minutes, the fire is blazing and warm, and I feel intimately connected with it because I was able to start it on my own with basic tools.

 

We call Beltane a “fire festival” in the neopagan traditions because fire plays a central role. Modern Beltane festivities are derived from the ancient tradition in Scotland, Ireland, and the Isle of Man where people lit fires and drove cattle through them as a blessing as they went out to pasture for the summer months. People seeking blessings also lept over the fires.  For a nice description of the history of this practice, see this site.  Fire was such an important part of Beltane because fire represents the sun, and by May 1st, people are eager to welcome back the sun, to enjoy the sun of the long summer months, and to have sunlight to kiss our crops that they may be fertile and abundant for the long winter ahead.  Today, in honor of the fires of Beltane, I want to talk about fire as an ancestral practice and encourage exploration and experimentation with fire and fire starting in more traditional–and ancestral–ways.

 

Fire and the Ancestors

Fire is one of humanity’s oldest friends, tools, and teachers.  New research from the Wonderwerk cave in South Africa suggests that homo erectus–our pre-human ancestors–had been cultivating and working with fire at least one million years ago, possibly 1.5 million or more years ago.  It is likely that when we evolved from homo erectus into homo sapien, fire was with us.  That is, when we birthed from the ancestral womb into the species we are today, fire was with us.  When our ancestors transitioned from hunter-gatherer societies and developed agriculure at the start of the Holocene 8000 years ago, fire was with us.  When our ancestors needed to stay warm in harsh winter weather, fire was with us. When our ancestors needed to keep back the predators in the dark, fire was with us. Fire is with us even now, as we heat our homes, move our vehicles, cook our food, and journey far and wide.

 

Perhaps the most interesting facts about fire is that it is one of the two things that distinguish us from other species (the other being language, although that fact is currently under debate).  Fire scares and drives away animals and insects, while it invites humans in closer.  If you are camping in the woods, its instinctive to want to have a fire, get close to it, and burn it brightly.  Some of my most frightening times in nature have been when I was alone in the dark woods without the warmth and comfort a fire offers. This, too, was ancestral.  Because my ancestors have been enjoying the warmth, light, and protection of fire for literally millions of years–it is no wonder that the primal part of my brain felt it lacking, especially when I heard critters afoot in the cold and dark night.

 

Today, people gather around fires, indoor or out, just as our ancient ancestors did. At any outdoor event or camping trip, there is a fire to be found. And where there is fire, there are people gathered, laughing, cooking food, telling stories, drumming, sharing songs, or more. Indoors, the fire has much of the same function. The hearth in traditional times was the center of the home. The fire burning, food cooking, the sharing of skills and traditions across generations. The hearth offers us a place to join with each other, teach each other, and nourish our own spirits.

 

 

Fires burn

Fires burn

Fire also has also contributed significantly to human evolution; Charles Darwin said that humans were distinguished evolutionarly by two things: langauge and fire. We can see this is true from both the evolution of the human brain and the evolution of human societies. First, fire has the unique ability to render food more digestable: we see that the application of fire to meats, vegetables, and fungus creates it more nutrient rich and dense. Some scientsts suggest that this has had a strong evolutionary function, in that more nutrient rich foods, honed by fire, allowed for a larger brain to develop (as typically, about 1/5 of our total calore intake goes towards our brains). Fire also was a driving force in moving humans further up the technological ladder: fire is what allowed us to create and refine copper, bronze, iron, steel and today, many, many advanced technologies still rely on basic principles of fire. Thus, each successive civilization has learned new and powerful ways to harness fire–and sometimes, to destroy with it.

 

 

Fire has had spiritual connotations throughout human history, and across human cultures. The worship or deification of fire, known as pyrodulia, pyrolatry, or pryolatria, was common, particularly in pre-industrial societies. The ancient alchemists and hermeticists, too, understood the importance and power of fire.  Alchemists divided fire into four types including the “secret fire” upon which all inner alchemy (spiritual alchemy) was based.  Likewise, in the Golden Dawn tradition, fire is considered the first element, and everything descends from fire.  Ancient societies, including Greek, Roman, Indian, and Chinese, venerated fire and worked with it elementally and ceremonially.

 

In every way, fire reconnects us to our roots, to those ancient ancestors who gave us such an important gift.  When I look at the fire from this perspective, I realize that fire is my most important ancestral gift, and thus, one of the best ways to honor my ancestors is to learn and understand fire, to work with fire as they might have, to learn to start and build fires, and to honor them through this practice.

