The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

The Plant Spirit Oracle Project September 16, 2018

 

Spirit of the Oak!

Spirit of the Oak from the Plant Spirit oracle!

As we’ve been exploring over the last few weeks, plant spirit communication can take many forms.  The rustle of leaves outside of your window, the inner knowing, or the song a plant sings to you as you honor it for the harvest. These simple messages weave a complex landscape beyond what we can sense with our fives senses, and invite us deeper into the mysteries of the earth and all living beings. And as we’ve explored, the voices of the plants, the spirits of the plants, take a number of forms and can appear to each of us uniquely. What is clear is that the more that we open ourselves up to understanding them, honoring them, and working with them, the more connection we have with the living earth in her many forms.

 

Part of the reason I’ve been sharing so much about plant spirit communication over the last few weeks is that it has been on my mind and part of my active practice for a long time–and like a lot of things on this blog, at some point, I have enough to write about and share. Part of this is that I’ve been in development of a new oracle deck over the last few years, which I am calling the Plant Spirit Oracle. Since the project is about 80% complete, I decided it is time to share more about it with my blog readers and launch a website that describes the project a bit more. So I thought I’d share some of the project here and invite those of you who are interested to learn more at my project site:  www.plantspiritoracle.com.  You can also get regular updates on my instagram account @Druidsgardenart.

 

Some of you may know that I painted and self published the Tarot of Trees almost a decade ago. That was a 3.5 year project of 78 tree-themed tarot cards. It was just as I was beginning to establish my style as an artist, and it really was an incredible journey to embrace the bardic arts, learn tarot, do all of the paintings, and so forth. In 2015, I started paintings in a new series, tied to some of the pathworkings I was doing as part of my studies through the Druidical Order of the Golden Dawn. These pathworkings were facilitated by an inner guide.  I had been very active in my herbalism studies and practice, and when I asked for a guide, a plant spirit–black cohosh, specifically–came and we went on a journey together. She asked me to paint her, so I did, and it was a fun experience. Then it happened again, and again, and again. It was a set of paintings that were derived from spirit journeys–but in each case, I had a clear visual of what to paint. These paintings are certainly some of the best I artwork I had ever produced.

 

And after about six months of regular meditation and journeying, I had 10 plant spirit paintings.  I laid them all out and realized that it was a second oracle project, my follow-up to the Tarot of Trees. Just like the Tarot of Trees, I wasn’t clear that it *was* an oracle project at first.  A lot of the techniques I am sharing in my plant spirit communication series actually directly stems from my work with the plants in this series.  I moved to a new state, took a new job, and my paintings on this series ebbed and flowed.  In 2018, however, I really dove into the project again, and decided I wanted to finish it and release it sometime in 2019. At this point, I’ve painted, 35 cards, 33 of which will certainly appear in the oracle.  I am planning for about 40-45 in total.

 

So, today, I wanted to share some of the cards from the Plant Spirit Oracle and some of their meanings for you to get a sense of the project.  The finished project will not only include divination meanings and information but also herbal preparations and other ways to work with the plants!  We now delve into six of the plants from the Oracle: Yarrow, Witch Hazel, Comfrey, Apple, Blackberry, and Poison Ivy.

Yarrow

Spirit of Yarrow

Spirit of Yarrow

Yarrow is common throughout the world and has long been associated with invisibilty.  Yarrow keeps things hidden, just as the image for this card–painted in 2017 at the full Lunar Eclipse–also conceals much.  The luna moth comes out at dusk and flies in the night, a sign of concealment and yet beauty.  The yarrow flowers spiral ever inward.

Divination Keywords: Invisibility, Hiding, Protection, Being Unseen

Witch Hazel

Spirit of Witch Hazel

Spirit of Witch Hazel

 

Witch Hazel has the unique feature of blooming in the late fall and early winter, when everything else is dying, brown, and still. Witch hazel, therefore, is like a beacon in that dark time. The left half of the painting shows Witch Hazel during the light half of the year, with green leaves and dried seed pods. During the dark half of the year, Witch Hazel turns crimson and orange and then, even after her leaves drop, she blooms. And blooms, and blooms. As the snows come down, she blooms. Her song of hope and change is played by the babbling brook which flows between the dark and light half of the year. Witch Hazel offers us a very powerful message for these dark times—not to give up hope. Our children’s children’s children are waiting for us to become ancestors.

Divination Keywords: Shining in the darkness, overcoming difficult odds, hope for the future, music of the earth, spirit songs

 

Comfrey

Spirit of Comfrey

Spirit of Comfrey

Comfrey is one of the most well known medicinal plants on the planet, well loved and well respected by herbalists.  She is known by many names, including knitbone, boneset, and mending plant.  This is because of her many uses for mending bones, healing serious wounds, and healing the body inside and out.  Comfrey also is an amazing garden plant; she is what is known as a “dynamic accumulator” meaning that her deep tap roots can pull up nutrients and make them available to other plants.  She also is a summer long producer of nectar for insects and birds. In the card, we can see the hummingbirds feasting on her nectar while her roots hold the power of the planets.

Divination Keywords: Resources, personal action, leveraging one’s skills and abilities, favor from the heavens, astrology, manifestation, recognizing the opportune moment, “stars” aligning, taking action now

 

Apple

Spirit of the Apple

Spirit of the Apple

There is nothing quite like finding an apple tree in full fruit in the fall months. A single apple can produce hundreds of pounds of fruit and each apple tree, particularly those that are wild, offer incredible diversity in their fruits. The Apple tree has had a tremendously long history with humans. Ancient humans, and some modern, engaged in rites to “wassail” the tree so that she would produce more apples, which could be dried, turned into sauce, butter, fresh cider, or hard cider. Truely, Apple is a tree of fertility, offering many blessings and gifts with her magic.

Divination Keywords: Magic, Fertility, Creativity, Nature Connectedness

Blackberry

Spirit of Blackberry

Spirit of Blackberry

If you’ve ever tried to pick wild blackberries in the height of the summer, you likely will have paid a price for those delicious treats. Wild Blackberry produces amazing, large, juicy fruits, but she often demands a blood price from those who seek her fruits. The deeper you get into a blackberry patch, the more difficult the patch is to escape from. In my region, we call her a “jagger bush”, and getting “tangled in jaggers” is not a place you want to be! The blackberry painting features a huge tangle of bushes growing from a porcipine—another creature that enacts a strong price if you get too near. The blackberry, therefore, teaches us that actions have consequences and to tread carefully.

 

Divination Keywords: Enganglement, Consequences, Wrapped up in Troubles, Rewards after a long struggle, Doing things the hard way, Paying a price

 

Poison Ivy

Spirit of Poison Ivy

Spirit of Poison Ivy

 

Poison ivy is one of the most feared and avoided plants in the natural environment due to the contact dermatitis it creates after several days of exposure. Because many have had a previous run-in with poison ivy with lasting consequences, it encourages people to learn to recognize it, to avoid it, and to avoid areas with it. In other words, poison ivy, through its hard lessons and pain, teaches us to be aware of our surroundings and stay guarded.

And yet, this defensiveness can go both ways. When I encounter poison ivy, I see how it protects places—growing thick so that none can get through. It especially grows thick along the edges of forests and fields, in “edges” where the wild lands are meeting cultivated lawns and other human-dominated ecosystems. It works, in this way, to be strongly and visibly defensive: growing to keeping people out. In fact, it is this “edge effect” that has allowed poison ivy to substantially spread its range due to the increasing disturbances caused by modern building and lawns, and is, in some ways, nature’s response to human incursions and lawn cultivation. Today, it is much more common than several centuries ago, primarily due to the amount of disturbance in the landscape that humans have created and due to the increasing carbon dioxide in the atmosphere. This ecological reality parallels its divinatory meaning.

If you’ve ever suffered from poison ivy, you know that the more that you scratch it, the more you spread it, offering yet another powerful lesson: sometimes we have to just let things run their course and not do anything to further upset the situation.

Divination Keywords: Defensiveness, Awareness, Hard Lessons, Letting things run their course, Caution, Danger

 

 

Closing Thoughts and Links for More Information!

The plants have much to teach us both physically and in spirit.  I hope this look into the Sacred Plant Oracle has uplifted your spirits and brought you joy. Thank you for reading! To keep updated about the Plant Spirit Oracle (and be notified when preorders are available, likely early 2019) please visit this page!

