The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

A Druid’s Guide to Herbalism, Part II: Preserving and Preparing Sacred Plant Medicine October 21, 2018

The moonlight shines through the window in my kitchen as I carefully use a mortar and pestle to grind dried herbs for making tea.  Candlelight softly illuminates the space, and I have my recipe book with me, ensuring that I record everything that I’m doing for future use. Magic is in the air; working in a sacred space at a sacred time on the Fall Equinox ensures that these medicines will be potent, effective, and magical. On the counter, I’ve already finished my fresh New England Aster flower tincture; this keeps my lungs in good health and helps me manage my chronic asthma without pharmaceuticals. A pot of olive oil is infusing with herbs is on the stove; I am getting ready to add beeswax and pour it off into small jars.  This healing salve will be for friends and family as Yule gifts.  The kitchen is bursting with good things and healing energy.

 

Healing Salve in Tins (tins purchased from Mountain Rose Herbs)

Healing Salve in Tins (tins purchased from Mountain Rose Herbs)

In last week’s post, we explored some different ways to interact with and harvest plants: an animistic worldview that recognizes and honors plant spirits, planting and harvesting by the signs, and preparing for harvest through offerings.  In this week’s post, we’ll talk through different ways to preserve and prepare sacred plant medicine– so let’s get started!

 

An Herbal Sacred Grove

Before beginning your plant preparations, I would suggest setting up a sacred space (what we druids call a Sacred Grove). You can create a sacred space in which to prepare your sacred plant medicine. I offered details for one way of doing this in my earlier post on Hawthorn tincture creating.  You could also do so using an existing grove ritual (from OBOD, AODA, etc) or by creating your own.  I love to do this and I have found that it really adds to the magic and power of my plant preparations. For sacred plant crafting, I typically use a modified version of AODA’s solitary grove opening, including the Sphere of Protection.  The Sphere of Protection is highly adaptable, drawing upon the four elements and the solar, telluric, and lunar currents (three realms of spirit).  For plant medicine, I will use something like this (depending on the plants I’m working with at that time):

  • East/Air – New England Aster
  • South/Fire- Sassafras
  • West/Water – Hawthorn
  • North/Earth – Reishi Mushroom
  • Spirit Below/Telluric Current – Comfrey
  • Spirit Above/Solar Current – Goldenrod
  • Spirit Within/Lunar Current – Reishi

So my opening might look something like this:

  • Declare the intent of the ceremony
  • Declare peace in the quarters (part of the druid tradition)
  • Druid’s prayer / Druid’s prayer for peace (part of the druid tradition)
  • Sphere of protection; sealing the space
  • Offering to the spirits of the plants

Once the grove is open, I can begin my plant preparations, recognizing the sacredness and magic in this work.

If you plan on continuing to do sacred herbalism, I would suggest developing your own version of your sacred grove opening.  It can be dedicated to certain plants or activities, be done in a special room at a special time, etc.  The important thing is to make it matter for you!

 

Garbling

Once you have harvested a plant, you should engage in what is known as “garbling.” Garbling has both mundane and magical qualities.  On the mundane level, this basically means going though the plant material, cleaning it, removing bugs or soiled parts, and making sure you don’t have parts of other plants (like blades of grass) in there. As part of the garbling process, if you are drying your plants, you will want to remove any thick stems–this can prevent plants from drying thoroughly.  On the magical level, this process lends your energy to the plants you’ve harvested.  Feel their energy, attune with them, and do a bit of energy exchange with the plants you harvested.

 

Drying Plants

Plants need to be very dry if they are to stay fresh and preserved over a period of time or if you are going to use them in an herbal preparation. One of my favorite tools is a portable herb air drying rack. Its a mesh column with tiers where you can lay many fresh herbs.  If you hang this up in your house or porch, your herbs can be dried in a matter of days and not use any fossil fuels.  Other options include an electric dehydrator (sometimes necessary in places or times of high humidity).  If using a dehydrator, make sure you keep it on the lowest (herb) setting. Solar dehydrators (such as this design here) are another good option.  The oven is not a good option for most plants for drying, particularly leaf and flower parts; the oven starts out about 100 degrees Fahrenheit hotter than you want for your plants and you will likely burn them. You can use the oven to “finish off” already mostly dry material, however.

