The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Working Deeply with Water: A River Healing Ritual April 14, 2019

A healthy stream

A healthy stream

One of the incredible things about the hydrologic (water) cycle on our great planet is how connected these cycles are and how a single drop of water may continually travel the globe over a period of time. The waters that rain down upon me here in Western PA likely came after being evaporated from the Pacific Ocean and making their way in gas form across the North American continent.  From the clouds, they solidfy and rain down, slowly moving down our mountain property to the stream that sits at the bottom of our property: Penn Run.  Penn Run leads into Two Lick Creek, which runs into Blacklick creek, which runs into the Conemaugh River.  The Conemaugh becomes the Kiskiminetas, which runs into the Allegheny, which meets the Monongahela in Pittsburgh and becomes the Ohio. After passing cities such as Cincinnati and Louisville, it merges with the Mississippi on the border of Kentucky and Missouri.  From there, the Mississippi makes its way south to New Orleans and into the Gulf of Mexico. There, the water joins the Atlantic, likely evaporating again and raining somewhere on Europe or Asia and eventually making its way back to the Pacific Ocean.  And thus, the cycle continues–from the single drop of rain that lands on my land here, the waters of the world are endlessly such cycled.  Thus, any water you interact with has no specific “home” but rather, continues to travel the globe, maybe being locked up in ice for a few millenia or being in an aquifer for a while, but eventually beginning the travels once more.

It’s a useful exercise to map out what I just did above, so that you understand where water that you interact with locally is part of this great cycle.  The rivers are like veins, the earth the body, and these veins provide life to our great earth mother, literally, bringing her life.  aters throughout the world are challenged: pollution, plastics and microplastics, draining of aquifers, damming of rivers, and other major issues can be found thrhought the world: rather than being pure and offering life, sometimes our waters are so sick and damaged that marine life cannot live in our waterways and it is unhealthful to those who live near them. Where I live here in Western PA, a local legacy of mining has made many waters very polluted through Acid Mine Drainage and other historical problems (tanning, logging) and current agricultural runoff. While some rivers, like the Clarion River, have been radically brought back to health thanks to local conservation efforts so many of our small streams and rivers are still very polluted.

 

Given the status of the waters worldwide, I found it important to do rituals and healing water work to let these rivers know that I stood in witness and honor them.  This is good work that any druid or nature-based spiritual practitoner can do.  Regular water work in this way can help us “give back” to this incredible, magical cycle of water that sustains us and offers us life.  In last week’s post, I offered suggestions for how to work deeply with water, to with and build a water shrine full of sacred waters and water gathering experiences. This post offers the perspective of “giving back” and doing deep water healing work. For these experiences, you can use the “coming together” waters as I described last week, or, if you prefer, you can use any water you feel is sacred (rainwater, water from a special sacred spring, and so on).  While you can do this ritual at any time of the year, I find that Spring, when the waters are flowing, is a particularly good time to bring this kind of healing energy back to the land.

 

 

A Water Healing Ritual for Rivers, Lakes, Streams, Springs Oceans, Bays and any other Natural Water Source

This ritual can be done with any water source and is designed to provide energetic healing for the waters.  This ritual draws upon two concepts: the first is that the rivers and bodies of water are just like the blood that flows in our bodies, and hence, it uses a heartbeat metaphor to connect with that life power.  Second, it uses the energetic principle of homeoapthy, the idea that a tiny amount of a healing agent can bring life and vitality to a whole body (in this case, a whole body of water).  This ritual plants the “seed” of that healing through sacred waters.

A healed and restored river (the Clarion!)

A healed and restored river (the Clarion!)

Materials: Sacred Water.  This ritual uses a specially prepared “sacred water” blend;  you have two options for this.  Regardless of what water you use, make sure you boil your water prior to use (you are introducing this sacred water into a new environment, and you don’t want to introduce any pathogens, etc).

  • Option 1: This ritual can use the “coming together waters” from my last post. Otherwise, you will want to get any clean, pure and natural source of water (a local spring, rainwater or snowmelt, etc).  Usually, what I will do is get a bowl of rainwater, add three drops of my “coming together” waters and then boil the whole thing. Then when it cools, I can add this to a vial and to my crane bag for travel to the location.
  • Option 2: Again, take a fresh water source, boil it, and add in healing and blessing herbs.  Any medicinal herbs that fit your purpose can work here, but I especially like home-grown herbs like mint, oregano, thyme, monarda–things that help fight human illness, and thus, metaphorically, offer healing.  A small amount of this is all you need, again, I add this to a vial and to my crane bag.

You can also combine both approaches, or use another of your choosing.  Regardless, you should have this water prepared prior to your ceremony.

 

Other supplies: A drum or shaker is very useful , but if you don’t have one, you can simply use your hands or rocks. You can choose to setup an altar for this ritual on the side of the body of water; if so, you will want representations of the elements and anything else you deem approrpiate.

 

Research: If necessary, write down the flow of the water that you are healing (similar to what I did in the opening of this blog post).  You will be speaking these words as you do your ritual (and if you are blessing the ocean, you might choose to instead explore the currents of the ocean and the places that the water may visit).

 

Choosing Your Location: If you are working with a body of water that flows, I suggest physically journeying to the headwaters of that water source as much as you can.  Rivers flow, and the closer to the source of the river you go, the more of the waterway you can affect.  I also realize that in many cases this is not possible.  If you are going to a source that doesn’t flow (like the ocean) then any sacred spot is appropriate.

 

The Ritual

Altar for water healing

Altar for water healing

Setup. Find a quiet spot along the body of water where you will do your ritual. Setup an atlar from things you brought as well as from things you find; I like to leave a small stone cairn there after the ritual, so I will usually setup an altar in a way where most of it can be left after the ritual concludes.  Place your vial of healing water on the altar.

 

Open a Sacred Space: Open up a sacred space in any manner that you use (I use OBOD or AODA’s grove opening, for example, but you can use anything else.  A typical opening calls in the quarters, declares peace in the quarters, and casts some kind of protective sphere or circle around you for the purpose of the ritual).

 

The Heartbeat. Begin by doing drumming, using a shaker, or, if you don’t have these materials, using two rocks and knocking one against the other.  The idea here is that you want to create a heartbeat.  This is the heartbeat that beats within you, and the one that beats metaphorically within the land itself.  Spend some time connecting with this heartbeat.  It is helping to attune you, as a healing agent, to the water.

 

Adding Healing Waters: Now, take your vial and pour the vial into the waterway.  As you pour, speak words of healing if you feel so led.  Speak also of the journey that this water will take, and all of the different bodes of water that it will reach.

 

Connecting with the Waters: Place your hand in the water after you are done pouring and simply feel the water flowing away from you.  In your mind’s eye, follow that water as it begins healing and bringing vitality into each waterway. Imagine the journey your waters will take and as they reach each new water source, imagine the healing energy infusing in each waterway and the vitality that coems with healing.  Imagine healthy ecosystems, fish, plant life, insect life, and all the things that healthy waterways bring.  Take all the time you need to do this.

 

The Heartbeat.  Again, return to your drum or stones and once again, connect with the heartbeat of the land. Note any changes you feel in the heartbeat of the land and the waters that connect it.

 

Close your space. Close out your sacred space and thank the spirits for their blessings.

 

Group Variant 1: A Ritual in Two Parts

This ritual can be done in two parts, perhaps at two different grove events, or at a weekend ceremony.  First, ask everyone to bring water from a sacred place to the ceremony.  Do a “combining waters” ceremony with the group, similar to what I described in my last post.  For this ceremony, setup a central bowl. Each participant in the group will step forward and speak the name of their sacred water, and offer their sacred water to the bowl.  They can share anything they like about that water.  Once all of the waters have been added, the group can place their hands over the water and bless it, chanting “Awens”, drumming, or doing any kind of energizing blessing.  After the ceremony, the waters can then be put in small glass vials and each participant can take their own “coming together” vial. One of these vials can be saved for water healing work.  See Variant 2 for instructions about how to do this ritual with a group.

Sacred Waters being infused with life

Sacred Waters being infused with life

Group Variant 2: Healing Water Ritual

In this variant, one person prepares the sacred waters, but the group does the blessing.  You can have multiple people doing the “heartbeat” and keep that heartbeat going throughout the ceremony, while others add the water and speak the journey that the waters will take.  You can also add a water blessing for each person who is part of the ritual as a final step.

 

I hope that these rituals will serve you well in your water healing/land healing needs.  I’ve been doing some form of this ritual for many years, and while I can’t stop all of the Acid Mine Drainage (although I certainly lend my efforts and funds in that regard), I do feel that this is something I can do, and the spirits of the waters certainly appriciate it.