 

Beltane Fire Traditions, the Ancestral Way

So perhaps this Beltane, considerworking deeply with fire in a new way.   I offer three suchs suggestions for how to honor the ancestors and work deeply with fire at beltane: traditional fire starting, tending, and honoring the fire.  These are three of many, many you can consider!

 

Fire Starting and Honoring the Ancestors

For most of us, fire starting requires a match or lighter, something that makes a quick flame.  We often build a big stack, put wads of paper in it, light it with some fossil-fuel derived source, and hope for the best.  However,  learning to make fire in other ways, slower ways, ancestral ways, creates what I can only describe as a different quality fire.  For one, you have a different investment in the fire, both from a physical and mental perspective. On the mental side, we use ancestral knowledge, knowing what materials to use, knowing the techniques, learning and failing and growing from the experience.  On the physical side, as I mentioned in my opening, fire starting is an emboded practice.  These practices take a lot more physical effort, particularly when you are learning.  But that physical and mental effort leads us to amazing outcomes:  fire we have truely kindled and lit with our ancestors beside us. But also, by starting a fire in a more traditional way, you invite your ancient ancestors to your side, and thus, the fire seems to have a different quality.  Finally, the fire has more meaning becuase you have done it the slow, old way, and that has power.

 

Another naturally created sacred fire

Another naturally created sacred fire in a special firepit

The “Fire Triangle” I learned at the North American Bushcraft School offers some practical suggestions for ancestral fire starting. This triangle suggests that we need Fuel (something that will easily burn); Oxygen; and Ignition (a heat source, a spark).  Traditional firestarting methods are focused on all three, with a specific emphasis on generating the spark, ember, or heat and transfering that into a fuel source that will allow you to produce a flame and using your breath to help bring oxygen into the fold.

 

The traditional method that I know best, using flint, steel, and char cloth, was detailed above in the opening and requires a minimal investment (a good kit is usually less than $20, you can also make your own charcloth from scrap cotton fiber).  There are other primitive fire starting methods that you might try.  Here are a few with detailed videos. I prefer videos for this, so I’m going to link you to some good ones)

  • Flint and Steel demonstration and method.
  • Hand Drill: method overview and instructions (probably the hardest to learn at first, but also potentially the most satsifying).  Local materials for me to use include mullein, yucca, or goldenrod stalks and soft pine or cedar boards).
  • Bow and Drill methods.

Starting a fire with one of these methods takes practice!  I’ve had some basic instruction in the hand drill, and one of my goals for this Beltane is to learning it in more detail this Beltane. After Beltane, I will continue to develop my knowledge of local woods and materials for this beautiful firemaking technique.

 

I believe that fire building and fire starting can be treated as a sacred practice, a ritual in and of itself.  With each step, we can set our intentions from preparing to start the fire in a sacred manner, lighting the fire, and honoring the fire.

 

Honoring the Fires

Honoring the fire begins with creating it in a sacred manner, and continues with how we tend it and what we do with it.  I think that each of us can create our own unique fire traditions, but here area  few that I particularly like:

 

A fire offering.  As we make offerings to the land, spirits, or other divine entities, we might also honor our fires.

–Creative offerings. I like to paint things or create things that are specifically for the fire.  This may be a woodburned piece, a small painting, other natural creations.  In particular, for these, I like to gather things from the land itself and use only natural materials (such as my natural inks or dyes, watercolors, etc) so that anything I offer to the fire is not going to have chemicals or other byproducts.  So my fire offering this Beltane is a woodburned piece honoring the fire, created for the fire with intent.

–Fire blend of Herbs.  You could also create a fire blend of herbs that you can offer; I especially like to include resins or other pine substances in these so that they burn brightly.  Cedar or pine boughs are also great choices for this, as they crackle and pop when they burn. A ball of beeswax mixed with herbs is truely a sight to behold in the fire!  I might do a whole post on fire offerings in the future.

–Music or Drumming.  Play a drum, flute, sing, or make some other kind of music for the fire.  Anyone can pick up a drum and offer a heartbeat rhythm and connect with the fire.

–Dance.  Dance around your fire, letting your body flow and move (if this isn’t usual to you, just do this when nobody else is around!  Even for someone who is not a dancer, you can connect with the fire in this way).

