Category Archives: Living in Harmony

Nature Mandalas for Inner Work, Rituals, and Blessings

A woman comes to a clearing in the recently burned forest with a basket of stones, sticks, nuts, and flowers.  She begins to sing, laugh, and dance as she creates a beautiful circle with the materials. As she weaves her healing magic, the design of the circle grows more complex, spiraling inward and outward.  She finishes her work and sits with it quietly for a time, before leaving it in place to do its own work.  A healing mandala has been made on that spot, to help the forest recover after a fire.

Nature mandalas can be used for a variety of inner work, healings, blessings and rituals and are a wonderful addition to a druid or natural spiritual practice. Nature mandalas are an intuitive magical and bardic arts practice that works with the connection of your own subconscious to the living earth.  You use materials that are local to you, in season, to create beautiful patterns with sacred intent.

On writing about mandalas, C. F. Jung, the esoteric psychologist, spoke of the benefits of creating mandalas as a way of seeing deeply into the psyche and allow for the cyclical process of self-development. Mandalas have been used in a variety of traditions, as he describes, primarily for inner spirit work—as the mandala is constructed, understanding, enlightenment, or healing may come. A mandala can be done in combination with other practices (ritual work, meditation, land healing and/or blessing) or they can be done on its own. Mandalas can also be done by anyone at any point in their practice, regardless of their ability to raise energy, visualize, or engage in any other advanced ritual techniques.

Creating a Nature Mandala

Space Selection. To create a mandala, select a flat space where you are able to lay out a pattern: a flat river bank or shore, a sandbar, a bare spot in the forest, a space in the lawn in your backyard, a dirt patch, a large stone, etc. Mandalas can be large or small and can be done in places where water can wash them away (a beach at low tied, the edge of a stream that will eventually flood, etc.), in the snow that will melt, etc.

Ephemeral nature. In fact, I would argue that their very ephemeral nature is part of that magic of the nature mandala: the mandala is created in the moment for a sacred purpose using materials local to the land.  After creation, it is left in the natural world, and nature’s processes will claim it again tomorrow.  As that claiming takes place, the mandala’s magic unfolds.

Massive ground mandala for ritual work at MAGUS 2018 (yellow and white cornmeal)

Massive ground mandala for ritual work at MAGUS 2018 (yellow and white cornmeal)

Design and Creation. In terms of the design of the mandala, many options are possible, some intentional and some intuitive.  There is no right or wrong way to create a mandala. You can create intuitive designs, setting your intention, putting yourself in a meditative place, and letting your subconscious guide you to create the mandala. If you are going to do this approach, I suggest before you begin, spending time communing with the land. Walking with the land, hearing the voices of the spirits in the wind, in your inner mind, feeling the energies present. Attune with those, and when you feel connected and centered with this place, create. This approach allows you to connect with the land and bring forth a design that is unique to the land, to your interaction, and to the place. This can lead to some really amazing designs and experiences.  I really like creating intuitive mandalas. They don’t have to be circular, they can weave around existing material in the landscape. They can be full of nature’s patterns: spirals, leaves, waves, circles, and more.  You can make mandalas to fit a landscape and space of any size or composition. Go in without a plan.  Connect to the world around you.  Just start laying things in a pattern. See what unfolds.  Smile, dance, and be happy.  Breathe.

On the intentional side,  Jung noted that many mandalas in other cultures unfolded in a circular four-fold pattern, tying to the four elements and other four-fold patterns in the universe. While we see a four-fold pattern in nature (in the flowers of a dogwood tree or in the small flowers in the arugula plant), this is only one possible pattern nature provides. The flowers of apples and hawthorns show us a five-fold pattern, the shell of a snail shows us a spiral pattern, and the flower of a trillium shows us a three-fold pattern. These and many other patterns can be used for inspiration. For more on nature’s patterns, see this post.

The alternative is to plan it out. I would suggest planning only if you are doing it with a group as part of a larger ritual or practice and/or if you are creating mandalas that will be of a more permanent nature. Planning your mandala can include sketching it in advance, planning out and gathering your materials, and preparing the space. The photo here is of a magical mandala that we created for a ley line ritual at the MAGUS Gathering in 2018. This was obviously intentionally planned in advance so that we could have it at the start of our ritual.

Mandalas and other Spiritual Work.  The act of mandala creation is a ritual in and of itself–but you also might want to use it in combination with other practices.  For example, you can use it as an anchor point for other ritual activity in this chapter, creating a mandala around a sacred space that you can sit in, meditate in, do other kinds of ritual in, or even, leave magical tools for further empowerment in.  I like to create mandalas as part of rituals; I use the mandala creation as a way of beginning my ritual work before moving into a formal ritual.  Or, you can simply be present with it for a time, spend a quiet moment in meditation, and then let it be, knowing that work continues on nature’s time.

Possibilities for Nature Mandalas

There are so many possibilities for working with Nature Mandalas.  I offer some suggestions for different ways you can create mandalas.

Nature Mandala with sticks, shells, stones, and other things. Begin gathering the materials for the mandala, using your intuition. A basket here also helps! As you gather, be careful not to disrupt the ecosystem (e.g. use fallen sticks, leaves, small stones, leave big stones where they are). When you have gathered your materials, begin to organize them in some circular or spiral fashion. There is no right or wrong way, just flow with the spirits of the land.  With each piece of the mandala, you can set intentions for the healing of the land (e.g. “this leaf represents the new growth of spring. This stone represents the health of the insect life” and so forth).

Fall Leaf Mandala. A very beautiful mandala can be created using fall leaves.  Just as they fall, gather them, and weave them into patterns to celebrate the autumn and the sacredness of this time.

Snow mandala in a sacred grove

Snow mandala in a sacred grove

Nature mandala with snow. If you are in an area with snowfall and laying snow, the better approach is to weave your mandala into the snow itself. To do this, simply close your eyes and visualize the shape you want your mandala to take—or just start walking. You can use a big open area or you can use a wooded area where you work the trees, stones, and other natural features into your design. Walk your mandala each day the snow is present, if possible, to leave lasting healing on the landscape.

Nature mandala with sand or soil. Another option for a nature mandala is in the sand or bare soil. You might use a stick to trace patterns, adding stones or shells. You might use your feet to trace to walk a larger path of the mandala. Mandalas on the shore, placed at the low tide line, will be taken by the sea, and thus, can be used as a blessing for the oceans. Mandalas placed higher on the shore can bless the land around them. Mandalas on the edges of river banks can be done in a similar manner, as rivers flood.

Hickory, Maple, Aster, Hawthorn, and Poke mandala on moss

Flour or Cornmeal Mandala. You can create a mandala by using flour or cornmeal (and cornmeal comes in several colors). To do this, you will want some kind of vessel that makes it easy to pour a little bit out at once–a commercial dressing container with a larger opening, a gallon jug (use a funnel to get it in there) or even a water pitcher can all work as a basic tool. For this kind of mandala, it is best to have a sand or dirt surface. I often make these in our sacred grove; in the fall months, I rake up the leaves and then work with the bare surface to weave patterns of cornmeal, leaves, and patterns. As fall turns to winter and the snows come, I work with the snow in the grove instead, continuing to layer energies in that sacred space.

Stone mandala. A more permanent option is to create a mandala with stones, leaving it somewhere to simply “be”. I would suggest this only at sites that have already had major disruption, as you do not want to disrupt the ecosystem itself by moving stones.

One last point about the different kinds of mandalas—make sure that in your mandala creating, you don’t disrupt the natural world.  Stones of any size are often home to insects and other life and removing them can disrupt the ecosystem. Don’t remove large stones or remove them from rivers, etc. Pick up and use things that are already ephemeral: small stones that are moved by the river or waves, nuts, sticks, leaves.

Some examples

I’ll offer a few examples of the different ways I’ve used mandalas in my practice recently.  These examples are meant to help spark your own creativity and ideas!

Acorn Mandala to Honor the Oak

Acorn Mandala to Honor the Oak

The first example is an offering mandala. I made this mandala after creating acorn pancakes on the fall equinox from the acorns being dropped from our ancient oak tree. It is this tree that  I have been working with my Tree for a Year practice, and it’s this tree that I’ve made acorn ink from, and now, the acorn pancakes. As part of an offering practice, I wanted to offer gratitude to this oak.

Grove Mandala

Grove Mandala

The second example was another recent mandala, this one with the purpose of preparing a magical space.  I have been drawn to a particular section of our sacred grove for a while (a Norway spruce tree with a large stone underneath, and a hickory nearby) and had a vision of some visionary and magical work to do there in the coming months.  As part of this, I raked and cleared a small section and made a flour and leaf mandala as saying “hello” to the space and honoring it.  I decided on a flour mandala because I had found some flour infested by flour moths, so I wanted to make good use of it but get it out of the kitchen! Plus, flour mandalas look great against bare earth! The purpose of this mandala was honoring this sacred space and beginning to lay energetic patterns for future ritual work.

Grimalkin cat walks through the leaf mandala!

The final example is one I did simply to bring peace and calm. As the leaves were falling, I simply went out and worked with them, making patterns, and working to provide calm and healing.  And it worked!

I hope that this post has offered you some inspiration.  I would love to see any mandalas that you create!  Please consider sharing them here and/or tagging me on Instagram (@druidsgardenart).  Blessings upon your journey!

Ode to the Oak: Acorn Harvesting, Preparation, Acorn Breads, and More!

Honoring the oak

With the cooler temperatures of September and October, the abundance of the Oaks come forth.  In my area, we have abundant oaks of a variety of species: white oak, chestnut oak, eastern red oak, swamp oak, and much more.  Each of these oaks, every 2-3 years, produces an amazing crop of nuts that simply drop at your feet. Acorn was once a staple food crop of many different peoples around the world–and in some places, it still is.  Here in North America, acorns and chestnuts were primary food sources for native American people. Cultures subsided–and thrived–on annual acorn harvests and the bread, cakes, grits, and other foods that can be made with processed acorns.  I really enjoy processing acorns and using them as ritual foods for both the fall equinox and Samhain.

Thus, in this post, we’ll explore the magic of the acorn, how to process acorns (through several methods), and a few recipes that you can use to create special foods from acorn flour. Because a small amount of acorn flour takes quite a bit of time and effort, I see it as a “special” food that can be integrated into feasts, celebrations, and more. I prefer to create enough acorn meal to enjoy for a ritual meal for both the Fall Equinox and Samhain.

Healing Harvests and the Sacredness of the Oak

Almost anywhere you live in the world, you are likely to be able to find one or more species of oak tree. Most areas of the world have some oak (Quercus) species, here in North America, we have over 50 varieties that vary quite considerably across bio-regions. The sacredness of the oak has been known across cultures and peoples–for more on the magic and medicine of the oak tree, you can see this post.  ALike most other hardwood nut trees (hickory, walnut, butternut), oaks are relatively slow-growing and long-lived; white oaks (Quercus alba) can live 600 years or more. Given the beauty and majesty of oaks, it is certainly not surprising that the ancient druids revered the oak, and the term druid literally means “oak knowledge.” Within the druid traditions, oaks are tied to wisdom, knowledge, strength, power, and grounding.  By harvesting the oak and learning to work with the acorns, you can deepen both your connection to this wonderful tree, rediscover a fantastic food source, and honor the ancestral traditions of many cultures and peoples.

Rich finished acorn flour!

A single well-established oak tree can drop 500-2000 lbs of acorns in a single year (according to the delightful Acorn and EatEm book from the 1970s), depending on the size of the tree, the size of the acorn, and the variety.  It happens to be a mast year here and a single 300+-year-old Eastern Red Oak here on our property is dropping many more acorns than I–or any squirrel population–can harvest and eat. The oak has dropped acorns for the last month, and they are covering the ground so much that you can’t even walk without crunching them under your feet (even after I’ve harvested about 40 lbs to process).  It’s incredible to see how much bounty can come from just one tree that produces year after year and offer. And as a perennial, you don’t have to maintain a field or garden bed, plant seeds, or tend crops. All you have to do is harvest and process the acorns (which still takes some work) and you have a wonderful and magical food source.

Mast Years and Abundance

Harvesting Acorns with Goose Helper

One of the important things to understand about acorns and harvests is understanding that oaks do not produce equal numbers of acorns each year.  Every 3 years, oaks have a very large harvest, called a “mast” year.  This is an evolutionary adaptation–if oaks produced huge harvests of acorns each year, the rodent population would get out of control and all of the acorns would be eaten.  By having a mast year every 3 years, squirrels and chipmunks will harvest many, bury and forget many, and eat quite a bit.  Typically, all of the nut-bearing trees (oaks, chestnuts, hickories, butternuts, walnuts) will produce mast in the same year in a local area, so it is likely you will have years of plenty and years where there aren’t that many to collect.

On Slow Time and Cracking Nuts

Before we get into the process of actually harvesting and preparing acorns, I want to provide an overview of this process and a discussion of time.  Acorn processing is not fast. You should not be rushed or in a hurry. This is a deep practice where you invest a lot of time and energy to learn more about the oak and cultivate a relationship with the oak. This is slow food and this is slow time.  This is honoring and deepening our practice, learning the oak in a deep way, and taking time to simply be part of the experience.

The basic process is this: gather acorns, crack the acorns and shell them, loosely chop them up, remove the tannins from them, grind them into flour (or keep them as grits) and cook.  From start to finish, you are looking at anywhere from 1/2 a day to several weeks, depending on the leaching method you used.

Beautiful nutmeats shelled and ready to process

I did some calculations on one of my recent harvests to help share the time it takes so you can be prepared.  I am working primarily with Eastern Red Oak acorns, which are medium-sized acorns with a high fat and tannin content (which means longer shelling time and longer leaching time).  It took me 2 hours to gather 2.5 gallons of acorns, doing minimal checking, and sorting.  It took 30 minutes to sort bad nuts which left me with 2 gallons of acorns. Cracking and shelling represents the largest expenditure of time: 4 hours for 2 gallons of nuts, using a nutcracker (I would budget 5-6 hours for this if you did not have a nutcracker).  Cracking my nuts with the Davebilt Nut Cracker took only 20 minutes (which included setting up the nutcracker, wiping it down, cracking the acorns, and putting the nutcracker away). Investing in a nutcracker like this, even with some friends, is a really good idea if you are going to be doing this every year or processing more than a gallon of acorns.  Shelling is by far the most tedious process, this took me 2 hours to shell two gallons.  Leaching can go anywhere from several hours to several weeks, but a lot of that is waiting time, but I’ll budget 15 minutes a day to cold leeching methods.  Grinding your acorns will depend on your method.  I am using a small hand grinder (a Victorio VKP1024 hand crank grain mill), which takes about 10 minutes per cup to process (I grind them as I use them to preserve freshness).

So, all in all, the actual work time to gather and process 2 gallons of acorns is about 7-9 hours.  Two gallons of acorns resulted in 7 cups of dried flour (which is a sizable amount to work with). This represents the actual physical expenditure of time, spread across however long you are leeching the acorns.  If I was working with larger acorns with less tannin, the time would be less.

While this may seem like a lot of time,  remember that the acorns are abundant, a gift from the land, and creating acorn flour is a kind of extended conversation and communion with the oaks. Through this process, you are not only learning more about the acorns, but you are developing a deeper relationship with the oak and bringing that oak energy into your life.  Acorns are a gift from the land; you only have to gather them and process them.  You don’t have to sow them, till the soil, water, or anything else.  So while the processing time at the end of the season is considerable, it is all at once, and you are getting as many acorns as you want for free.

Gathering and Sorting: Weevils and Bad Nuts

Sorting nuts with Holly bird helping!

Harvest Timing. The best time to harvest is when you see green acorns covering the ground and when they are dropping from trees. Usually, for where I live (Western Pennsylvania, USA) this is the month or so around the Fall Equinox.  You can harvest them later in the season, even well into winter.  The nutmeats often dry out at that point but they are still good and are easy to crack.

Weevils and bad nuts. When you go to gather, it is important to know the difference between a good acorn and one that may contain a weevil or be rotten. Thus, before you put the acorns in your lovely forest basket, do a quick check for signs that a weevil might be present.  You’ll see this either as a large exit hole (the acorn weevil already left) or as a mark on the acorn that appears someone went into it earlier (usually a small black dot, looking like someone marked it with a black pen).  Leave any acorns with a weevil in the forest.  You can also look for other signs that the acorn may not be healthy–if it doesn’t have a whole shell, mold or discoloration, etc.  Acorns usually drop from the tree green and then turn brown, so you may see acorns in different phases of green and brown, and that is natural.

After you come back home, I recommend letting the acorns sit for 7-10 days.  This will make them easier to shell and allow any weevils you missed to come out.  I try to set up my acorns so the weevils can crawl and enter the ground on their own. If you have acorns in a box lid, the weevils won’t be able to get to the ground and die.  In that case, I feed them to my chickens.

You don’t have to wait–you can crack them and use them fresh. Expect to see some weevils still in the acorns as you work.

Sorting your acorns.  After you’ve let them rest (or not), you can do one final sort of your acorns.  I like to just lay the acorns out on a blanket and look at each one.  If its too light, discolored, or has a clear weevil hole, I return those to the land, and the rest I crack and shell.  For another method,  you can also use water to help you sort. Fill a bucket with water and put your acorns in the bucket.  Good nuts will sink (indicating that they have a good nutmeat) while bad nuts will float to the top.  You can also lay them out on a blanket and let your goose helpers sort for you.  An alternative to all of this is just to lay out your acorns somewhere and wait for the weevils to come out–they usually emerge within 3-7 days of an acorn dropping to the ground.