Spirit of Calamus / Sweet Flag

Spirit of Calamus / Sweet Flag

 

Plant Spirit Communication Part III: Spirit Journeying September 2, 2018

Plants have been teachers and guides to humans for millenia. Deeply woven into our own DNA are receptors for certain plants and plant compounds. Our ancestors understood this, and in different parts of the world, cultivated thousands of medicinal plants, healing plants, teacher plants, for use on mind, body, and spirit. While the physical plant can offer much to our bodies in terms of healing, strengthening, and support (which is the basis of herbalism practice), plant spirits can offer the same thing to our hearts and spirits.  While there are lots of ways you might go about doing this, one useful tool is to enage in plant spirit journeys.  This is the third post in my plant spirit communication series; if you haven’t yet read the first two posts, go here and here.

 

Journeying is a catch all term that describes “inner” experiences that people have where they go to new places, meet spirits and guides and other beings, and interact in various ways. Depending on the tradition, worldview, and belief systems of the practitioner, these journeys be described as taking place in the realm of the imagination or on alternative planes or dimensions that are as real as the material plane we inhabit. While what you believe about the experience is important, especially to your own processing of it, it doesn’t actually change the fact that, with practice, anyone can do spirit journeys regardless of what they believe–as long as they are open to the experience. The act of journeying is ancient, from accounts and records of indigenous peoples all over the world and the myths and legends worldwide, this practice was a common practice, a human pratice, a tradition of many ancestors in many places. Sometimes, and in some cultures and traditions, journeys are supported with the use of teacher plants or mushrooms to put people in a more receptive state; other times, they are supported with chanting, drumming, or other ways of achieving a deep meditative state. Today’s post explores the idea of inner journeying for the purpose of connecting with plant and tree spirits. What I’m offering here are some of my own techniques that I’ve adapted and developed for specific use with plant spirit work; these techniques are heavily informed by both my studies in the druid tradition as well as my experiences studying the Celtic Golden Dawn.

Spirit of Tobacco Painting (Part of my Plant Spirit Oracle project)

Spirit of Tobacco Painting (Part of my Plant Spirit Oracle project)

 

Just as we experience on the physical plane, journeys have power. In our everyday lives, journeying to new places and experiencing new things helps us grow tremendously. A journey offers us a chance to step away from our everyday rhythms and life, to see new things, eat new foods, meet new people, gain new insights, and go new places–all of which helps us process old wounds and grow as people. Journeys can offer our physical bodies and minds relaxation and rejuvenation. Everything that I just wrote about “outer” journeys an also be true of “inner” journeys, including plant spirit work. In both cases, the journey helps us experience new things and do deep work on ourselves, our healing, and our own spiritual and mental development. And in the case of journeying with/to plant spirits, the plants have much to offer us in terms of teachings, healing, and insight.

 

Preparation of Mind, Body, and Space

Plant spirit journeys do require a few kinds of preparation. Preparation helps ensure a good and productive plant spirit journey.

 

Preparation of the mind.  Building your own skill in meditation and focus can greatly aid you in your plant spirit journeys. I shared some of the fundamentals with regards to getting ready to do deep work with plants in my earlier post, particularly concerning meditation. I suggest if you haven’t read those two posts, please review them.  Before you do a plant spirit journey, it is also helpful to check your mental state: if you are in a place of high emotions (anxiety, anger, elation, etc) you may not be in a balanced place to have a good journey and your own emotions may cloud or otherwise disrupt the journey. I would suggest choosing a different time for plant spirit work where you are calm and in a good mental head space.

 

One of the skills needed for inner journeying is visualization. In conjunction with meditation, it also can be a skill that takes time to establish. If you haven’t done exercises in visualization before, here is one to get you started. Begin with the candle meditation (described in my earlier post). Focus your eyes on the candle as it flickers and continue your breathwork. Have the image of the candle firmly in your vision. Now, close your eyes; continue to see that candle in your inner vision. Practice this, and eventually, you can attempt to visualize other things: forests, stone circles, anything you like, to practice in preparation for your journey.

 

Preparation of the body. Preparing yourself physically can also help you get into a receptive state of mind for the journey to take place. There are a lot of options here, and you should choose what most appeals to you. I like to do a bath in candlelight, and then don simple yet comfortable cotton robes to do my plant spirit journey work. If you don’t have time for the bath, you might do a simple smudge technique. Again, what this is doing is helping you prepare, washing or smudging away some of the worries of the day, and so forth.

 

Preparation of the space. Physically preparing the space where you will do your plant spirit journey is also helpful. If you are outdoors, you might have to find the “right spot” and then perhaps setup a small altar for the elements.  If it is during anytime where bugs would bother you (and oh my goodness, can mosquitoes ruin a good journey) I would suggest finding a way to keep them off of you.  I actually use my backpack tent; it has a fully screened inner area (and an outer rainfly). If I set it up (which takes all of 5 min), I can then go into the tent, still be outside, and not let the bugs bother you.  This isn’t always necessary, but in areas where there are dominant horse flies and mosquitoes (pretty much anywhere I’ve lived from July to September) it is a wonderful way to maintain your focus and still be out in the world.

 

If you are indoors, again, setting up a small altar or lighting the space with candlelight can be useful. I have my main altar in my art studio; under the altar is a thick carpet that is perfect for laying down and doing journeying work. I will tend the altar (setting up the elemental bowls, getting incense lit, lighting candles, etc) before I begin.  If I have a specific plant I want to meet, I will use a piece of the plant (physically) or image of the plant and place it on the center of the altar.

 

Prepare others in your life. Minimizing distractions is a really important part of inner journeying.  You don’t want to have your partner or child disrupting your journey work–it can be extremely disorienting (and rude to the plant spirit). So make sure you are able to find quiet for this work–that might mean doing it late at night or early in the morning before others you live with are awake, etc. It also means tending to any pets that may be disruptive (not all are, my cat, Grimalkin, will often join me in my ritual space and serve as a gaurdian). The point here is to give yourself a quiet, safe space for this work–and give yourself a span of whatever time you need.

 

Preliminaries: A Sacred Space and a Sacred Grove

Establishing Sacred Space

Before you do any journeying work, you need to establish a sacred space from which you can work. Many traditions offer you tools to do this. In the druid tradition, we open up a sacred space (what we call a sacred grove) by doing some combination of the following:

  • Declaring our intent for the ceremony and announcing the opening of the grove
  • Declaring peace in the quarters (May there be peace in the East…)
  • Saying the Druid’s Prayer or other prayers
  • Offerings to ancestors, spirits of the land, plant spirits, etc.
  • Calling in the four (or seven) elements; possibly also doing banishing work to remove negative influences of those elements from the space; possibly using them for blessing, consecration, or raising energy work
  • Casting a circle or establishing a sphere of protection around the space.

At the end of the journeying, you take the sacred space down: thanking the elemental powers in the four directions, perhaps saying another prayer or two, perhaps making another offering, unwinding the circle/sphere of protection, and declaring the ceremony over.

 

It is important to establish your sacred space each time you sit down to do journeying. Establishing a sacred space helps put you in the right frame of mind; it also assures that any unwanted influences, spirits, and so on, are kept from the space for the duration of your plant spirit journey.

 

Your Inner Sacred Grove

Spirit of the Birch

Spirit of the Birch

Many traditions that use journeying, including both the Celtic Golden Dawn and OBOD Druidry, use an inner grove, or series of inner groves, to help you establish a safe space for journeying work. Establishing a safe space on the inner planes is critical for long-term plant spirit work, and can put you in a place of comfort from the very beginning.

 

Your Sacred Grove.  The first stage of plant spirit journeying should be in establishing and exploring a space that you find or designate as your inner grove. Your inner grove is a space that your visualize and travel to that is your starting point.

 

To begin to establish a sacred grove, you might think about an outdoor place that you really love or envision an outdoor place that you’d love to be in. This space should be completely peaceful and safe for you. What features of this space do you want to include? A stone circle? A ring of trees under the moonlight? A beach with the waves lapping against the shore? Once you have decided upon a space that suits your needs.   Start by visualizing these features in your inner eye. Work to establish this image as firmly as possible; the first time you go in. If you are new to journeying work, it may take some time–and that’s ok. There is no rush, and these practices take the time they take. (As a reference, when I started this kind of work in my adult life, it took me several months of regularly journeying work to get to a place where I felt comfortable in and around the sacred grove).

 

You might also find that it is helpful to create a “key” to enter your sacred grove. A tune of music, a particular drumbeat, a specific word or chant–something that helps put you in a receptive space to enter that inner grove can be very helpful. Train yourself to your key by using it just before you aim to enter the inner grove.

 

Once you have the grove established, you might do some exploration–what is where in your sacred grove? Do you see paths, gateways, and so on?  is there an altar? Objects on the altar? What is growing? Is there anyone in your sacred grove? (You might already have spirit guides, plant spirits, and other guardians in that space to interact with). You will likely find that a whole landscape begins to grow as you do this work. The more you put into visiting and exploring the sacred grove, the more rich experiences you will have.