 

If you feel your plants and they still feel soft or cool, they are likely not yet dried enough for proper storage.  This is particularly a problem in high humidity areas. You might finish them off for 10 min in the oven at the lowest setting to make sure they are super dry.  Then place them in a mason jar (which has an excellent lid that won’t allow any bugs, dust, etc, inside and place them in a cool, dark place.

 

Typically, drying directly in the sun is not a good idea.  The sun destroys many of the volatile oils, which is where a lot of medicinal content is held in the plants.  So air dry them, but never in direct sunlight. (This is also why you store plants in a cool, dark space–because sunlight is damaging to the longevity and potency of dried herbs and tinctures). You can use the sun’s energy for other kinds of preparations, however!

 

Specific Plant Preparations: Teas, Tinctures, Oils, and Salves

 

Healing Plant Tea (Infusion or Decoction)

If you are drying plants and storing them, you are already ready to make tea. Tea is best used for working on the internal systems of the body; the gut and GI system can hugely benefit from healing teas.  For teas, I usually grind up my plant matter a bit further (in a mortar and pestle, or cut them up further with herb scissors).  This is done so that the water has more spaces and opportunities to extract the plant matter. There are two kinds of herbal teas that you can make: infusions or decotions; the kind you make depends on the plant matter you are working with.

 

Infusions are created when boiling water is poured over plant matter and allowed to sit for 5-20 or so minutes (what we typically know as ‘tea’ using a tea bag).  This method is best for leafy plant matter and flowers.  When you make an infusion, make sure to cover the tea so that you are not losing the volatile essential oils through the steam (that’s often where the most concentrated medicine is).  The longer you let the tea sit, the stronger it will be, and for medicinal teas, 10-15 minutes is a good amount of time.  You can use tea strainers or purchase single use tea bags that can be sealed or tied.  I prefer the metal tea strainers as I make a lot of tea and don’t want the tea bag paper to go to waste.  Good plants for infusion teas include: mints, rosemary, lavender, monarda, lemon balm, chamomile, catnip, nettle, and more.

 

Decoctions are created when you boil your plant matter, with a lid, in the water, again for 10-20 minutes.  These are best for roots, barks, nuts, and other tough woody plant matter as it takes more time to extract the medicine from roots and woody material.  A hard boil of a plant would destroy leafy bits and flowers, so if you are combining woody bits or roots with flowers, add your flowers after you are done boiling and allow them to sit (again with the lid on) for 10 or so minutes before drinking your tea.  Plants for decoction: sassafras root, wild cherry bark, echinacea root, yellow dock root, etc.

 

You can also add the energy of the sun and/or the moon to your tea:

Sunlight and solar tea!

Sunlight and solar tea!

Lunar tea: A great way to bring the energy of the moon.  For infusions, pour boiling water over your plant material and allow it to sit in a jar with a lid in the moonlight.  For decoctions, boil your plant matter and add to a mason jar with a lid.  Let it sit overnight in the moonlight. Drink the next day and enjoy the energy of the moon.

 

Solar tea:  Some days, the sun is hot enough to do its own infusion of leafy or flower plant material.  Place your material in a large mason jar (I like to use the half-gallon mason jars) and sit it in the sun.  If you want to make your tea stronger, consider putting your jar on a reflective surface (like in a big stainless steel bowl) to increase the heat.  For decoctions, I like to soak my plant matter in advance in the sun (in a pot or jar) and then do the final boil.

 

Finally, you can make a ritual out of drinking your tea: perhaps it’s what you drink each morning when you rise, or each evening as you are getting ready for meditation.  I like to make my tea and then walk out on our land here, communing with the plants both within the tea and without!

 

Healing Plant Tincture (Alcohol, Vinegar, and Glycerine)

Tinctures are potent extracts that turn the plant medicine into a more easily accessible form by the body, and are used for an extremely wide range of uses (daily strengthening, cleansing, supporting a healthy fever, gut issues, etc). Tincturing can be a fairly complex and involved process if you want it to be (I wrote about it in much greater depth on my herbalism blog), but we are going to use a simple folk method here.  A tincture suspends healing plant matter in a menstra (in our case, alcohol, vinegar, or glycerine) which makes the medicinal properties more readily available and also preserves them for a period of time (for vinegar and glycerine, about a year; for high proof alcohol, indefinitely).