Cracking and Shelling Your Acorns

Processing acorns is mindful work–it requires patience and, preferably, some friends to sit around and do it while you all talk.  Most natural food preparation is similar–we have to invest the time to get the rewards of unique and wonderful foods. An evening cracking and shelling acorns will be richly rewarding, indeed!

Shelling 2 gallons of cracked nuts, oh my!

Cracking and shelling acorns is an art form.  You will find that different acorns may require different methods–some are very easy to crack and shell, while others can be tricky.  For my Northern Red Oak acorns, I prefer to let them dry in the sun for about two weeks (allowing any weevils I missed to emerge) and then sort them once more before cracking.  If they have dried for 2 weeks, they are more likely to shell more easily than if they are fresh from the tree.  What I suggest is try shelling some of your acorns green and others a little later and see what works for your specific variety.

Hand cracking.  For a long time, I used a method described by Sam Thayer in his Forager’s Harvest book. This involved lining acorns up on a hard surface and using a wooden round post to crack them in a line.  It worked quite well.  If your acorns are very fresh and the skins aren’t too thick, you can also cut them open with a knife.  I am way too much of a klutz to use this “cutting” method but it may work for you.  A mallet also can work (I prefer a wooden

What good dried or partially dried nutmeats look like – good color, no holes or discoloration

mallet to a metal hammer)  For Northern Red Oak, you can stand them up on the end and then use a light tap with a wooden mallet to crack them open.   As I mentioned above, my current cracking method of choice is a Davebilt nutcracker.  It is a fabulous tool and cuts several hours out of cracking.  I would only invest in something like this after you’ve committed to a yearly acorn practice and planned on doing larger amounts of acorns.

Once your acorns are cracked, it is time to shell them.  If you have a nutpick, this is ideal.  Any metal tool that can help you dig into the shell and pull out the nutmeat is useful here.  I strongly recommend you use a dull tool or you will invariably stab yourself.  As you shell your acorns, pay attention to how the nutmeats look–you want nutmeats that are white or cream-colored (when fresh) and intact and light brown (when dried).  If you see nutmeats that are wormy, black or dark gray in color–those aren’t good and you want to return those to the land.

Leaching the Tannins

Oaks and acorns have something called “tannic acid”; this is what makes the acorns bitter and makes your mouth pucker when you eat them. Obviously, to make acorn treats, you’ll have to remove the tannic acid or they won’t be palatable. Native Americans would place them in a stream with running water. Today, most of us simply leech them using water and jars or on the stove.  I’ll share several methods here that have worked for me.

If you are working with fresh acorns, you can proceed right to chopping them up.  If you are working with dried acorns or even those that are partially dried, I suggest soaking them overnight before proceeding.

Soaking overnight

After pulling out the nutmeats, I sent them through my food processor to get a rough chop.  You can also do this by hand but it would take a while (i’d probably do it dried in a mortar and pestle if I was doing it by hand).  To use the food processor, put a handful of nuts in your processor and then add water.  Process till they are finely chopped.  You’ll notice that the water is quite milky.  This is a good thing: that’s the acorn starch (which can also be saved).

Milky acorn mash in the food processor

Pour off the acorn starch and put it in your fridge.  In a few hours, it will settle in the jars.  You will leach this just like the rest of your acorns.  Acorn starch is a thickener and can be used just like cornstarch.  What you are left with are chopped up “acorn grits” which then you work to leach to create a palatable and delicious food.

Acorn starch ready to put in the fridge

Acorn starch after 4 hours of sitting in the fridge. Notice the dark color of the water? That’s the high tannins!

Chopping up the acorns to make acorn grits is important.  If you try to leach your acorns whole, they will take a really, really long time.  The grits are large enough not to go through a strainer but small enough that they have maximum surface area to be exposed to the water.

Now you have a choice of how to leach: cold water leeching, warm water leaching, or hot water leaching. Cold water leaching is the longest (7-14 days) but lets you have the lightest colored flour and also preserves more of the flavor of the acorn. Hot water leaching boils off a lot of the fat and taste and the acorns turn very dark but it can be accomplished in only a few hours.  Warm water leaching is a middle ground, also resulting in darker colored acorns but with more flavor than a hot leach.

For cold water leaching, you will pour off your starch and then add nutmeats to large jars and/or buckets.  They will need to be kept cool.  If you have a basement or cool porch, that will be fine, but if not, you will need to keep them in the fridge.  Twice a day, you want to pour off the water and add fresh water.  As you do this, the water will slowly leach the tannins from the acorns.  For high tannin acorns, this can take 7-10 days.  (The tannic water from early batches can be saved and used on sunburns or for tanning hides!).

A tip I want to share here is this–when you strain, you want to use some kind of fine mesh strainer so you don’t lose any of your acorn grits.  A real time saver for the acorn grits is to use large sprouting jars that have a built-in metal strainer.  You can also get cheap sprouting lids to go on a regular mason jar. This will allow you to easily drain the tannin water and add fresh without hassle.  For leaching acorn starch, you just have to carefully pour and not stir it up between water changes.  Your starch will leech much faster than your grits; you will know either is done by taste as well as the water staying clear.  The darker the water, the more tannins are present still.

Cold water leaching of starch and acorn grits–this is day 1 of the leaching process, so the colors are dark after being in the fridge for 12 hours

For warm water leaching, pour off your starch and save it.  Add nutmeats to a good pan that will not singe (I used my cast iron dutch oven).  Put it on warm on your stove.  Pour off the water twice a day.  My acorns took about 5 days with this method.  You could also use a crockpot on a low setting or even do these on a woodburning stove.

For hot water leaching.  Pour off your starch and save it.  Add nutmeats to a pan and then bring to a light boil.  Boil for 30 min, then pour off the water into a very fine strainer and keep boiling.  Do this for a few hours, changing the water every 30 min, until the acorns taste good. My Northern Red Oak acorns take about 3 hours with this method.

Dried acorn grits with tannins leeched!

Toilet tank method. A final method that you can use is the toilet tank method.  I was very excited about this method till I learned that the tannic acid can seriously degrade the inner parts of your toilet if you do it too often.  The basic process is to pour off the starch, then add acorn grits to a nut milk bag and then let them sit in the clean tank of your toilet.  Each time you flush, you flush the tannins away and add fresh water.  It’s similar in timing to a cold leech method. Try it and see if it works for you!

As you are doing any leaching method, keep tasting your nutmeats.  Eventually, they will taste good and not bitter, and that’s when you know they are done.  You want all of the bitterness to be removed–even a little bitter can make recipes less satisfying.

White oaks have the least amount of tannins and are almost edible right off the tree.  Red oaks (of many varieties, with the points on the leaves) typically have more tannins and take longer.  In my bioregion, Chestnut Oaks are ideal, as the nuts are really large and require less work to get more acorn meal.

Making Acorn Flour

You now have good tasting “acorn grits” which can be used immediately or dried for later use.  If you want to create flour, you will need to do another step.  For milling your flour, you want dried grits.  I put mine in the dehydrator for an evening on a piece of parchment and by morning, they are dry.  The grits can then be frozen for later use or ground up.  I prefer to do my grinding just before I use the flour, as it preserves the taste better.

Milling flour prior to making pancakes on the equinox morning

Using a small grain mill, send your dried grits through.  You can also use a mortar and pestle at this stage to grind them up into flour.

Acorn Recipes

And so, after all this preparation, you have an *incredibly* sacred food that you can enjoy!   Here are two great recipes you can use that start with 1 cup of acorn flour.  You can use only acorn flour in these recipes, however, since its so rare and hard to produce, I find its better to cut it with regular flour–the delicious color and flavor of the acorns will still come through!

Acorn bread

Acorn bread

Sacred Acorn Bread

  • 1 cup acorn flour
  • 1 cup flour (white, wheat, or GF- I use organic bread flour)
  • 1/2 teaspoon salt
  • 1.5 tablespoons of  baking powder
  • 1 eggs (I use duck eggs)
  • 1 cups milk (you can use rice or soy if you prefer)
  • 3 tablespoons  sweetener (I use maple syrup, you can also use sugar or honey)
  • 3 tablespoons oil or butter

This recipe makes one loaf (you can double it to make two!)

Preheat your oven to 400 degrees. Grease a loaf/bread pan.  Mix your dry ingredients and wet ingredients separately, then mix them together, just enough to integrate. The batter will be thick and a bit lumpy–that’s ok.  Pour your batter into the pan and place in the oven.  Bake for 30-40 minutes, till a knife or toothpick inserted into the center comes out clean.  Pull out of the oven, remove from the bread pan, and then let cool for 10-15 minutes before eating.  The bread will keep for a week in the fridge or can be frozen.

Making acorn cakes

Acorn Pancakes

  • 1 cup acorn flour
  • 1 cup flour (white, wheat, or GF)
  • 1 teaspoon salt
  • 2 teaspoons baking powder
  • 2 eggs (I use duck eggs)
  • 1/4 cup of oil or better
  • 2 cups milk
  • 1/3 cup sweetener (I use maple syrup, you can also use sugar or honey)

This recipe makes about 12 pancakes.

Combine all dry ingredients then add wet ingredients slowly and stir till mixed. The batter should be smooth and pour well into the griddle.  If it’s too thick, add more milk. If it’s too runny, add a little more flour.  Prepare a griddle, allowing it to heat up.  Check your heat by putting a tiny bit of batter on the griddle and seeing how it does and then adjust your heat accordingly.  Lightly oil your griddle (butter, olive oil, bacon grease) and then pour out pancakes using a 1/2 cup measuring cup.  Cook on one side for 2-3 minutes, until you see bubbles rising through.  Flip and cook another 1-2 minutes.  Serve hot with fresh jam, maple syrup, and butter.  You can freeze the leftovers.

Delicious and slightly purple pancakes!

Gratitude and reciprocation

Part of the reason that I believe that the nut-bearing trees, including the mighty oak, have had

Thank you, sacred oak!

such a sacred place in human history has to do with this beautiful relationship between the near un-ending abundance they provide and the gratitude that people offered in return. As part of my fall equinox celebration, I make sure to take some time not only to eat of the fruit of the oak tree (through cakes and breads) but also, to offer something back.  I go to the base of the large oak and offer an acorn cake, build a shrine, and play some music.  And during the year, I visit frequently with the oak tree, spending time, communing, engaged in tree for a year work.  These kinds of reciprocal practices are as important as the technical skill of learning how to make food from acorns–they are the practices that allow you to deepen your relationship with all aspects of the living earth and engage in reciprocity.

Creating Individual or Small Group Rituals: A Step by Step Guide

Rituals are not just an important part not just of druidry or of nature-based spirituality, but of human life in general.  According to leading scholar Catherine Bell in her book Ritual: Perspectives and Dimensions, human beings have been involved in rituals for as long as we have recorded history—and likely well before. Rituals use meaningful symbols, movement, actions, repeated forms and staging to help us step out of our normal time with conscious and sacred intention. While many rituals may have spiritual or religious significance, rituals can also be cultural (graduation ceremonies) or personal.

Sacred Mandala as part of our MAGUS 2018 Ritual

Sacred Mandala as part of our MAGUS 2018 Ritual

A few weeks ago, I hosted a ritual creation workshop as part of AODA’s online workshop series as a lot of people want to start to create their own rituals.  In this post, I’m going to offer the framework I shared at the workshop to help you think through how to create rituals, the considerations for creating rituals, and so on.  In this post, I’m drawing upon the work of Catherine Bell and John Michael Greer as well as my own experiences in writing many, many rituals over the years: personal rituals, rituals for two different druid groves, and rituals for multiple large gatherings (here are a few examples: Hemlock Galdr, Ley Line Ritual, Water Healing Ritual, and a Grief Ritual.  I’m mostly sticking to personal and small group rituals in today’s discussion and assuming you want to plan in advance, for my take collaborative ritual creation without scripts, you can see this post.

Rituals can help us connect with ourselves, connect with the living earth, raise and direct energy, celebrate or mark an event, and much more. All human cultures have some forms of ritual, although what that looks like and how it manifests varies quite widely (for a fascinating look into ritual, I suggest Catherine Bell’s Ritual book, which offers an anthropological introduction to rituals in human cultures).  In the druid tradition, particularly revival Druidry, we often do rituals for a wide variety of purposes. These may include any of the following (and I’m sure there are some categories I am missing):

  • Celebrating and marking the seasonal holidays (solstices, equinoxes, cross-quarter days, new moons, full moons, etc)
  • Raising energy for land healing, blessing, and honoring the land
  • Raising energy for personal work
  • Opening up sacred space for meditation, bardic creation, or sacred communion with the land
  • Seeking assistance or guidance
  • Lowering energy for a variety of reasons (removal of sickness, shadow work, land healing/palliative care work)
  • Gratitude practices, which are so important I put them in their own category

A Ritual Creation Framework

In what follows, I’ll walk you through step by step how you can go about creating rituals for yourself or for others.

Step 1: Intention

What is it that you want to accomplish? What is your intention for the work? Start by answering these questions, as your goal or purpose for the ritual will determine to a large extent what you do and how you do it.  There are many goals when you seek to create a ritual and you may have more than one in mind for the ritual you will create.  For example, you might want to do a blessing for a local park or celebrate a seasonal holiday in a way that is local and resonant with you.

Step 2: Framework

All traditions have some framework or structure in which their tradition understands sources of power as well as helps categorize or interpret the world. Frameworks are often very closely aligned or the same as sources of energy (see step 4). Recognize that if you are using existing sacred space/grove/circle opening and closing rituals as part of the work you want to do, you already are given a framework from those opening and closing rituals, and you can skip this step.  For example, AODA’s opening and closing rituals, you will already have a source of energy and framework: AODA’s seven-element framework, which will manifest for you in a specific way that you choose to call each.   Not all rituals will need to use full opening and closing rituals but if you plan on using them, keep this in mind.  It’s important to know if you want to use an existing grove opening/closing (and considerations there are discussed in Step 3).

A ritual altar at the fall equinox

Broader Druid frameworks:

  • Four elements: earth, air, fire, water (or 5, if you also want to use spirit); these elements have been with Western traditions for at least 2500 years, but likely much much longer
  • Earth / Sea / Sky framework from the Celtic tradition
  • Gwyar / Calas / Nyfre framework from the Druid revival
  • Four druid animals tied to the directions: Great bear (north), Hawk (east), Stag (south), Salmon (west)

AODA-specific frameworks:

  • AODA’s primary framework is the seven-element framework which includes Air, Fire, Water, Earth (classic elements) and Spirit Above/Spirit within/Spirit Below (three aspects of spirit)
  • An alternative way we think about the three aspects of spirit are three currents: Solar, Telluric, and Lunar

Something tied to your tradition: Many people meld more than one tradition into their spiritual path.  If this applies to you, you can draw upon any of the frameworks of your other tradition(s) to work.  This might include a deity, etc.

Something local or unique to you: Over time, you might develop your own framework. frameworks you develop or those that resonate with you and your practice.  For example, you might use a framework of four sacred mountains, sacred trees, animals, etc.

Step 3: Consideration of Marking/Opening/Closing sacred space and Formal/Informal Ritual

One consideration you will need to make is whether or not you want to do a formal grove opening and closing as part of your ritual.  When would you use a formal sacred space opening vs. not?

The first thing to understand is why we might use grove openings or closings at all: and there are at least three reasons. The first is psychological: we need to have some way of helping us mark the difference between sacred time/spiritual time and everyday life.  For people in the more dominant world religions, they often accomplish this by going to a physically separate location, wearing special clothing, and in many Christian traditions, opening up with song or prayer for example.  For people in the druid and neopagan traditions, we have very few buildings or anything else, and so doing a grove opening or circle opening is a way of helping us designate sacred time and space from mundane time and space. The second reason has to do with your own relationship and connection to the world of spirit and the tradition you are working in.  As Catherine Bell’s definition of ritual above suggests, it is the repetition of certain traditions that turn them into rituals embedded with deep meaning.  After years of doing the same grove opening and closing, it takes on symbolic and emotional meaning.  The more that you engage with these same ritual forms, the more effective they will have on you over time.  You build meaning as you engage with them and the imagery and energy will become part of you.  The third reason ties to the occult roots of many of these traditions.  We create sacred space, particularly if doing energetic or magical work because we need to protect that work from outside influences.  The world of spirit is not all light and love; there are many things out there that would grow attracted to the raising and directing of energy and come to meddle.  By setting a boundary between you and the world, you are better able to protect yourself from any undue external influence.  This is particularly important when you are raising and directing energy.

So with these reasons aside, the question becomes: when do you actually use a formal grove opening and closing?  The first is your intention and the work you set out to do.  I think a lot of this can be summarized in the difference between doing a formal ritual (which would include a sacred grove opening/closing) vs. an informal ritual, which would be shorter and likely more simple.  Formal rituals are reserved for celebrating the major holidays and also other “major” work you want to do where you are going to raise and direct energy, work magic, do major blessings, or do deep work on the self.  By contracts, informal rituals are more like your everyday practices or small things you do if you feel the need, often spontaneously. Short, everyday rituals that serve to celebrate, mark, offer gratitude, or honor rarely need a formal ritual.  For example, if you want to create a small ritual to open up your meals, you do not need to do a full grove ritual for that (otherwise, meals would get quite long).  But if you wanted to do a blessing for the whole growing season for your garden, a formal ritual would make more sense.