 

Preliminaries: Plant Interaction

If you are preparing to meet a particular plant spirit, it is very helpful in the day(s) before you do that journey, you have interaction with the plant on the physical plane if at all possible.  Interaction can mean a lot of things: planting seeds or harvesting part of the plant, sitting with the plant in meditation or observation, drinking a tea or eating some of the plant, smoking some of the plant, making things from the plant, working wood from the tree, you get the idea. Use the plant, interact with it, and if at all possible–bring it into your body in some way (if it is safe to do so). This “primes” you for the spirit connection.

 

You can do this priming for days or even weeks in advance.  For example, put rosemary in your food, create a rosemary smudge stick, sit with your potted rosemary and tend her, drink a rosemary tea–and when you go to do your plant spirit journey, you are likely to have gotten Rosemary’s attention. The plants, particularly the healing plants, want to work with us, but we have to show them that we want to work with them too.

 

For example, I primed myself for meeting tobacco on the inner planes by harvesting it at Lughnasadh in a ritual, laying it out for drying, and also writing about it on my blog. When I went to do another plant spirit journey as part of developing my Plant Spirit Oracle, it was unsurprising that Tobacco showed up with his wisdom and offered me a painting for the deck!

 

Going on a journey--where will it lead?

Going on a journey–where will it lead?

The Plant Spirit Journey

You’ve prepared your mind, body, and spirit for the work.  You’ve established a safe inner grove that you can begin with–now the time comes for the plant spirit journey itself–which has several steps.

 

Prepare your mind, body, and space.

 

Open up your sacred space. 

 

Make an offering: Begin your plant spirit journey ceremony by making some kind of offering to the plant.  Offerings can be many things: compost, music, liquid gold, cornmeal, tobacco, even a bit of special rainwater you collected, etc.  Let the plant spirit know that you are calling to them and honor them–get their attention.

 

Prime yourself. As you begin your inner journey work, you may find it helpful to prime yourself with the plant–drink a tea, use an oracle card or image to focus on the plant or a piece of the plant or the potted plant.  Have it with you physically in some way as you enter your inner grove.

 

The Journey.  Make yourself completely comfortable (sitting, laying) so that you can stay still for an extended period of time.  Enter your inner grove.  Call out to the plant spirit and ask them to guide you. Wait for the spirit to arrive (helpful plants, like herbs, are almost certain to come! Other spirits may take more work and multiple calls, especially those who are less connected with humans).  Let the spirit guide you on the journey.

 

Journal. Keep a journal about your experience; I suggest writing in your journal prior to even closing out the space. I literally keep my journal next to me as I do my journey, and as soon as I come back to my physical body, I write everything down.  If you wait too long, your mind will no longer be in the state it was during your journey, and you may lose details (and the details are important!)  So get it all down so you can reflect on it later.

 

Close out the space. Thank the spirits and powers you summoned, bring yourself back to this plane.

 

Do some grounding. Ground yourself after the experience–eat something, allow yourself time to re-integrate back into your life.

 

Meditate on your experience.  Spend some time reflecting and meditating about the experience in the week or so after your journey.  You will often find that you can have additional and deeper insights if you meditate on portions of the journey each day in the days after the journey.  This meditation process can take some time.  For some journeys, it can take weeks of reflection to “unpack” everything that is present in the journey!

 

Plant spirit journeys are amazing ways to connect deeply with yourself and the plant kingdom and it can be a regular part of your spiritual practice offering deep awareness, insight, and joy.  I wish you blessings on your travels!

 

Plant Spirit Communication, Part II: Communication in Many Forms August 26, 2018

I remember taking a drive with some friends and friends-of-friends some years ago. As we were driving through a really nice forest preserve with some old trees, one of my friends in the car said, “There’s so much money there in the trees, some of them would be worth more than $1500.” He went on to talk about how his family had recently logged their property and earned over $25,000. Other people in the car jumped in and talked about the forest’s beauty and argued against him; and I just listened. Finally, I responded and said, “Every living being has a spirit. I hope that forest stands forever. They deserve to live as much as you or I.” Before this conversation had started, I was listening to the singing of that forest, so happy, so safe to be preserved. This experience stayed with me, and was a good reminder about the many lenses through which we might view the world.  One person sees a forest and sees money, and another ones sees spirit. The spirit in all things, the singing of the trees and of the land.  It is a way of attunement, a choice to see certain things and set aside certain others.

 

Ancient roots offer ancient wisdom

Ancient roots offer ancient wisdom

And so, we pick up where we left off, in the realm of spirit.  In last week’s post, I explored the preliminaries to plant spirit communication: cultural deprogramming, learning your spirit language, and meditation techniques to get you started.  If you haven’t yet read that post, I suggest you start there and then come here. This week’s post gets into a few different kinds of plant spirit communication that you can do.

 

A Few Principles for Plant Spirit Communication

Before we get into the communication itself, let’s talk about a few principles that are helpful to understand:

 

Communication comes in many forms. It might not be a message that you get but a song, a phrase, an image, a feeling, a bit of laughter or joy. It might not be anything profound but “I’m hungry!”  Just accept what comes. Plants are people too. Not everything is always super serious.

 

Plants work by the seasons. Time is different to plants, and part of why meditation (as I discussed last week) is so helpful is that it encourages us to slow down enough to be present with the plants and to move more at their pace and speed.  It might be that a single message takes a long time to convey–a period of days, weeks, months, or years.  And that’s ok–if you want to communicate with nature, you have to be moving at nature’s speed.  I wrote about this in my tree series–the trees and perennials go deep within their roots and slumber during the winter, so you can’t always communicate with them certain times of the year.

 

Not all places and plants are “awake.”  Depending on the kinds of land use history and previous interaction of humans in the last few generations on your land, the land may have gone to sleep and the spirits may be present, but not very active, or at least, not attuned to humans wanting to communicate. I think this is why the “approaching” material that I offer next is so important.

 

Not all plants have direct experience, but they do have ancestral knowledge. Its also possible that for the plants, as well as for us, communicating is nothing more than an ancestral memory.  I’ve been to forests here where the trees said I was the first to talk of them in several generations, certainly in their lifetimes.  They conveyed to me that they knew it could happen but they hadn’t ever experienced it.  So it is like we are all learning together–and that is a very exciting place to be. This is likely to be more true in places where indigenous peoples were eradicated from the land several centuries ago–it is likely that those indigenous peoples were the last that spoke to them.  Here, that would be at least two centuries, most unfortunately.

 

Not all plants jive well with humans. Certain trees and plants don’t have energy–or physical plant matter–that is beneifical for humans. Elm is notoriously known for this in several cultures.  Many of the poisonous plants, like poison ivy or poison hemlock, also may not really want to talk.

 

Towering White Pine, Parker Dam State Park, PA

Towering White Pine, Parker Dam State Park, PA

Some plants really love humans. On the other hand, some plants really love humans and have been working with them for millenia.  These are often cultivated plants (think about how far humans have spread apple trees!) or healing herbs like rosemary, parsley, sage, lavender, lemon balm, and more.

 

Personal gnosis is personal. Each of us may get different things, our own “truths” as part of plant spirit communication.  This does not mean that what you experience is the same as everyone else–or should necessary be shared with others.  This is for two reasons: first, this work is deeply personal, and there are messages that are meant only for you; others may need to find their own way to this work.  But second, different plants may reveal different aspects to you (which may appear contradictory and actually isn’t).

 

Plants are individuals. Just like not all humans who grew up in the same town and look similar have tremendous variety in terms of ability, interests, and personality, so do plants.  Plants and trees are each individuals; keep this in mind when interacting with them.  Plants are people too.

 

Approaching and Honoring Plants and Trees

And now we begin the work of communication itself. Just like with any other kind of communication, not every tree or plant out in the world is excited to talk to you and wants you in their space.  I actually think going up to a plant or tree and assuming that they do want to interact with you intimately is kind of like going up to a random person on the street and starting to talk their ear off.  Plants are not ours to do what we want with; they deserve our respect as any other person would.

 

If you are approaching a new plant or tree with the interest in communicating, I find that approaching a plant in respect first, and asking to communicate, is generally a good way to begin. If you begin the nature meditations I talked about last week near plants or trees you want to communicate with, that can already help pave the way for plant spirit communication.