 

Alcohol tinctures. Your goal for most plant matter is to have at least 25% alcohol for preservation purposes. Start by chopping your fresh or dried plant matter finely.  If you are using fresh plant matter, you will want to start with a higher proof alcohol (as the plants add some additional water). You can use a “neutral” spirit; vodka is a typical choice for most herbalists.  An 80 proof vodka is 40% alcohol, so even if your plant material has a bit of water in it, you should still be above 25% alcohol when you are finished. Place your chopped plant matter into a jar, and weigh it down with a smooth, clean stone that you have scrubbed well in advance.  You can do this without the stone, but the stone really helps keep all of the plant matter submerged, which prevents mold and other issues.  Pour your alcohol over it and store in a cool, dark place for one moon cycle.  Strain your material, and enjoy!  Tinctures can be sweetened with honey or maple syrup to make them taste a bit better (or just take them in a glass of water).

 

Glycerine tinctures (glycerites). Glycerites have a shelf life about a year, and often taste a lot better than alcoholic preparations.  They are also very good for children or people who cannot have alcohol (such as those in recovery). Purchase some vegetable glycerine (in the USA, if you find “USP Glycyerine” the USP stands for the United States Pharmacopeia, which means it is a pure and standard formula). Water the glycerine down by 50% and add your plant matter, usually dried (or water it down less if you are using fresh).  Give it all a good shake and let it sit for one moon cycle (but not more), shaking it at least once a day.  Strain and enjoy.

 

Making herbal tinctures from wildcrafted ingredients

Making herbal tinctures from wildcrafted ingredients

Vinegar tinctures. Vinegars are best for food-based material that you want to build into your cooking and consumption regularly and can be a great addition to an herbal medicine cabinet. For example, my father needed to have regular hawthorn in his diet and he enjoyed eating vinegar and oil on his salad, so I prepared him a hawthorn-infused apple cider vinegar that he could use each day with his meal.  Vinegar tinctures are made similar to the others–start with a high quality vinegar, preferably organic.  Chop up your plant matter finely and add it to your jar.  Let the plants infuse in the jar for one moon cycle, strain, and enjoy.  One more common vingear based preparation you may have heard of is “Fire Cider“; it is a vinegar-based tincture of ginger, onions, garlic, horseradish, and herbs that is used for healing purposes.

 

Some Plants for tincturing: Monarda (bee balm, antimicrobial), Nettle (anti-histamine, adrenal support), Goldenrod (anti-histamine, anti-inflammatory), Culinary Herbs (rosemary, sage, thyme, oregano – good for the vinegar infusion), Chickweed, Wild Yam.

 

Healing Plant Infused Oil

Infused oils are topically used primarily for wounds/stings/bug bites, for joint/muscle issues, or for varicose veins and other skin issues. Herbalists have a multitude of ways to make an infused plant oil, and I will share two of the most simple ways. Start by thoroughly drying your plant matter (see instructions above) and chopping it finely; if you are in a hurry, at least “wilt” your plant material for 12 or so hours by letting it sit on the counter before using it. Choose a good quality oil, I most often use organic olive oil as it is readily available.  Coconut oil is another good choice, but only if you will be keeping it in a temperature controlled environment due to its low melt point.  Otherwise, at some point, your infused oil may be solid or liquid (and this is even more important if you plan on making it into salve).

 

Pour the oil over the plant matter, making sure the plant matter is thoroughly saturated.  Leave in a sunny window or on the porch on warm days for one week, then drain and store in a cool, dark place for use.

 

Alternatively, you can use a double boiler on a low setting and infuse the oil for 12-24 hours.  Ensure the oil doesn’t get too hot–if your plant leaves turn brown and crispy, you likely made it too warm and boiled away the medicine. Thoroughly strain your oil with a small strainer or cheesecloth, and store in a cool, dark place for further use.

Infusing plants

Infusing plants

Make sure your oil is completely strained; small bits of plant matter can make it spoil much faster.  Also make sure there are no water bubbles in it; they will appear on the bottom and look like little clear or brownish bubbles. These will also make the infused oil spoil much, much faster.