Context is a major factor here.  If you want to do any ritual work where you are going to be out in public or with others who do not follow your path, the opening of a formal sacred space may not be feasible. For example, if I wanted to do a quiet tree blessing in a park where there are other people, I would certainly not go through opening up a sacred space. But if I was going to do that same blessing in my private backyard, I likely would use the full grove opening because it would offer a bit extra power and help me get into the right frame of mind. What I might do, in the case of the tree blessing in a park is to do a blessing ritual in advance, where I would open a sacred space, and then embed that blessing into a stone.  I can then go to the park, leave the stone with the blessing, and say a few words or play some music.  The point is depending on where you are, the formal ritual may not make sense.

A final consideration here on levels of formality has to do with tools and ritual clothing: when do you use them and when do you not?  For more formal rituals, it is likely that you will also want to dress the part in ritual gear, use a full altar setup, and really get into the part.  For informal rituals, it’s likely you’ll use fewer (or no) tools and certainly won’t be dressing the part.  If you are going somewhere where the ritual is likely, you can always create a crane bag to take with you.  I have a lot of information on crane bags here or here.  Another option for travel is to create some kind of Altoid tin mini set or even grove stones that you can take with you (grove stones are described in the Druidry Handbook by John Michael Greer).

Step 4: Sources of Energy, Assistance, or Guidance

What often makes a ritual effective is to have a source of energy, assistance, or guidance that is outside of you that you can call upon as part of that work. This can be directly tied to your framework (Step 2) or can be separate from your framework.

Sources of energy

Not all rituals require sources of energy, assistance, or guidance, but anywhere you are trying to have an effect upon the world (e.g. blessing, healing) would require it.  For example, a simple honoring of the sun ceremony where a druid would go out and greet the sun each morning would not require a source of energy–other than the sun itself!  But, if you wanted to offer a blessing upon a journey, you’d want to send some energy that was not yours as part of that ceremony.

Why does this matter? We all have energy within us that we can call upon.  But we have only so much, and the more we pull from ourselves, the more we can deplete ourselves over time. Rituals are more impactful and meaningful if you draw upon sources of energy from outside of yourself that can lend strength, power, and additional layers of energy to your working.

Here are some common sources of energy you might draw upon:

  • From within you or the movement/music/activity, you generate
  • From your framework (3 druid elements, 4 elements, 7 elements, ogham trees, etc)
  • From sacred timing (solstices, equinoxes, full moon, new moon, etc)
  • From the natural world: rivers, mountains, plants, herbs, stones, trees
  • From connection to spirits or deity
  • From existing sacred spaces that you build and cultivate that hold energy over time

Sources of assistance or guidance

Some rituals seek assistance or guidance from outside sources.  This might be because you want to ask for advice about a new direction to take or ask for guidance for a particular challenge in your life.  Or you’d just like to request that spirit or deity have your back for the work you are doing.  Sources of guidance or assistance can often come in a few forms:

  •         Divination systems (Tarot, Runes, Ogham, Pendulum)
  •         Deity, Spirits, Guides
  •         Nature (specific nature or nature broadly)
  •         Subconscious or higher self

Obviously, if you are going to use any of these in a ritual, you’d want to think about how you will call in and honor this source of guidance or assistance.  For nature/diety/guides, I would certainly do this in a respectful way with gratitude and offerings. Even for your divination system, I think it’s a good idea not to just use the tool, but to really honor it.

Step 5: Methods You Can Use

Now we get to the many possible methods you can use to achieve your goals or intentions.    I’m going to list a lot of them here (this list is not exhaustive, but it is a good place to start) so you can have a variety of methods to work with.

Goose ritual helpers!

Setting up the ritual space. The ritual space that you choose to create is an important part of helping you prepare for the ritual.  Here are some considerations:

  • Is your ritual going to be outdoors or indoors?
  • Is your ritual going to take place in an established sacred space (the one you use often for rituals) or in a new setting?
  • What might help you set the stage for your ritual? Consider how you will decorate, use materials from the season, light candles and incense, set up an altar, and more.
  • Are you going to dress for the part?
  • Are you going to have a feast and/or offerings as part of your ritual? If so, what might that include?  (See Gratitude practices, below).
  • If you are including others, make sure you design a way for everyone to share or add to the space.  For example, last year, our grove did a great Samhain weekend and one of the things we did was built an ancestor altar on Friday evening.  We each brought one or more ancestral objects or photos and took time sharing.  That altar stayed with us all weekend.

I always take the time to set up the space for any formal rituals that I do.  To me, space is a very important part of the overall equation in developing a ritual that is impactful or meaningful.  It’s kind of like hosting a dinner party–you want the space to be just right, flowers on the table, and the house clean.  Hosting the same party with a dirty and messy house just doesn’t cut it.

Raising Energy Methods: Energy raising methods are used for healing, blessing, empowering, bardic arts creation, new journeys, and so much more.  Here are some methods to raise energy:

  •  Chanting (changing ogham words or Awen is a good choice).  Chanting magic is powerful and can be an excellent way to accomplish a number of goals and rituals.  I use ogham chanting regularly for a variety of purposes in my own practice.
  •  Dance and body movement.  Often, you see this method employed with more ecstatic rituals where people are encouraged to dance, drum, and move to raise energy for a specific purpose.  But there’s no reason you can’t do this on your own as well.
  •  Drumming / clapping / Noise.  Nothing like raising energy through some good noise making.  Drumming, clapping, hooting, and hollering all fall into this category.
  •  Visualization.  Visualization is a technique we use often in AODA, where you use your inner eyes to envision something–light radiating out into the world, rains falling, land healed and clean, etc.  Visualization is a very powerful way to employ the imagination for the work you are to do.
  •  Auditory/calling forth/Inviting in.  Words have power.  Stating your intentions and speaking of the work you are to do can certainly be effective.
  •  Use of herbs, plants, oils.  Drawing upon the inherent power and relationship you have with herbs, oils, or plants can be a very useful energy raising method.  I have found that the deeper your own relationship or connection is with the plant or herb, the more effective this practice is.

Lowering Energy / Removal Methods: Just as there is specific work to raise energy, there may also be times where you want to lower the energy or remove energy.  I use this technique fairly often in my land healing work dealing with palliative care, where very damaged lands that are suffering need rest and quietude.  Removal work is also common when you are doing self-development work and trying to let go of bad habits or things that harm you.

  •  Drumming down (starting fast and slowing the beat till it stops)
  •  Ritual burning (words, papers, herbs)
  •  Taking an object that is imbued with power and casting it off (such as into a body of water) or burying it
  •  Use of clearing or cleansing herbs, salts, or vinegar.  You can use fumitory herbs (e.g. smoke cleansing) or water cleansing with salt/vinegar to assist with this.

Gratitude Practices:  Another big part of the work of rituals is honoring and showing gratitude.  Traditionally, an offering was something that actually cost the person something: the fruits of your labor, the fruits of the first harvest, a portion of the food for the winter, etc.  I like to think about offerings in that way–they aren’t just symbolic but should somehow be meaningful and useful.  Here are a few methods you can consider for this work.

  •  Physical offerings (cakes, wine, herbal blend, incense).  While these might be considered an easy “go-to”, I really push back against offerings that are part of the capitalist system that is destroying the planet.  If you are going to offer physical offerings, they should be md
  •  Service offerings (cleaning up trash, planting trees, lifestyle changes).  In the 21st century given all of our challenges, I actually think these offerings are some of the best we can do.  If you are doing this in a ritual setting, what you might do is state the offering you have recently made or plan on making (e.g. I will be attending a tree planting in the park next week as part of my offering to the land for assistance in this ritual).
  • Bardic offerings (music, dance, chanting).  Bardic offerings are always welcome, particularly because they do not consume physical resources and can be made with sacred intent.
  • Bodily offerings (hair, liquid gold).  Sometimes you are out and doing spontaneous ritual and you don’t have anything to offer but what you have with you.  Hair is a traditional offering (particularly if you are ritually harvesting plants and wanting to give back).  I’ll also put in a plug for liquid gold (urine) which can be given at the base of trees (not directly on the plants) or roots.  That’s pure nitrogen.  Even your own carbon-rich breath can be offered.

Step 6: Solitary or Group

Before we get into putting the ritual together, you will obviously want to account for the participants in your ritual.  If it’s just you, move onto step 7.  If you will include others, I’ll briefly share some thoughts (writing good group ritual is an art in and of itself, and this post will be way too long if I included all the info on that, so I’ll cover it in the future at some point).  In the meantime, here are a few considerations for you:

Ritual smoke through the trees

  • If you are working with known others (say, part of a small grove), work with others to design the ritual so that they are invested if at all possible (even if it’s just to bring something to the ritual, like water from a local source).
  • Make everyone comfortable- some people like to participate and some people prefer to have an observer role; work to make sure everyone can fill a role they’d like to fill.  Even if people don’t have a formal part, invite them to engage in parts of the ritual like visualizing, interacting, etc.
  • Make it interactive – have everyone in the group doing something as part of the ritual.  It can be small, but meaningful.  The boring rituals are ones where you have to stand in a circle and listen to people talk and watch people move around for 30 min–create something that engages people in some way.
  • Give a memento – group rituals are more powerful when people have something to take away that is tied to the ritual in some way: a bit of sacred water, seeds, ribbons, you get the idea.  Takeaways build connections.
  • Make it meaningful – good ritual work should be meaningful and impactful, not empty.  Think about how you can make the moment meaningful for people who are participating.
  • Make sure people know what is going on.  If it makes sense, talk through the ritual in advance so everyone has a good idea of what will be happening during the ritual, the goals for the ritual, and not be lost.  When running Crescent Birch Grove in Michigan, we always made sure to have at least 30 min set aside before we started a grove ritual to talk through what we were doing and the work at hand, let people read over parts, and so forth

Step 7: Structure

Alright! It is now time to put your ritual together.  I’m going to share a few different possible structures that can help you.

Formal structures. Most formal rituals have a variation on a similar structure, which is as follows:

  • Opening the space:  After you set up your space prepare yourself, you can open up your sacred space/sacred grove.
  • Declaring intentions for the ceremony: Language that expresses what the ceremony is about and what you hope to do; this sets your intentions not only for you and any other participants but also for spirit/deity/powers of nature.
  • Engaging in the core ritual work: This varies widely and I’ll offer some options below
  • Closing the space in some way. Close out your sacred space/grove. Closing a grove helps you to transition back to everyday life (ritual can be unbalancing if you do not transition carefully).  Closings often return unused energy to the land and offer thanks.

The core ritual work obviously depends on your intention, but much of it follows a formula something like this:

  • Prayers, gratitude, or words about the intention of the ceremony
  • Raising energy
  • Directing energy
  • Giving thanks

There are a lot of variations on that theme, but a good 80% of the rituals that I’ve attended or written have some structure similar to the above.

Informal structures. Informal ritual structures dispense with anything on the formal opening and closing elements and just focus on the core work at hand.  They may include a simple prayer, meditation, breathwork, offering, and more.  They may still have small pieces to give you a moment to transition (such as the three deep breaths offered in the ogham wisdom chant).

Ogham Wisdom Chant.  This is a simple ritual that you can use immediately when you need it, even in the middle of your workday or daily life.

Intention: To offer wisdom, strength, and discernment in everyday life, available at a moment’s notice. Framework and Source of Energy: Ogham (Oak few, Duir, pronounced “Doo-er”)  Work: Raising energy for wisdom, strength, and discernment through chanting

The ritual:

Take three deep breaths.
Place hands across chest
Chant Oak Ogham Three Times: Duir, Duir, Duir
Take three deep breaths

Closing

While what I’ve offered above looks like a lot, after you have some practice writing rituals, it’s

likely you can dispense with the formal steps entirely and just do things intuitively.  But having steps like these can really help people as they are learning to write rituals know what to think about and how to think about it.  I’d love feedback on this framework: for those of you who are new, does this help you?  Please share what you end up creating!   For those of you who are experienced ritual writers, am I missing anything or is there anything you’d suggest differently?

Daily Rituals and Daily Spiritual Practices

In my time as an Archdruid and now Grand Archdruid in the Ancient Order of Druids in America (AODA), a set of questions I see often are questions surrounding the establishment of daily ritual or daily practice question. These are questions like: how do I figure out how to do something every day and actually stick to doing it?  How do I build daily rituals into my life? What are some daily rituals people do?  Why would I want to do daily practices?  Since these questions are so common, today’s post explores the idea of daily rituals and practices for druids:  I’ll share how to begin and some considerations and also share a number of examples of daily or regular practices that you can do to deepen our druid path.

Daily practice

Daily practice

The idea of a daily ritual is, of course, that you do something at the relatively same time every day and it becomes part of your daily routine.  We have tons of daily rituals that aren’t necessarily sacred, from feeding pets to sitting down for a meal to brushing teeth.  We may also have unconscious rituals, like laying in bed in the morning and reading a book or mindlessly looking at social media every time we pick up our phone.  Some of these rituals (brushing teeth) are obviously good for us while some (social media at the beginning and end of the day) may actually harm our mental health.

Daily rituals and practices within the context of spirituality can help us achieve some of our spiritual goals: attune with nature, offer us healing, improve our mental health, offer us grounding, and help us deepen our practice and our connection to core work.  Daily rituals that are established may help us when we have times of challenge or instability (hello, pandemic!) and offer support.  Daily rituals can also help us deepen our spiritual practices–you might think of daily rituals similar to how a musician practices scales.  The more we do our practices, the deeper we connect with them and the more they build both meaning and power over time.  One of the best things you can do is to find a way to engage in regular practices and ritual work, to provide some consistency and forward momentum to what you are doing.

Setting Ritual Goals and Examining Life Circumstances

What really helped me in establishing a daily ritual was to give the practice some serious thought and consideration before I began. I didn’t want to do daily rituals because someone else told me to do so.  I wanted to do daily rituals because I wanted them to enrich my life and offer grounding and connection.  Even if the daily rituals were recommended by a druid order or study program, I wanted to find the motivation intrinsically and be motivated not because I should do them but because I wanted to do them and saw a benefit.  These are the kinds of questions that you might find helpful in finding your own intrinsic motivation and discovering what you hope to gain from such a practice:

1. What do you want to accomplish with a daily ritual?  Articulating your goals will likely help you decide what practices might be appropriate.  Here are a few ideas for you:

  • Prayer or devotion
  • Connecting with nature
  • Improving mental health or clarity
  • Deepening spiritual practice
  • Staring the day in a positive / sacred way
  • Ending he day in a positive / sacred way
  • Preparing for sacred living
  • Preparing for sacred dreaming
  • Offering a daily commitment to your practice
  • Taking a quiet moment in an otherwise busy day
  • Simply feeling good

Come up with your own list of things you’d like to accomplish and go from there!

2. Does your tradition or order already offer a daily ritual or practice?  If so, this is a great place to start. Most traditions offer some kind of daily practice–a mediation, prayer, or energy working.  This connects you both to the tradition you are practicing and allows you to focus your practice in ways that are useful to continue to learn that tradition.

For example, in AODA we offer two daily practices and a weekly practice:  we encourage regular time in nature (at least 15 minutes each week) and we ask that all members perform a daily Sphere of Protection and also engage in meditation.  These three practices are at the heart of what we do and help strengthen one’s spiritual journey in AODA druidry, give connection to the order, and offer considerable spiritual benefit.  I always do these practices and have a few others I’ve added in over the years :).

3. How much time do you want to spend?  Do you have 5 minutes, 15 minutes or 30 minutes a day to spend?  My suggestion here is to have a basic practice that you can do regardless of whether you are in your normal routine, are traveling, have house guests, or whatever else it may be.  You can also have an extended practice one or two days a week.

Remember that you are in this for the long haul.  It is better to start small with something you can sustain rather than something that you will never be able to sustain long-term.  If you start small and have good results, you can always add more over time and feel good about your practice.  If you start big and can’t maintain what you are doing daily, it might make you feel bad and be a detriment to your spiritual growth.  Thus, small, slow steps are best.

For example, when I was doing a lot of work travel and often staying with others in various hotels, I tried a longer daily practice and found it difficult to maintain with the travel–and then it was harder to pick back up when I came home and my practices would fall off before I had to jump-start them again.  Since this happened with unerring frequency, I decided that I wanted a small daily practice that could be done in the bathroom at a hotel or while taking a walk in a city.  Thus, I kept it pretty basic (SOP, walking meditation, and some observation of nature), knowing that I could always do that practice regardless of what was happening in my day.  And I built in regular once-a-week larger practices that I could do when I had more time or was home.

4. What time of day is best for you?  Another factor here is to find a way to build your daily ritual into your routine at a time of day that works best.  For example, if you are exhausted at the end of the day and are non-functional for the last hour or so before bed, it’s probably not a good idea to try to meditate for 15 min because you’ll fall asleep (not that I have ANY experience with that, haha!).  A better option would be to build a daily meditation practice into your lunch break and/or morning routine.  If you are a busy mom and the only time you have is early mornings or when you take a bath, consider how you can build that in. You might have to test out a few things to see what works for you.

I will also note that some people are working in different traditions at the same time, and those traditions are not always energetically compatible (or it is too much to do it all together at once), so it may be necessary to split the practices.  If this is the case for you, you can do one set of practices in the morning and another in the evening.  For example, I also practice the Celtic Golden Dawn tradition, and I prefer to do those practices in the evening to compliment my AODA and druid practices in the morning.

5. Do you have existing routines that you could extend or daily practices that could be altered? Another way to think about building in daily spiritual practice is considering what you already do that is required and/or habituated and that you could extend into a daily spiritual practice.