 

If you are approaching new plants, here are a few things I like to do:

  • Find a plant or tree to which you are drawn. Perhaps you are walking in the woods and a certain tree or plant catches your eye, and you feel compelled to go over.  Or you have a plant or tree you are drawn to every day on your walk to work. These are great plants to start working with in this way.
  • Sit quietly with the plant and see how it “feels.” Do you feel invited in? Do you feel like the plant wants me gone?  Most plants are usually pretty friendly, but not all are.  Further, given the history of land use (spray, cutting, etc) the plant may want left alone (or not be willing to do anything more until land healing or repairations can take place).
  • Making a simple offering. I usually use my home-grown tobacco or cornmeal for such an offering, if I feel a physical offering is warranted.  Singing to the plants, playing music, or drumming with them is also a wonderful offering. Finally, your own liquid gold (urine) diluted 1 part urine to 10 parts water, is a fine gift to be poured on the roots.  This is part to honor the plant, but also to help with the “awakening” pieces I discussed above.
  • Tend the plant if it needs to be tended.  Maybe you can aid the plant in some way–scattering seeds, removing pests that are eating the plant, adding some mulch, etc. Make sure you are helping and not harming.

 

I will say that for plants that I’ve cultivated from seed planted as seedlings, they are always happy to communicate (as I helped them grow strong and tended them for likely months or years already), but for those I find out in the world, more of this kind of work is needed.  This work can take time and multiple visits to the same site before you are ready to move on–again, nature’s time is not always human time.

 

Types of Plant Spirit Communication

Now that we have some of the preliminaires out of the way, we can explore a few specific techniques for this work:

 

Listening to the plants

Listening to the plants

Inner Listening: The first type of plant spirit communication is a simple inner listening technique.  I say “inner listening” but it doesn’t just have to be using clairaudience, rather, it can be using any of the different communication techniques I listed above.  The bascis of inner listening are these: you begin by clearning your mind and then opening ourself up to any messages, whether they come in words, images, feelings, songs, energies, etc.  You can use the plant meditation above as a precursor to your inner listening–just pause, see what you experience. This is the first and, in my opinion, most useful step of plant spirit communication. You won’t always get messages, but you may, and the more you practice this, the better you will get (and the quicker messages will come) with time.  You might do this listening silently or with aid of a drum ,rattle, or other steady beat.

 

Group Listening: You can do this individually or in a group of people. I once remember a group of us sitting around a tree at a workshop; we tapped on the tree’s roots and listened to the tree as a group, each sharing our experiences of what we saw, heard, or felt. This allowed us to affirm and confirm what each individual was hearing; it was also fun to experience how different people in the group had messages with different communication strategies (some very visual, some auditory, others feeling based, and so on).  This is especially good for new people who are still learning to trust what they are experiencing and want some confirmation.

 

Divination Tools: Using a divination tool to ascertain messages from plant spirits is another technique that is quite effective.  You might use a pendulum for a simple yes/no, an oracle deck (like Philip Carr Gomm’s Plant Spirit Oracle), a tarot deck (like the Tarot of Trees), ogham, runes, and more.  Divination tools are often much more accessible than inner listening to beginners on the path of plant spirit communication–however, interpreting the messages from an oracle can be an art form in and of itself!  I would suggest you start with something really direct and clear if you are new to divination, like a pendulum or a coin that would give a clear yes/no answer.  Then you can move into more complex uses.

 

Inner Journeying: Inner journeying to meet a plant spirit and have a conversation or lesson, is another way that you can connect deeply with plants and learn from them.  this is a more advanced technique and will be discussed in next week’s post in more detail, as this post is already getting pretty long!

 

Outer Listening/Observation: Nature is wonderful at giving messages for those who are paying attention. Sometimes, you might get a clear outer message–asking a question and having a leaf drop right in front of you, watching the leaves or flowers bend in the breeze, having a hummingbird come up right to the plant you are working with.  It is helpful to keep one’s inner and outer senses open!

 

Energy exchange. Sometimes the main communication isn’t a message at all but an exchange of energy.  Placing your hands on the plant, sitting with it, or leaning against it (if its a tree) can all help facilitate this energy exchange.  Sometimes this energy exchange can be the precursor to other things.

 

You as a Plant Spirit Communicator

This is a little hard to put into words, but let me see if I can.  In classical rhetoric, there was something called “ethos”; this was one of the three ways that Aristotle articulated that could help a person be persuasive.The concept of ethos is useful here for plant spirit communication.  Ethos is your credibility, the reputation and personal force that you bring to the situation, or that you create for yourself.  Two kinds of ethos exist: invented and situated.  Invented ethos is when you have to build your ethos in a situation from scratch; e.g. whoever it is you are communicating with doesn’t know you or who you are.  Situated ethos is ethos you bring to a situation; they have heard of you before (good or bad) and so they are going in with some more information about you.

 

When you first start working with plants; plants of a specific species or area, whatever it is, especially if you haven’t done any other spiritual work in that area, you likely will have to prove yourself a bit.  Invent your ethos, so to speak.  Offerings, deep listening, not imposing yourself, and being respectful all help here a lot.  If you do that enough, those actions will carry with you, and you will build a connection (situated ethos) to those plants over time.

 

So on the other side of this, maybe you’ve been cultivating a relationship with a plant, or a plant species, or a particular area, for a long time.  The more you do with that plant species or area, even before you start trying to do some of the spirit communication I’ve outlined above, the more that the plants and land will be open to you.  You come in, then, with situated ethos.  (Of course, if you are doing bad things to the land, you can imagine how that would go!)

 

This is to say, plants remember.  The land remembers.  Plants speak to each other; you develop a relationship with a tribe of plants (a species, an ecosystem) and the more you work with one, the more all will be open. Over time, this can be a tremendous tool.

 

That’s it for this week’s post–I tried to cover all of the bases of plant spirit communication, at least the ones that I have used and know well.  If anyone has other methods or information, please do share in the comments!  Next week, we’ll explore plant spirit journeying in more detail.

 

Plant Spirit Communication, Part I: Your Native Langauge August 19, 2018

When I was  new to my first job, a colleague had given two of us both who had been recently hired an elephant ear plant seedling for our offices. Our offices were next to each other, both with the same window. Each plant was planted in an identical pot and in identical soil. My elephant ear plant grew quite large and beautiful, while my colleague’s plant kept sending up small shoots and dying back. Finally, she said to me, “Why is your plant doing so much better than mine?” And I responded as a druid, totally without thinking, “I just talk to the plant and it tells me what it needs.” She rolled her eyes at me, let out an exasperated sigh, and walked away. She was never a very pleasant person, but she was particularly nasty to me for some time after that. Perhaps she thought I was mocking her, or unwilling to offer the right information, but I wasn’t. What I had said to her was true, but she couldn’t accept it. Eventually, I saw her watering the plant a tiny amount, and I bought her a bigger watering can and some organic fertilizer (I used my own liquid gold, but that is certainly not something I was going to tell her!) and eventually her plant did grow. But, this short interchange offers some insights into the cultural challenges present for those of nature-based and animistic paths with regards to plant spirit communication.

 

A great place to commune with the plants

A great place to commune with the plants

It seems that only modern western industrialized civilization scoffs at the idea of plant spirit communication, or any spirit communication. Further, this culture insists such things aren’t “real” because they can’t be scientifically observed and measured; and science is often put at odds with spirituality. This means that for those of us growing up in mainstream westernized cultures, particularly here in the US, it means that that we likely haven’t acknowledge or had the opportunity to cultivate a whole set of human gifts that humans in other places and times have.  For some of us, it takes a while to strip this cultural conditioning to be able to communicate–but we all have this ability.  It’s just about acknowledging it and honoring it.

 

Westernized culture is a bit of an anomaly in terms of spirit communication, however. In ages past, and in most indigenous cultures still today, the idea of communicating with the spirits of animals and plants was a daily part of life, something that at least a portion of the population did regularly. In fact, you can see examples of spirit communication in nearly every major culture in the world other than modern western culture. For some cultures, every person had this ability, but in many, often it was certain people who had the gift or were selected and specially trained to communicate with the spirits in more deep ways. Some cultures–ancient or modern–had an animistic perspective (see Graham Harvey’s amazing book on animism for more on this) while others preferred to talk with other non-corporeal entities, like ancestors, spirits, deities, and so forth, but the basics of spirit communication is the same. Deep listening, respect and reverence, and time are all needed.

 

In a recent post, I talked about developing deep relationships with plant spirits through cultivation, harvest, and sacred relationship.  In an earlier post, I’ve also talked about listening to trees on the inner and outer planes, both of which connect to today’s topic. So for the next few weeks, we’ll explore plant spirit and tree spirit communication in more depth. This applies to all kinds of plants, large or small, and I’m just going to use “plant spirit” to mean pretty much everyone.