 

Treating the fire respectfully. Another thing I recently learned at the North American School of Bushcraft that some native traditions say that you should never throw anything on a fire, but rather, place it gently.  This is becuase Fire is seen as an elder, worthy of respect.  As druids, we might develop our own respectful fire traditions, so for you personally, you might think about what treating a fire with respect means.  If you have a regular fire pit or a ceremonial pit, you can develop a layered set of expectations and actions that guide your fire interaction.  Remember that the fire is a place for us to gather with our ancestors, and thus, it is always a sacred place.

 

 

I hope that this post has been inspirational to you and that you have a blessed Beltane!  May the fires burn brightly and may spring once again return.

 

Acknowledgement: I am indebted to the fire teachings of Jason Drevenak at the North American School of Bushcraft as inspiration for this post.

 

The Druid’s Crane Bag April 21, 2019

A druid’s crane bag is a special bag, a magical bag, that many druids carry with them. Often full of shells, rocks, magical objects, feathers, stones, Ogham staves, representations of the elements, ritual tools, and much more, a crane bag is wonderfully unique to each druid! A few years ago, I shared a post about how to create a crane bag and a description of my bag at the time; today’s post revisits and deepens the treatment of this topic.  In this post, we’ll look at the concept of the crane bag and where it came from, four potential purposes for bags, and some tips and tricks for how to put them together and what they might include.  This is a wonderful part of the druid tradition that anyone, including those walking other paths, can enjoy!

 

My "ritual in a bag" crane bag, designed and created by me!

My “ritual in a bag” crane bag, which I recently completed. 

Crane Bag History and Purpose

The term “Crane bag” comes from Irish mythology.  In this mythos, Manannán mac Lir is a major sea god who is also the guardian of the otherworld.  One of his many treasures is a magical bag, known as a crane bag. As they myths go, he originally crafted the bag from the skin of a crane, hence the name. This wonderful, bottomless bag was full of many treasures: his knife and shirt, the shears of the King of Scotland, the helmet of the King of Lochlainn, the bones of Assal’s swine, a girdle of a great white whale’s back, birds, hounds, and other things.  His bag also contained human language, a powerful tool.  Some versions of the myths also suggest that the Ogham, the Celtic tree alphabet that is still in modern use, was also within the bag. In the myths, the bag’s treasures can be seen in the sea at high tide, but they disappear during low tide. In certain myths, the bag comes into the possession of Irish heroes such as Lug Lámfhota, Liath Luachra, and Fionn mac Cumhaill.

 

In the modern druid tradition, we are inspired by this mythology, and druids often create magical bags of their own.  A crane bag is not a singular thing, but as unique as each druid themselves: thus, the size, shape, and materials contained within the bag are up to an individual druid.  In the remainder of this post, I’ll show you various options for bags, styles, and purposes to help you develop your own crane bag.

 

Planning Your Crane Bag: Crane Bag Purposes and Options

Just as each druid’s path is unique, your crane bag should be an expression of you and your druid path. I think the most important consideration for your crane bag, even before we get into size, composition, or what goes into the bag is your purpose.  In talking with druids, particularly in the OBOD and AODA communities on the East Coast of the US, there seems to be three general purposes for crane bags: the ritual-in-a-bag approach, the power object bag approach, the field approach, or a combination of all three.

 

Some of the many things that can go in your crane bag

Some of the many things that can go in your crane bag

The Ritual-in-a-Bag.  The first approach to a druid’s crane bag is that it is a special bag that can hold all of your ritual tools. These tools, then, come with you wherever you go. For example, one druid I met at a gathering had a larger leather bag.  In this bag, she had her elemental representations, wand, a small sickle, and a small notebook. She indicated that anywhere she went, her tools could go with her, and she could easily break into “spontaneous” ritual with her tools at hand.  She also enjoyed carrying the bag to larger druid gatherings, thus, her tools went with her and also benefited from the energy raised at such gatherings. I have used this approach myself, and offer an example later in this article.

 

The Power Object Bag.  A second approach that seems common is to have a much smaller crane bag, one that is carried on your person frequently, or at all times.  Often, these will be bags small enough to fit in your pocket, around your neck under your clothing, or attached to a belt.  Contained within the bag are objects of spiritual significance to you–sacred stones, shells, sticks, herbs, teeth, bones, or whatever else is personally significant and powerful to you.  Those druids who I have spoken to who use this approach believe that you grow a stronger connection to the objects and bag the more the bag is physically with you. The objects, also, are able to lend you their strength, power, and protection throughout the day as you carry your bag.  A good friend of mine uses this approach; his is a small but ornate belt pouch that is always attached to his belt, and so each day, without fail, his crane bag goes with him.  It is with him when he works, hikes, drives, or whatever else he is doing.