For example, I am responsible for our morning animal/homesteading chores, which usually take about 30 minutes each day.  I have to do these chores rain or shine, snow or sun, because our animals need let out of their coops, fed, watered and tended.  This gives me a great opportunity to be outside and to take an additional 15 minutes a day to do my Sphere of Protection, drink a cup of tea, and do some light nature observation or meditation or a short walk on the land (pending weather).  This is what works for me now–what worked for me before I had such responsibilities was different, and thus, you should always recognize that if your routine changes, you may have to adapt to a new routine.

Testing and Habituation

So you’ve done the above and have developed a good plan for your daily ritual or practice–great!  The next thing you want to do is test it out.  Why?  Because what you have may not actually be workable, or only partially workable.  One of the things I see new druids do is use their enthusiasm and excitement to build in a ton of practices that they can’t necessarily sustain once that initial enthusiasm is over.  It is better to have a simple practice, 5 or 10 minutes a day, that you can commit to rather than an elaborate practice you can only manage to do once in a while. Thus, spending some time testing the practices to get the right timing, the right time, and the set of practices that work for your best is important.

I suggest trying out the practices for a few weeks or one lunar cycle.  Give yourself time to really dig into them and if they haven’t worked for you, try another set of practices until you find what does.  Developing daily work takes time and its important to give yourself time and be patient.

Daily walks in nature provide room for discovery

Daily walks in nature provide room for discovery

Once you are happy with the practice, then you want to work to habituate that practice. Habits are things we form that become something we simply do (often without thinking) and we almost never miss.  For most of us, brushing our teeth before bed is a good example of this kind of habit.  You don’t really think about it most times, you just go into the bathroom and do it.  Ideally, you can get to that level of habituation with your own daily practices–they are just something you always do and benefit you.  But that’s not where many of us start, and it takes a while to get into that rhythm for two reasons: first, habits take time to form (the 21 days is actually a myth, research shows that it can take anywhere from 15 – 200+ days to form a lasting habit depending on what it is and your own circumstances).

Another thing to realize here is that a major change in life circumstances may lead to a necessary change in your daily practices–and that’s totally ok.  A new home, new job, move somewhere new, new baby or family member, or any number of other things may require you to re-evaluate what you do, when you do it, and how long you do it for.  And that’s totally ok.  Always remember that these spiritual practices are for you.

Finally, be prepared to be flexible.  I like to take a morning walk on our land, but I might shift to a cup of tea on the porch if we are having a downpour.  Recognize that small variations in your daily ritual (depending on weather, if you are sick, etc) are also ok.  This practice is for you and only you.

Examples of Daily Rituals and Practices

There are so many good rituals that you can do.  I’m going to offer a few options for you to spark your own ideas.  Remember that daily rituals don’t have to be formal–they can be simply time spent in nature, a quiet cup of tea with the moon, anything that helps you with your own spiritual practice.

Daily Prayers and Altar Work.  Daily prayers and altar work are probably what most people think of when they think of daily ritual work. Your altar can be a center of your spiritual practice and tending it each day and spending time there can provide you a focus for everything else you do.  Consider any of the following:

  • Leaving a daily offering for spirit/deity/guides/etc.  I like to offer spring water as I can then offer it to a plant the next day (double offering for the win!)
  • Burning incense or lighting candles for a period of time
  • Doing daily divination or tarot card draw
  • Offering prayers or speaking affirmations (e.g. I always say the Druid’s Prayer and the Druid’s Prayer for peace in addition to a prayer that I wrote that reminds me and affirms my path as a land healer and being in service to the living earth)
  • Doing short meditations
  • Daily ritual work, like the Sphere of Protection, mentioned above.

Altar work will often evolve as you do in your spiritual journey or may change as circumstances require.

Greeting the Sun.  Whether you wake up at dawn or later in the day, it is a useful practice to greet and honor the sun (similar to the idea in Yoga of the Sun Salutation, many cultures have done this work in honor of the sun, the giver of light and warmth).  This greeting takes no more than a minute but is a powerful way of connecting you with the giver of life for our beautiful planet.  I like to do a simple greeting.  I face the east and put my arms in the air and simply feel the sun’s rays on me.  I observe the sun’s rays hitting the leaves and landscape. If its an overcast day, I still honor the sun and clouds/rains.  I raise my hands to the clouds facing east and thank the spirits for the rains.  After raising my hands, I bow my head and cross my arms in honor, and chant an “Awen” (Ah-oh-en) for inspiration for the day.

Greeting the sun!

Greeting the sun!

Communing with the Moon. The phases of the moon present another opportunity for daily ritual.  You can get or make a moon calendar (my moon calendar is wood burned and in the PA Dutch tradition).  While you can’t always see moonrise depending on the weather and time the moon rises, you can take an opportunity to acknowledge the moon.

For this, what I do is brew a cup of lunar tea (using lunar herbs like violet, mugwort, ginger, passionflower, clary sage, or hibiscus) and take my steaming cup of tea outside (unless it is really frigid, and then I’ll sit in a window instead).  I hold my cup of tea so that I can see the reflection of the moon in the tea, and wait a few minutes, feeling the connection between me, the moon.  Then I drink the tea, saving a bit in the bottom to pour on the earth as an offering.

Tree energy exchange. Go to an accessible larger tree (accessible as in you can easily get there). Place your back to the tree and allow the energy of the tree to flow through you (particularly if you are feeling tired or depleted). If you have an excess of nervous energy, place your front to the tree and allow it to subside.  (You can tie this to my “tree for a year” challenge from earlier this year!)

Mindful Eating and Honoring the Harvest. I like to build this daily ritual in for at least one meal to help connect me to the living earth and have gratitude for what the land provides.  Choose a meal where you can be alone or eat in silence (which may not be possible every day!)  Ideally, take this to a nice place where you can look out upon the land or be in the sun.  Place your hands over the meal and express your gratitude in your own words (I like to express gratitude to the land, to the farmers who grew it, and to anyone who prepared, packaged, or shipped it. If you grew it, even better!)  Now, really be present with this meal and dedicate yourself to simply being present and enjoying it.  Chew each bite and savor the taste.  Engage with your senses.  When you are finished, offer gratitude.

A winter view from my own druid's anchor spot

A winter view from my own druid’s anchor spot

Observation and a Druid’s Anchor Spot.  Another really great way to honor the changing of the seasons and to connect with nature is the practice of the Druid’s Anchor spot. I think this is one of the most powerful ways of attuning deeply with a local place.   More on the Druid’s Anchor Spot can be found in this post.

Daily Divination. Using an oracle, ogham, or tarot deck can offer you insight into your day, offer themes for meditation, and be an excellent way to really learn a divination system.  Doing a simple one-card or one stave daily draw is a nice way to start or end a day and can be combined with many other practices.

Candle Meditation. One of my favorite daily meditations is a simple candle meditation.  This meditation not only encourages calm and rest, but it also strengthens focus and cultivates inner vision (which is necessary for most advanced journey or shamanic work).  I like to do a candle meditation before I go to bed, sometimes burning some mugwort to encourage vivid dreaming.   A dark room is best for this practice.  Light a candle and place it before you.  Spent time staring at the candle, affixing how it looks firmly in your mind.  As you do this, quiet your breath and settle into a comfortable position.  After you are calm, close your eyes and keep the flame burning in your inner eye.  Breathe and focus on the flame.  If you lose your focus, simply open your eyes, affix the candle flame in your inner eye, and close them again.  Even five minutes of this practice a day will yield results.

 

In conclusion, I also want to remind you that in addition to daily work, you might have seasonal work that varies by the season–you can read all about that here.

Also, dear readers, I hope that you will share additional ideas for how to build daily rituals into your spiritual practice!

A Walk Through a Sacred Garden

View of some of our gardens at Lughnasadh!  Here you can see our main garden (on the left, annuals) and the meditation garden (on the right; smaller perennials). We also have other perennial patches we are cultivating on other parts of the property.  And of course, our wonderful greenhouse in the center!  Behind the greenhouse is a compost tumbler.  In front of the greenhouse, you can see our duck enclosure (more about that later).  Towards the back in the center, you can see our guinea/chicken enclosure and goose enclosure.  The compost area is off to the back left.

Today, we are taking a walk through the sacred gardens at the Druid’s Garden Homestead.  There are so many lessons to learn with a simple walk in a beautiful garden.  Today’s Lughnasadh garden walk reminds us of the power of nature to heal wounds, strengthen our spirits, and help us through challenging times.  For more on the creation of some of these gardens, please see the meditation garden with hugelkultur beds and creating our greenhouse from an old carport. You can also learn more about the principles behind this garden through sacred gardening principles as well as permaculture design. These principles are what we use to guide our decision making in the space.  With that said, let’s begin our walk….

The way I’ve written this article is that the main text in between the photos offer spiritual lessons, while the captions on the photos describe what you are seeing.  You might choose to read captions first, and then go back and read the main text.  It is a weaving of inner teachings with outer practices.

The mighty mullein, garden gaurdian, standing tall in the back of our vegetable garden!

The mighty mullein, garden guardian, standing tall in the back of our vegetable garden!  Mullein is a medicinal plant that can support the lungs (leaf) and also help address ear infections (flower).

Three sisters garden- corn, beans, and squash. We had trouble with corn germinating due to the drought.  Three sisters is an ancient technique used by the Native Americans to create balanced growth: the beans replace nitrogen in the soil, the corn supports the beans and squash, and all is abundant.

All gardens are always in the process of cycling and change. The cycle and progression of the season are constant.  Each season progresses through seed starting, planting, growth, harvest, and fallow times.  Gardening brings us powerfully back into the cycles and the seasons and reminds us to enjoy the moment, for the change is always afoot.  Plants bloom, they produce flowers and fruit, they go to seed, and they die or go fallow.  This cycle repeats again and again–both in the garden and in our own lives: times of new seeds being planted, times of growth, times of harvest, and times of passing on. Taking part in this in a sacred garden can help us have a deeper insight into these patterns and cycles in our own lives.

Upper garden beds just before the garlic harvest. Weeds got a little crazy this year, but the plants still grow!  We have alliums in our upper beds this year along with perennials: lemon balm, asparagus, strawberries, clove currant, and more.

Milkweed patch now well established in the meditation garden.  It took about three years for it to be this healthy and abundant–the caterpillars kept eating it to the ground. Milkweed is a fantastic edible plant with at least four different harvests–learn more about it here.  And of course, it is host to many butterfly and moth populations, including the endangered monarch butterfly.

While these larger cycles and seasons are always at work, each season is also uniquely different.  A single season is different than the year before, even if there are similarities and broader patterns. For example, this year, we’ve had one of the driest years on record (and two years ago, we had the wettest year on record) and are in a borderline drought.  From this, we learn adaptation, we learn how to grow with more heat and less water–it has been a hard summer.  We learn, for example, that certain plants thrive in this heat (sages, rosemary, monarda, mugwort) while others struggle (annual veggies, especially squash with broad leaves).  This is the nature of gardening now, with unpredictable weather patterns and climate change.  Just like other cycles we humans face–some of us struggle and some of us thrive, depending on the individual circumstances.  Seeing the land respond to this intense sun and heat has helped me respond to many intensities in my own life (and the lives of us globally at present). I learn to take on the quality of sage, basking in the seemingly eternal scorching heat and growing strong despite months with no rain. I learn to grow thick like monarda, to protect my roots with my leaves and flowers.  I learn to bask in the sun like rosemary, with small leaves that can withstand drought conditions. I learn the rest need a lot of water, and I am grateful for the spring that provides.  I learn to carry on.

A medicinal flower and herb polyculture in our meditation gardens: sunflower, poppy, feverfew, st. johns wort, pumpkin and tomato, zinnia, and probably some more!  Polycultures, made up of plants that grow in harmony, are beneficial to the land.  Most of these self seeded from last year and now the garden just flourishes.

Inside our greenhouse. You are looking at the back (north-facing wall) where we have a cob and stone heat sink wall to absorb heat during the day and relase it at night. The shelves hold our seedlings in the springtime. We have hot crops and long-season crops in here: this year, we have two gourds, our hardy fig, a number of white sages, tomatoes, and kale. Everything but the fig and Kale will come out in the fall, where we will plant late fall/winter crops.

Inside our greenhouse. You are looking at the back (north-facing wall) where we have a cob and stone passive heat sink wall.  This wall is most effective during spring, fall, and winter, where it absorbs heat during the day and releases it at night. The shelves hold our seedlings in the springtime and can store supplies in other times a year. We have hot crops and long-season crops in the greenhouse at present: this year, we have two gourds, our hardy fig, a number of white sages, tomatoes, and kale. Everything but the fig and Kale will come out in the fall, where we will plant late fall/winter crops.  I let the grass in the paths grow till late in the year, this will provide fresh greens for geese and our tortoise.

Another lesson as we walk through this amazing garden at Lughnasadh is the lesson of reciprocation. I write about this often because its a lesson that is lost to most in our present age. The sacred garden reminds us that we are always in a relationship, as equals, with the living earth.  We tend and honor the land, and the land provides our needs. We can cultivate this same kind of relationship with the garden: the soil web of life, reminding us of the interconnection with all beings.  With the seeds that I harvested from our spinach just this morning–the spinach died back leaving the seeds of hope for a new generation to be born, trusting that I will make sure those seeds are planted and tended. This sacred relationship is why, at Lughnasadh, a time of first harvest, we make offerings.  The philosophy is simple: an offering encourages reciprocal relationships rather than one rooted only in extracting resources.  While we tend and honor the garden, the garden tends and honors our spirits.

Our main garden with tomatoes, beans, potatoes, and chives.  We regularly rotate our annual beds and support the soil web with no-till gardening using sheet mulching. We have multiple supports for the tomatoes, which get heavy and like to fall over this time of year.  Beans are rotated in after the tomatoes to ensure nitrogen and other minerals are put back into the soil.  We top dress with compost each fall.

A walk through a sacred garden is perhaps best at Lughnasadh, at least here in our ecosystem in Western PA.  This seems to always be the time when the garden is at its peak: peak vegetation, so many fruits, and vegetables being ready to harvest.  The bulk of the harvest is still before us, and the plants are just abundant and full.  Its a good lesson and good energy now, when we are in such challenging times.  We are weary.  The garden opens up to us, welcoming us, encouraging us to stay awhile, sit with that amazing energy, and remember that this cycle too will end.

One of the most integrated parts of the garden: duck enclosure on a hill just above the main garden. The ducks require clean pools each day, so all of that duck water is dumped into the swale in front of this “wet bed.”  This is where we grow brassicas and celery and other crops that like it very, very wet!  The duck enclosure also serves as our blueberry patch–so we are stacking many functions with this space.  The bed never dries out, and has been a real blessing during this drought.  Putting the ducks next to the garden also provides us on two sides with a “duck moat” – the ducks eat bugs that would want to fly or hop into the garden and give us trouble.

The garden gander, Widdershins! He oversees everything that happens on the property and guards the land.  He also loves dandelion greens and grapes. If there’s any trouble, Widdershins’ powerful honk lets us know to come outside.

I hope you have enjoyed this walk through the gardens at the Druid’s Garden homestead!  There are so many lessons to learn and take from any garden you visit.

PS: I will be taking a short writing break from the blog for a few weeks. I have been asked to spend the next two weeks reviewing the galley proofs from my publisher for my book that is coming out in 2021 – Sacred Actions: Living the Wheel of the Year through Sustainable Practices.  I’ll see all of you in a few weeks!  If you have any topics you’d like me to cover when I get back, please let me know!

Rituals and Prayers for Peace

Peace is a fundamental part of the druid tradition. The ancient druids had roles as peacemakers and justices, and today, many druids find themselves in a position of promoting and fighting for justice and peace.  A lot of this work is happening right now: working towards for the equal rights and treatment of black, brown, and indigenous people; fighting on the front lines of the pandemic as a medical worker or essential personnel; or and trying to work for inner peace in these challenging times, just to name a few.  Given what is happening at present, it seems like a very good time to start, reaffirm, or deepen a spiritual practice that focuses on spreading peace. Thus, in this post, I’ll share a peace meditation, peace prayers, and peace rituals that you might use as part of your practice. I also think that the more of us that do the work of peace in our spiritual lives, the more peace we can spread throughout the world at this very critical time when it is so needed.

Meditations on Peace

Peace

Mediations on peace can be an excellent first step in starting or re-affirming a peace practice as part of your spiritual work. I find two kinds of meditations that are particularly useful for this: discursive and energy visualization.

Discursive meditation allows us to work through difficult concepts and come to deep understandings. Meditating on the definition of peace–what it looks like, what it entails, and what it would take to bring that peace into the world can be highly productive.  You might explore peace from multiple angles:

  • Definitions: what is peace to you? How do you define it?  What features does it have?  How might this definition align with or deviate from other perspectives?
  • Peace within:  What does peace within look like? how might you foster peace within? What are the concrete steps you can take?
  • Peace at home: What would peace look like in your own life and in your immediate family? How can you foster peace at home?
  • Peace in your community: What might peace look like in your broader community? In your country? In the world?  How can we foster peaceful interactions in our communities, especially among diverse groups?
  • Peace between humans and the land: What would peaceful interactions look like within your landscape? How can we foster peaceful interactions between human and non-human life?  How can we be at peace with nature? How can we achieve balance?

This set of meditations can take some time, but it is certainly worth work doing.  I recently worked through this list, doing five distinct meditations for each of the bullet points above.  This helped me affirm my commitment to this work, both within and without.

Envisioning and visualizing peace is a second meditation technique, this one with an outward focus.  For this meditation, you might focus on one of the above spheres (e.g. peace within, peace in your immediate surrounding, peace in your local community, peace in your country, peace in the world, peace among humans, and non-human life).  The alternative is just to focus on peace broadly and let the energy go where it is needed.