 

Cultural Deprogramming

To develop plant spirit communication techniques, many of us from Western civilization have to engage in some cultural deprogramming before we can begin the actual plant spirit communication. The first is illustrated in my opening interchange–getting past the “disbelief” that this can’t really happen, that it is a made up fantasy, that it is not real. Because these things are continually reinforced in daily interactions, moving beyond these cultural mindsets can be hard thing to do and it can take considerable time. It may also take time due to the programming our birth religions may have left us with (this was a real struggle for me). This work ultimately involves deprogramming ourselves of that “inner voice” that tells us that we are “making up” and encourages us to disbelieve.

 

This deprogramming process can take time, and it is certainly a cyclical process that you may need to return to as your own practices deepen. A few things that helped me both with cultural and birth religion deprogramming are as follows:

  • Talking to others on the path. Having a second person, or group of people, validate your experiences, and share plant spirit communication experiences of their own is deeply gratifying.
  • Avoid the “shoulds/Shouldn’ts”.  Don’t tell yourself what you should believe, what you should do, what you should or shouldn’t experience.  Just be open to the experience and try to withhold judgement.
  • Examine places where you feel uncomfortable. These may have to do with longer unexamined ideas or patterns from culture, birth religion, etc. Getting to the bottom of these places can help you understand them and move beyond them.
  • Going in with an open mind and open heart. Be willing to suspend judgement and simply experience what comes. Set aside preconceived ideas about what you may experience and simply be open.

 

Ultimately, this deprogramming and coming to a place of acceptance is a matter both for the mind and the heart. To me, some of the primary work is move us out of a “head centered” or “logic dominated” space and into a “heart centered” space of feeling and intuiting. Its not that we discount the mind and its inner workings; its just that Western ways of thinking essentially deny heart spaces, they deny intutition, and these non-physical ways of knowing, and so its important to recognize, and cultivate, and opening of the heart.

 

Plant Spirit Communication: Your Native Langauge

Wild strawberries - friend of humans!

Wild strawberries – friend of humans!

In working with a lot of different people over the years wanting to learn spirit communication, what I’ve found is this: we each have a “native language” when it comes to spirit communication. This native language can manifest in a lot of different ways:

 

  • Clairaudience: Being able to hear the plant spirits speak.
  • Clairvoyance: Being able to see things on the inner planes, or see the spirit of the plants
  • Empathy: Being able to feel emotions tied to spirits or places
  • Intuition: Having a deep “knowing” about a plant, a knowing that comes from within
  • Energetic: Being able to sense the flows of energy of a plant or place
  • Tool-based: Being able to read and interpret messages with the use of tools (pendulum, tarot, ogham, runes, bones, etc)
  • Signs and Omens: Reading the physical landscape for signs and omens (a breeze, clouds, movement of birds, swaying of leaves, etc.)

 

When a person starts out exploring plant spirit communication, he or she will likely find that you have a “knack” for one or more of these, but may have great difficulty with the others. For example, one member of my grove had an incredible ability to read the energies of plants and sense emotions, but couldn’t hear or see anything. I, on the other hand, started out the opposite–hearing messages clearly, but not seeing or feeling much for a long time. With time and patience, all of these different gifts can be cultivated powerfully.

 

I’ve found that the key to cultivating your plant spirit communication is to start by discovering what your “native langauge” is and then strengthening it, working with it first, as much as possible. This is going to be what is easiest for you and what you’ll get good success with, especially initially. Once you have a good handle on that form of communicating, try branching out into one or more other areas. Recognize that these are skills that need to be cultivated, and that cultivation takes time. For some of us, these are entirely new ways of engaging with the world, so be patient and kind to yourself as you learn.

 

Meditation as the Gateway

The spiral of spirit (painting by Dana O'Driscoll)

The spiral of spirit

Westernized culture is afraid of silence. It fills our minds constantly with other people’s images, words, and chatter: from televisions in waiting rooms to smartphones to constant news streams in airports and doctor’s offices, it is as if our minds never have a moment to be quiet. This culture seems to fear quiet and fills it as best it can. Because of this, deep inner listening for the voices of the plants can be difficult at first.  If all these other voices are talking, and if our own voices are talking, the soft voices of the plants have no room to be heard. Even for those of us who have worked to create a peaceful space in our lives and homes, we can’t always easily avoid the pressures of daily living or their regular stressors. This means we still need a “buffer zone” in order to effectively cultivate or use any of the above methods. Meditation is this buffer zone, and daily meditation can create this safe space.

 

There are many ways to meditate, but I’m going to focus on suggesting three that are particularly useful for setting you up for plant spirit communication:

 

Empty Mind / Candle Meditation. This technique I see as almost the prequel to many other kinds of meditation. Set a candle in front of you and simply focus on your breath. Begin by taking three deep breaths and focus on looking at the candle and breathing. If thoughts come into your mind, let them go. See if you can get to 10 or 20 breaths (harder than you think!). The point of this is to help clear your mind so that spirits can communicate. If you always have a running narrative in your mind, or your mind is full of other people’s noise, you won’t have any room to allow the spirits to speak.

 

Nature-Based Observation Meditation. This next technique is a variation on the first, but using a natural setting (preferably, near one of the plants where you want to communicate). Seat yourself comfortably near a plant and quiet your mind. Breathe naturally and lightly. Observe the plant – notice features of the plant like its petals, leaves, the way it moves, the way the sunlight or rain interacts with it. This second meditation can lead directly to one form of plant spirit communication, see next section.

 

Music / Drumming Focus. A third precursor to the actual meditation work is to use some kind of musical aid to help you with your focus. Many traditions use a steady beat of some kind – a drum, a rattle, an instrument playing low tones – to engage and focus the mind. You can do this by playing yourself, using a recording, or listening to someone else play. Even regular music, like classical music, can be used as a focus aid, where your goal is to only listen to the music and lose yourself in it (or get into a trance as it is called). The point here is to let the beat focus you so that you can listen.

 

Practicing regular meditation is the single-most helpful thing you can do to prepare yourself, and your own spirit, for plant spirit communication.  Even if you do nothing else for months or years, this preparatory work will aid you considerably.

 

Next week in this series, we’ll look at different aspects of plant spirit communication and techniques you can use. Our final post will go into more depth about plant spirit journeying.  May the blessings of the plants be with you!

 

Building Deep Plant Relationships at Lughnassadh July 29, 2018

Nicotiana Rustica Botanical Drawing

Nicotiana Rustica Botanical Drawing

Last weekend, some druid friends came over for a retreat with a focus on land healing. As part of the ritual we collaboratively developed, we wanted to make an offering to the spirits of the land. I went to my sacred tobacco patch and carefully gathered leaves drying at the bottoms of the plant and flowers for use in this offering, humming a song that the tobacco had taught me and making sure that none of the leaves hit the ground in the process. The ritual went beautifully well and the offering was well received by the spirits.  After the weekend, it struck me how long my relationship with these particular tobacco plants was–more than a decade at this point from seed to leaf to flower to seed.  And how I had something to share about cultivating this relationship over time.

 

So I thought I’d take a short–yet related–detour from my “connecting with nature series” to talk about plant spirit and plant relationship work, specifically tied to Lughnassadh, and building sacred relationships with plants over time, using the wheel of the year and wheel of the seasons.

 

Lughnassadh and Sacred Plants

My sacred plant ready for the Lughnassadh harvest

My sacred plant ready for the Lughnassadh harvest

Lughnassadh is an ancient Gaelic festival still celebrated in Ireland, Scotland, and the Isle of Man.  Of course, Lughnassadh is also a holiday celebrated by many druids and other neo-pagans today as part of the wheel of the year.  While traditions vary from region to region and group to group, it is largely agreed upon that Lughnassadh always was and is a “first harvest” festival.  In my neck of the woods, early August is just when some of the most important crops are coming into season: tomatoes, peppers, cucumbers, wild berries, elderberries, and more. I’ve come to see Lughnassadah as a festival dedicated to the plant kingdom, not only because of the abundance that the plants produce this time of year in temperate climates, but also become of my long-term work as an herbalist.

 

As I wrote about some years ago, Lughnassadh is a perfect time to make sacred plant medicine and harvest herbs. The power of the sun is energizing, the herbs are in full bloom and many are at the peak of their growing, and the weather is warm for wandering among the weeds. It is after that moment in early August that we start seeing die back and die off of many medicinal herbs as the fall grows nearer and nearer.

 

Today, though, we aren’t just talking about any herb harvesting–we are talking about cultivating deep relationships with one or more plants on a long-term, perhaps lifetime journey.  I first share my story of the sacred tobacco that I have been growing for over a decade, and then share ideas for you to start cultivating your own deep relationship with a special plant.

 

The Story of Sacred Tobacco

I remember tucking the small packet of seeds, a gift from a gardener, herbalist, and wise woman, into my bag ever-so-carefully.  A gift like this was meant to be cherished, and I couldn’t wait till the next spring when I would be able to start some of the seeds. Like little specs of dirt, the tobacco seeds called to me, “plant me, plant me, give me good soil” and I assured them that all of this would come to pass.