 

The Field Bag. The third approach is creating a crane bag that will aid one out in nature–for this, you usually get not only objects of spiritual significance but also practical significance: land offerings, knives, folding saws, hori hori (an all purpose japanese gardening tool that is great for foraging and herbalism), bags, flint and steel or other fire-starting equipment, paracord, and more.  The philosophy behind this crane bag is that if you are going out in nature, it is useful to be prepared, particularly if you are interested in doing some wild food or medicine foraging, camp out for the evening, bushcraft, or other kinds of wildcrafting.  Thus, when a druid takes this bag with them, they are prepared for anything!

 

The Anything Goes/Combination Bag. The final approach uses a combination of all of the above–perhaps some items of personal significance along with a few ritual tools and a few tools to be out in the field.  My first crane bag, described in detail in my earlier post, uses this method (see all of the contents here). The benefit of this approach is that you end up with a multi-purpose bag that can serve a variety of needs.

 

Creating or Finding Your Crane Bag

My Crane Bag

My First Crane Bag: Repurposed secondhand find!

Today’s crane bags need not be made of crane leather, but can be made of any durable material: leather, hide, skin, linen, wool, cloth, denim, and so on. You can make your bag yourself, you can purchase it secondhand, or you can have someone make it for you. I do believe, in my conversations with many druids about their crane bags, that many prefer to make them, as it lends their own personal energy into the bag.  If you don’t make it yourself, find a special way of personalizing your bag.  For example, my first crane bag, pictured here, was a small denim bag with zippers and pockets that I found at a thrift store.  I personalized it by painting it with acrylics, and I am happy and delighted that the paint has held up for many, many years!

 

The bag can be large or small; however, you will want it large enough that it will fit your purpose and to carry what you would like it to carry (and think also about the future–what you might want to add to your bag at a later date). Depending on the size of your bag, it can be held or connected to a belt, cord, or slung across the shoulders and carried more like a traditional bag, depending on the size.  Most druids carry their crane bags into ritual (and around gatherings, if they attend), many may also carry them into the woods or other natural places, so it should also be something comfortable to take with you, particularly on long journeys or when you travel.

 

 

Items for Your Bag

Any item of spiritual or practical significance can go in your bag.  I encourage you to think about local ingredients, local materials, or those repurposed in other ways.  Many of the things in my bag are gifts from others or things that I found or made. Here’s a list of what I might consider essentials; these go in every crane bag that I have made or carry:

  • A small journal (Moleskine or other small journals work great for this). I never want to be out in the woods or anywhere else without my journal–this allows me to record my thoughts at any time. I especially appreciate this “old technology” as opposed to a cell phone for recording as I don’t think there is anything as disruptive of a sacred experience as pulling out one’s phone.
  • A few handy tools: I like to always take with me a lighter/matches, a knife, and a plastic or cloth bag or two to carry anything I find.  Even in my more “ritual tools” style crane bag, I make sure to have these with me.
  • Offerings.  I don’t go anywhere without offerings. I recently shared how to make a wildcrafted herbal blessing oil and  sacred herbal blend for offerings.  A blessed magic seed ball also makes a great offering. Anything you want to carry with you that you can offer is approrpriate.
  • Elements. As someone working within the context of both OBOD and AODA druidry, I find being able to work with the elements in physical form really helpful.  So I always have, in any bag, representations of each of these. They don’t have to be physical representations (fire, etc) but could be four small stones, woodburned images, and so on.  The sky is the limit!
Once I pull stuff out of my ritual-in-a-bag, I can make a beautiful altar setup for outdoor ritual work.

Once I pull stuff out of my ritual-in-a-bag, I can make a beautiful altar setup for outdoor ritual work.