Towering White Pine, Parker Dam State Park, PA

The white pine, the tree of peace here in North America

Begin this meditation by sitting quietly and focusing on peace within.  Pay attention to your breath (using breathing techniques, like the fourfold breath or color breathing, both described in the Druidry Handbook by John Micheal Greer).  Recognize that this initial step can take some time–both in terms of an individual meditation session or a number of sessions.  For me, peace within means a quiet mind where I am able to slow racing thoughts, anxiety, or any other stressors and just be in the present moment.  I breathe through this for a while and then continue.

The second part of the meditation is simply sending some of that peace out into the world, directing it to whatever sphere you see fit (a caveat here–keep your direction of peace broad and unspecific.  Let spirit work with your intention as is best.)  You can envision peace in the four quarters of the world, for example, or envision specific scenes that would promote peace over violence (use some of your meditations from the first meditation activity).  I think this should be fairly intuitive–the more you practice, the more you will be able to send peace.

Prayers for Peace

Prayers for peace are also a wonderful way to begin, continue, or deepen a peace practice. Within druidry, both of the most common prayers invoke peace, justice, or both:

The Druid’s Prayer for Peace

Deep within the still center of my being, may I find peace
Quietly within this grove, may I share peace
Gently within the greater circle of [humanity / all life] may I radiate peace.

The Druid’s Prayer (Gorsedd Prayer)

There are actually a few different versions of the Druid’s (Gorsedd) Prayer.  For peace prayers, I prefer this version, which Iolo Morganwg attributes to the Book of Trahaiarn the Great Poet

Grant, oh spirit, Thy protection;
And in protection, reason;
And in reason, light;
And in light, truth;
And in truth, justice;
And in justice, love;
And in love, the love of spirit,
And in the love of spirit, the love of all existences

Peace Within: A Daily Peace Ritual

In druid rituals stemming from the druid revival, we often begin by declaring peace in the quarters (either going around the circle starting in the east (AODA style), or crossing the circle (e.g. going from north to south and east to west, OBOD Style). I have found that in this time, affirming peace in the four quarters, as well as within, has been a very useful daily practice and have developed the following ritual for peace.  I’ll first share how I do it, and then share the general model that you can adapt.

Grandmother Beach asks for peace

Each morning, I go out to care for our homestead flocks (our chickens, guineas, ducks, and geese). This is part of my morning ritual–and after I’m done letting everyone out of their coops, filling up water buckets and food troughs, I make sure I pause, take in the day, and declare peace. I just stand in the yard and spend a moment meditating on each direction (I start in the east since that is where the sun is rising).  I observe the east, seeing birds, watching the sun through the clouds, and paying attention to the air.  Then I say “May there be peace in the east.”  I do the same thing at each of the remaining three directions.

Finally, I focus on my own person and put my hands on my heart and say the Druid’s Prayer for Peace.   This is my adaptation from the OBOD’s Prayer for Peace.  I’ve adapted OBOD’s prayer to expand to all life, not just human life. And so I say:

Deep within the still center of my being, may I find peace.
Quietly, within the circle of this grove, may I share peace.
Gently within the circle of all life, may I radiate peace.

I then intone three ogham for peace, Koad (Grove); ifin (Pine), and Eastern Hemlock (Onn).  The first ogham is the grove ogham, representing the grove of trees coming together to resolve disputes and come to peace.  Thes second is pine, which has been a symbol of peace in North America for millennia, and I honor the peace of the ancestors of the land hereby intoning it.  The third is Gorse, which represents hope, potential, and the possibility for change.

This simple daily ritual helps me not only radiate peace and embrace life in the broader world but send a little bit of that peaceful energy out.  It also helps me get off on the right foot during this challenging time.  Here’s the ritual in a condensed form that you can use:

Druid’s Daily Peace Ritual

Face the east and quiet your mind.  Visualize peace in the east.  Say “May there be peace in the east.”  Do the same with the other three directions: south, west, and north.

Place your hands on your heart and say the Druid’s prayer for peace.

Deep within the still center of my being, may I find peace.
Quietly, within the circle of this grove, may I share peace.
Gently within the circle of all life, may I radiate peace.

Intone the three ogham three times each. As you do, envision peace radiating outward:
KO-ud
EE-van
OR

Cross your arms and say, “I thank the spirits for peace, justice, and blessings.”

Honoring the Peacemakers

A final thing that I do to envision peace is to honor the ancestors of the druid tradition.  The ancient druids were considered wise people who were justices, diplomats, and peacemakers among their people. This is an idea to which I can try to strive.  Meditation on this concept regularly along with some ancestor-of-tradition work can support this practice.

You might consider honoring other ancestors of peace in your practice, those peacemakers of the past whose work in the world is useful to remember.  Dr. Martin Luther King, James Farmer, or others who have fought for racial peace might be good focuses right now.

The Work of Peace

The work of peace is not easy, but extremely necessary to create a more equal, just, and welcoming society for all. I hope these simple practices support you during this very challenging time and offer you some additional tools in the work of peace in the world.

Garlic Scape and Leek Scape Pesto and Preservation

Garlic Scapes and leek scapes are coming into full season here at the Druid’s Garden homestead, so I thought I’d share my method of preserving garlic scapes for use throughout the year.  After a few years of experimentation, I’ve perfected my process for creating a yummy pesto and preserving the pesto for a variety of uses.

This year’s harvest (along with some rapini!)

Garlic scapes and leek scapes mature at about the same time, usually around the summer solstice where I live here in USDA Zone 6, Western Pennsylvania. Garlic is planted in October the previous fall, which allows you to harvest scapes and then later bulbs the following season.  Leeks have to be treated in a similar way to result in scapes–you won’t get any get scapes on leeks unless they overwinter.  This past year, I planted some last September and didn’t harvest them all, so they overwintered, so now they are growing delicious scapes ready for processing. If you don’t have scapes of your own, any farmer’s market is likely to have many scapes to purchase!  Buy a few bunches to enjoy and prepare.

In terms of flavor, garlic scapes have a spicy and complex flavor, a lot like garlic bulbs but a bit less pungent. The leek scapes are more mild and oniony with a hint of sweetness.  You can process them separately or you can just mix them together if you have both.

The way that I like to process scapes is a fresh scape pesto. A garlic or leek scape pesto can be made in a very brief amount of time and can then be frozen and stay good in your freezer for up to a year (if it would ever last that long!)

The Versatile, Amazing Scape Pesto

Garlic scapes ready to eat!

Pick your scapes or get them at the farmer’s market.  If you are picking, you will want to monitor them as they start to emerge.  You want to get them after they emerge for a few days and once they’ve curled over.  If you wait too long, they can get a bit tough and if they stay on the garlic plant long term, they will redirect a lot of energy away from your garlic bulbs, so they are necessary to harvest for a good garlic crop.

This recipe is greatly speeded up with a food processor.  You could do it by hand–chop the scapes up coarsely and then use a larger mortar and pestle or just finely chop with a knife.  Getting the pesto pulverized is the goal.

Ingredients:
–Garlic scapes
–Olive oil
–Salt
–Optional: parmesan cheese, pine nuts or walnuts

Your food processor can handle a good handful or two of scapes at a time.  I begin by loosely chopping the scapes (in 1/2 or 1/3), just enough to fill my food processor about halfway full.  From there, I pour in a few tablespoons of high-quality olive oil (usually about 3-4 tbsp for a half-full processor of scapes) and a pinch of salt.  Process until you get a thick green pesto.   You will likely want to stop the processor several times and use a spatula to scrape the bits of garlic off the sides. If the pesto is too runny, you can add more scapes, and if it’s too thick, add a bit more olive oil.  If you are processing a lot of scapes, you may have to do it in several batches.  Since I freeze my pesto, I am going for a thicker consistency.

Food processor–this is a good consistency if you want to freeze it.

You can add other ingredients as you see fit.  I like to add some parmesan cheese (2-3 tablespoons) and pine nuts to make a more traditional pesto.  You can also add lemon juice and tahini for another kind of twist (this turns it into a kind of dressing).

Preservation and Freezing

Once you have your pesto finished, you can freeze it for up to 1 year.  What I like to do for this is either use an ice cube tray or simply scoop your pesto out into 2-3 tbsp scoops on a cookie sheet lined with parchment.  I place either the trays or cookie sheet into the freezer for 12 hours.  Pull them back out.  Now you can place all of these in a freezer bag and pull out 1 or more cubes of pesto as you need them.

Getting ready to freeze

Ready to pull out of freezer and enjoy!

Pesto Uses

There are countless ways that you can use this garlic or leek scape pesto.  Here are a few:

Rice: Add 3 tbsp or more of fresh pesto to 3 cups freshly cooked rice–I like to do this when you fluff the rice with a fork after cooking and let it sit for 10 min.  This gives the rice a delicious garlic flavor.  You can also do the same with other grains like quinoa.

Hummus: Add 2-3 tbsp to a homemade hummus for an extra garlic or leek flavor.

Garlic dip. Mix 3-4 tablespoons with 1 cup sour cream and add salt and parmesan to taste.  You can also add a bit more fresh garlic or garlic powder to round out the flavor.

Meats and grilling.  This pesto makes an excellent marinade or baste for chicken, fish, and other meats.  You can use it in a variety of ways: on the grill, in the oven, as part of a sauce for over top meat, and more.  I like to add 2-3 tablespoons to meatloaf and/or burgers.

Pasta: Sautee zucchini or other fresh garden veggies until they are nearly done. Toss 3-4 tablespoons in the skillet and cook an additional minute.  Add a few splashes of cream and toss with pasta.  (Top with fish or scallops!)

Sandwich spread:  This pesto can be used on its own or mixed with mayo to create a delicious spread for any kind of sandwich.

Drizzle. Add a bit more olive oil and parmesan and use this as a drizzle over a variety of dishes.

I hope that many of you can enjoy this delicious and amazing treat this season!

The Allegheny Mountain Ogham: An Ogham for the Northern Appalachian Mountains in the Eastern USA

By Dana O’Driscoll, The Druid’s Garden Blog (druidgarden.wordpress.com), Copyright 2020.

The Ogham is an ancient alphabet, used to write early Irish and later Old Irish. The inscriptions that survive of Ogham, some 400 or so primarily on stone, are found throughout Ireland, Wales, and England. The inscriptions are thought to date from the 4th century and onward, although how old the tradition is is subject to some disagreement. In the modern druid tradition, the Ogham has also been associated with divination, and many druids use Ogham as a means to connect with sacred trees in the landscape. However, for people living in places outside of the British Isles, making local Oghams allows them to connect both with some of the roots of our tradition in druidry but also wildcraft and localize their druidry. This Ogham is designed for the Northern Appalachian mountain region in the United States while being rooted specifically in the Allegheny Mountains of Western Pennsylvania.

The Northern Appalachian Mountains range from the Mason Dixon line between Maryland and Pennsylvania and into Eastern Canada. This Ogham is specifically based in the Allegheny Mountains in Western Pennsylvania (Laurel Highlands and Pittsburgh Plateau regions), so some adaptations may be needed for people who live at other parts along the Appalachians. This Ogham would be most appropriate for druids living in Pennsylvania, New York, West Virginia, and Virginia, but could easily be expanded outward.

When creating this Ogham, the selections are based on the following criteria:

  • Prominence: I selected trees that are abundant and widespread. Abundance varies from region to region, however, so you might want to make your own adaptations. The reason to use abundant trees is twofold. First, abundant trees have a considerable impact on the ecology and landscape. Second, for people who want to make their own Ogham, it is helpful to be able to find all of the trees. (This is why trees like pawpaw and chestnut are not on this list, even though they are important to this region).
  • Equivalency: In over half the Ogham fews, we have equivalent trees in the Allegheny mountains to the traditional Ogham (like Oak, Elder, and Birch). But there are also other very abundant trees that should be included in any North American Ogham like Hickory, Cedar, and Maple which have no equivalents in the British Isles.
  • Ecology: How the tree functions in the ecosystem is another critical factor for developing a regional Ogham, especially when looking for equivalents to the original Ogham fews. Does the tree grow quickly and help regenerate damaged parts of the forest? Is it an understory tree? Nitrogen fixer? How does the tree interact with other life in nature? Additionally, a preference for native trees is present.
  • A final factor is the health of the trees and tree species. Ash tree populations, including all mature ash trees, have been decimated on the US East coast due to the Emerald Ash Borer—thus, I’ve replaced Ash as the Ash here in the US cannot hold the energy that it traditionally did in the British Isles. Eastern Hemlock is also under serious threat from the Hemlock Wooly Adelgid, but at the time when I wrote this, the Eastern hemlock populations are still strong in Western PA—but may not be where you are located. Considering the health of the trees can help make decisions on Ogham inclusion or exclusion.

For each of the entries, I have also included possible alternatives when they made sense. Alternatives can be used when you can’t find the trees or if you feel drawn toward other options. Finally, you are also most welcome to adapt this Ogham as you feel necessary to your own bioregion. Pronunciations are based on those described by John Michael Greer in the Druid Magic Handbook.

This page includes the quick guide, a visual overview of the Allegheny Ogham, an in-depth discussion of each tree, as well as various means to use the Ogham in druid practice, including through the Bardic, Ovate, and Druid arts.

Allegheny Mountain Ogham Quick Guide

Original Ogham Allegheny Ogham Appalachian Tree Keywords Pronunciation
Birch (Beith) Black Birch

 

Sweet Birch / Black Birch (Betula Lenta), Yellow Birch (Betula alleghaniensis), White Birch / Paper Birch (Betula papyrifera) Beginnings, rebirth, purification, regrowth BEH
Rowan (Luis) Sassafras Sassafras (Sassafras albidum); Redbud (Cercis canadensis) Protection, Judgment, Discernment LWEESH
Ash (Nuinn) Shagbark Hickory Shagbark Hickory (Carya ovata); Bitternut Hickory (Carya cordiformis); Pignut Hickory (Carya glabra); Mockernut Hickory (Carya tomentosa) Interconnection, Magic, Connections NOO-un
Alder (Fearn) American Sycamore American Sycamore (Platanus occidentalis); American Hornbeam (Capinus caroliniana) Bridge between spirit and matter; spirit, transitions, individuality FAIR-n
Willow (Sallie) Black Willow Black Willow (Salix nigra); Pussy Willow (Salix discolor) Change, cycles, fluidity, receptivity, flexibility SAHL-yuh
The Second Aicme
Hawthorn (Huath) Hawthorn Hawthorn (Crataegus spp.) Patience, restriction, danger, protection OO-ah
Oak (Duir) White Oak White Oak (Quercus Alba); Eastern Black Oak (Quercus velutina); Swamp White oak (Quercus bicolor); Northern Red Oak (Quercus rubra); Pin Oak (Quercus palustris); Scarlet Oak (Quercus coccinea); Chestnut Oak (Quercus montana) Power, strength, durability, grounding DOO-er
Holly (Tinne) American Holly American Holly (Ilex opaca) Courage, Challenge, Opposition CHIN-yuh
Hazel (Coll) American Hazelnut American Hazelnut (Corylus Americana); Beaked Hazelnut (Corylus cornuta); Witch Hazel (Hamamelis virginaia) Creativity, Inspiration, Awen, Artistry, Fine Craft CULL
Apple (Quert) Apple Apples and Crabapples of all varieties (Malus spp.) Celebration, Love, Harvest, Contentment KWEIRT
The Third Aicme
Vine (Muinn) Wild Grape Vine Summer grape (Vitis aestivalis), Fox grape (Vitis labrusca); Frost grape (Vitis riparia). Vitis spp.

 

Freedom, Honesty, Prophecy MUHN
Ivy (Gort) Blackberry Blackberry (Rubus allegheniensis); Black Raspberry (Rubus occidentalis) Entanglements, Slow Progress, Determination

 

GORT
Reed (Ngetal) Cattail Cattail (Typha spp.) Swiftness, Speed, Transformation, Healing NYEH-tal
Blackthorn (Straif) Black Locust Black Locust (Robinia pseudoacacia); Honey Locust (Gleditsia triacanthos), Devil’s Walking Stick (Aralia spinose) Upheaval, Fate, External Forces, Unavoidable Change STRAHF
Elder (Ruis) Black Elder Black Elder (Sambucus nigra) Resolution, Endings, Permanent Change, Otherworld RWEESH
The Fourth Aicme
Fir (Ailm) White Spruce White Spruce (Picea glauca); Black Spruce (Picea mariana) Vision, Understanding, Perspective AHL-m
Gorse (Onn) Eastern Hemlock Eastern Hemlock (Tsuga canadensis) Hope, Potential, Learning, Possibility UHN
Heather (Ur) Mountain Laurel Mountain Laurel (Kalmia latifolia); Rhododendron (Rhododendron spp.)