 

In the spring, after opening up a sacred grove for planting (something I do regularly with my spring seed starting) I scattered them on some growing trays, and covered them with the finest layer of soil. They sprung up almost immediately, with almost 100% of them germinating, their little fuzzy green leaves reaching toward the light. Within two weeks, I transplanted them, and they grew quickly, getting big succulent leaves and putting up stems.  I transplanted them again, and they grew even bigger.  By the time the last frost had come and gone, they were in large plastic cups straining to get in the ground. I created a special wheel of the year garden for them in a warm and sunny location and into the ground they went.

 

The continuity of the seed....

The continuity of the seed….tobacco pods ready to harvest.

Its fun when you are growing a new plant for the first time; all the photos or descriptions in the world never substitute for the plant itself and its glorious spirit.  This is especially true when you don’t even know what the plant exactly is! I hadn’t grown tobacco before.  My tobacco plants, the 15 or so that took root, were delighted with their new space.  They put on leaf, and then, grew masses of beautiful little flowers that looked like elongated yellow parasols.  As the flowers grew ready to fall off, the plant told me to harvest them and dry them, and I did.  The flowers turned into large seed pods, which eventually grew brown–along with the rest of the plant–and burst open, self seeding for the following spring.

 

At Lughnassadh that first season, I carefully harvested the leaves and lay them in the sun to dry–since my intention was an offering tobacco, something grown solely as an offering to the land and not smoked–I didn’t have to worry about the complexities surrounding the curing of tobacco. I later learned that I wouldn’t have wanted to either way, as this variety has an extremely high nicotine content (and I am not a smoker, ceremonially or otherwise). I let the leaves dry out and go brown and yellow, and then crumbled them up, added the flowers I had already saved, and stored it all in a jar.  I created a little leather pouch and filled the pouch with the tobacco, and went off to make some offerings. The land loved the offering and asked for more and more, so I carried the pouch with me and used it often. I saved the seeds and began sharing them with some people I felt drawn to give them to. I saved the stalks and used them in my smudge sticks. This is the same tobacco (and later, tobacco blend) that I recently talked about in my Beltane Offering Blend post–that blend is my current favorite for creating an offering.

 

Later, I learned that these seeds were nicotinia rustica seeds, also known as “wild tobacco”, “shamanic tobacco” or “Aztec tobacco.”  It is native to North America (and hardy to zone 8), but is no longer widely cultivated in the Americas because the more common tobacco, nicotinia tabacum, is what is now prized and grown. Nicotina Tabacum is much less harsh, with 1-3% nicotine content, which is what people smoke in cigarettes and pipes.  Rustica, on the other hand, has up to 9% nicotine; in some places in the Americas, it is used as an entheogen or as one of the ingredients in herbal blends that also contain Ayahuasca (likely, this is why it is called “shamanic tobacco”). It is believed by some South American Shamans that tobacco is a plant that gives you access to the spirit of many other plants; it is like a gateway plant to the deeper plant mysteries.  I have found this to be true, even though I only use it as the plant has directed–as an offering.

 

Each year I had a garden, I planted this plant, and gave it a privileged space. If I planted only a few things when I didn’t have a garden, my tobacco would always be planted first to be planted. And each year, I saved seeds. Each year, I kept my pouch with me and offered the tobacco regularly to the land–and it was always extremely well received.

 

Over time and over various harvests, the plant shared some of its deeper mysteries with me, a song for harvesting, for example.  Now, when I start new seeds in the early spring, the first sprouts are like an old friend, greeting me once more. I sing the songs, I sow the seeds.  Since I save the seeds, my relationship with these particular seeds, this particular plant continues and persists throughout my lifetime, and in the many cycles of this annual plant’s lifetime. As Lughnassadh is here this week, I will continue my annual tradition of harvesting the plants as they go to seed, laying the leaves in the sun, and continuing this cycle into the future years. I will once again mix my blend and fill up my jar for the year till the spring when I plant again.

 

My choice of tobacco originally wasn’t my own; they were gifts of seeds and I wanted to see them grow.  But in retrospect, I am delighted that this tobacco is now so firmly in my life. I really like the fact that my sacred tobacco has only one use to me–an offering–and that use is critical for my interaction with the broader land.  I also liked the idea of “reclaiming” tobacco from the ways that it has been abused (and grown in a toxic and unceremonial way) by my broader culture.  So part of this work was “reclaiming” a native sacred plant, and part of it was building a brand new relationship with that plant that was my own, not built on any previous culture’s use.

 

This isn’t my only plant relationship–each of the relationships is unique and its own.  But this is certainly one of my more potent ones, and therefore, is a good illustration of the larger technique I’m sharing today.

 

Plant Spirit Connections and Practices

Beautiful Nicotiana rusticas growing in the garden!

Beautiful Nicotiana rusticas growing in the garden!

So here’s a simple technique you might do, based on what I’ve written about above: choose a plant to cultivate a deeply sacred relationship with. Plan on this relationship spanning a period of time, years or decades, if possible. Rituals and sacred actions have meaning in part because we repeat them; the more repetition we have over the years, the deeper the connection and meaning.

 

I would recommend choosing a plant that has some sacred use to you and that you can grow, even if its in a pot or on a sunny windowsill.  For the method I offer above, I think the cultiavation of it is important.  If you aren’t cultivating the plant, I would suggest one you have regular access to, and that you can “tend” in some way (pruning, scattering seeds, etc).

 

In terms of sacred use, there are so many options:

  • an offering plant, one that you use to make offerings to the land, ancestors, spirits, diety, etc (this is where my tobacco mainly fits)
  • a smudge stick or incense plant, one that is used to help purify and cleanse a space (also can be an offering)
  • a culinary plant that you use for cooking special meals or creating sacred drinks at sacred times (see, for example, my elderflower recipe)
  • a visionary plant, one that helps you open new doorways
  • a brewing plant, one that can be used to create sacred alcoholic beverages (and you might check out Buhner’s Sacred and Healing Beers for some inspiration)
  • a plant for sacred decor, see for example my post on Yule decorations
  • a sacred crafting plant, a plant you can make something from (like cordage, plant dyes and inks, cattail paper, etc)

 

Spend some time selecting your plant–there is no rush.  The plant will be there when you are ready.  Your plant has lived hundreds of thousands of lifetimes, she will wait for you to be ready to begin this work.  In my case, I had no previous relationship with tobacco at all (and had avoided my culture’s use of it); but for other plants I work with in this way, I certainly have had previous relationships (sometimes spanning back to my childhood). By the time I do this work, they are already good friends :).

 

Begin simply by planting your plant or finding it in the wild, watching it grow.  If it doesn’t yet grow where you live, cultivate it. When you interact with your plant, especially for sowing and harvesting, try to do so in an open grove/sacred space.  This helps establish, from the beginning, the sacredness of your relationship with this plant.

 

Visit your plant often. Pay attention to how it grows, how it moves in the wind and how the rain washes over it. Learn your plant in the physical world: learn how it grows in each stage of its life cycle. If it is a perennial, watch it die back and be reborn in the spring. If it is an annual, carefully save its seed each year and plant again to bring your sacred relationship with you as the years go on. Learn what pests may eat it and how to prevent those pests.

 

Connect with the plant in spirit. Listen for the plant’s inner song (each plant has a song, and may reveal that song in time to you). Find out if the plant has a sacred name she wants you to use–and call her by that name.  Find out if you can use that name with others, or if she wants you to keep it to herself.

 

If you can consume part of the plant, do so, and see how it works within you. Do some meditation after consuming your plant; see how it feels and what it reveals. If you want to get even more radical, do a fast and consume only the plant (or tea from the plant) if it is edible; let it sustain you (again, Buhner’s work on fasting may be helpful to you here).

 

Ready to harvest!

Ready to harvest!

Find your sacred harvesting time–perhaps it is Lughnassadh, perhaps some other sacred day on the wheel of the year or a full moon.  Discover how the plant wants to be harvested and prepared; use your intuition and go with the flow of it. Use the plant respectfully, taking just enough to get you to the next harvest (perennial) or saving the seeds carefully (annual).

 

Let the years pass, and continue to build your relationship with the plant. Be slow to speak of this work, and speak of it only when directed by the plant (as tobacco has asked of me); this will keep the magic between you and the plant.  As the years pass, you will grow quite close–and your sacred plant will always be there, with you, offering her quiet presence. The plant will help show you the way to her magic, her stories, her songs. All that you need to do is begin with an open mind, patience and perseverance, and let her guide the way.  Blessings of the plant kingdom this first harvest season!