 

Here is a much larger list that you might consider for including in your crane bag:

  • Rocks and minerals
  • Shells, corals, or sand (in a small bottle)
  • Plants, leaves, twigs, roots or pieces of bark
  • Herbs, oils, infusions, concoctions, tinctures, teas or healing brews
  • Seeds of all kinds
  • Feathers
  • Fur, nails, bones, claws, teeth or other animal parts (only those that are legal to have, of course)
  • Animal, plant, or spirit totems of any kind (for example, the small carved soapstone animals are a nice addition to a crane bag)
  • Divination tools, such as Ogham, runes, or tarot decks
  • Small musical instruments (like an ocarina, small flute, etc)
  • Jewelry or necklaces of significance
  • Tiny journals or books
  • A small altar cloth
  • Bags, jars, and other vessels for holding things (like collecting sacred waters, etc)
  • Ritual tools such as a small candle (a battery-powered candle is convenient when traveling), small sickle, knife, candle, etc.
  • Any other items with a spiritual purpose
  • Quarter stones (four or eight stones you can place at the circle to help hold the space)

 

Example Crane Bags: Druid’s Power Bag and Ritual in a Bag

I have three primary crane bags, one that fits each of the possibilities above.  My earlier post offered an example of an all purpose crane bag, so again, check that post out for photos.  I also have a regular backpack that I dedicate to foraging, but that has some sacred tools (the essentials) that will go with me on longer hikes.   I didn’t take photos of that one, as its not very pretty looking but is rather very functional.  But I did want to share examples of the other two: the druid’s power bag and the Ritual in the Bag crane bag.

 

The first bag is the Druid’s Power bag.  This is a small leather bag I made, and in the photograph, are some *examples* of what you could put in a bag.  I believe that the bag itself and the actual contents of a power bag should never be photographed, or really, even talked about.  This is a bag of sacred objects to you, and if you talk too much about it, you can talk the magic out of it.  So I am not showing you my actual contents, but I think this gives you a good example of what could contain and look like: natural items, small clay and stone statuary, beads, stones, jewelry, etc.  So in this photo we have some things people have given me, stones, stone animals, a bracelet, a ceramic bear, a painted pendant, nuts and seeds, and more.

Potential power bag with objects

Potential power bag with objects

 

The other bag I want to show today is the “ritual in a bag” crane bag. I have been working on this bag for six months, and I’m delighted to have completed it to share with you.  The goal of this bag was simple: I do a lot of ritual work outside, right on my land or in a nearby state park. What was happening is that when I needed tools, I’d put them in a basket from my altar, but the tools were quite heavy and bringing them back up the mountain on my land was a problem, and carrying them into the woods at the state park was even more of a problem (it isn’t fun to carry four large ceramic altar bowls!)  Further, when I have friends that visit, we often go into the woods with sacred intent, and I wanted a bag that I could literally just ‘grab and go’ that offered me everything I needed to do a nice ritual with the bells and whistles. I’ve also been working hard to improve my leather working skills, so this bag was also a challenge to me as a bardic practitioner. Finally, I wanted my sacred plant allies to be with me with the energy of the bag.  I wanted it small enough that I could put it in my foraging bag and still had room for other tools.

Hawthorn and elder each are on a pocket on the front of the bag, behind the flap

Hawthorn and elder each are on a pocket on the front of the bag, behind the flap

The leather bag itself I designed and put together.  I used leather tooling and then a leather acrylic and acrylic sealer on the bag itself, which I hope will last over time (we will see!)  This brought beauty into the bag and helped imbue my own energy with it.  On the bag, I have some of my most sacred plant allies: wild yam (on the edge of the strap), ghost pipe, hawthorn, and elder.  These are all plants I regularly work with and who are local to my ecosystem.

Another shot of the bag

Another shot of the bag

Inside the bag, I have everything that I need for a ritual.  This includes five copper bowls (I purchased these on Etsy from a regional craftsperson; they are great because they are super durable and light).  Four of these are for the elements and the fifth is for offerings or other purposes.  When I’m out in the woods, I usually fill the air bowl with sand or soil, then stick an incense block or cone in it.  The fire bowl gets a little candle (with jar, otherwise it will go out), the water bowl gets some local water, and the earth bowl can be filled with soil, rocks, nuts, sticks, whatever is around.  In the photo, you can also see two little incense containers and also a smoke clearing stick (smudge stick), it has its own little package.  You can also see the small altar cloth (this particular cloth was a gift from a dear friend and mentor, and is a very cherished part of my ritual gear), which rolls up nicely and fits in the bottom of the bag.

Ritual tools in the bag

Ritual tools in the bag

Finally, I have an elemental woodburning with an awen; when I place this on my altar, it reminds me of the four directions (extremely useful for someone like me with dyslexia).

Elemental woodburned piece for remembering the directions!

Here are some other things that show up in my ritual-in-a-bag: my favorite ritual flute, a small knife (used mostly for ritual, but also for herb harvesting), a vial for water (I like to save water from my rituals or from places where I do ritual and add it to a water altar), a lighter, and a journal.