 

Spring Equinox Rituals: Rituals of Looking Back and Looking Forward March 17, 2019

Sometimes, when we are hiking on a trail, we are in a hurry to get somewhere–that far off vantage point, that mile marker on the map, or just seeing what is over the next horizon. I remember hiking with some friends who regularly backpacked; they were so intent on speeding through the woods to their goal and putting the miles behind them that they  left me behind at multiple points as I got off the trail to explore something. This “speeding towards a goal” is, perhaps, part of who we are as humans, and certainly, a product of Western Civilization, which is so growth and progress oriented.  Even with our spiritual practice, we can be so intent on focusing on a goal (that next grade or degree, for example) that we forget about the journey itself.  On this trail, the day I took this photo, my intuition told me to pause and turn around. I stopped, turned around, and there on the opposite side of the tree was a beautiful specimen of my favorite mushroom, Chicken of the Woods.  Had I kept on going in the direction, I never would have seen the mushroom, and I would have missed my dinner.  All it took was choosing to look behind me that allowed me to find it!

Trail through the woods

Trail through the woods

 

The Spring Equinox offers us one of two “balance” moments in the wheel of the year, where the light and dark are in balance, where we sit between the threshold of the dark half of the year (what is behind us) and the light half of the year (what is in front of us).  As a balance point, but also as a time of year that is “gaining” energy, I find that the Spring Equinox is my favorite time of the year for a pause, a chance to stop on our trail, and simply taking in where we’ve been and taking a chance to think about where we are heading next.  So in this post, I’m going to detail an activity (that you can ritualized, as I do) to take that moment of pause and reflect back on your spiritual journey, and what’s to come.

 

Reflection is when we consider, ponder, and look back upon things we previously experienced. Reflection helps us understand where we’ve come from, and helps us, to some extent, figure out where we are going next. Just like many of our sacred holidays in the druid tradition allow us to “pause” and experience the moment in time, so too does doing this kind of reflective work for our own spirituality  Reflection is a critical component of any spiritual practice; it helps us grow deeper and more intentionally.  Some reflective practices simply reviewing what has come before–while others encourage goal setting or envisioning the future to come.  Reflection can be done in a multitude of ways: through spiritual journaling, through mediation, through sharing stories with others.

 

All of the following activities are “ritualized” ways of reflection; that is, they are engaging in reflection as a sacred activity, part of ritual and certainly, part of spiritual life.

 

A Spring Equinox Ritual of Reflection and Growth (Solitary)

This first ritual is a way to reflect upon your journey–it is meant to be a solitary ritual.  I’ve done this ritual for a number of years (not every year, but usually every other year) and it is a very powerful experience.  Budget at least an hour or two for the ritual itself–it can sometimes take time to reflect.

 

Ritual Supplies and Preparation

Materials for Reflection and Your Journey. To do this ritual, you’ll need to gather up any spiritual journals or notes that you have.  If you belong to a druid order like OBOD or AODA, you might also want to get any end-of-coursework reflections that you wrote.  For the ritual, it will be helpful if you put these journals in chronological order (especially if you have a lot of them!  If you are starting out, you may only have one, and that’s fine too!)  Additionally, gather up items of spiritual significance to you.  You don’t need everything here, but think about highlights–these could be items that helped mark the start of your journey or helped you on the path.  They may be new or old.  Bring them into your ritual space.

 

Rosemary from the Plant Spirit Oracle

Rosemary from the Plant Spirit Oracle

Rosemary tea or springs of fresh rosemary. Rosemary is a powerful herb that helps us with remembrance; it is a very useful plant spirit ally to use in this ritual. I suggest preparing some rosemary tea (place about 1 tbsp of rosemary (dried or fresh) in 1-2 cups boiling water, let seep for 5 min, and then add honey or sugar).  Alternatively, you can use a rosemary incense or have fresh sprigs of rosemary nearby. You can easily obtain this even at a grocery store, and the ritual is much better with Rosemary as an ally!

 

Other Objects: Elements, etc. Prepare an altar with the elements and/or representations of any other energies or spirits/beings/deities that you work with.  You want anyone or anything that has been with you on this journey to join you for this work.

 

A Journal/Paper and a Pen: For writing as part of the ceremony.

 

Spiritual Cleansing:  I strongly suggest before doing the ritual itself, you do some kind of cleansing.  Smudging yourself with rosemary and sage smoke, taking a ritual bath, and so on, are all possibilities here.

 

The Ritual:

Part 1: Open up a sacred space:  Open up a sacred grove in your tradition (if you don’t know how, there is an overview in this post).  This typically involves cleansing the space, declaring your intent, declaring peace, drawing in the elements, and creating a protective circle or sphere.

 

Next, invite anyone (spirits, guides, plants, elements, etc) into the space that you would like to come with you on your journey.  Take all the time you need to do this; its important to have your spiritual support for this ritual.

 

At the end of the opening, sip your rosemary tea or crush a few rosemary needles in your fingers and smell them.  Call upon the sacred power of rosemary to assist you in this journey.  You can say anything that comes to you, or use this:

Rosemary, holder of the keys of memory
Rosemary, keeper of histories of time
Rosemary, holder of insight and reflection
Rosemary, sacred plant ally, help us remember.

Drink your rosemary tea and enjoy it throughout the rest of the ceremony.

 

Part 2: Creating your Physical Journey Map. Once you have your sacred space open, begin by arranging your objects and journals around you chronologically. Use a table, the floor, etc.  When I do this, I usually use the floor and surround myself with objects on all sides.  As you are arranging, think about when these things came into your life, and begin by creating a “roadmap” of where you’ve been, something you could physically see. Take all the time you need to do this (and it doesn’t have to be exact!)

 

Part 3: Reflecting on your Journey.  Now that you have everything arranged in chronological order, spend time reflecting on your journey.  You might read selected entries from your journal.  As you pick up each journal or object, hold it and speak of it or meditate upon it.  Work your way through the entire “map” you created.  Note anything “new” you realize or, just as importantly, insights you had forgotten about.   Reading previous journal entries, I find, is really useful and helpful in this process–it lets me clearly see where I was and where I’m going next!

 

Part 4: Deep insights. After your reflection, consider any major insights you have from the experience of creating your map and reflection. Write these down; these deep insights.  These are the key lessons from you previous experience, and that which can follow you into the future.

 

Part 5: The Journey to Come. Now, reflect on the next year to come. The Spring Equinox is a time of new beginnings and starting new things, so you might consider what you’d like to accomplish spiritually in this next year–get these down in writing and put them somewhere that you will see them often.

 

Close out the Space. Thank Rosemary, thank those who you called, and close out the space.  As an additional way to honor rosemary, you might consider growing a rosemary plant this year as a way of remembering the past journey and honoring the journey to come!

 

 

Storytelling Ritual of Looking Back and Foward (Group)

This second reflective ritual is a great ritual for 2 or more people, and would be appropriate for a grove or even getting a few friends together.  The amount of objects or journal entries shared largely depend on how many people you have in the group–obviously, 2-3 people can each share a lot more than 20 or 30 in a larger setting!  You can also change the theme of the ritual: today’s ritual focuses on reflecting on past spiritual journeys, but you could have them reflect on gifts others have given, ancestors, favorite plants, etc.

 

Ritual Preparation:

Memory/Storytelling Objects: Instruct each person who is coming to the ritual to bring objects or journal entries about key moments in their spiritual life.  These should be objects that hold some significance to the person.  Even in a larger group, if a person can’t share all that he/she/they brought, they can still have these objects with them–the selection process itself is sacred.

 

Prepare an Altar Space: Create a large altar space, something that everyone can add their objects to during the ritual.  A folding table with a nice tablecloth works great.

 

The Ritual:

Open up a sacred space:  Open up a sacred space in whatever tradition you use.

 

Honor Rosemary. Honor Rosemary and invite her spirit into the space. Bring rosemary physically into the space in some way:  you can asperge each participant with rosemary (take rosemary and dip her in water, and then lightly fling the water on each participant or lathe their forehead with it).  You can also offer rosemary tea or a rosemary smudge/incense (even rosemary needles burned on a charcoal block work great!)

As you conclude, all participants say:

Rosemary, holder of the keys of memory
Rosemary, keeper of histories of time
Rosemary, holder of insight and reflection
Rosemary, sacred plant ally, help us remember.

 

The Storytelling. Depending on the number of people, there are a few ways you can do this.  With a small group, you might go around the circle, and each person talking about their key object they brought and telling their own story, and then adding it to the altar.  With a much larger group, people could break into several groups, which would allow each person more time to tell their story.  After the groups reconvene, they add their objects to the altar.

 

Looking Forward: Each participant gets a sheet of paper and a pen, and then can write their spiritual goals for the coming year.  The goals can be shared aloud if participants choose or simply kept quiet.

 

Close out the space. Close out the space in your usual fashion.

 

Life Journey Ritual (Solo)

Life is a journey!

Life is a journey!

A final ritual you can do doesn’t use objects, but relies on the mind and memory itself.  For this ritual, prepare the rosemary as described above and open the sacred space.  Then, step back into the beginning of your spiritual journey–where you started in childhood, the different paths you took, and how, ultimately, you ended up here.  Spend time reflecting and remembering each major step you took–and then reflect on things to come.  This journey can take a lot of forms and end you up in really interesting places!