 

Spiritual Power, Spirit connection, Energy, Creation OOR
Aspen (Eadha) Tulip Poplar Tuliptree (Liriodendron tulipifera); Big Tooth Aspen (Populus grandidentata); Cucumber-tree Magnolia (Magnolia acuminata); Quaking Aspen (Populus tremuliodes) Hard work, Endurance, Courage, Bending rather than breaking EH-yuh
Yew (Ioho) Eastern White Cedar Eastern White Cedar (Thuja Occidntalis); Eastern Redcedar (Juniperus virginiana) Legacy, Things that abide, Wisdom from Experience, Eldership EE-yoh
The Forfedha
Grove (Koad) Grove of Trees All trees in a forest Balance, Community, Conflict Resolution, Communication, Listening KO-ud
Spindle (Oir) Black Cherry Black Cherry (Prunus serotine); Choke Cherry (Prunus virginiana); Pin Cherry (Prunus pensylvanica); Fire Cherry (Prunus pensylvanica) Obligations, Honoring Commitments, Persistence OR
Honeysuckle (Uilleand) Sugar Maple Sugar Maple (Acer saccharum); Red Maple (Acer rubrum); Striped Maple (Acer pensylvanicum); Silver Maple (Acer saccharinum); Mountain Maple (Acer spicatum) Hidden meanings, secrets, subtle influences, mysteries ULL-enth
Beech (Phagos) American Beech American Beech (Fagus grandifolia);   Eastern Ironwood Wisdom, Learning, History, Ancient Knowledge, Memory FAH-gus
Ifin (Pine) White Pine White Pine (Pinus strobus); Red Pine (Pinus resinosa); Jack Pine (Pinus banksiana) ; Pitch Pine (Pinus rigida); Virginia Pine (Pinus virginiana) Vision, Awareness, Making Amends, Self-work, Guilt EE-van

 

The First Aicme

Black Birch – Beith

Allegheny Trees: Sweet Birch / Black Birch (Betula Lenta), Yellow Birch (Betula alleghaniensis), White Birch / Paper Birch (Betula papyrifera)

Original Ogham Tree: Birch

Pronunciation: “BEH”

Meanings: New beginnings, a fresh start, turning a new chapter in your life. Spring and the promise of things to come. Renewal, rebirth, and purification.

Ecology: In the Allegheny Mountains we have three dominant species of birch: White Birch, Yellow Birch, and the Sweet Birch / Black Birch. Any of these specific trees are excellent representations of Birch for Ogham. Birch is easily found in areas where trees were logged; many times the first trees that will come up in a large thicket are birch trees after logging. You can also find birch trees along rivers and in mixed deciduous forests. Black and Yellow Birches can be found mixed in Eastern Hemlock forests as well.

Alternatives: Birches of various kinds are quite widespread in the Northern Appalachian region. No alternatives given.

Sassafras – Luis

Allegheny Tree: Sassafras (Sassafras albidum)

Original Ogham Tree: Rowan

Pronunciation: “LWEESH”

Meanings: Discernment about current events or people, using your best judgment, and protection from harm. Positive finances and financial futures.

Ecology: Sassafras tree was widely imported to Europe after early colonization of the US and was, at one time, believed to be a ‘cure-all’ for illness in Europe. Sassafras is a widespread and a quintessential “American” tree. It has fragrant roots and leaves that are used widely as a food and medicine. Sassafras trees grow in groves and propagate primary by sending new roots off of a mother tree to create a small grove of babies surrounding the tree. Due to the history and use of Sassafras, it has long been associated with protection.

Alternatives: American Mountain Ash (Sorbus Americana) or Redbud (Cercis canadensis) are a good choice for individuals living north of the native range of Sassafras.

Shagbark Hickory – Nuinn

Allegheny Trees: Shagbark Hickory (Carya ovata); Bitternut Hickory (Carya cordiformis); Pignut Hickory (Carya glabra); Mockernut Hickory (Carya tomentosa)

Original tree: Ash

Pronunciation: NOO-un

Meanings: Interconnectivity, interconnection, and connection of all things in existence. Magic, nature magic, and the magic of connection. The great web of life present in the earth, the soil, and the universe.

Ecology: The Hickory tree is a hardwood nut tree that is widespread throughout the eastern US. Hickory trees are slow-growing trees that can produce abundant nut harvests as they mature. Reaching up to 130 feet in height and featuring a variety of shaggy, gray bark, hickories form an important species throughout the region. They are easiest to spot in the fall, when their leaves turn a deep golden sun-yellow shade. The wood is very hard and straight-grained and most hickories have delicious, edible nuts, enjoyed by people and wildlife alike.

For the last decade, nearly all of the Ash trees in the US Midwest and East coast have been dying from the invasive Emerald Ash Borer beetle—this destruction has radically shifted the energy of the Ash tree here in the US. Due to the millions of deaths of Ash trees, it cannot hold the energy of Nuinn in North America. Because of the plight of the ash tree here, I have offered an alternative in the strong and mighty Hickory tree, which like ash, offers strong and tough wood and a commanding presence. Hickory trees are strong, dominant, have deep root systems, and in the fall, offer a wonderful alternative to the Ash.

American Sycamore – Fearn

Allegheny Tree: American Sycamore (Platanus occidentalis)

Original tree: Alder

Pronunciation: FAIR-n

Meaning: Bridging between spirit and matter; spirit transitions. Individuality. Oracular guidance, messages from spirit. Transitions between realm to realm. Using one’s instincts or intuitioin.

Ecology: In North America, the Sycamore tree, which is often found along the edges of rivers and thrives in damp river bottoms, swamps, and bogs is an excellent choice to replace the water-loving Alder tree. Sycamore trees with their gray, greenish, brown, and white mottled bark which flakes off as the tree ages. As you drive through the river bottoms in the Alleghenies, you will see the sycamores reaching up from the bottoms, their whitish branches stretching out. Sycamores produce small seed balls that stay on the tree throughout the winter, looking almost like ornaments, dropping and spreading seeds in the spring.

Alternatives: The original Alder tree in the UK is a water tree that grows in swamps and bogs; it is often used to construct underwater and the wood grows harder in wet settings. Any other trees that grow in wet settings would be appropriate here. One such tree is the American Hornbeam (Capinus caroliniana).

Black Willow – Sallie

Allegheny Tree(s): Black Willow (Salix nigra); Pussy Willow (Salix discolor)

Original tree: Willow

Pronunciation: SAHL-yuh

Meaning: Change, growth, cycles, moon cycles. Women’s mysteries. Fluidity, receptivity, and flexibility.

<Ecology: Black Willows have a wide range within the Eastern US and Canada. Black willow is widespread, and grows thick and tall as it ages. As a water loving tree, it is often found along the edges of water. Willows are excellent for land and waterway restoration, as they have a high tolerance of pollution and can break down certain toxic substances in the ecosystem. The Willow, with its deep roots, can regularly handle flooding and changes in water levels.

The Second Aicme

Hawthorn – Huath

Allegheny Tree(s): Hawthorn (Crataegus spp.), including Pennsylvania Hawthorn (Crataegus tatnalliana)

Original Tree: Hawthorn / Huath

Pronunciation: OO-ah

Meaning: Restriction, danger, warnings. Patience. Heart and emotional protection. Hawthorn’s thorns are not aggressive, as in the snag and tear (like blackberry) but rather they are protective, surrounding the tree closely. This offers insight on the kinds of protection that hawthorn provides: thorns that protect but do not attack, thorns that create space for healing.

Ecology: The Eastern US has over 70 native species of Hawthorn. While leaf patterns vary widely, all has the ubiquitous thorns, 5 petaled flowers in the spring signaling the return of spring (Beltane), with ripening haws (fruit) in the time between the fall equinox and Samhain.

White Oak – Duir

Allegheny Tree(s): White Oak (Quercus Alba); Eastern Black Oak (Quercus velutina); Swamp White oak (Quercus bicolor); Northern Red Oak (Quercus rubra); Pin Oak (Quercus palustris); Scarlet Oak (Quercus coccinea); Chestnut Oak (Quercus montana)

Original tree: Oak / Duir

Pronunciation: DOO-er

Meaning: Wisdom. Durability. Be strong and steady like the oak. Find your grounding. Power within and without. Growth. Protection.

Ecology: The Oak is one of the keystone species in the Eastern part of the US and into Canada. The White Oak can reach 80 to 100 feet tall at maturity, with a massive canopy and deep root system. White oaks live up to 300 years or more. Oaks produce acorns, but often do not produce large crops of acorns until after their 50th year of life. Every 3 years is a mast year, where Oaks produce a very large crop of nuts. Acorns were the staple food of many indigenous cultures and can be used in a wide variety of cuisine.

American Holly – Tinne

Allegheny Tree(s): American Holly (Ilex opaca)

Original Tree: Holly / Tinne

Pronunciation: CHIN-yuh

Meaning: Facing challenges, being a warrior, being dynamic and responsive. This is a plant of warriors and protectors. It also ties to the changing of the seasons, courage, and moving forward, and bringing light into dark times.

Ecology: The American Holly is an evergreen shrub or small tree that grows slowly. It is shade tolerant and can live in the understory of most forest canopies. It is spread across the southern and northern Eastern US, find in wild areas as well as cultivated areas. The holly berries are dominant at the winter solstice.

Alternatives: Any other evergreen species is appropriate here. Winterberry Holly (Ilex verticillata), which is north of the native range of American Holly, is an excellent alternative for more northern areas.

American Hazelnut – Coll

Allegheny Tree(s): American Hazelnut (Corylus Americana); Beaked Hazelnut (Corylus cornuta)

Original tree: Hazel / Coll

Pronunciation: CULL

Meaning: Poetry, wisdom, divination. Bringing ideas to the surface, awen; artistry or creativity; inspiration; divine inspiration, finding the muse. Honing one’s craft or skill in a subject. Letting the flow of inspiration (awen) come and opening to that experience.

Ecology: The American hazelnut is a shade-tolerant small tree or large shrub, usually not reaching more than 3-10 feet tall. It grows in large thickets and even when cut back or coppiced, can powerfully regrow. It is shade tolerant, often growing in the understory. Hazels produce delicious nuts that have a high protein content and can be enjoyed both by humans and wildlife.

Alternatives: Witch hazel (Hamamelis virgniana) is a different species, but may be appropriate as a substitution.

Apple – Quert

Allegheny Tree(s): Apple (Malus spp.)

Original Tree: Apple / Quert

Pronunciation: KWEIRT

Meaning: Celebration, love of all kinds, harvests and success, contentment. Paths of learning that are open. Making a good decision. Learning and growth.

Ecology: Although many species of apples were introduced to North American in the 17th centuru, the “crab apple” is native to the US. Crab apples are edible like their more cultivated counterparts, but are usually smaller and tarter due to lack of thousands of years of cultivation. Today, it is common to find crabapples and abandoned apple orchards all through the Allegheny mountain region.

Alternatives: Another domesticated fruit tree.

The Third Aicme

Wild Grape Vine – Muinn

Allegheny Tree(s): Summer grape (Vitis aestivalis), Fox grape (Vitis labrusca); Frost grape (Vitis riparia), New England grape ( V. novae-angliae), Vitis spp.

Original tree: Muinn / Vine

Pronunciation: MUHN

Meaning: Freedom, truth, honesty, trustworthiness. Release of prophetic powers, prophecy and divination.

Ecology: A variety of wild grape species grow in the Allegheny region; all are characterized by flexible steps that send out tendrils to cling, grow, and climb. Wild grapes often have gray bark that peels easily off the vines. Some wild grapes can grow massive and create a canopy of grapes that, if too heavy, can pull down trees around them.

Alternatives: Virginia Creeper (Parthenocissus quinquefolia).

Blackberry – Gort

Allegheny Tree(s): Blackberry (Rubus allegheniensis); Black Raspberry (Rubus occidentalis)

Original Tree: Ivy

Pronunciation: GORT

Meaning: Making slow progress, being entangled or prevented from moving forward. Having delays, setbacks, and unforeseen challenges. With these setbacks, however, comes the determination to keep going. This is a time of persistence and determination.

Ecology: Blackberry is a native perennial shrub that can grow up to 7’ tall with many canes. Canes live for two years—the first year, the cane is green with many thorns. In the second year, the cane goes a dark red/brown with thorns. After the second year, new canes can sprout up from the same root system. The fruits are abundant and purple-black when mature, excellent for pies and jams—if you are willing to brave the thorns and canes to get them. If you’ve ever been caught in a big blackberry patch, you understand how the blackberry canes can catch, snack, and stall you.

Cattail – Ngetal

Allegheny Tree(s): Cattail (Typha spp.)

Original Tree: Reed

Pronunciation: NYEH-tal

Meaning: Swiftness and speed, the idea that things are moving forward, perhaps rapidly. Transformation. Healing and the healing that only changing circumstances can bring.

Ecology: Cattails are upright perennial plants that live on the edges of ponds, lakes, and other slow-moving or stagnant bodies of water. They are characterized by their long tall leaves and the stalk that produces a brown, elongated head, which, over the winter months, eventually turns to small seed fluff and flies off. Cattails are a keystone species in much of the Appalachian region and are also a useful wild food source.

Alternatives: Rushes, Phragmites, and other water-loving woody species.

Black Locust – Straif

Allegheny Tree(s): Black Locust (Robinia pseudoacacia); Honey Locust (Gleditsia triacanthos)

Original Tree: Blackthorn

Pronunciation: STRAHF

Meaning: Unexpected or unavoidable change, upheaval, or chaos. Fate, external influences, and external forces working for change, such that change happens regardless of your own actions. Having courage through such having courage through these circumstances.

Ecology: Black locust is a native tree that blooms late, drops leaves early, and has a general skeletal appearance with thick gray-brown bark, and large thorns on young branches. The black locust produces a very dense, strong wood that is rot resistant, and thus, useful for a variety of building applications. Large clusters of pea-shaped white flowers with a yellow center bloom on the black locusts usually in early June; these fragrant clusters are edible and delicious.

Alternatives: For those that are within the range, Devil’s Walking Stick (Aralia spinose) is a fantastic alternative for Straif.

Black Elder – Ruis

Allegheny Tree(s): Black Elder (Sambucus nigra)

Original Tree: Elder

Pronunciation: RWEESH

Meaning: Endings, with the understanding that something new will come. Life in death, death in life; changes from old to new. Having resolution and closure. Connection to the otherworld, gateways to the otherworld, and fae connections.

Ecology: The Black Elder is a widespread, native tree to the Eastern US. Black elder can be found in full sun, part shade, and full shade, although it is often found along the margins of forests and fields. By the summer solstice, it produces beautiful clusters of tiny flowers, reaching up to the sun. By Lughnasadh, these clusters have turned into ripe, purple berries, bending down to the earth. The Black Elder has a hollow core and pith like other species of Elder in Europe. In Europe, the “sambucca” was an ancient woodwind instrument made of elder; and that’s where the Latin name to the plant comes from.

The Fourth Aicme

White Spruce – Ailm

Allegheny Tree(s): White Spruce (Picea glauca); Black Spruce (Picea mariana)

Original Tree: Fir

Pronunciation: AHL-m

Meaning: Having clear vision, being able to see what is to come, having insight into a situation. Perspective and the ability to look at a situation in a new way. Having an understanding or coming to an understanding about an issue or situation.

Ecology: Spruces are an important tree in the Appalachian mountain region, along with several other conifer species. Spruce trees can live up to 300 years and grow to a height of 150 feet tall. All spruces have a whorled branch structure (a spiral pattern) and a conical form (like many other conifers). The world’s oldest living tree is thought to be Old Tjikko, a Norway spruce located in Sweden, which is though to be 9,550 years old.

Alternatives: Any other conifer species would be appropriate.

Eastern Hemlock – Omn

Allegheny Tree(s): Eastern Hemlock

Original Tree: Gorse/Furze

Pronunciation: UHN

Meaning: Hope, potential and possibility. Hope in a brighter future. Learning and growth. Possibility.

Ecology: The Eastern Hemlock is a keystone species in the Eastern US. It is a shade-loving tree, often found in deep forests or along the banks of forest streams and rivers. The world’s oldest known hemlock is in Tionesta, PA, being 554 years old. The tree can reach up to 170 feet tall and 5 feet across. The hemlock needle underside has two light green lines and the hemlock, for its large size, produces tiny cones less than 1” in length. Hemlocks are currently under threat from the hemlock wooly adelgid, which was introduced to the US in 1924 and has been in the range of hemlock trees since the 1960’s.

Alternatives: Any other dominant conifer species.

Mountain Laurel – Ur

Allegheny Tree(s): Mountain Laurel (Kalmia latifolia);

Original tree: Heather

Pronunciation: OOR

Meaning: Spiritual power, spiritual connections, energy, and creation. Passion and generosity. Close contact with spirit world and healing.

Ecology: Mountain Laurel is an evergreen shrub with broad leaves in the heather (heath) family. When it flowers in early June, the flowers range from pink to white and look like beautiful little parasols. In the more southern end of its range, mountain laurel can grow to the size of trees; in the northern end of its range it stays shrub size.

Alternatives: Rhododendron (Rhododendron spp.) is an excellent alternative, and functions in much the same way in the ecosystem (showy flowers in June, evergreen leaves, shrub or small tree size, similar growth habit).

 

Tulip Tree – Edhadh

Allegheny Tree(s): Tuliptree (Liriodendron tulipifera)

Original Tree: Aspen

Pronunciation: EH-yuh

Meaning: Hard work leads to success. Endurance, courage, and will. Bending rather than breaking, the ability to endure and triumph.

Ecology: The Tulip tree (also known as yellow poplar, tulip poplar, or whitewood) is the tallest eastern hardwood tree. It can grow up to 160 feet tall, and often grows very straight in large stands in the region. Flowers, looking like beautiful yellow tulips, grow on the tree in May or early June, eventually turning to seedpods. Even in the winter, you can still see the remnants of the dried pod, reaching up from the tree.