More crane bag tools

More crane bag tools

One of the keys I think to keeping a small crane bag is careful packaging.  I have used a lot of special packaging to keep things together: sewing little bags for the elemental bowls, having a wrap for my tarot deck, having a wrap for my my smoke clearing stick so that it doesn’t flake off everywhere in the bag, and so forth.  One of the bags below contains all of my land offerings.

Packaging helps!

Packaging helps!

 

Even with all of these great tools, which you can carry everywhere, what doesn’t fit in the bag is Acorn!

Acorn is blessing the altar!

Acorn is blessing the altar!

 

I hope that this post helps de-mystify the druid’s crane bag and offers you a number of ideas that you might use in your own druid based, OBOD, AODA, or nature spirituality practice. In the words of John Gilbert, former AODA Archdruid of Air, “Your Druid Crane Bag is the badge of a Druid. Wear it with pride and with honor to yourself and the Druid Craft.”

 

Working Deeply with Water: Waters of the World Shrine and Sacred Waters April 7, 2019

Primal Water from the Plant Spirit Oracle; tan paint is from Tanoma Iron Oxide!

Primal Water from the Plant Spirit Oracle

In the druid tradition, water represents the west, the place of emotions and intuition, the place of our ancestors and of the honored dead. Water is often connected with the salmon of wisdom, the salmon who dwells in a sacred pool, offering his wisdom to those who seek him. Water may serve as a gateway to other worlds and as a tool for scrying. Water can be used as a tool understand flows of all kinds. You can study flowing water through observation, fishing, boating or swimming and connected with in order to help us understand deep insights.  Snow and ice can likewise, be used as spiritual tools.  Water-based animals like turtles, fish, salamanders, dragonflies or water-based plants like cattail, calamus, or lotus are powerful allies for spiritual work. Working deeply with water is part of several druid teachings and courses, and thus, finding ways of doing that kind of work is important.   Today, I wanted to share some suggestions and ideas for working with the element of water.

 

Because I like to root our druidry in the here and now, I think its important to understand why, on the physical and spiritual level, water is a good element to be focusing on now.  Partially, I want to do this because in the last two months, I’ve been tackling a lot of difficult topics surrounding “Druidry for the 21st century“, and I hope that this post will help offer some soothing and healing. But tied to the issues that I’ve been recently discussing, we have a host of environmental challenges with water: global warming causing ocean acidification and coral bleaching; huge dead zones and polluted rivers; acid mine drainage issues; and issues with draining aquifers are all problems that the earth is facing.  We also have a host of social problems surrounding water, like major floods or droughts, issues of water ownership and issues of the drinkability of water (such as the ongoing water saga in Flint MI or the protests by the Water Protectors to protect the land and drinking water sources).

 

Further, It seems that right now, the emotional water energy of the world is out of balance: people only feel and focus on their emotional reaction rather than critically analyze (air), tensions are heated, and social unrest is present.  I do not believe that there is any coincidence that as the waters of the world are under pressure and threat that we see this unbalanced water energy in our social sphere. As a druid, I understand the relationship of these things.  Water is life. When we abuse that water, that abuse unbalances the waters of the world and we, thus, are unbalanced as well.  Given these larger problems, I think its good to cultivate a positive and meaningful connection with balanced water energy.  This helps us have a buffer between all that unbalanced watery and emotional energy that is plaguing us, for one.  But also, deep water work can open up worlds and new insights to us.

 

Collecting the Sacred Waters

My very special vial of Iona water

My very special vial of Iona water

Some years ago, at the OBOD’s East Coast Gathering, I was gifted with a very special vial of water. Thea Worthington, the OBOD modron at the time, offered me the water  that she had brought from Iona, the Isle of Druids. I had never been to Iona or the UK (and I still haven’t been) and this sacred water, coming from my the land of my ancestors–and spiritual ancestors–was a very cherished gift. When I brought the water home and placed it in a glass vial, it was literally humming with energy. I began using it in my spiritual work in various ways; taking a single drop of it and adding it to local water to ‘charge’ that water, bringing it into my rituals and the rituals of our grove, and so forth. Soon after, I began collecting waters from sacred places that I was visiting–waters of the many sacred springs, lakes, rivers, and oceans. After this experience, and through closely working with these waters. Each time I would gather the water, I put it in a small glass dram vial, and gave it a label. If others were going to visit places I may never go, I asked them to bring me water back with them.  Thus, over a period of 6 years, my “water collection” has grown quite considerably! Further, I found that physically working with the waters led to many spiritual experiences and insights — and you can build a whole spiritual practice surrounding collecting, honoring, and working with sacred waters.