 

Healing Salve

To make a salve from infused oil, begin by placing your strained oil into a double boiler and heating it up.  Add approximately 3 tbsp of beeswax (shaved or grated finely) per cup of infused oil.  As the oil heats up, the beeswax will melt. You can add less beeswax for a more liquid salve or more beeswax for a harder salve.

 

To test the consistency of your salve, place a spoon in the freezer and then pull it out and put a few drops of your salve on the spoon to see its consistency.  When you are happy with the consistency, you can add any additional essential oils (in small quantities; I like to add sweet orange or rosemary oil to make it smell nice).  Pour your salves into small jars or tins. Let them cool and then label appropriately.

 

Plants that work well for salve (in any combination): Plantain (skin healing, drawing), Calendula (skin healing), Comfrey (wound closing), St. John’s Wort (inflammation), Ground Ivy (skin healing, drawing), Chickweed (skin healing), Goldenrod (inflammation).

 

Conclusion

The world of plant medicine and herbalism represents a lifetime of study–but the best way to learn is to start doing it!  Next week, in our final post in this series, we talk about making herbal flower/leaf essences and working deeply with the spirit of plants. Blessings!

 

A Druid’s Guide to Herbalism, Part I:Harvesting by the Sun, Moon, and Stars, and Sacred Intent October 14, 2018

Field of Goldenrod in Fall

Field of Goldenrod in Fall

A field of goldenrod, nettle, and aster greet me on this warm post- Fall Equinox day.  As the moon comes up with a sliver in the afternoon sky, I joyfully take my basket and harvest knife into the field for my fall plant preparations. The breeze has change on the air–winter is coming soon, and the sacred medicines I prepare will bring my family nourishment and strength for the coming dark half of the year. As we are well into the harvest season at this lovely Fall Equinox, I thought I’d take the time to talk about harvesting and preparation by the sun and moon and honoring the harvest. Next week, I’ll talk about the most basic plant preparations and we’ll end this series with talking about energetic preparations through the creation of flower and leaf essences.  That is, we’ll talk about the medicine of both the body and of the soul.

 

Wheel of the Sun, the Phase of the Moon, and the Turning of the Stars

With working with plant spirits, as we’ve been exploring in this series, we can do everything with sacred intent and awareness that plants aren’t just physical beings. This includes our planting, harvesting, and plant preparations. I have found that when I time my herbal practices by the wheel of the sun (harvesting and planting on sacred days, particularly Beltane, the Summer Solstice, Lughnasadh, the Fall Equinox, and Samhain), these sacred times add a bit of magic to my plant preparations. Further, by working with the plants on these sacred days, I begin building a more rich and full wheel of the year practice focusing on medicine and healing. This means, that, over the years, I have special plants that I harvest at certain times of year, and part of my celebration of that sacred say includes harvesting plants. Some of these plants, like tobacco, are plants that I grow while others are wild plants that I have cultivated a relationship with over time. For example, Elder is one such plant: the Summer Solstice is “here” for me when elder is in bloom, and I will often make elderflower cordial on that day to enjoy throughout the year. When the Elder is ripe with fruit, Lughnasadh is here, and I make elderberry elixir for health and healing. These two plant preparations are not only critical to the health of my family throughout the year, but also help me mark and celebrate these holidays with something meaningful.  You might select a few plants to cultivate this kind of yearly relationship with.

 

Moon phases

Moon phases – the Land card from the Plant Spirit Oracle

The phases of the moon offer additional opportunities for sacred timing and herbal preparations. To me, there is little as enjoyable as going out under the full moon or dark moon to create a flower essence. There are two ways to use the phases of the moon: the simple way based only on moon phase, and the more complex way based on what planet astrologically the moon is in at that given time.  In terms of moon phases, preparing and harvesting at a new moon or during the waxing moon is good for when you want to bring healing into the body, strengthen the body, or offer nutrients to the body. The full moon  brings power to herbal creations and energizes them. A waning moon helps draw out or remove toxins, sickness, or other impurities.  If I want to work with removing sickness from the body, perhaps I start with a lunar flower essence of wormwood or walnut, created during the waning moon, and draw upon that energy to help remove sickness.