 

 

Final Thoughts

There are a lot of variations you could do with these rituals, but I think the core ideas are there: spend time journeying into your past, integrating the many experiences that you have had, and then moving forward into the present so that you can fully make use of the amazing spiritual insights and lessons that you have gained.  This technique is useful to you at *any stage* of your journey–and you get different things out of it.  I remember the first year I did it–as a new druid–and reading my journals after just a year was incredible.  Now, nearly 15 years in, its hard to believe how far I’ve come and exciting to think about where I’m heading next.  May the blessings of the spring equinox be upon you!

 

Druidry for the 21st Century: Psychopomping the Anthropocene February 24, 2019

As an animist druid, I recognize the spirit of all beings.  I honor and interact with the spirits in the land, in the trees, in the animals and birds, in the insects, in the rivers, in the mountains. Animals die, plants die, insects die. Their spirits live on.  In the Anthropocene, even mountains die, they are removed for mining activities all along the Appalachians and in many other places.  Rivers die, and have been dying for centuries as we fill them with refuse. In the Anthropocene, many things die. What happens to that mountain’s spirit when the mountain is gone? What is happening now to the millions of non-human lives that are dying because of human activity? That’s the question we focus on today–as part of my druidry for the 21st century series.  Earlier posts in this series include Druidry for the 21st Century and Druidry in the age of the Anthropocene.

 

As I shared in last week’s post, non-human life is dying at an incredibly alarming rate at this very moment–with almost 50% of all animal life dying in the last 50 years. One article discusses that while extinction is a natural process, extinction rates and die off rates are currently between 1,000 and 10,000 times higher. I think a good resource for this is to look at IUCN’s red list and see the 26,500 species threatened with extinction–these are species regularly losing regular numbers. Unfortunately, humanity’s actions continue to cause the death of so many species and so many individual lives, and given models and projections, it is expected to get much worse in the next decades. The mass amounts of death and extinction of non-human lives are not “natural”; they are directly the result of human activity.  This makes humans, collectively and individually, responsible.  Not just for the actions that cause such death, but also, I would argue, for what happens to those spirits when they die.

 

The journey into spirit

The journey into spirit

Death is an inevitable part of life. Death is another journey, and some of us are called or choose to help spirits along that journey.  This work has many names, one of the most common being called “psychopomp” work. Psychopomp derives from the from Greek words “pompos” which means “guide  or “connector” and psyche which can be translated as “mind soul, life, or breath.” A psychopomp, then, is a guide of souls. Other names I have heard for this work include death midwifery, soul midwifery, deathwalking, death shamanism, to name a few.  Regardless of the term, this work has been a regular part of the healing, magical, and spiritual arts in nearly all cultures across the ages.  Many cultures recognize that humans with certain sets of skills do this work (such as a shaman or other religious leader), as do non-humans (deities, animal spirits, angels, and other such beings). In fact, it is very likely that this was work done by the Ovates in the time of the ancient druids, for they were described by various classical writers as working with spirits and the dead, along with herbalism, divination, and other kinds of healing arts.  They were also described by classical writes as “mastering the language of nature” which I believe comes into play into this kind of present 21st century ovate work.

 

This sacred practice of helping spirits pass is largely forgotten in mainstream consumerist life, however, it is still quietly practiced in many earth-centered, pagan, and new age spiritual traditions. Every person I have ever met who does this work does it for human souls. Human souls, of course, may often (but not always) need help crossing over. Humans are complicated, and when we die, our deaths may be complicated too. Many human get lost on their way across the veil. They may get stuck, they may die unexpectedly and need to process their death, they may have unfinished business that prevents them from leaving, and/or they often need assistance to find their path. Psychopomps are the shining beacons in that confusion, helping a wayward soul find his or her path to the next part of their journey.

 

But today, I’m not here to talk about human souls. You can learn about that kind of psychopomp work from many other sources. Today, I’m here to talk about non-human souls and the work we can do given this time, this age, and the present conditions.  I will also note that the rest of this post is entirely from my own experience, from the many years I’ve been quietly doing this work.  You can agree, disagree, or share your own experience–and I hope this blog can be a space for us to talk about it.

 

The cycle of life and death of animals, plants, insects, amphibians, reptiles, birds, fish, etc, has been going on as long as life in some form has existed on this planet.  Spirits of the land know how to handle their own deaths, and human psycopomps would not typically interact in that way in regular circumstances.  Think about a death in a forest: if an animal or plant dies, within a few days (or in the case of a tree, a few years) those nutrients are completely cycled back into the ecosystem.  I have always gotten the sense that this same process takes place on the level of spirit as well—the land cycls her own.

 

However, because we are in another extinction-level event, where the whole world is threatened, whatever happens typically to non-human souls is simply not enough. In the last few decades in particular, and with increasing frequency, a much larger number of souls began departing, with some of them being the very last of their kind.  Some non-human souls who pass are exhibiting many of the same characteristics that human souls who pass often exhibit: anger, confusion, being lost, being stuck, not wanting to go.  I don’t get the sense that this is “normal”, but rather, this is a product of the anthropocene. If a typical cycle of life and death is a gentle forest stream, right now, the stream is massively flooded well beyond its banks, causing erosion and destruction, and this spillage needs some attention. I think another way of framing what is happening is that spirits of these various species are experiencing new phenomena, a phenomena that their own natural paths and natural cycles are not adapted to. Anything can adapt over a long period of time; that is the nature of evolution.  But it is hard to adapt–for any species or spirit–to such frequent and intense change, the kinds of changes driven by relentless human activity in the Anthropocene.  And that is where the trouble seems to lie.

 

Trees

Trees

Before I get into some of the specific practices I’m going to suggest today for actual psychopomp work, I want to start by saying that each person has different spiritual gifts (a topic I explored before in this blog) and not everyone has the gift of spirit communication (although you can learn to do this over time).  The work I describe below is fairly advanced.  It requires you to have extremely good protection, practiced ways of spiritually cleansing yourself, a solid mental state (do not try this if you are mentally unbalanced, depressed, etc), and excellent self-cares trategies. It also requires you to have basic plant spirit communication and journeying skills.  Finally, it requires inner contacts (guides, deities, spirits, plant spirits, animal spirits, etc) who will partner with you for this work; it is very necessary to have individuals on both sides.  This is a list of some of the many deities and guides that do this work; it might be that you are already connected to someone. Some people find themselves drawn to this work intuitively, and for others, they may seek out training, books, teachers and other such resources.  I think like anything else, it is a skill you can learn to do, and do well, if you dedicate yourself to it. There are plenty of options out there to learn, and I can share some of the best.  I can also direct you to some of the basic skills that you need to do this work: spirit communication and journeying skills being most central. This page provides a good list of books for more information, for those who want to read more and understand.  I also want to stress that this work is not for everyone: there are many other kinds of work we can do in the Anthropocene. I think each of us should do something, but that something should be tied to our gifts and own journey.

 

So to get into the psychopomp work, I’m going to share a few examples to help illustrate some of what I understand to be the basic principles. Again, these are my own experiences; yours may be very different (and if you feel led to share, please do so in the comments–sharing is important at this stage, as we can build our knowledge and help the land in this way).

 

I remember the year the Christmas trees came.  Thousands of them, just after the holiday rush was over. They waited for me, patiently, planting themselves all over my property. I went out and walked among them. They wanted to understand why they had been cut and left to die. These trees, I realized, had never found themselves in the center of the family home and hearth adorned with gifts. Or if they had, once their use was over, they were unceremoniously thrown on the curb without so much as a thanks. They wanted to understand, needed to understand, what had happened and why.  Their whole lives–and deaths–were wrapped up in a cycle they did not understand, and they had to understand it in order to pass. I thought it was a fair question.  And so I showed them; I talked to them about humans and human life today. I invited representatives to join me for a few days in the world, to see how humans think and what they do, and I shared a human perspective. The representatives asked questions, and eventually, they were satisfied. They understood, after seeing me interact with humans and with my translation and explanations, that humans didn’t realize they had spirits. That humans didn’t realize that they were anything other than objects.  I apologized on behalf of all humans who did not understand. This seemed to appease them. When I felt the time was right, about two weeks after they arrived, I opened up a sacred grove in my outdoor grove.  I built a fire and, with the aid of my own spirit guides, helped open a gateway for them to pass. They went through it, one at a time.  It took a very, very long time.  Finally, they were all through.  Afterwards, I got the sense that that work was done, and now, others could pass.  Not through that specific gateway, which we closed at the end of the ceremony, but through their own means. Afterwards, I also did extensive cleansing and self-care; as the energies of the dead are not to be worked with lightly.