 

You might consider starting your own water collection and working with waters deeply.  I’ve learned a few things that can help you if you want to do this kind of work, which is the basis of the rest of the ritual and spiritual work outlined in this post.

 

A local sacred spring for water honoring and collection

A local sacred spring for water honoring and collection

Bring a vessel. First, when you are out and about, always take some kind of collection vessel with you.  If you are out locally, you can also use your water bottle to bring back some water at the end of a hike or from some other outing. I try to keep a vial with me in my crane bag and foraging bag; that way, I will always have the opportunity to collect some water. I also keep a spare vial or bottle in my car for other adventures.  That way, when the opportunity to gather some water comes up, I am able to take advantage of it!

 

Now, when you travel on a plane, you need some planning and forethought.  I like to put my sacred water in a simple spray bottle labeled “hairspray.”  I have never had customs or TSA give me trouble with this, as long as it is packed away in my quart ziplock bag or in a checked bag.  Tincture bottles can also be used for this purpose.

 

Collect water with sacred intent. Second, I think its important to collect water with sacred intent. You want to make an offering to the water in exchange for the water you are taking. I like to do something sonic or energetic for this.  I may offer a stone from my land, chant, or play my flute. I like to do something that can resonate with the water in some meaningful way. I also, by the way, will clean up any garbage at the site where I am collecting if there is any to be found.

 

Frankfort Mineral Springs - A great place to collect some water

Frankfort Mineral Springs – A great place to collect some water

Knowing where to collect. I think that most places are good places to collect water.  I like to think about it this way: even if the source where I am collecting water from is polluted, it is good to represent that water source.  That river or lake or whatever still has a spirit, still has live that is trying to live there.  I treat polluted water sources differently in my ritual work though, and I’ll explain that below.  So if you are going to do this practice, collect widely.

 

Enlist help. If you have friends or family who are traveling somewhere that you may never go, ask them to bring you back a bit of water.  You can also involve other druids by doing a water exchange or using water in your rituals–ask everyone to bring some water (see combined waters – group ritual)  below.

 

Label and store carefully.  I purchase clear 1 dram vials with a lid, and use those for my waters, which works really well.  I used corked glass bottles for a while, but they tend to dry up after a year or two; the plastic lids never dry out.  Pour your water you collected into the vial, then, seal it up tightly.  Taking some colored paper and a pen, make yourself some kind of little label.  I tie these onto my bottles, but I could just as easily tape the label on there with packing tape.  The rest of the water, if safe, I offer my plants or the land.  If not safe (due to pollution), I will usually send it down the sink with a thanks.

 

At this point, once you have some waters you’ve collected, you can start to work with them in really amazing ways!

 

Creating Your Sacred Water Shrine and Ritual of Coming-Together Waters

Once you have started a water collection, you can build a shrine and welcome each of the waters into your collection with a ritual. I will offer you the basics of the ritual, with the understanding that you can frame it how you like, in any tradition you like.

 

Find a place where you can have your water shrine.  It should NOT be a place that cats or kids can easily get to.  In fact, in both of my homes, I kept my water shrine on a counter or near my tub.  That’s where it is located currently; my art studio and sacred space has an attached bathroom, and the whole bathroom is dedicated to the theme of water, flow, and Awen. I have an Awen shrine in the bathroom focusing on flow and honoring water, and opposite side, I have my sacred waters shrine.   IF this isn’t an option for you, consider getting a nice decorative  box for your waters to serve as your shrine.  That or a high shelf might be an option to you.

 

One you have a place, you’ll want to think about how you are going to arrange your water vials.  I got a nice cut wood round, sanded it a bit, and used that–and it works great.

 

Now you are ready for the ceremony. There are two options: You can do this in a regular ritual space you use, or you can do it in the bathtub. The bathtub has one advantage–you can, immediately during the ceremony, connect with your sacred waters much more deeply when you are in water yourself.  If you don’t want to or are not able to do it in the tub, you can do that part of the ceremony later (it is offered below).  Before you begin, you will need your water shrine area prepared, all of your vials present, and you will need dropper and one empty vial or bowl for the ceremony.  Before the ceremony begins, fill the bowl with rain water, spring water, or melted snow from your local area (some form of pure water).