 

The turning wheel of the stars combined with the moon phase through astrology, offers yet a third possibility for harvesting and herbal preparation. This way is the most in-depth, but also perhaps, most powerful. This way to plant, harvest, and prepare herbal preparations by the phase of the moon is to use astrology, specifically, the moon sign. Each month, the moon spends about two days in each of the 12 astrological signs. The easiest way to know what phase the moon is in is to purchase a biodynamic calendar or a farmer’s almanac; both of these will offer this information. Generally speaking, here is what is important to know:

 

  • Water Signs (Cancer, Pisces, and Scorpio): When the moon is in one of these signs, it is a good time for harvesting leafy, above ground material for herbal preparations.
  • Earth Signs (Taurus, Capricorn, Virgo): When the moon is in one of these signs, it is a good time for harvesting and working with roots (below ground material) for herbal preparations.
  • Air signs (Aquarius, Gemini, Libra): When the moon is in one of these signs, it is considered fairly barren and dry.  Libra, however, is also associated with flowers, so flower harvests and preparations are appropriate under Libra. Otherwise, these signs should be avoided for plant preparations and harvest.
  • Fire Signs (Aries, Leo, Sagittarius): These signs are good “removal” signs, so good for weeding, but not very good for harvest (with the exception of the fourth quarter fire sign, this will be good for preservation).  Generally, you want to avoid harvesting under these signs.

 

These moon phases are fairly complex and can change on a daily basis; what I like about the biodynamic calendar and/or farmer’s almanac is that they spell it out for you on each day (and down to each minute). If you are practicing astrology, you wouldn’t need this kind of tool, but if you aren’t, it is very useful.

 

These are all tried and true methods for working with plants and also recognizing the many different ways in which sacred timing can be used to increase the potency of the plants. There are many opportunities to choose timing that best fits your purpose with herbal creations, and doing so adds a layer of sacredness to your actions.  Some of these systems may be contradictory (what if the moon is in a fire sign, but it is the Fall Equinox and you want to harvest?) so you need to pick your time and focus on the energy of that particular aspect.  I have found that the wheel of the sun has the most power, and if not, I will use a combination of the second two; or work hard to find the perfect moment where all three are in alignment (like 2 days before the fall equinox when the full moon is taurus for root harvest and preparation!) You don’t always get such amazing timing, but when you can, it makes the event more meaningful.

 

Honoring Spirit and Harvesting Plants

From an animistic perspective, when you harvest a plant or do any other kind of plant preparation, engaging in respect and honor is part of the necessary work. Part of this is because plants are lending you healing power through its actual body; in the case of root harvests, your harvest may end the life of that plant entirely. I believe that part of the sacred medicine of the plant is built into the relationship that you, as preparer, have with the plant itself.  In taking any part of a plant for healing purposes, and asking a plant to work for us, it is only right that we honor the plant spirit as part of our harvest.  We can harvest ethically and with sacred intent. So let’s talk about a few ways we might do this:

 

Honoring the plant. Prior to harvest, make an offering of some kind to the plant. This can be anything simple: a blend of herbs specially prepared (see my tobacco Beltane blend, for example), a song, music, drumming, a dance, a bit of your own liquid gold, a bit of your own energy, a small stone or other token.  Doing this ensures reciprocation between you and the plant, and lets the plant spirit know that you respect it. I belive this also makes the medicine stronger, as you are building a relationship of respect and mutuality with the plant. You might find, through inner listening, that the plant has a particular kind of offering it wants you to make–and different plants, just like other kinds of people, have a variety of different preferences.

Offering on a stone cairn

Offering on a stone cairn

 

Harvesting for life. Harvest only what you need and think you’ll use.  For anything above the ground, harvest parts of plants or plants at the end of their life cycle, taking a small amounts.  For plants that are abundant, you can harvest more; for plants that are rare, harvest very little (or cultivate them further before harvesting anything at all). If you are doing a root harvest, make sure that your harvest will not damage the larger plant population.  I grow or wild cultivate nearly all of the plants I want to do a root harvest from, that way I am in control of exactly how many plants I have planted and how many I am going to harvest. I will not harvest from wild populations unless A) they are extraordinarily abundant and B) I have already worked to spread these populations further.  You can also consider doing plant or flower essences for plants that are extremely rare (Indian Ghost Pipe being a good example).