 

I’ve always been connected deeply with trees, and have long done this kind of work for forests who were logged. One forest, however, in particular stands out. It was a section of forest that I had spent time in; it was a wild place that, when I was a child, I would often go into with my parents. Maybe eight years ago now, the township decided that their industrial park was going right in the middle of that beautiful forest. They cleared giant swaths of it, put in infrastructure, and there, it sat.  Empty. I drove through it soon after it happened, and I felt such incredible sorrow, such loss, such anger and frustration. The spirits of the trees, of that land, of the animals who died, of insects whose lives were over, crowded up around me and demanded to understand why this had been done. Again, I asked them to choose a representative, which ended up being a spirit of a red maple. First, I sat in the forest for a long time, observing, singing to them, simply honoring them and letting them know that I was there, I was not alone (I describe many such practices in my earlier land healing series in the work of witnessing and apology). I walked along that recently cut land, and I found a piece of wood that had been cut, part of a stump.  I took it with me, along with some other materials, and made them into a piece of art honoring that forest. The artwork and use of the wood in a spiritual way seemed to appease the spirits. But, they still had questions.  Their representative went with me, learned what he needed to learn, and then we returned together to that place.  I did a ceremony for them (similar to the one I described above) and helped them move on.  After that, when I passed other logged sites near there, I got the sense that the spirits were once again taking care of their own work in those kinds of cases.  I was welcome to help, but I wasn’t necessary for me to do the deep work I did with this forest.

 

Former life....

Former life….

On one otherwise ordinary work day when I was working from home, I suddenly sensed a very angry presence. Opening up my spiritual eyes, I saw an entire tribe of lions.  They were angry, they were thrashing about. They could see me, and I could see them.  As their eyes bored into me, I felt almost like prey.  They demanded answers, and they were going to get them. I set my work aside, and told them I would speak with them, but only if they backed off and calmed down.  They left, and I thought that was that, that since I wasn’t feeding into their anger, they were going to go somewhere else.  But, a few hours later, they were back. I asked them about who they were, where they had come from.  They had been poached, they were the last of their tribe in any land as far as they were aware.  I simply listened,  acknowledged their hurt, and apologized for their suffering and deaths. As is the way of things, I invited a representative to come with me for a few days, to better understand the way that humans lived. To see. To understand.  In time, they were satisfied.  I did a similar ceremony to those I had done before: opening up a sacred grove, making an offering, inviting any final conversation, working with my guides to open up a gateway, inviting the spirits to pass through the gateway, and then carefully closing the gateway and space.  Again, afterwards, I did lots of spiritual self care, cleansing.

 

After a number of these experiences, I realized I needed a permanent space on my land where I could properly honor these spirits.  So I did that–creating a shrine that I used to “honor the fallen” and as any spirit interacted with me in this way, I would put a representation of them on the shrine.  When I moved to new land, I took a stone with me from that shrine and took the rest deep into the woods, to lay at peace.  The stone is now the start of my new shrine on our new land here.  I do not photograph these shrines out of respect for the dead, but they are like many others I’ve talked about on this blog: full of natural things and regularly honored. This shrine helps me honor them, to hold them in my memory.  I wrote about them, researched them, and told them that while I lived, they would not be forgotten.  With these words I write, this holds even more true, because they now live in more than just me, they live in you.

 

The Ovate Psychopomp

These examples are fairly consistent with my larger practices surrounding what I now understand to be some of the Ovate work of the Anthropocene, at least from my own perspective and experience.  So what is the nature of this work? We’ll now explore it from two perspectives: first, what I call “prerequisites”, i.e. the things you need to bring to the table to do the work.  And second, the things you do surrounding the work itself.

Prerequisites

The first prerequisite is being open to working in this way.  You have to be willing to see, be willing to acknowledge, and spend the necessary time and energy to do this work. If you aren’t open to it, they are never going to come to you, or you aren’t going to do them justice.  Some people probably read this and know this work isn’t for them, and to that I say, good!  I’m sure some other work is out there that is better well suited for you–like physically regenerating the land, teaching humans to honor nature, fighting to protect forests, fighting for environmental rights, etc.

 

Second, as I mentioned above, it requires some advanced gifts and skills: spirit communication, spirit sight, and solid practices surrounding protection and self-care.  It might be that you aren’t ready to do this till you’ve been walking the path for a number of years–and that’s ok.  I don’t recommend that any new person take this on.

 

Third, you must have guides, spirits, and/or deities working with you.  You need to have those you can trust in the spirit world for this kind of work; both for your own safety but also because this work seems to require it as a balance.  You are helping a spirit move from corporeal life to non-corporeal life, and that requires both someone who is corporeal and someone who is not to do it properly.

 

 

Cultivating connection

Cultivating connection

Fourth, you have to find balance and practice good self care and spiritual cleansing. This is true for everything we do, but especially true for this kind of deep work.  The energies of the dead are not good for the living long term (and if you’ve ever tended a dying person, you’ll know exactly what I mean).  I don’t do this work every day; I do it as necessary, and as individuals or groups of spirits come to me.  I can always refuse to do it if I don’t think I’m in the right state of mind–which I have done more than once.  Don’t let the dead stay near you for long periods of time.  They must pass, and you must find your way into self care and balance and embrace the energies of life.

 

Fifth, you will always have the gratitude of the spirits who pass, however, understand that this is quiet work.  Its work you do on your own, that you don’t typically talk about, and other humans have no idea.  That’s ok, the work isn’t for them.  But if you are someone who needs regular validation from human others, this is probably not for you.  This work is never about you.

 

Finally, a lot of people who I’ve spoken with who have gotten into this work one way or another had almost had some close experience with death, some way that helps them better understand it.  These experiences may have been having a very special person (human or otherwise) die, tending a dying relative, having a brush with death themselves.  Its not always the case, but does seem to be something that a lot of folks have.  I think that experience opens up something within you that then can be used to help others.

 

The Work Itself

Given the above, we now turn to some of the core aspects of psychopomping in the Anthropocene, as I understand it.  They are:

 

One, being open.  If you are doing this work regularly, somehow, the spirits sense it, and somehow they know. Its like you have an “open for business” sign up on the astral plane. Even if it’s just a self acknowledgement that you are willing to do this work, they will come once you are open.

 

Second, being ready to do the work of apology. Humans all over this planet are doing awful things and are causing the genocide of many, many lives and species. Why would these spirits of the recently departed trust a human?  Because you are acknowledging what is happening, you are compassionate, you can offer them perspective, and most of all–you can offer them a true and heartfelt apology.  Acknowledgement and an apology is all that many need to move on.

 

Third, being ready to explain things from a human perspective. This seems to be very, very helpful for many spirits who are dying in the age of the Anthropocene. They want to know why things are happening, and their minds cannot understand human behavior without your help.  And so my basic strategy is to let them tag along for a few days as I’m out and about in the world, explaining to them what they see, answering their questions. This has always led to success, at least in those I’ve interacted with.

 

Fourth, ritually helping them move on, if they need you to (often, I offer, and not all of them accept or need me to help).  I have my specific techniques, which I have shared above through stories, and which I do in the context of druidry.  Some of my techniques are unique to me, some of them would likely work for others. I would suggest learning what will work for you directly from a spirit, guide, or deity that you work with who is on the other side.  For me, I use music, fire, natural gateways, and other such things to help them pass.  These techniques were all taught to me by spirit, so I don’t know how translatable they are to others.

 

Finally, practicing extreme self care. This is not easy work; it can be rewarding but also very draining.  You have to take care of yourself, you can’t do too much of it, and you need to make sure to spiritually cleanse carefully after doing anything like this.  I like to do a herbal vinegar bath: I take a few tablespoons of infused herbal vinegar and add it to my bath and scrub myself all over.  I infuse it with plants that are significant to me personally and that are personal plant allies.  For a general blend, I would suggest sage, mugwort, rosemary, bay, lemon balm, and/or hawthorn.  You can simply throw handfuls of dried herbs into a quart jar, fill it with vinegar, and then have it available when you need a cleansing bath.  In addition to the bath, make sure you take time to do what fulfills you most–and let nature heal you!  For me, spending a lot of time gardening (working with the energies of life), being in healed and whole natural places, and working in my art studio are the ways I heal from this work.

 

There’s a lot here to process, and I hope it is of use to some of you who feel led to do this work.  I never thought I would write this post or talk about this in such a public way, but spirit said otherwise! If you are doing this work, please share if you are willing; I’d very much want to hear others’ experiences.  If you aren’t doing this yet but would like to, feel free to reach out!

 

Druidry for the 21st Century: Druidry in the Anthropocene February 17, 2019

Druidry is rooted in relationship and connection with the living earth: the physical landscape and all her plants and creatures, the spirits of nature, the allies of hoof and claw, fin and feather. The land and her spirits are our primary allies and energies with which we work as druids. The question I keep coming back to is this: how do I practice a nature-centered path in a time when nature–those of the hooves, fins, feathers, and claws–are going extinct and dying all around me? How do I practice druidry when everything that I hold sacred and love  is under severe threat, and when it is likely that in my lifetime, I will witness severe ecological collapse in multiple ecosystems.  How do I practice druidry with my “eyes open” to all of this, and honor nature in this great extinction event, and still say sane? How do I do this “druid” thing, given these challenges?