 

The Ceremony

 

My sacred water shrine, which currently may be in need of expansion!

My sacred water shrine, which currently may be in need of expansion!

Open up a sacred space in your usual manner.

 

Begin with thanks for the water.  Say some words in gratitude, play music, drum, dance, whatever you feel led to do.  Allow the emotion to flow through you.

 

Arrange the vials of water in front of you, however many you have. Pick the first vial up, and through the glass, sense the energy of the water. Focus on the water for a time, simply feeling its energy and remembering how you gathered it–what the day was like, where you were, where the water comes from. Then, focus and see if there are any messages, insights, feelings. Once you are done with the vial, offer thanks and place your vial on the shrine. Continue this process till all of the vials are placed.

 

Now, take your bowl and dropper. Bless the bowl however you see fit and then pick up each water again. Using your intuition, sense the water and if it should be used for spiritual purposes. If you get an affirmative, take 3 drops of the water from the vial and place it in the bowl.  I do not recommend that you include any waters that are polluted to your sacred combined waters.  For example, my sister traveled to India and brought back water from the Ganga river.  When I did this ceremony and welcomed the Ganga waters to my shrine, I had the very clear message that I was not to open the bottle or work with that water in any way beyond sending that river healing energy (the Ganga is the 6th most polluted river in the world, with over 600 miles of dead zones).

 

At the end of this ceremony, if you are already bathing, do the full bathing ceremony below. If not, you can close out your space and when you have an opportunity, do a full bathing ceremony if that ceremony speaks to you.

 

Each time you have a new water, you can use the above ceremony to add that water to the shrine.  Or, if you are doing a lot of collection, you can wait till you have a few vials to add and do them all at once.

 

After your ritual concludes, you have created a very powerful bowl of sacred water with many different water energies, what I call the “coming together” water.  Add this water to a vial and label it.  If there is any remaining water in your bowl, water your plants with it, or pour it on the earth to offer your blessing.  If your vial gets low, you can always add more waters (and treat this like a “mother” essence, infinately able to be added to and used).

 

Setting the stage with a water-based altar

Setting the stage with a water-based altar

Healing and Blessing Bathing Ritual

You can do this ritual, as I said above, as part of your shrine building and coming together water ritual, otherwise, you can do this anytime you feel led.  I find this ritual is particularly powerful for when I am having a hard time emotionally and my emotions (and thus water) is out of balance.  I also find this ritual useful for healing of all kinds.  This ritual is useful to cultivate the flow of Awen in your life. This ritual is best done in a bathtub, but not all people have access to bathtubs.  Thus, I give a shower variant at the end.

 

Now, I want to talk a little bit about what to do at the end of the ritual (before I offer instructions).  In the tradition of hoodoo and more broadly, from many folk magic traditions, a bathing ritual is complete only after a person has drip dried–that is, towelling off after the ritual literally “wipes away” the magic.  I think that drip dry option adds an additional layer to the ceremony.

 

Prepare your bathroom for sacred work. I prefer to do this ritual at night, and I use at least four large tapers to light my bathroom. This provides ample light and sets the right ambience. Burn some incense and do whatever else you’d like to set the stage. You can play some soft instrumental music for this ritual. Additionally, make sure you have your vial of coming together waters and a dropper bottle.

 

Open up your sacred space, then fill and enter your tub.  Have your vial with you. Holding the vial in  your hand, speak your sacred intent to the water (healing, creative flow, balancing, flexibility, etc).  Then, open up your vial and use your dropper to drop 3 water droplets into your tub.  Close the vial and then swish the water around.  Now, simply relax.  Meditate, journey, breathe deeply, listen to music–just allow that sacred water to work on you in various ways.

 

When you have allowed the sacred waters to do the work, thank the waters for their gifts and healing. Then, pull your drain and leave the tub. If at all possible, do not use a towel and allow yourself to drip dry.  Close out your sacred space.

 

 

The same altar, but in the day. What a difference!

The same altar, but in the day. What a difference!

Shower variant: Place the sacred waters in a bucket of warm water.  Take the water into the shower and using a sponge, sponge yourself all over.  Do everything else the same as described above.

 

 

I hope this has been a useful way for you to think about how to work in a sacred way with water as part of your druid or nature-based spiritual path.  I still have a lot more to share about these water practices, but, since this post is getting quite long, I’ll finish up next week. Next week, stay tuned for by offering you some other ceremonies and ways to use your combined waters and also how to do a “coming together” waters ritual in a grove/group setting.