 

A Summer Solstice Sunrise Observance Ritual June 17, 2018

Summer Solstice Sunrise from the Water

Summer Solstice Sunrise Progression from the Water at Yellow Creek State Park on the Summer Solstice 2017

My alarm goes off at 4:00am.  I’m conveniently camping right along the lake shore, after having spent the evening watching the sunset on the eve of the summer solstice with members of our grove. My kayak is ready to launch, and I roll out of my sleeping bag and slip it quietly into the still, dark water. The starry heavens are brilliant in their glory, the moon a crescent low in the sky. But just as I begin to paddle, the first light on the horizon is present. The mists rise up from the lake water–the lake is warm like bath water even though the air itself is much cooler on this summer solstice morning. I paddle through the mist, finding a good spot from which to watch the sun rise. The lake expands around me, the trees dark shadows in the distance. Everything seems to move very slowly, and then, the light rises, faster and the light seems to rush in with each breath I take. The bullfrogs and birds help call up the solstice sun, their voices begin rising in song all around the edges of the lake. The fish start rising up to the surface; one leaps in front of me. The crows begin to caw, the hawks fly in the distance.  The world is coming awake, and I have a front row seat to all of it. The moon disappears behind some clouds that are rolling in, and for a brief moment, tiny drops of rain fall on the still water.  Then, the sun emerges from behind the mountain.  All the while, I sit, soaking in the moment. Breathing deeply, I am simply happy to be here and to witness.

 

The solstices and equinoxes are special times that celebrate the passage of the sun and the turning wheel of the year. Over the years, I’ve celebrated them in elaborate ways with large groups and also simple ways, by myself. One of the most simple rituals that I know, and use often, to celebrate is simply a sunrise observation ritual, as I began to describe in the last paragraph.  I actually wrote this post a year ago, during 2017, right after my solstice celebration with the hopes of sharing it with you before the solstice in 2018.   I’m going to share the details of this ritual today and how you can do it for this summer solstice–or any other seasonal celebration.

 

Ritual Preliminaries

There are a few preliminaries that you need to take care of to do a sunrise observation ritual.

 

Weather: Weather can be tricky. If there are clouds, storms, or it is overcast, you might not be able to see the solstice sunrise that day. However, in the druid tradition, we hold that the energy of the time is actually present three days before and three days after, so anytime in that 7 day window would work of the day itself does not (of course, the day itself is a better choice).  If you really want to do it on the day of the solstice, you might have to wait a year or two till the weather is right.  This happens, and sometimes, the wait is worth it.

 

Finding Your Observation Spot: Finding “the spot” where you will observe, from land or sea, is an important part of the ritual. You may already have a spot in mind–it should allow you to see open skies to the east, but also as far around as possible. You’ll also need to make sure you can get to that spot early enough to see the sunrise.  Since I live in the Appalachian Mountains, I prefer overlooks and/or lakes–both of these offer a wonderful view.  Last year, my grove rented a cabin for the evening on the lake, and so, I had very easy access to do the sunrise ritual.

 

When to get to the spot. If you look up sunrise times online, you’ll see two numbers, typically “first light” and “sunrise.” First light times can be deceiving; I have found that “first light” actually occurs up to an hour earlier than it indicates. For my sunrise rituals, I plan on being at my spot 1.5 hours before the scheduled sunrise (and staying about 2 hours total).  Depending on mountains and other geographic features, the sunrise time may also be off (last year, I actually saw the sun come over the mountains at about 6:10, even though 5:45 was the specified time).  If you get there 1.5 hours early, it will be completely dark, but within the first 15 minutes, you will see the sky slowly changing–and seeing that part is worth it.

 

Comfort. The Sunrise Ritual is a long one–you spend your time in stillness and reverence, observing the world around you.  Because the sun takes time to rise, you will want to make sure you are comfortable wherever you are.  Bring yourself a chair, a blanket, or get yourself seated in a cozy kayak (like I did) to watch the sun rise.  Even if the days are warm, it is likely much cooler at 4am, so bring appropriate clothes, blankets, etc.  If bugs are a problem, bring bug spray, etc.  The idea is to be as present as possible to witness this wonder of nature, not be worrying about your cold toes, mosquitoes buzzing in your ear, or uncomfortable seat.

 

Second Sunrise Ritual, a few days after the solstice in Summer 2017

Second Sunrise Ritual, a few days after the solstice in Summer 2017

The Ritual

The ritual is as simple as it can be–simply watch and observe the sunrise. Pay attention not only to where the sun will rise, but to the whole 360 degree area where you are. Fully engage with all of your senses (which is why the sacred brew is helpful): your sight, your taste (tea), the sounds, your sense of touch (feeling the temperature, the ground you are sitting on, etc), and your ears. There is so much to take in and it changes so quickly. Even if you are scanning another part of the sky or surroundings, when you look again, the light has shifted. Pay attention to the far edges of the sunrise area–sometimes, beautiful colors will appear and then disappear within 5 or so minutes (last year, there was this amazing patch of hot pink for a little while reflecting on some clouds on the edge of the sunrise).

 

Deepening the Ritual

Here are a few things that can enhance or deepen your ritual experience.  None of them are necessary; just being present is enough. But over the years of doing this ritual, I have found a few additions enhances the experience.

 

A Sacred Brew. I have found that drinking tea or another sacred brew (like elderflower cordial at the summer solstice) is a wonderful way to heighten the power of this ritual.  Prepare something sacred, something wonderful.  I drank elderflower while watching the sun rise.  In the winter, a tea of warming herbs like sassafrass root or ginger would also be welcome.  I suggest brewing the tea in the sun the day before the solstice sunrise, and take that solar energy within as you watch the sun come in.

 

A Sacred Space. If you have the time, you can add to this ritual by creating a simple sacred space around you while you observe.  While this is not necessary, I feel that it really heightens the experience. I did this in my kayak last year, going through the AODA’s sphere of protection as the light began to come in.

 

Bringing In the Sun. If you wait till you can physically see the sun, you can also bring in the light and energy of the sun for your own healing. Draw its first golden rays towards you and bring them deep within. Combining this with breathwork is powerful. Offer gratitude for the sun and its light-giving rays.

 

Music/Singing. The Awen flows strongly at the summer solstice –you might feel compelled to sing or play an instrument.  I was once given a “sunrise song” that I play on my panflute sometimes during this ceremony.  You might see it this way–roosters, bullfrogs, birds, and many others work each day to raise the sun with their voices.  By joining in, you participate in that shared magical practice.

 

Solstice Activities.  Typically, after this ritual, I go off to find some elderflower and brew it up into sacred medicine.  This, or any other solstice-appropriate activity is a great way to keep the energy of the ritual with you.

A beautiful scene from the shore in Maine at the sunrise!

A beautiful scene from the shore in Maine at the sunrise!

May the blessing of the summer solstice sun be ever with you!

 

Tree Alchemy: Hydrosols and Essential Oils from Sacred Trees May 20, 2018

Nature can provide tremendous wisdom and healing, especially when we work with our local ecosystems and ecologies. One of the most powerful ways of working healing with nature, I believe, is to combine the innate healing properties of plants with your own various kinds of medicinal preparations. The plants and trees offer the raw material and your hands and tools shape that material into something that heals the body, mind, and/or spirit. Working to transform tree and plant matter through alchemical processes into medicine–and then taking that medicine–can be an incredibly powerful way of establishing deep relationships not only with the living earth but with the trees themselves. Today, I want to talk about a particular kind of medicine known as a “hydrosol” and talk about how you might make your own with plant and tree material.  This is especially beneficial for today as many of us are thinking about planning our year, what we will be planting and growing in containers and in gardens, and so forth.

 

Harvesting Goldenrod for hydrosol preparation

Harvesting Goldenrod for hydrosol preparation

Alchemy in the Inner and Outer Worlds

Alchemy is the ancient art of matter transformation. Alchemists worked to turn base metals into gold, to render the philosopher’s stone for that purpose. Alchemists also worked with plants through spagyrics, the practice of plant alchemy. It was believed by the alchemists that the process of alchemy, as the material moved through the black, red, and white phases, didn’t just happen on the physical plane, but rather facilitated transformations of mind, body, and soul.  I, like most folks of this time period, have never done anything with metal alchemical work (it is highly toxic).  But for many years, I’ve been fascinated by spagyrics, and have made a number of preparations using those techniques.  (For good reading on the subject, I suggest Mark Stavish’s Path of Alchemy as an introduction).  Because Alchemy is an inner and outer process, there is a whole movement of “inner alchemy” or “spiritual alchemy” work, work that can be can be used for inner transformations. The thing about any alchemical process is this: matter has to be broken down with fire and heat in order to be reformed in a more pure manner.