 

A less disruptive path to help preserve an ecosystem

A less disruptive path to help preserve an ecosystem

Druidry in the 21st century is a complex topic, and I’ve been trying to work my way into it in different ways on this blog. I started this by thinking about how druidry offers coping mechanisms for those of us faced with the many challenges of our age: that is druidry offers refuge in dark times. I think it’s critically important to acknowledge that first and foremost, we need self care to do it well.  While all humans need self care in these dark times, our spiritual relationship with nature requires it. I followed this up with a post about the future of human civilization (Druidry for the 21st century) and made the argument that one way druidry may serve the future is through developing and providing paradigms and mindset shifts.  The idea that druidry is the seed of something different; that druidry offers us new paradigms and hope; paradigms to replace the thought processes and civic ideals currently driving post-industrial civilization to the brink of global collapse.  These are two useful responses, but they certainly aren’t the end of this conversation–not by a long shot.  So today’s question is a serious one: What can druids do about what is happening to all of nature now and what will continue to happen in the foreseeable future?

 

Today, then, I’m going to talk about death.  I’m going to talk about nature and relationship, and I’m going to talk about extinction. Maybe you want to stop reading at the words “death” and “extinction”; these are things we don’t talk about.  These are things our media refuses to cover. These are things overwhelming to even well meaning people, people who love the land, people like you and me. These are things that bring tears to my eyes when I read them or think about them.  But it is necessary that we honor and acknowledge those parts of nature that are no longer with us; that are dying and may never return because of human indulgence. To avert the eyes is essentially allowing a loved one to suffer alone.  If your grandmother were dying in a hospital, would you ignore her, or would you go visit her? (For more on my idea of “palliative care” and why witnessing is so important, see here and here).  If your sacred companion on the druid path–nature–is suffering and dying, can you really pretend everything is ok? I don’t think I can just go into my woods and do some woo-woo and get healed by nature and call that druidry.  Druidry is not a one-sided relationship.  If we want to gain our strength, wisdom, peace, and healing from nature, we must also offer something in return. I believe that now–in the 21st century, in the Anthropocene, nature needs us just as much as we need her.

 

The Hard Stuff

So let’s start with the hard stuff. Scientists are clear that the world’s sixth extinction-level event is underway. “Biological annihilation” is the phrase used to describe what is happening–since 1970, at least half of the world’s animals are gone. That means that we had twice as many animals living on this planet in 1970 than we do today. This isn’t some far-off future prediction. It has already happened. It is continuing to happen as you read this. It has happened in the time that you have been present on this earth. Here’s a list of the “recently extinct” species–those who have gone extinct primarily since industrialization. There are many more who are not on this list because they weren’t discovered or documented before going extinct. A 2017 study, examined 27,600 land species and found that all species were showing huge amounts of population loss, even among species of the “lowest concern” with regards to the International Union for the Conservation of Nature’s guidelines (which sets guidelines for endangered species).  This study suggests that 80% the traditional territories of land mammals have been eradicated, making way for cities, people and shopping malls–this is the “biological annihilation” that they speak of.  The study also indicates that this trend will likely increase in the next two decades with the rise in population and continued rising demands on the earth. Another piece of this comes from the work of Bernie Krause, who wrote The Great Animal Orchestra (which I discussed a few years ago on this blog).  Krause’s work focused on recording nature sounds, and he demonstrates that the sounds of nature are simply vanishing, along with the life and species.  These issues are also not limited to vertebrate species–another study, released in October, showed a 75% decline in insects in protected ecological areas in Germany.  The problem isn’t that change is happening; the problem is that it is happening so quickly that natural evolutionary processes (processes that allow species migrations and adaptations) cannot occur.  And so, how do we honor those animals, plants, insects, trees, amphibians, reptiles and so forth that have passed, many unnoticed?

 

One more piece here, that I think is critical to consider. All ecosystems have what is called a “carrying capacity.” That is, given the resources available (sunlight, soil, plant matter, water, weather, etc) the land can reasonably sustain so many lives of different kinds: so much insect life, so much plant life, so much animal life, so much human life.  Ecological collapse refers to when an ecosystem suffers a drastically reduced carrying capacity–that is, the ecosystem can no longer support the life it used to because of one or more serious factors.  These factors are usually compounded and may include the loss of a keystone species, general pollution or degradation, deforestation, ocean acidification, over-hunting, you name it.  Its like a domino effect–sometimes, all it takes is one core species to go.  Climate scientists call this the tipping point–think of it like a chair.  The chair is being held at 45 degrees, and just a fraction more, and it will crash.  It is almost certain that we are heading into a nose dive of ecological collapse.  Ecological collapse doesn’t just affect all of nature–it affects humans too.  So while we should care about even one life, a single species, we also need to be concerned deeply for all life.  This will happen in our lives–how do we spiritually prepare to support nature when it does?

 

Now, put this in context. While we practice druidry, while we enjoy nature’s benefits and her healing, this is happening. When we are honoring nature, celebrating the wheel of the seasons, this is happening. Its happening in every moment of every day. This is part of our reality, as nature-honoring people.  Given that this is the reality, responding to this should also be part of our druid practice.

 

Exoteric / Outer Works: Refugia

A safe space for all life

A safe space for all life

Druidry is about nature and relationship.  Its about your relationship with nature both exoterically (that is, in the material world) and esoterically (that is, in the world of spirit).  In the case of this information, I think it’s really important that we develop a range of responses, both esoteric and exoteric.  In terms of the outer world, I’ve long advocated on this blog a very wide variety of things that can aid the land in healing, regeneration, and growth.  I think that each of us can do something, and that something varies based on our life circumstances.  All of us can attend to our ecological footprint, consumption behaviors, transit, energy use, and all of the usual things.  I think that’s part of just being a druid–living your practice.

 

To be more specific to the material above, however, I’ll share what I consider to be my key method for responding this kind of extinction level event: building refugia. Refugia is a concept discussed by E. C Pielou in After the Ice Age: The Return of Life to Glaciated North America. In a nutshell, refugia (also called “fuges”) are small pockets of life that were sheltered from broader changes that destroyed most habitats. Pielou describes specific isolated pockets of life that survived as a sheltered spot, a microclimate, a high point, and so forth, while the rest of the land was covered in ice. When the glaciers receded and left a bare landscape devoid of topsoil or life, it was these refugia that allowed life to spread outward again, repopulating areas in North America stripped bare by glaciers. Of course, Refugia aren’t limited to North America–they are a worldwide phenomenon, and even our human ancestors, at various points in our history, have used them to survive challenging environmental conditions. In the 21st century, in the time of human-dominated land use, things are not as different as you might think from our glaciated pre-history. For one, the loss of biodiversity and essentially inhospitable landscape can be found in the 40,000,000 acres of lawns currently in cultivation in the US or the 914,527,657 acres of conventional farmland in the US. Many areas that aren’t lawns or farmlands are subject to other kinds of stresses that create inhospitable lands: pollution, resource extraction, deforestation, and so on.  Refugia allow us to create small pockets of biodiversity–which is going to really, really matter in the next 20-30 years.

 

Refugia are all about individual action.  While no average person has control over what much of what is happening in the world around us, even in the landscape around us locally, we can create refuges for life. Refugia are small spaces of intense biodiversity, critically important during this time of mass extinction and habitat loss. Cultivating refugia allows us to put more of the building blocks back into nature’s hands for the long-term healing of our lands. That is, refugia is that they are little arks of life, that is, little places where biodiversity and life can spring forth once again. A network of refugia created by 21st century druids may be the difference between extinction and thriving for many diverse species.  What you do can make an incredible difference–it could save a species.  I have written more about how to create a refugia garden here and here!

 

Esoteric / Inner Works: Honoring the Fallen through Ritual, Shrine, and Sound

Given the state of nature and that we practice a nature-oriented spiritual practice, I think it is necessary to directly honor the massive loss of such life through rituals, shrines, moments of silence, psychopomp work, and other practices.  I would argue that this work should be a regular part of our practices as druids. I’m going to share two ideas here, and next week, I offer a larger set of suggestions on psycopomp work for the animals and the land.

 

Ringing the Bell/Sounding the Bowl

After reading the Great Animal Orchestra, I thought it would be very appropriate to honor the loss of life through sound.  Since we are missing the sounds of that life, and the world is growing silent (or replaced by human sounds), I wanted to create space in my rituals to honor the loss of life.  There are lots of ways you might do this, here is mine:

 

A simple indoor altar with singing bowl

A simple indoor altar with singing bowl

Anytime I open a sacred grove to do ritual, I have begun with a simple sound ritual to honor the life that has passed.  I have a small singing bowl, and I go to each of the quarters and ring the bell in each direction.  Sometimes I do this silently, and sometimes I say some simple words, like “honoring those who have passed on in the east.”  I allow the bowl to resonate until it is completely quiet again, and then move on to the next direction.  I’ve found for typical OBOD or AODA grove openings, this is best done just after declaring peace in the quarters.

 

You don’t have to do this in ritual; you can do it anytime.  I like doing it in ritual because it is in ritual that I’m drawing upon the land and her energies, and I want to honor and acknowledge the suffering of the land before I ask for anything else (that’s why I do it early in the ritual rather than after I’ve called the quarters and established the space).