 

Cultivation and Relationship. Harvest and preparation are not one-shot events but rather, can be lifetime experiences rooted in a practice of nature spirituality. This means that these plants aren’t just a passerby you interact with once in a while, but can be strong plant allies and friends. Recently, I shared a post at Lughnasadh about how to cultivate long-standing relationships with plant spirits.  I used sacred tobacco (nicotiana rustica) as my example for this work and offered one strategy to do so.  The plant spirit posts I also recently shared offer more tools for this work.

 

That’s it for this week–during my next post, we’ll get into four different kinds of preparations you can make: drying herbs and teas, tinctures, infused oils and salves, and finally, plant essences.

 

Sacred Tree Profile: Apple’s Medicine, Magic, Mythology, and Meanings September 30, 2018

“Nothing gives more yet asks for less in return, than a tree: particularly, the apple” –Johnny Appleseed

“As the apple-tree among the trees of the wood, so is my loved one among the sons. I took my rest under his shade with great delight, and his fruit was sweet to my taste.” – The Song of Solomon

 

Spirit of the Apple - from the Plant Spirit Oracle (www.plantspiritoracle.com)

Spirit of the Apple – from the Plant Spirit Oracle (www.plantspiritoracle.com)

All summer long, we have had so much rain and thunderstorms.  Penn Run, a small creek behind my home, once again overflowed, raising several feet for a time.  When the waters had subsided, I was delighted to find delicious wild apples lining the banks–the river had carried them to me as a blessing for this wonderful Fall Equinox!  It reminded me that I have been wanting to write of the apple–of her magic, of her folklore, and of her abundance=. And so today’s post explores the delicious, nutritious, and extremely magical apple tree (pyrus malus, malus spp.) and the blessings that she offers. This post continues my longer series on Sacred Trees in the Americas, where I explore the many aspects of trees native or naturalized to the Eastern and Midwest regions of the US. Previous entries have included Elder, Walnut, Eastern White Cedar, Eastern Hemlock, Sugar Maple, Hawthorn, Hickory, Sassafras, Beech, Ash, and White Pine.

 

About the Apple

Nearly everyone knows about apples, but often, the common experiences with apples are what people see in the grocery store–a select number of perfectly waxed and shiny varities–golden delicious, gala, or granny smith. These commercialized varities are only a tiny piece of the incredible apples that you can find in the wild.  Another thing that I’ve heard regularly is that people believe that crab apples (and wild apples in general) are poisonous and cannot be eaten.  There is nothing further from the truth–wild apples are wonderful, rich, sometimes tart, sometimes mealy, but often a surprise and delight to those who seek them out.  Apples of all kinds are easy to find, abundant, and–this time of year–completely free!

 

Apples will typically bear every two years (biennially) while other apples are bred to offer fruit every year. In the spring, apple blossoms fill the air–each mature apple can produce anywhere between 50,000 and 100,000 blooms, which can be smelled up to 1/3 a mile away.  These blooms offer a critical early nectar source for bees and other insect life.  Less than 5% of those blooms will ever set fruit; some are unpollenated and others don’t form properly.  Sometime in June, the “june drop” occurs where the tree drops any fruit that isn’t setting properly.  By late August or early September, the tree fruits and the fruits grow ripe and sweet.

 

Of Apples and Ancestors

John Eastman, in Field and Forest, has much to share about the apple tree.  he notes, as any wild food forager will attest, that commercially grown apples are grafted and carefully managed, those growing in the wilds offer much wider varitey.  He notes that orchards allowed to go wild or otherwise abandoned will, over time, change their apple composition and may end up “reverting to more ancestral types of fruit.”  I love this idea and vision–and certainly, a stroll through the country to find wild apples this time of year connects us back to the ancestral, magical traditions surrounding so many aspects of the apple tree.  Apples offer us much in terms of ancestral traditions.

 

One ancestral tradition closely tied to the apple here in the US was Johnny Appleseed, a historical and legendary figure who spread apples all over the US.  Eastman notes that some crab apples do appear native to the US, but nearly all of the apples we have were spread by Appleseed and others looking to make “cider” (and by that, I mean hard cider!)