 

I’ve been thinking a lot about the work we might do with trees and alchemy and have been experimenting in various ways in that direction. Basic spagryic preparations (which are detailed in Mark Stavish’s excellent work) combine macerating plant matter in high-proof alcohol (that is, soaking it for a period of time) and going through a process of refinement where the material that was macerated is burned and the ash is further refined. Eventually, the refined materials are combined for a highly potent medicine.

 

I think there are other kinds of work you can do with plants and tree matter that are a little less direct. On the most passive side that requires little tools, preparation, or time, a simple flower essence (where a bowl of spring water is held up to a leaf or flower of the plant, imbuing that plant energetically) is a good first step. Somewhere in the middle, requiring some preparation, tools, and time, we have the hydrosol and the creation of an essential oil. On the far side, requiring much preparation and time, we have the full spagyric plant preparation.

 

Hydrosols and Essential Oils

Hydrosols are also known as “floral waters” although they can be made of much more than just flowers.  They are produced by a simple distillation process. You can purchase fancy equipment (often known as an Alembic or Still) to do this or you can do it with stuff you likely have already in your kitchen (I am going to offer information on both approaches.)  I used the simple stovetop approach with kitchen materials for many years before, using about $10 worth of materials from the thrift store for very small batches.  Then, last year, I finally invested in a medium-sized copper alembic to do more advanced preparations.

 

The process of making a hydrosol, which I’ll detail with photographs below, involves gathering fresh plant material that is aromatic in nature.  You will need a lot of plant matter – usually several pounds.  It involves heating the material up to create steam, cooling that steam and condensing it back into a liquid form that is medicinal and relatively shelf stable).

 

Hydrosols are sacred medicine in their own right, although they are often seen as “by products” of the essential oil distillation process.  When you heat up plant matter that has high amounts of volatile oils, those oils also come out through the distillation process and sit on the top of the hydrosol.  Most people working on this process at home, particularly with sacred trees, may not produce enough oil to make it worth their while, although some plants, like lavender or goldenrod, certainly can do so, especially if you do several batches of distillation.

Choosing Your Material

Harvest your plant material with reverence and respect. Hydrosols and distillation take a good deal plant material (particularly if you are using an Alembic and doing a higher amount of distillation). Keep this in mind as you are planning for the garden this year! Plant material should be safe to consume or at least put on the body. Despite my positive relationship with Poison Ivy, I would not, under any circumstances do a steam distillation of it!

 

Any plant or tree that is typically used in herbal practice and that has a scent would be a good choice. Common kitchen herbs are often used such as:

  • Sage
  • Rosemary
  • Lavender
  • Rose(petals)
  • Mints
  • Thyme
  • Oregano
  • Monarda/bee balm
  • Scented geranium

In terms of trees, the leaves or needles would work.  Ones I’ve experimented with include:

  • Blue Spruce (needles)
  • White Pine (needles)
  • Eastern Hemlock (needles)
  • Black Birch (budding branches)
  • Sassafras (root)

 

Harvesting the Herbs/Plants/Branches

Harvest your material on a sunny day when it is not raining. The rain, particularly for flowers or aromatic leaves, can dilute the plant oils and overall result.  Harvest the plant matter in abundant areas or grow it yourself to ensure that you are not taking too much from the plant matter. Generally speaking, if the plant is rare, doing a tincture is probably the best way to use that plant’s energy because it is the most efficient.  If the plant is very abundant, a steam distillation would be a good choice.

 

The timing also matters–plants have different levels of aromatic oils at different times of year. If I was doing a black birch preparation, I would do this in the early spring due to the amount of sweet oil in the birch branches that time (due to the flowing of sap). Other plants, like the conifers, don’t matter as much. Flowers and herbs should be harvested at their peak–so when lavender is in flower, for example, but before it goes to seed.

A large hedge of Eastern Hemlocks on the edge of a field provides an excellent place to gather material.

A large hedge of Eastern Hemlocks on the edge of a field provides an excellent place to gather material.

A friend and I went out and harvested a number of plants to fire up the copper alembic. We did four distillations, two of herbs (goldenrod and sweet clover) and two of trees (eastern hemlock and blue spruce). We experimented with different kinds of approaches to the distillation.

The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.

The Eastern Hemlocks are carefully cut and placed in a cloth bag for transport home.

 

Distillation Process

Now I am going to walk step by step through the distillation process.

Preparing the Alembic and the Plant Matter

Once we were home, we removed large stem material and did our best to crush up the hemlock needles. We had not done this with the blue spruce (instead, placing whole small branches in the alembic) and that proved to give us very little essential oil, but certainly, a nice hydrosol. Breaking up the hemlock material took more work, but we believe, it was worth it as we had a better preparation.

Stripping needles and soaking plant matter in spring water

Stripping needles and soaking plant matter in spring water

 

After we soaked the needles, we added fresh spring water (harvested at my local sacred spring, Heffley Spring) for the distillation. If you can’t get access to fresh water, I would consider using distilled water. The point is this: the process is very potent, and I certainly wouldn’t want any human-added chemicals, like chlorine, in my distillation.

Spring water is added to the alembic base

Spring water is added to the alembic base

 

My alembic also has an addition column where you can cram more plant matter in and the top that also takes plant matter. So I did this–so both the base and column are filled with plant matter (this photo shows Goldenrod), and the base is also filled with water. That gives you a lot of plant matter at once to steam distill–probably 10x what I used with my other method.

Plant matter being packed in.

Plant matter being packed in.

Sealing the Alembic

In the traditional method, Rye flour is used to seal up the alembic prior to steaming it. If you have severe allergies to gluten, I would suggest a sticky rice flour or tapioca flour in the place of rye.  I haven’t tried this, but I think it would work. First you mix a big batch of the Rye flour up.  It looks a lot like a sticky bread dough.  I didn’t measure, just added enough water till I got a nice paste.

Mixing up the rye flour paste

Mixing up the rye flour paste

Then you basically smear it into the cracks and crevices of the entire alembic to hold it together. The idea is to seal it up so that as it starts to steam, it doesn’t leak steam anywhere.

Adding it to the Alembic

Adding it to the Alembic

The flour is a fun yet messy job.

Sealed up and ready to go!

Sealed up and ready to go!

Distillation

Distillation works with the heating up of the plant matter and water to create steam then cooling it down quickly for condensation. That’s the entire process.  So you will need something to heat it up (I used a small outdoor burner) and you will need something to cool it down (I used lines with a small submersible fish tank pump and ice cold water).

The full system

The full system

I forgot to take a photo of the pump part of the system. The condenser unit has two cooper pipes sticking out of it–the top one flows water in and the bottom one pulls water out. You can keep the system cold if you flow cold water into it. Online, some people just use this from their tap, if they have a spring or well, the water is cold enough if you keep flowing it through. I didn’t have this, so instead, I used several bags of ice and a cooler. I placed the submersible pump at the bottom of the cooler and then ran the tubing through it and into the condenser. I used a little clamp to regulate the pressure of the water (so it would stay level, which required some work).

 

I found that the unit took about 30 minutes to heat up and about 45 minutes to actually start condensing the steam.  I let it run two or so hours, until the water no longer looked cloudy when it was coming out of the condenser unit.

Collecting the steam!

Collecting the steam!

This final water has both your essential oil and the distillation in it.  You can purchase a fancy oil separator (which I didn’t have when I did this) but I used a different method.  In my case, the only plant that produced enough essential oil to really take off the top was goldenrod.  To do this, I simply poured it all into a mason jar and then froze the whole thing.  The hydrosol freezes but the oil does not. I then pulled it out of the freezer and used a pipette to pull the oil off the top of the jar, then unfroze the hydrosol and put it in neat little spritzer bottles.

 

Conclusion

Since doing this last fall, I have shared these hydrosols with many friends in the druid community. They remark on their potency–the spruce gives an incredible lift me up, the white pine brings peace, and the hemlock brings stability and space (mental space/clarity, is the way one person described it). In truth, the goldenrod got a little skunky/funky, but did produce  a nice oil, so I’m not sure I’ll do that one again (and I didn’t give that one away!).

 

Creating tree hydrosols and essential oils represents a unique and beautiful way to connect with the potent medicine of the trees and work with them for healing and transformation. What seems like an intimidating process is actually a very simple one: refining potent medicine through the application of fire, water, and ice.  The practice of alchemy, of course, isn’t just about producing a physical medicine–but rather, the refinement and work on the level of the soul. Alchemical preparations not only as medicine for the body, but medicine for the soul.

PS: After this post, I will be taking several weeks off of regular posting on this blog to do some travel.  I look forward to returning later in June to my regular posting.  Blessings!