Alternatives: The range of Tulip poplar stops in mid-new York and the bottom of Massachusetts. Other good options for those further north would be Big Tooth Aspen (Populus grandidentata); Cucumber-tree Magnolia (Magnolia acuminata); or Quaking Aspen (Populus tremuliodes)

Eastern White Cedar – Ida

Allegheny Tree(s): Eastern White Cedar (Thuja Occidntalis)

Original Tree: Yew

Pronunciation: EE-yoh

Meaning: Death and rebirth. Legacy. Things that abide (like ancestral knowledge, traditions, or lore). Wisdom from experience. Eldership and honoring the elders. Endings.

Ecology: The Eastern White Cedar, also called the Arborvite or the Tree of Life, is a small-sized conifer averaging about 40 feet high. Scale-like leaves form massive branches that go out in many directions. Eastern White Cedar trees are some of the most long-lived trees in North America; some trees on the cliffs of Lake Superior are known to be at least 1600 years old. Even in death, cedar lives on through rot resistance in the wood.

Alternatives: Eastern Redcedar / Juniper (Juniperus virginiana) is an excellent alternative. Although it is also called a cedar, Juniper is actually in a different family.

The Forfedha

The Druid Grove – Koad

Allegheny Tree(s): The entire forest, the grove.

Original Tree: Grove

Pronunciation: KO-ud

Meaning: Resolution of conflict with others, peacemaking, and deep listening. Being a peacemaker and promoting a path of peace, justice, and understanding. Communication with others, particularly to promote understanding and harmony. Community and tribe.

Ecology: Forests are made up of thousands of species: trees, plants, insects, animals, reptiles, amphibians, birds, mushrooms, macrobiotics life—and within a forest, within a grove of sacred trees, there is harmony. This Ogham represents the grove, in whatever ecosystem you live in—this is harmony, community, and the circle of trees around you.

Black Cherry – Oir

Allegheny Tree(s): Black Cherry (Prunus serotine); Choke Cherry (Prunus virginiana); Pin Cherry (Prunus pensylvanica); Fire Cherry (Prunus pensylvanica)

Original Tree: Spindle

Pronunciation: OR

Meaning: Fulfilling one’s obligations, honoring one’s commitments, and staying true to one’s word. The determination, dedication, and persistence sometimes needed to complete obligations.

Ecology: Cherry trees are widespread in North America, the black cherry spans from Florida the whole way to Newfoundland. Cherry trees are pioneer species, often rapidly growing after a forest has been disrupted. All cherries produce small “cherry” fruits, although the flavor of the cherry fruits vary widely, and thus, are usually eaten by birds. The cherry seed reminds us of the meaning here: cherry seeds have incredibly tough shells and require scarification to germinate (the surface scratched, perhaps by going through an animal’s digestive system). Determination is necessary for these seeds to sprout.

Sugar Maple – Uileand

Allegheny Tree(s): Sugar Maple (Acer saccharum); Red Maple (Acer rubrum); Striped Maple (Acer pensylvanicum); Silver Maple (Acer saccharinum); Mountain Maple (Acer spicatum)

Original Tree: Honeysuckle

Pronunciation: ULL-enth

Meaning: Hidden desires, pleasures, and possibly distractions. Finding our true selves, and discovering insights along the path of our own growth. Subtle mysteries, secrets, and hidden things.

Ecology: Maples are widespread in North America, and since they are also planted for show, they are easy to find even in urban areas. The fall color of maples is fantastic, ranging from deep purples to bright reds, oranges, or yellows, which is why some maples are called ‘fire maples.’ Maples all produce a delicious sap that can be boiled down into syrup or sugar, although tapping trees and boiling it can take some effort. The maple encourages us to look within and find our true selves.

American Beech – Phagos

Allegheny Tree(s): American Beech (Fagus grandifolia)

Original Tree: Beech

Pronunciation: FAH-gus

Meaning: Wisdom, learning, history. Ancient knowledge, memory. Beech trees have long been associated with human learning, particularly through words, books, and stories written down.

Ecology: Smooth and light-barked beech trees are often found growing with Eastern Hemlock, Yellow Birch, and Sugar maple on rich and wet slopes here in the Alleghenies and represents a final stage in ecological succession. Beeches are shade tolerant but can also reach up to 115 tall. Throughout history, the smooth bark has invited humans to carve “arborglyphs” into the bark of the beech—some of these in North America date back to pre-colonial times.

Alternatives: Eastern Ironwood (Ostrya virginiana) is an excellent alternative.

White Pine – Ifin

Allegheny Tree(s): White Pine (Pinus strobus);

Original Tree: Pine

Pronunciation: EE-van

Meaning: Vision, awareness, perception. Self-work and shadow work. Guilt. Making amends, possibly after a long and bitter time.

Ecology: White Pine is a dominant species on the US east coast, spanning throughout the Appalachian regions and beyond. As the tallest tree in eastern North America, White Pines have been recorded up to 230 feet tall and they can live up to 500 years. Needles that are long, green and flexible, typically come grouped in bundles of 5. White pines were heavily logged in the US in the 18th-20th century for shipbuilding and industry, but still some old-growth forests that contain White Pine (and often also Hemlock and beech) remain. These are a spectacular sight, walking within them is truly like walking in a cathedral. White pine can live up to 500 years.

Alternatives: Red Pine (Pinus resinosa); Jack Pine (Pinus banksiana) ; Pitch Pine (Pinus rigida); Virginia Pine (Pinus virginiana)

 

Using the Allegheny Ogham as a Bard, Ovate, and Druid

            Working with any Ogham system can be a long-term learning process. The Ogham is a flexible system that you can use for magic, divination, meditation, art, studies in ecology, and more. This section offers some ideas for how to best work with the Allegheny Ogham.

Preliminaries: Creating Your Ogham Set

Foraging for your Ogham Set. For long-term Ogham study and developing a deeper understanding of the ovate arts, you might want to seek out and forage for each of the Ogham fews that you are going to work with. While the symbols are useful, having the wood itself and meeting each of the trees can be a very effective way to work with the Ogham and understand it from the perspective of the ovate arts: that is, the perspective of ecology, identification, and experience.

Foraging for your own Ogham can take considerable time, sometimes a period of months or years, depending on how often you go out. Once you find a tree, you will want to spend some time with the tree. Ask permission to harvest a few from the tree (living or dead, your choice) and make sure you leave some kind of offering (I like to use a home-grown herbal blend. I also will pee on the base of the tree to offer nitrogen if I do not have any of my regular offering blend).

As you collect your Ogham, you can work with and meditate on each of the fews, doing some of the other work as outlined in this guide.

Ogham for dyslexics!

Ogham for dyslexics- with all of the words burned in.

Creating Your Own Ogham set: There are two ways to go about creating your Ogham set. The first is to use a single wood (maple, apple, etc) and create all of your fews from that wood. I recommend that if you want to get into the Ogham and start working with it immediately as a divination tool, you consider this option. You can also use this initial set as you are foraging for your own Ogham, as described above.

To make your set, you want to start by making sure that each of your fews are about the same length. A pair of hand pruners is an easy way to cut them to size. I would then recommend at least some light sanding to take the hard edges off of your Ogham staves. From there, you will want to burn in the images of each of the Ogham. The most common way is to take a sharp blade (knife, box cutter, or the like) and shave off an inch or so of the bark, cambium, and some of the wood so that you get a smooth surface. From there, you would draw, paint, or woodburn the specific Ogham symbol into the wood. If you have difficulty remembering the symbols (or you have dyslexia), you could also burn the name into the wood or add some other detail to help you, like an image of the leaf.

In this specific Ogham, Cattail and Blackberry are not trees, so they do not have a woody stem. For those, I would not cut away any of the branch structure but would rather mark the symbol right on the wood.

Storing your Ogham. You should have something to keep your Ogham in when you aren’t using them. Traditional materials include linen or silk, both of which are known in esoteric circles to be fairly neutral energetically. You can also store them in anything else you like—a small leather bag or small wooden box also works great. If you want to use a casting cloth, you can also store your cloth with them (or use the cloth as a wrap itself).

Ogham and the Druid Path: Divination, Meditation, and Magic

Ogham for Divination. Learning how to use the Ogham for divination is an art form—while its easy to get started, you can also deepen your understanding over a period of time. You can keep it simple or get very advanced with casting cloths and stave directions. Here are three such ways to start to use the Ogham. I would also recommend a book-length work for more info on using Ogham for divination such as Ogham: Weaving Word Wisdom by Erynn Rowan Laurie and the Druid Magic Handbook by John Michael Greer.

The Daily Draw. To start to use Ogham, and to continue to build your skills, I suggest a daily Ogham draw. This can be an Ogham few that offer you a message for today—something to reflect upon, meditate upon, and carry with you as you go forward in your day (or if you do it at night, as you rest and start your new day). Take a few minutes and breathe deeply, arriving at this moment and allowing other thoughts, feelings, and issues to retreat. Set your intention for your divination. Reach into your Ogham bag and feel for an Ogham few that speak to you. Pull that Ogham, and look at the meaning. Reflect on it for a few moments.

Three Rays Draw. The three rays draw has a number of different possibilities and interpretations. For this, you will be drawing three staves. The three staves can represent any of the following (choose in advance what you’d like them to represent)

  • Light aspect (right), Dark aspect (left), how to bring them into balance (center)
  • Current situation (left), suggested action (center), possible outcome if action is taken (right)
  • Mind (left), Body (center), Spirit (right)
  • To bring stability (left), to bring flow (right), to bring balance (center)

To engage in any of these draws, you will use the techniques described in the daily draw and draw three Ogham fews. Lay them out, look at their meanings, and meditate on the message.

Additional draws and options. Once you’ve done the above draws, you might want to get more elaborate in your divination. Many different methods exist for this. You can start by selecting a number of Ogham (three or seven) and then dropping them on a surface to see how they land. Pay attention to the interaction between them (e.g. are any of them touching? Which direction are they facing? How do they interact?) This gives you additional insights and experiences with the Ogham. Once you’ve practiced this a while, consider adding a casting cloth to your experience. A casting cloth allows you to “cast” any number of Ogham (I usually use 7) and where they land on the cloth, and in what direction, can help you interpret the meanings. You can create your own casting cloth or purchase one (there are a number of options out there, including some typically used for runes that will work great for Ogham).

Ogham for Meditation. A second way to use Ogham is to use it as a meditation tool. Meditation on the Ogham, their meanings, relationships, and associations can help you have a deeper understanding of what the Ogham means and their divination meanings. Meditation on the Ogham can also put you in a deeper connection with these trees and your local ecology. Here are three meditation strategies:

  • Energy meditation. The first meditation is one where you simply feel the energy of the Ogham few. Relax and get into a receptive space (with breathing, candles, quietude). From there, breathe deeply and allow the air to flow in and out of your lungs. Once you have found quiet within, turn your attention to one of the Ogham fews. See how it feels in your hand. Run your fingers over the bark. Engage it with your senses. Now, close your eyes and feel the energy of this Ogham few—is it welcoming? Cold? Strong?   Try picking up a second few and comparing the two. What is the difference?
  • Discursive meditation. Discursive meditation is a type of mediation based on focused thought. Prepare yourself for meditation by getting comfortable, engaging in deep breathing, and grounding yourself. When you are ready, focus on one of the Ogham fews (one you draw or select in advance). Consider the meaning of this few. Work your way through this meaning, allowing your thoughts to go where they would like as long as they continue to focus on the meaning. If you find yourself straying too far from the Ogham few itself, retrace your thoughts and focus back on the main theme—the Ogham few, meaning, and the tree itself. You can repeat this meditation for each few and work your way through them. I have found it useful to meditate on each one as I was learning, and then, about once a year, return to these meditations as my own experiences with the trees themselves and working with the Ogham deepened.
  • Journey Meditation. A final way you can use these Ogham for meditation is through spirit journeying. Journeying can allow you to meet the spirit of the trees and Ogham directly. Journeying, in this sense, involves meditating on the specific Ogham you wish to connect with, envisioning an inner grove where you can meet that tree, meeting that tree, and engaging in conversation, travel, or receiving teachings on the inner place from that tree. While it is out of the scope of this article to describe this in detail, I’ve written extensively on spirit journeying with plants in The Plant Spirit Oracle: Recipes, Meanings, and Journeys as well as on my blog (see: https://druidgarden.wordpress.com/2018/09/02/plant-spirit-communication-part-iii-spirit-journeying/ ).

Ogham for Chant Magic

A final way you can incorporate the Ogham into your druid practice is to use it for chanting.  This can be simple, simply chanting the Ogham itself so that you can bring that energy into your life.  Or, you can do something much more elaborate, like this Hemlock Galdr ritual!

Ogham and the Ovate Arts

As I described above under “preliminaries”, foraging for your own Ogham set and finding all of the 25 sacred trees is certainly a fantastic way to connect more deeply with nature and learn about these Ogham trees. That search, in itself, is a very powerful journey that allows one learn a variety of ovate skills: plant and tree identification, observation and interaction, getting out in nature, and communing with nature.

Beyond that work, I would also recommend seeking out places where these trees are dominant and doing some ritual work in these places. For example, some of the trees on this list, including Oak, Eastern Hemlock, and White Pine, can be found in old-growth groves throughout the East Coast. Visiting some of these groves and doing a kind of Ovate pilgrimage to these places is an excellent way to commune deeply with them. Bring your Ogham set with you (if you have one) and intone the Ogham as you sit among these trees.

Planting and tending some of the 25 sacred trees is another way to practice the ovate arts. You can get most of these from the Arbor Day Foundation (if you are in the US). Consider also learning how to forage for these trees for medicine or food—ethically and sustainably, of course.

Finally, you might learn about these trees in more depth: what other plant species are associated with these trees? What insect, animal, or bird life depends on them? What is their life cycle? How do they look at different points of the year? The more you can learn about the trees on the physical plane, the more that your spiritual connection with them will deepen in time.

Ogham and the Bardic Arts

Beyond making your own Ogham set (which is certainly a very Bardic skill), you can learn about the Ogham and work with them in a number of ways, both the trees themselves and with the symbols and sounds themselves.

The Ogham can be an inspiration for you for the Bardic arts. You might consider how the Ogham might be developed into chants, music, dance, or song. Poetry, short stories, or other literary works would also lend themselves well to considering the Ogham. If you are a visual artist, you might work the symbolism of the Ogham into various artistic creations.

Another option here for the Bardic arts is to work with the woods and materials from these sacred trees. Tulip poplar, for example, allows you to make amazing bark baskets—if you find a Tulip tree that has recently fallen, you can harvest the bark and learn basketry. The cambium of this same tree is excellent for using as kindling for fire starting. The woods of many of these trees, including Cherry, Sassafras, Oak, and Beech, are excellent for woodworking (including woodburning, turning, carving, and more). Learning each of the trees by working their wood in a Bardic tradition allows you deeper insight into the trees themselves.

Conclusion

I hope that this guide has inspired you to work with the Ogham or deepen your practice. Questions and comments about the guide can be posted to this page.  I welcome your comments, feedback, and thoughts!

Standing stone - bringing the solar into the telluric

Standing Stones at the Summer Solstice

Ancient peoples set standing stones in various places in the world.  In places, such as in the British Isles or Iceland, you can still often find these standing stones, trilithons, stone circles or stacks of stones.  While their many uses are shrouded in antiquity and subject to some speculation, in the Druid Magic Handbook, John Michael Greer describes standing stones can channel the solar current into the earth, which offers blessing and healing to the land.  I think it’s likely that standing stones can do many other things (tell time, point to astronomical features, be places of worship and community). Today, new groups of people and individuals are choosing to set stones. For our purposes, today, setting stones for land blessing and healing is certainly a good thing to do to provide spiritual support for the land.

The Summer Solstice is a fantastic time to raise a standing stone–in your garden, in a natural place you visit, or even in a planter on your windowsill. You can set a standing stone as part of a permanent sacred grove, sacred garden, or other such space of worship and do this as part of your solstice activities.  The full energy of the light of the sun will infuse your standing stone, allowing it to radiate blessing and light to the landscape.

Choosing Your Stone, Location, and Timing

A stone circle at Sirius Ecovillage--rebuilding sacred landscape features

A stone circle at Sirius Ecovillage–rebuilding sacred landscape features

As someone who has raised standing stones with many others at ritual events, I know how hard this work is to do, especially on a larger scale. Ancient—and modern—standing stones and stone circles were set by communities of people working together, often over long periods of time. The size of a stone that a single person, or small group of people, could set is nowhere near the massive stones of old, such as those seen at Stonehenge, Avebury, or other ancient sites in the UK.

And yet a smaller stone, set by one or two people, is no less effective at bringing in that healing energy and light, creating a space for ritual, and allowing you to commune with the land.

Begin by looking for a stone that you could manage to carry and set on your own or with a small group of friends.  I usually look for stones that are long and thin. Standing stones are ideal if they are able to be placed 1/3 in the ground and 2/3 out of it, somewhere that gets sun. Thus, the best standing stones are ones that are tall and somewhat long but not necessarily very wide. That’s a general guideline, however, and your stone might end up being something shaped very differently. Stones that contain some quartz are ideal (as quartz is an excellent transmitter of energy). Where I live, we have mostly shale and sandstone, I’d choose sandstone over shale since the sandstone has a higher quartz content.

Take your time looking for your standing stone. Look for it when you are hiking, in your yard, walking along streams, just being out in the world. A standing stone will find you when the time is right. I find a lot of these kinds of stones when I’m hiking and kayaking, but getting them back to where I might set them can prove difficult–so understand your own limits or move a stone slowly over time.