 

Honoring the Fallen Shrine

I also maintain two shrines–an indoor shrine and an outdoor shrine–to honor the many lives that have passed.  I often will do my sound ritual above and leave small offerings (like my offering blend).  These shrines are simple–a pile of stones outside on a stump, I add bones and other things as I find them on my walks.  Indoors, I have smudges I make special for this shrine, usually of rosemary (for remembrance), bay laurel (for passage), white cedar (for eternal life), and white pine (for peace) and I burn these regularly.  I sometimes print out pictures of animals or other species, and add other things of significance.  Like most things, it is the intention of this shrine that is critical.

 

Council of All Beings and Other Rituals

At least once a year, if not more frequently, I also like to engage in ritual (group or solo) to directly honor and support the land.  One of my favorite things to do with this comes from the work of Joanna Macy (who has many great ideas for group rituals and group healing and processing of what is happening now).  She has a ritual called the Council of All Beings (the link will take you directly to the ritual).  I like this ritual because it allows us to give voice to those who do not normally have it, and it helps all participants get into a frame of mine that acknowledges and honors other life’s suffering. I think its important to engage with this not only for ourselves, but with others–talking about it, sharing what we do, and working on doing some things together.

 

I also think that general land healing and blessing ceremonies are useful and important to do regularly and help energetically support the land and her spirits during this time. I wrote a series on land healing; this final post links to all others.

 

There’s so much more to write and say here, but alas, I think this post is long enough.  Dear readers, I hope you will share some of your own thoughts–how do you answer the many questions I’ve posed in this post?  I would love to hear your ideas and stories.

 

Collaborative and Community Created Rituals without Set Scripts January 20, 2019

One of the questions that many druids face, particularly if they are working in a group of any size, is how to plan a good ritual.  A ritual that is meaningful, powerful, moving, and engaging to all participants.  I’m sure anyone who has attended a druid (or most other forms of pagan gathering) remembers standing around in a giant circle watching people read from scripts. Sometimes, a scripted ritual can be a moving and meaningful experience, particularly with competent ritualists.  Sometimes, however, they are not as moving or enjoyable.

 

The traditional scripted ritual goes something like this: a small group of ritualists design and plan a Samhain ritual. They put countless hours into the planning, and then bring in others to assign roles, practice the ritual, set the stage, and so on. A larger group of participants then come to attend the ritual. They may be able to participate at small points; chanting Awens, making offerings, and so on.  But largely, these roles are passive. The participants, then, are there to experience the ritual, to witness it, and to experience the energies present.

 

Preparing for ritual

Preparing for ritual

Now, let’s rerwrite the above Samhain ritual.  The small group of ritualists again get together prior to the event, but this time, they decide on a framework: honoring the ancestors, with three parts – honoring the ancestors of the land, honoring the ancestors of blood, honoring the ancestors of tradition, and messages from the ancestors (divination). They also establish parts for a standard opening and closing, as befits their tradition. They each take a theme. At the event, time is set aside to talk to all of the event participants about the ritual, and then to allow each participant to select a group to join. In these smaller groups, participants brainstorm ideas, develop a plan, and practice their plan. At the ritual later that day, each smaller group offers one piece of the ritual tied to one of the four themes. One group offers sprigs of cedar as a blessing and shares uses of cedar by ancestors of the land, another group speaks of several prominent ancestors in the tradition, and the other group invites each participant to speak the name of an ancestor and makes offerings. Each group and individual has their own work; nobody is left out, and everyone can make a positive and powerful contribution. No single person knows every part of the ritual, and there is joy in seeing what each group has done.

 

Crazy? Actually, it works beautifully and I’m going to describe in more detail how to do this. My alternative to scripted rituals is what I call the CCC Ritual (community, collaborative, creative). This approach can be done in a group setting, anywhere from 4 to 40 or so active participants: that is, it is appropriate both for a grove of varying sizes or for a small druid gathering. I suspect it could work with a larger group with, but I have no experience facilitating it for a group above 40, so today I’m sticking with my experiences.

 

To script or not to script?

There’s nothing wrong with scripted rituals; Scripts provide consistency: you know exactly what is going to occur in the ritual, who is saying and doing what, and at what points.  From a ritual organization and ritual writing perspective,  they are also useful for people new to the tradition, as the script offers something that can be reflected upon, or a part read from, without concern. They can be carefully planned in advance.  They are necessary for certain kinds of rituals, like initiations, that are meant to always be performed in the same way. These are good reasons to use scripts: but also good reasons to move beyond them on occasion.

 

The occasions where I think the CCC ritual approach is most warranted is when you are looking for a way to allow for more participation and ownership in a ritual, where you are looking to do something new (especially with rituals or events that are starting to fell tired and old).  It’s also highly appropriate in mixed groups where people are coming from different traditions–this allows these multiple faiths to interact positively and each share.

 

Statuary in a Labyrinth

Statuary in a Labyrinth

The Basic Approach

There are essentially two approaches to the CCR, and it is based on the size of the group and the experience level of a group.  For a group that has experience and has been working for a while together, I suggest approach A.  For a larger group or less experienced group, I suggest approach B (approach B was offered as an example in the opening).  I’m going to share both approaches, then offer some real-life examples of how they can work.

 

Approach A: Less Structured.  This approach is really great for groves or other small gatherings when at least half of the participants have some ritual experience. In this case, the organizers of the ritual decide a theme in advance with several interrelated groups and then the group gets together to talk about the theme and break into smaller self selected groups.  You need about 2 hours for this: 25 minutes or so for the larger group discussion, 5 minutes for the groups to form, and then 1.5 hours for the groups to do their planning and practice.  Then, afterward (immediately or sometime later in the day or weekend) everyone comes together and enacts the ritual.

 

Alternatively, you can come together with just a broad idea (e.g. land healing) but then you’ll need more time in a large group to decide the framework for proceeding.  I’ve found it’s a bit more efficient to already have the broad idea and themes present, even if people are able to comment on them in advance (say, in a grove or gathering forum).

 

Approach B: More Structured. The more structured approach would be appropriate for a larger gathering where there are a lot of unknown people.  In this approach, the ritual organizers would select a theme and sub-themes.  Each ritualist then, would be in charge of leading a group, preparing and presenting some options, and helping make sure that group was well prepared.  The difference between approach A and B is the nature of the small planning groups: are they completely autonomous, or do they have a leader who can help the group come up with an appropriate and moving idea?  The example I provided above with Samhain demonstrates this approach.

 

Small group variant.  If you have only a few people, this ritual process can still be done.  If you have only a few people, ask each person to prepare something in advance for the group on a common theme, and see what everyone does.

 

A few more items of note.  First, not everyone who comes to a grove or gathering wants to participate.  You should always reserve an “observers” group that holds space and that does not directly engage in any of the planning or ritual.  This gives anyone who wants it an “out” to simply be present.  Even within small groups, not everyone needs to participate in the ritual–the group of six may elect 1 spokesperson who does that part of the ritual.  Finally, I will also note that it is helpful to give people as much information as you can in advance about the process, the themes, and the ritual.  Then they can think about it, maybe bring something from home they want to contribute, and so on.

 

Examples: Grove and Gathering events

The first  large group ritual I experienced using this approach was at a Pan Druid Beltane celebration that took place a few years ago. One of the big projects was to help build a druid-themed shrine at the Land Celebration in Gore, VA. The Land Celebration already had many different shrines to different spiritual paths, like a Jewish Wailing wall, a Buddhist shrine, multiple labyrinths, and so on.  After we built it, the final step was to ritually consecrate it.  Of course, we could not have planned this ritual in advance because we didn’t even know what the nature of the shrine was going to be.  So, as a group, we set forth to design our ritual, coming up with multiple groups that blessed the shrine, blessed the ancestors and divine, “listened” to the land, made offerings, and opened/closed the space.  It was a beautiful ceremony, and not only allowed the druids of different traditions to share pieces of their tradition; it allowed all to contribute and empower the shrine.

 

Labyrinth

Labyrinth

In a second example, over the summer, we hosted a small Land Healing celebration for about 14 druids. The overall theme was “land healing” and we wanted a healing ritual for the land not just here on the homestead where we were hosting it, but also a way for others to take that healing back with them. Almost all participants were experienced druids who had done multiple kinds of group rituals before and most who had worked together at larger OBOD gatherings over a period of years. Together, we decided on the earth, sea, and sky as our three themes. Participants self selected into the groups. Each group of 3-4 people then worked to bring the healing energy of earth, sea, and sky both inward to this land and outward to all lands.  It was a beautiful ritual: we used a standard opening with assigned parts.  The earth group had us write on and bury stones, sending the energy out to the land. The water group had different waters from around the world, and each person was also asked to bring water to the gathering from their home.  We ceremoniously combined the waters, blessed them, and then each participant later got a small vial of water to take home. The air group focused on bringing healing energy through song (common to wassailing and other traditions), movement, and music.  As the ritual unfolded, everyone was able to experience two new things from the two other groups; we closed the ritual with group divination.