Once you have your stone, find the right place to set it—a place where you feel inspired by spirit to do so. This could be anywhere—an edge of a forest or field, in your backyard, even on your patio set in a pot with flowers (if you use this option, consider then moving your ‘energized’ soil to places in need of healing.  Like all other aspects of land healing, make sure that you engage in appropriate deep listening to make sure A) setting the standing stone is appropriate and wanted and B) that you have the right time and location to do such work.

Raising stones the old fashioned way

Raising stones the old fashioned way…yes that’s uphill!

To set your stone, choose a fortuitous day and time. The most fortuitous day of a year and timing for setting a standing stone is noon at the Summer Solstice, as you are calling upon the energy of the sun, and setting the stone when the solar energy is at its peak in both time of day and year will be powerful. You can choose any other day or time that is fortuitous, however, but I do suggest you set it at noon if at all possible.

Physically, to set a stone, you dig a hole, place it where you want it to go, and fill it back in, checking to make sure the stone stays in the position you want it as you fill.  Most standing stones go about 1/3 into the ground for the sake of stability.  I really recommend keeping it natural–no pouring concrete.  Just fill it in with whatever you dig out, add some gravel or smaller stones if you like for stability, and your stone should do well.

If you want, you can plant something around your stone (flowers or veggies if its in a garden, seeds or acorns you find nearby where you are setting the stone) and leave an offering.

You might like to use the following ritual for setting your standing stone.

Ritual for Setting a Standing Stone

Materials: Assemble all of your supplies prior to beginning your ritual. This should include tools needed to move and place your stone (such as a shovel) as well as blessing materials to bless the hole your stone will be seated in.  The ritual below uses an herbal tea made from fresh healing herbs: rosemary, sage, oregano, and lavender as well as a blessing sigil (a pentagram or other sigil as appropriate).

The Ritual

Open up your sacred grove in the manner you usually do.

Begin by stating your intentions for the healing to take place.  While I highly recommend you use your own words, you can also use the words here: “Land before me. What a journey you have had to get to this place.  And now, your healing is coming forth. As you regrow, as you heal, know that I am with you.  I set this standing stone today to aid you with your healing, that you may grow bountiful and diverse.”

Now, bless your stone. Pour some of the tea over the stone, and bless the stones in your own words.  Or you can say, “Sacred stone, sacred ancestor who has been on this land for millennia, thank you for lending your healing power as a channel for the solar current.”

Prepare to dig the hole. Say, “Spirits of nature, powers of this land, I offer my energy to prepare this earth.”

Standing stone - bringing the solar into the telluric

Standing stone – bringing the solar into the telluric

Dig the hole.  As you dig, focus your mind on healing for the land.

After you dig the hole, bless the hole with your own words, or say, “Sacred earth, oh cradle for this stone. Hold this stone firm, and be a conduit for healing to radiate forth.” Pour the remainder of the healing waters in the hole.  Place a blessing sigil in the hole as well.

Set the stone, making sure you firmly tamp down the soil all around the hole.

After you finish, say, “From above to below, from the solar to the telluric, may this stone radiate healing energy to all of the lands. Each day as the sun rises until the sun sets, this stone will serve as a conduit to channel nywfre (noo-iv-ruh) throughout this land.”

Visualize the rays of the sun warming the stone, and then envision the stone channeling those rays into the earth, a beautiful golden light emanating from the stone in all directions. Visualize those rays of golden energy helping plants regrow, seeds take root, eggs hatch, and young ones grow.  Imagine the land before you as a healthy, strong, and abundant place for all.

Offer your own vow as a caretaker of the land (optional, if you feel led).  “As I close this ceremony, I offer myself as a force of good and healing in service to this land.  Lead me as to what you need me to do.  Speak, and I will listen.  I honor you and heed your call.”  Bow your head and cross your arms.

Close the ritual space.

Closing

This ritual is most effective if you visit the stone and continue to offer healing and blessing.  After the initial setting of the stone, you might come back every solstice and equinox and do a full season of healing rituals or use it as a focal point for other work.  Or just come by the stone to commune with nature, meditate, and enjoy the energy.  I hope that the long days of summer (or long nights of winter for those in the southern hemisphere) bless you and keep you safe.

PS: If you haven’t had a chance to check out the Tarot of Trees 10th Anniversary Edition Indegogo Campaign, please consider doing so.  We are working to bring the Tarot of Trees in a revised and larger edition.  Thanks for your support!

Pattern Literacy: A Guide to Nature’s Archetypes

The unfolding of the bramble ferns in the spring always feels, to me, like the unfolding of worlds. The tightly packed fronds, formed at the end of last season and dormant all winter, slowly emerge, uncurling so slowly that you can’t see it happen, but if you come back later in the day, you can see clear progress.  I like to meditate with these ferns, as they connect me to the deeper energies of the cosmos.  The unfolding of the fern frond, there in my backyard, is the same pattern as the Milky Way galaxy in which we all reside.  It is in this sacred pattern that I can see the connection to all things and connect with nature deeply.

 

Sacred Spiral in the Spring Ferns

This post is a follow-up to a great conversation about wildcrafting one’s own druidry that members of the Ancient Order of Druids in America (AODA) had in April 2020.  In this conversation, one of the topics that we briefly we discussed was how people who were new to an ecosystem or transient might benefit from understanding nature’s patterns.  In this AODA-themed post, I would like to offer some deeper discussion of this concept of pattern literacy and share a few of these “universal” patterns that we can use in our druid practice.  Patterns can be used as themes for ovate work and understanding nature deeply, but also for bardic practices (such as incorporating them in the visual arts) or druid work (using them for magic, sigils, meditations, and more).

 

What are nature’s patterns?

Within the human realm, we are surrounded by patterns. Writers like Carl Jung and Joseph Campbell have helped us identify some of the archetypes within human life (the hero, the warrior, the mother, the hermit). Many cultures, including Native American cultures here in the US, have identified the archetypes present in animals (e.g. bear, wolf, eagle) and their broader representation. These archetypes are fairly accessible–many of us know someone who fits the mother, hero, or warrior role, and it’s clear to see how a bear might embody strength and protection. Thes archetypes help us make meaning of the world and to map our specific experience onto more general principles that are consistent across the human experience.  Of course these, too, are archetypes ultimately deriving from nature.  But today, we are focusing on another kind of natural archetype in the form of nature’s patterns.

 

Although it’s not always as apparent, the rest of nature also has its own archetypes, patterns that repeat over and over again; these are often explored in the practice of sacred geometry as well as in plant identification. Understanding some of nature’s broader patterns can help us connect deeply with nature, hone our observation skills, and engage more deeply with our own spiritual practice.   Nature is literally full of these patterns–patterns in weather, migration, blooming, wind, plant life, animal life, insect life, and more.

 

The other thing here that’s useful to remember is that ancient people knew, understood, and worked with these patterns in nature extensively.  We see them reflected among our most ancient sacred symbols.  We see them woven into spiritual and religious iconography, such as the spiral patterns present in Celtic knotwork designs.  Connecting with these ancient patterns helps us connect with our ancient spiritual ancestors, which I always feel has great benefit.  So now let’s look at a few of these big picture archetypes that nature offers:

The Spiral

After a cold and wet spring, the land is finally waking up and growing green here on the Druid’s Garden homestead. One of the characteristic patterns that can be found now is the spiral, as I shared above, reflected in the fern fronds. I also see this same unfolding patterns in the petals of Witch Hazel as they open in the fall, or in the petals of the New England Aster blooms as they die back and go to seed.  While we have a number of different spirals in the world, many of the spiral patterns found on the planet emerge from the sacred geometry of a number of spirals, including the Golden Spiral.

Spirals can be part of our sacred practices as well!

Spirals can be part of our sacred practices as well!

The Golden Spiral, and its associated golden angle and golden ratio, were well honored by many ancient peoples, and were worked with extensively by the Ancient Greeks. The Golden Spiral is a logarithmic spiral, derived from the golden mean equation, which has a value of 1.6180339877… (I can’t put the actual formula in here, but you can see it here if you are interested). The Golden Spiral is also known as the Fibonacci spiral because it is derived when you continue to add up the two numbers to derive a third.   0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, and so on.

 

Ancient peoples were particularly fond of the Golden Spiral, Golden Mean, and associated principles. These found their way into many other disciplines, like Ancient Greek architecture or DaVinci’s Last Supper painting.  The use of the Golden spiral in this way was another way that humanity could honor and connect with one of the great principles of the universe.  Speaking of the universe, the spiral pattern found in galaxies is–you guessed it–a Golden Spiral.  As above, so below indeed!

 

Major themes of the spiral:

  • The Microcosm and Macrocosm are present within the spiral.  When you look at the formula and the numbers, what really unfolds from it is like the relationship between the microcosm and the macrocosm: the small is in harmony with the large, and the large is in harmony with the whole.
  • Harmony is one major theme of the spiral–all things are in balance and all things have their place within the great spiral of the universe.
  • Paths to growth and wisdom. The spiral reminds us that things ever-unfold and ever-deepen.  This is the path from innocence and childhood to old age and wisdom.  This is the path that every living being walks, their own spiral path, the spiral of life, and living.  The spiral reminds us that while this path deepens over time, we can also learn a great deal

 

The Branch

The branching pattern is another very common pattern found all through nature.  As I look outside my window as I write these words, I am struck by the massive, 250+-year-old grandmother black oak that stands tall, reaching into the heavens.  Her branching pattern isn’t random; the branching pattern is 2:5, representing yet again, the golden mean. (This was discovered by an 11-year-old boy in 2011, which shows the power of citizen science and gives us hope that there is so much left to discover about the world around us!)  I see this same branching pattern when I kayak at a river delta, or when I look at the larger pattern of rivers flowing into a larger water basin.  When lightning strikes during a particularly bad storm, the branching pattern is also present.  When we trace evolutionary histories or even our own family histories, they branch out from us like a tree.

Branching patterns in walnut trees

Branching patterns in walnut trees

While branching may not have the ancient esoteric connections of some of the other archetypes presented here, I think that we can come to some conclusions about it simply based on how it functions in nature.  Here’s my own take:

  • Flowing from the source. Branches are inherently connecting while also expansive.  When I look at the branching pattern of the watershed that I belong to, each of those tiny branches becomes a larger branch, and all of those eventually flow into the same source–the ocean.  It reminds me that even though I might be a small branch, I am connected to the greater whole.
  • Collective thought and action. It reminds me too, of the power of collective thought and action–how a million small branches of a river can add up to a very strong current. We can be the river–each small stream can combine to a larger force!
  • Paths and choices: the branch also can remind us of the many choices that have led to the present moment, and ever-branching before us, the choices in the present and yet unrealized future

As you find this pattern in nature and meditate on it, I hope you discover your own meanings.

 

The Pentacle / Pentagram

As spring is unfolding on our landscape here, I look to the blossoms of the fruit trees: apples, blackberry, raspberry, and hawthorn. These blossoms all reflect another sacred archetype in nature, one that has at least a 5000-year-old human history: the pentacle or pentagram (they are the same symbol, the pentacle is simply surrounded by a circle while the pentagram is not).

The first recorded human use of the pentagram was by the Chaldeans of Mesopotamia, who lived between the 10th and 6th centuries BC.  Chaldeans were a nomadic people who were known for their skill in magic, astrology, writing, and the arts.  They often inscribed the pentagram into their pottery (for more on the fascinating Chaldeans, check out Chaldean Magic: Its Origin and Development by François Lenormant). The ancient Greek philosopher, Pythagoras, who lived in the 5th century BC, likely assigned the five elements to the pentacle: earth, air, fire, water, and spirit/psyche.  We see similar uses of the pentacle in antiquity in China and Japan.  Again, as with the golden spiral, the ancient peoples understood and worked with this symbol as one of nature’s archetypes–long associated with the elements and protection.

I find it ironic that, even in my own mundane landscape here in Western PA, people choose to adorn their houses with 5000 year old magical symbols in the form of “barn stars” or “country stars” or the more elaborate cut-out wooden pentacles that can still be seen on old barns dating to the 18th century.  Most modern folks just see them as a “country symbol” but a quick dive into history tells a very different tale!

Magical Barn sign in Somerset County

Magical Barn sign in Somerset County

In nature, you can find the pentacle not only in the blooms of the apple, but later, in the seed pattern.  Cutting an apple lengthwise allows you to see the pentacle pattern reflected there in the seeds.  Once you start seeing the pentacle and other five-fold patterns, you’ll see how abundant and rich they are.  Another cool tidbit–Rubus allegheniensis, the Common Blackberry, reflects this pattern in multiple ways.  You can see it in the spring in the petals, but also in the mature largest leaves (a 5-fold pattern), and, if you cut the stem straight across, the stem itself has a five-pointed pattern.  (And, you can see a Golden Spiral reflected both in the distribution of fruit clusters, leaves and thorns!)  Here are a few interpretations of this incredible sign:

  • Protection. The pentacle and pentagram are all about protection.  They don’t end up on barns in Western PA (or houses or anything else for that matter) without the desire to protect what is inside the barn.  For many early settlers, barns represented their survival: their animals and crops were their life.  Protecting that with the pentacle allowed them to thrive.
  • Unification of the Elements.  For millennia, the pentacle has also represented the union of the five elements of earth, air, fire, water, and spirit.

The Wave

A final common pattern is the wave.  This pattern is often on the level of the landscape: we see the wave pattern as waves in the ocean or sea, sand on the ocean floor, the pattern of sand from the wind in the desert.  We can see the same wave pattern in water flowing on a river or in blowing tall grasses in the wind. If we look into the sky, at times, the same pattern is sometimes reflected in the dispersion of clouds.  Waves reflect movement and the intersection of the elements: the sea with the shore (ocean waves, waves in sand under surface), the sand (earth) with the wind; the water in the clouds with the air.  Waves are all around us, showing us that change is constant.

  • Movement and energy. I think of the wave a lot like “The Chariot” card from the tarot—waves signify patterns of movement.
  • Variety–While the movement and energy are constant, the changes present in the wave pattern also teaches us the power of repetition, of pattern, and of predictability of change.  Each wave that crashes on the shore is unique and yet, consistent with other waves. waves remind us that change is all around us, the wind and waves are constantly changing and yet, also, repeating their unique patterns over time.  In the same way that humans have certain characteristics (e.g. two eyes, two hands, two feet) but infinite variation.

Key Plant Patterns

While I’ve just offered four major patterns in nature, I also want to talk briefly about other kinds of patterns, those we can find in plants.  Each plant family has its own patterns–patterns that repeat across species.

For example, the Rose (Rosaceae) family plants happen to mostly follow a pentacle pattern, particularly with their flowers, while the leaves are alternate and usually oval-shaped with serrated edges.  Plants in the mint family (Lamiaceae) instead, have a square stem/stalk, leaves that grow opposite from one another, seed pods that contain four seeds each, and are often aromatic (e.g. when you crush a leaf and smell it, it has a distinct smell).  Plants in the pea/legume family (Fabaceae) have an irregularly shaped flower that often has two large petals (called banners), two smaller wings, and a single petal called a Keel (similar to the keel on a sailboat). They often have pea-like pods and pinnate leaves.  I share these three patterns to help you see that each plant family has its own characteristics, things that define them, and if we learn those things, we can better understand, connect, and identify with life.  (I’ve mentioned it before, but the book Botany in a Day is the best guide out there to learn plant patterns).

Understanding these kinds of patterns can also help you navigate the world safely and with identification skills that can come in handy. For example, a few years ago, a friend and I decided to camp in the Flordia Keys–we had never been there and wanted to do some kayaking, etc, and get away from winter for a bit When we got there, I noticed a particular pattern that appeared to be what I would consider “Toxicodendron” like (e.g. in the sumac family). And I was right: I had just met a poisonwood tree–which turned out to everywhere in the Keys.  Poisonwood isn’t actually in the Toxicodendron subspecies, but it does belong to the larger sumac / cashew (Anacardiaceae) family.  Because I already knew the pattern of what these plants looked like from my longstanding relationship with Poison Ivy, I was quite good at quickly spotting them–saving my friend and I a nasty bout of dermatitis. 

The other piece here with plant patterns is useful for those that might be traveling and/or moving somewhere new.  If you are deeply connected with your local ecosystem and have to temporarily or permanently relocate, learning these larger patterns of nature can really help you reconnect.  Maybe you can’t find that which was growing in your old home, but you can find plants in the same plant family, which can help you re-establish and build these relationships.

Patterns in Spiritual Practice

Patterns in nature and in plants can offer many different kinds of insights for spiritual practice in the bardic, ovate, or druid arts.  In the ovate arts, plant patterns can help you more deeply connect to nature, identify plants, and work with the land and the spirits of the land.  You can establish deep relationships with plants across similar species by understanding them, identifying them, and looking for patterns.  In the druid arts, consider using nature’s patterns for themes for ritual work, meditations, or sigils.  In the bardic arts, you can use nature’s patterns as themes and inspiration for poetry, writing, visual arts, music, dance, and more!  The sky is the limit in terms of what you can do with these powerful patterns.

I’d also argue that many of the symbols that are developed over time by human cultures have their ancient roots in nature.  We might have advanced writing systems and iconography, but if you go back far enough, nature’s language is embedded within all of our symbols.

Patterns of the World

I hope that this post has helped illustrate the many magical and wonderful patterns present in our natural world.  Do you have any additional patterns to share?  How have you worked with these patterns? Are you working with other patterns? I’d love to hear more.

 

PS: Tarot of Trees 4th edition! I also wanted to announce that we are working to fund the 10th-anniversary edition of the Tarot of Trees.  If you liked the original, please check out the Indegogo campaign here.  We are offering the Tarot of Trees in a larger size with a new design.