 

Some Themes for Rituals

You can do a lot with this framework, and draw upon various kinds of themes for rituals.  Here are some possibilities:

  • The elements: four groups of air, fire, water, and earth.
  • Earth/sea/sky theme
  • Three druid elements theme: calas (stability), gwyar (flow), nywfre (inspiration)
  • Ritual focused on four sacred trees (oak, ash, thorn, cedar, etc)
  • Ritual that focuses on different aspects of the natural world: waters, air, animals, plants, invertebrates, etc

The CCC ritual creation is a very different kind of ritual, with a very different kind of result.  I would highly encourage you to experiment with it if you are interested!  If you’ve done anything like this, please share in the comments!  Also, if you are planning it, feel free to share!

 

The Lessons of Nature at the Winter Solstice December 16, 2018

In the fall, I always feel like I’m fighting against the coming dark at the time of the winter solstice, and each year, I have to learn the lesson anew.  This year proved particularly challenging for a few reasons. After the time changes at Daylight Savings time, and the sun starts setting at 3:30pm.  It is down by 4:30 and completely dark by 5:15pm. As a homesteader, in preparation for spring planting and the winter to come, there always seems to be so much to do.  Bringing in the harveset, preparing the greenhouse, preparing and clearing garden beds, stacking wood, cleaning gutters, shoring up the hen house, and doing all of the necessary multitude of other preparations for the coming winter.  As the fall deepens, each day, the light continues to wane, and there is less light each day to work with. On many days when I go to work, I rise before the sun rises, I am on campus all day in a windowless office, and I leave campus after the sun has set–literally never seeing the sun, sometimes for days on end. These “lack of sun” issues were certainly heightened this year, by our region having the rainiest season on record.  Many of us in Western PA felt like summer never happened; an extremely rainy and cold July and August meant that the warmth never had a chance to seep into our bones. These climate changes are the new norm, but they certainly make it difficult to adapt! Finally, and perhaps most salient, I think the cultural darkness has also left its mark on many of us in 2018; it was a hard, dark year.  No wonder as the light wanes, I found myself really mentally fighting the coming darkness of the winter solstice.

 

Snowfall at our homestead

Snowfall at our homestead

But whether or not we want to face the darkness, it is now upon us, as it will be each year of our lives.  Earlier, I wrote about embracing the darkness at the winter solstice on this blog.  I’ve also written about enacting a winter solstice vigil during the darkest night of the year and about sustainable and magical activities for the winter solstice.  In re-reading these, I remind myself that the lessons of this year are powerful, and perhaps, each year, we must learn to embrace the darkness anew. So today, I offer three additional insights for the lessons of the winter solstice and thinking about embracing the darkness during this time.

 

Lessons of Darkness, Again and Again

The irony is that in my earlier posts about the winter solstice, they seemed so certain, so firm, as if I had found the answer that helped me embrace the dark.  The truth is, for this druid at least, there is no “one” answer to addressing the coming of the darkness.  I am in a different place as the wheel turns again, and the darkness of each year finds me in a different mindset, different life circumstances, different present time.  Such that, particularly for this holiday, learning how to work with the Winter Solstice must be learned and deepened each year anew.  Each holiday on the Druid’s Wheel of the Year offers us this same lesson–a chance to deepen our experiences with the magic of that sacred time.  For Alban Arthan, the darkness requires a different kind of interaction and engagement with the world–a time of quietude, slowness, of otherness.  And we must simply let ourselves be present in it and embrace it.  And for some of us, we have to teach ourselves this lesson again each year.

 

Perhaps, saying that we have to learn a lesson is not the right way of thinking about it.  It is almost like we have to come to a place of acceptance of this time, this dark, this cold.  There is something so joyful about the light of summer, and that light is so far away. As the light wanes to nothingness, those of us who are stuck indoors at jobs may notice that all of our “light hours” are gone during the working week.  Further, the cold and dreary days set in, and some days, it hardly feels like the sun is there behind the clouds at all.  Darkness requires us to step away from “business as usual” and re-orient ourselves to this time.  Culturally, this re-orientation is extremely difficult because the hustle and bustle of the holiday season is in full effect. If anything, our lives are the most busy this time of year, yet nature is telling us hey, you’ve got to slow down.  I think this is part of why there is so much depression around the holidays: we are fighting our natural instincts. And perhaps that’s why each year,  it seems of all of the wheel of the year holidays, I find this one to be the most difficult to adapt to, to embrace, and to accept.

 

Indeed, my first lesson is that the darkness may always be difficult for many of us.  In the same way that nobody wants to have bad things happen in their life, experience pain or loss.  But like the dark, these things are inevitable, just as the darkness of the winter solstice is inevitable.

 

The Lesson of the Seed

Spirit of Black Cohosh (from my in progress plant spirit oracle deck)

Spirit of Black Cohosh (from my in progress plant spirit oracle deck)

In the last week, two seed catalogs arrived, reminding me that while it may be dark, planning for the coming season offers hope.  As I browse the seeds, thinking about their magic and life, I realize that we can learn a lot about embracing the darkness from starting seeds.  I think about all of the seeds of the self-seeding annuals, perennials, and nuts that the squirrels buried this past fall season: those seeds are there, covered in dark soil, awaiting the spring. Awaiting warmth, moisture, and a chance to grow. The darkness holds these seeds, preserves them, allows them to be in  a time of stasis before they spring forth.

 

In fact, many of the seeds of some of the most rare and medicinal plants require “cold stratification.”  The seed packets tell you to put the seeds in your refridgerator for a period of time, usually some weeks or months, for without this period of cold, the seeds will not grow. Black cohosh, a critically endagnered forest medicinal plant, is one such plant that requires cold stratification.  For years, I attempted to do just as the seed packets asked–putting them in the fridge in a damp paper towel for three months, as requeted, then planting them indoors with my other seeds and hoping they would grow.  For years, no sprouts happened. The seeds simply would not grow.  Last year, I stuck the seeds right in the ground in the fall, after clearing away and marking little areas.  Sure enough, in the spring this year, the seeds came forth and now I have several beautiful black cohosh plants growing on the property in addition to some live plants I had purhcased and planted.

 

I wonder: how many of our most sacred and magical ideas are just like that Black Cohosh, requiring that darkness and incubation period? There are seeds we plant that must have their own time of darkness and cold before they can spring forth into the light of day. We need the darkness, just as the seeds need the darkness.  We need the quiet, the slowness, the time for reflection and introspection, before the seeds of our ideas can sprout in the spring.

 

The Lesson of the Roots

Another aspect of nature reminds me of another important lesson about darkness. Roots on trees and plants are extremely sensitive and require darkness to live. If roots are exposed to air and light, they will almost immediately be damaged.  Enough exposure will kill the roots, thereby killing the plant. I remember the first time I was planting trees as a new druid.  I had no idea how sensitive roots were, and I had left a number of trees’ roots exposed to light and air while I dug holes.  These little planted seedlings struggled mightily, I hadn’t realized that I had damaged their roots by exposing them as such.  They eventually did live, but only after a tremendous amount of care: water, singing, sunlight, and sitting with them. This was certainly a powerful lesson for a new druid!

 

Roots go deep

Roots go deep

Even many root crops, like potatoes and Jerusalem Artichokes, prefer to stay in the darkness and space within the soil.  When exposed to too much light, these crops go “green”; this greening produces Solanine.  Solanine is actually slightly toxic to humans, creating symptoms of nausea and upset stomach when consumed. How ironic that that which we want to embrace–the light–is so detrimental to the root crops.

 

But there is a deep lesson here about darkness and why we need this winter solstice time. Our own roots–that of our spirits, that of our creative practices, that of the core of our beings–are in need of the same kind of darkness.  Our roots are our grounding, the place of spirit and of the soul.   If the dark offers us a time for quiet contemplation, for rest, for rejuvenation: all of this is necessary if we are to bring any fruit into the world.  Fruit will not happen without strong roots, and strong roots do not happen without darkness.  Otherwise, we are just producing Solanine.

 

Concluding Thoughts

The seed needs dark soil to spring forth.  The roots cannot be exposed to light without damaging or killing the whole plant.  Potatoes go green in the light.  Maybe we are the same. The roots of our being are found only in the times of darkness: within ourselves, in our dreams, in the promise of a new beginning, in the quietude that can only be found in rest and open time.  We need the darkness as we need the air to breathe.  Blessings to you on the upcoming long night–may your spirit soar.

 

PS:  I’ll be taking a few weeks off of blogging for some travel and deep spiritual work over this period of darkness.  I will resume blogging again in mid January!  Blessings of the snowy white pine and sheltering Eastern hemlock upon you!

 

PPS: Larisa White, who is a fellow AODA druid and fellow OBOD Mount Haemus scholar, is working on a World Druidries Survey for her 2020 OBOD Mount Hameus lecture. If you haven’t already taken it, please consider spending time taking her survey!  Here is a link.

 

Wildcrafted Yule Tree Ornaments – Painted Wood, Wreaths, Awens, and Pentacles December 2, 2018

As the Winter Solstice is coming up quickly and the tree just went up this past week, I’ve been busy in my art studio and out on the land looking for great things to add to the Yule tree.  As a druid who is deeply concerned about the amount of plastic and “throw away‘ quick purchase items, like cheap plastic ornaments, I didn’t want to buy any ornaments for the tree, but rather, to make them from wildcrafted materials. So today, I wanted to share two simple ways to make nice ornaments for a Yule tree from natural materials and simple tools.

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Painted or Burned Wooden Round Ornaments

One simple method for creating ornaments is a painted or woodburned wood rounds. These are simple slices of wood that you can decorate in a variety of ways–painting them, burning them, or staining them.

A variety of wood rounds that are burned or painted. These are just about ready to hang!

A variety of wood rounds that are burned or painted. These are just about ready to hang!

Obtaining Wood:

You can cut rounds from either fresh or dry (seasoned) wood.  Most wood cracks as it dries out, so if you are cutting wood rounds fresh, you want to cut extra because some will crack as it dries.  If it is already seasoned wood, you can cut it without too much concern as the cracks are already present.  Even if you find dry wood in the woods, if its a rainy year, it may still crack a bit as it dries. The longer the wood sits outdoors, the more dark areas it will have and at some point, it will start to break down.

 

You might spend time looking for wood–what I like to do is take a small foldable hand saw with me regularly on my walks or hikes, and if I see a nice piece of wood that has recently fallen, I’ll take a piece of it back with me, using it as a walking stick till I get home.  I store these in my garage, and eventually, I have a nice pile for cutting.   You want fairly long pieces for using the saws (see below).

 

Some of my favorite woods to use are sugar maple, red maple, oak (harder to woodburn), sassafras, walnut, eastern helmock, or cherry.  Different woods produce different grains and colors, which you can all use to your artistic advantage.

 

Cutting rounds: In order to cut your wood rounds, you need either a table saw or miter saw to cut them; you could also use a hand saw but it would be very tedious.  If you don’t have one, ask around; chances are, a lot of people have these saws and would be willing to cut wood rounds for you or let you take 30 min to cut your own. I was without such a saw for many years, but finally invested in my own.

 

Cut your rounds to any thickness or size.  A miter saw also lets you cut them on a nice angle.

 

If you are cutting wet or fresh wood, one of the ways to minimize cracking is to put your freshly cut wood rounds in a paper bag for a few days.  The paper bag slows down the drying and there is less cracking.

 

Regardless, you will want to wait a few days before painting or burning them to make sure they aren’t going to crack.

 

Cut rounds of different sizes and woods.

Cut rounds of different sizes and woods.

 

Decorating Wood Rounds: You can do many different things to decorate your wood rounds. If you have a woodburner, this is a great and simple way to decorate them. You can also paint them with acrylic. Wood stains are not meant to be precise and will likely leak all through your wood, so unless you are staining the round all one color (say, on top of a woodburned design), stay away from traditional wood stains.  Yes, I learned this the hard way!

 

If you are not confident in your drawing skills, two options may help you.  First, you can purchase or make stencils of simple shapes and symbols, and use a stencil technique for your wood rounds.  The second is to print out designs and use a transfer paper (available in any art or craft supply store) to transfer the design, then paint or burn over it.

 

Simple woodburned rounds

Simple woodburned rounds

 

Stick Wreaths, Awens, and Pentacle Ornaments

This second kind of ornament is a little more involved, but produces beautiful results.  For this, you will need some hand clippers or loppers, wire of various colors, wire snippers, and access to various kinds of brush, shrubbery, vines, and/or small sticks. Here’s a photo of what we will be making next.

Some ornaments laying out to dry out

Some ornaments laying out to dry out

Finding the Right Woods

To make these delightful ornaments, you need two kinds of wood: one that is relatively bendy and one that is relatively firm and less bendy. You can test the bendability of wood by trying to bend them in half–if they bend easily, you have a good “wreath” material.  If they snap, that is a good “straight” material.

Bendable material should be able to do this without snapping

Bendable material should be able to do this without snapping

Wreath materials can be a lot of different things: most woody fines work great (Fox grape, other kinds of grape, buckthorn, bittersweet, to name a few).  Willow branches are fantastic for this–look for them of various kinds near wet areas.  Other bushes and shrubbery of various kinds can also be used.  For mine, I used an unidentified shrub (that was planted by the previous owners of the land) as well as some very young dogwood branches (that I needed to cut back anyways near my coop). Ideally, you should be able to bend it at least as far as in the photo above before it snaps (if not more, in the case of many thinner vines, etc).  Thin materials and new growth are best for the smaller ornaments.  These materials *must* be cut fresh and used within a few hours or they will dry out and lose their bendable quality.

 

Straight materials can be anything that you like.  I have some really lovely rose bushes that produce thornless straight branches–I like them for the green color.  Other branches I used this time around were some beaked hazels, cherry, and some maple.

A harvest for wreath materials

A harvest for wreath materials

Plan on harvesting the woods the same day you will make your wreaths and ornaments.

 

Making the Wreath

Depending on the length of your bendy wreath materials, you will likely need 1-3 pieces of material for each wreath.  You will have to coax the material to do what you want it to do.  Start by making a circle of the initial material, tucking in the end so it is held by the wreath.

Making your first loop

Making your first loop

For this, I like to start with the thicker end first, and keep working around, twisting it as I go.  You may have to help the wood bend by slowly bending it till it will keep the bend–each wood is unique.  The stuff I’m working with for this demo was definately less bendy than willow or grape vine, but still did a fine job as long as I was patient.

Wreath - step 2

Wreath – step 2

At some point, you should be able to have the end tuck in around the wreath.  Don’t worry if its completely circular at this point yet–just keep adding material.

Wreath - Step 3

Wreath – Step 3

You can see above where I have a little bend in the wreath material–once I add more, you won’t be able to see the bend.

Wreath 4 - Adding more material

Wreath 4 – Adding more material

Now I’ve added in a second piece.  Don’t yet worry about the ends–we will deal with those at the end.  Keep wrapping the material until you get a wreath the size you want.

Wreath trimming

Wreath trimming

 

As the wood dries, it will become very tight and the wreath will hold together on its own and hold its own shape.  When the wood is wet, however, you may need to secure it with some wire (that you can remove when its dry).  You can also, at this stage, trim any ends that are sticking out (as I am doing so above) or wait till they are dry to trim them.

 

Make as many wreaths as you like!  They are great on the tree on their own, or, you can take it a step further and make an awen or pentacle.

Various wreaths drying

Various wreaths drying, some with temporary wire.  These are made of the unidentified shrub material (tan/green) and some young dogwood branches (red).

Awen Ornament

Choose three straight pieces and cut them to just larger than your wreath.  They don’t have to be perfect at this stage–you can always trim them later.

Cutting branches for an awen symbol

Cutting branches for an awen symbol

Once you have your three straight pieces, begin attaching them at the top.  Simply wrap a thin wire around the branches and the wreath a few times till they are secure.  You could alternatively try to glue them, but I don’t think this is a good idea with shrinkage. Try to attach them as solidly as you can–if you are working with wet wood, they may losen and shrink as they dry.

Close up of awen top

Close up of awen top

Awen attached at top and middle bottom.

Awen attached at top and middle bottom.

Once you have the top attached, attached the middle bottom.  Then you can decide how far out you want the two outer rays of the awen.

Finished Awen ornament

Finished Awen ornament

Pentacle Ornament

Once you get your feet wet with the awen ornament, you can tackle the more complicated pentacle ornament. This is one with rose bush branch and the shrub from my yard.

Pentacle ornament on the Yule Tree

Pentacle ornament on the Yule Tree

For this, you will want five straight pieces that have a little give in them. They should be fresh wood, as you will have to bend them a bit over each other to get the effect right. As an optional step, if your pieces are quite thick, you migth shave them down on one side. This isn’t necessary if you have thinner pieces.

Shaving down edge of pentacle pieces

Shaving down edge of pentacle pieces

Now, begin to construct the pentacle.  Start by attaching two of the pieces to the top of the pentacle.

Two pieces attached.

Two pieces attached.

Here’s how the back of this looks at this stage. You can see how if you shave it, you can get a closer fit.

Top of pentacle with wire

Top of pentacle with wire

Now, 1/5 of the way down from the top, attach the next two pieces at the point of the star.  This gives you two of the five sides attached. You can mess around with which ones should lay on top of each other as you go–some sticks will fit better on top or bottom than others.

Attaching second two pieces

Attaching second two pieces

Now, go ahead and attach the other star point that can be completed (on the bottom right). Next, add in your 5th branch and figure out how to best fit it (it might fit better under rather than over previously attached sticks).  Keep attaching each of the sides.

Pentacle with all five sticks

Pentacle with all five sticks

Finally, attach your last sticks. You work with these wet because at this later stage, you may have to bend them a little to attach them to the wreath together.

Finished pentacle

Finished pentacle

At this stage, let them dry out for at least two days. The wood may shrink a bit, which will firm up your wreaths but may require you to tighten up the wire (which you can do by putting a simple bend in it or re-wrapping it).

 

Once they are dry, if you want, you can brush these with paint or just leave them natural.

 

I hope you enjoyed this simple tutorial for creating wonderful yule ornaments!  If anyone does this, please share a link to your creations or tag the druid’s garden on Facebook or Instagram (@druidsgardenart).  Thanks!