 

In Eric Sloane’s A Reverence for Wood, Sloane writes about the important place of apples in Colonial America.  Because the early colonists were told not to drink any of the water, they depended on drinking cider (the alcohol of which would be safe).  Even small children were raised drinking apple cider as their primary beverage. Even late into the winter, apples from root cellars were brought out and made into many things–this made the apple one of the primary foods and drinks.  Unlike today’s limited varities, Sloane notes that in the 1700’s, there were close to 2000 known varities of apples.  Most orchards were planted with many varities to ensure an extended harvest, and different kinds of apples had different purposes (cider apples, storage apples, fresh eating apples).  Special care was taken both in the harvesting and preserving of apples; Sloane notes that special apples were often hung carefully by their stems in the house or packed away in straw for the winter months.

 

And of course, one of the longstanding ancestral traditions is the wassail. I’ve written fairly extensively about the “wassail” traditions surrounding apple.  Because of the importance of the apple as a staple food and drink crop, people would go out to the trees in January 6th or 17th (old 12th night, depending on how you calculate it) to bless the trees, make offerings to the trees, and drive evil spirits away from the trees in order to ensure an abundant harvest for the coming season.  Make no mistake–these wassail traditions were magical traditions focused on bringing good health, fertility, and abundance to the land–and they are very old ancestral magic that has begun making its way back into our modern era.  Here is another classical interpretation on the wassail.

 

Wild Apple Foraging

Sometimes, you can still come across these old and abandoned apple orachards and have a very good time as a wild food forager, harvesting hundreds of pounds of apples of all shapes, colors, and varities.  But for me, foraging for apples begins not in the fall at the time of harvest, but in the spring. Apples are easiest to spot when they are in bloom in their swath of pink, red, or white blossoms.  I note where these apples are and then, later starting in late August or early Stepember, I return to these trees for a potential harvest.  Harvesting apples is simple–as soon as the tree is ready to give you its fruit (as in, the fruit is easy to pull from the tree and ready to drop) the apple is ready to eat.  Try many apples in the wild–you will find some incredible varities and tastes!  Some of the wild apples can certainly be tart, however, in “Stalking the Wild Asparagus” Euell Gibbons offers a suggestion of waiting till frost sets in for some wild apple varities, as the frost will sweeten their otherwise tart taste. Good, tart crab apples will sweeten when cooked (and make some of the more delicious apple pies or sauces that you will ever eat!)

 

Crab apples - these are tart and sweet!

Crab apples – these are tart and sweet!

 

Gibbons suggests the following recipe for wild apple jelly.  He suggests gathering up wild apples and quartering them, removing any insect damage, worms, etc.  Put these apples in a pot and cover with water, simmering for 20 min with the lid on.  Let this cool and strain the juice.  (I will add that if you have a small fruit press, you can even press these apples–after cooking they will be easy and you will get more flavor).  This juice can be used to make a jelly.  I like to use Pomona’s pectin (a low-sugar pectin) to help this set and add 1/2 cup honey to 4 cups juice for a delightful wild apple jelly.  I’ve also shared a few previous posts on making delicious things with apples, such as applesauce and pressing apples into cider. 

 

If you do come across an old apple tree or old orchard in the US on the East Coast, look around nearby.  You will almost always find an old foundation from the people who likely planted that apple tree.

 

Apples and  Modern Folklore and Herbalism

Apple in Modern Folklore

Unlike many of the previous trees covered in this series, which are largely unknown to the average person, the apple has a special place even in present day culture. We have many references to the apple in present society–people are either good apples or bad apple. One bad apple will spoil the bunch. Newton was apparently hit on the head with an apple and that led to his insight on the theory of gravity. The Buddah gained enlightenment under an apple tree–as did the Merlin in some Arthurian folklore.  Snow white was, of course, seduced with a poison apple. An apple a day keeps the doctor away.  In this folklore, good apples are tied to insight, fertility, and health, while bad apples will lead to ruin and poor health.

 

Apples and Healing

“An Apple a Day keeps the doctor away” is a common saying–but this saying has quite a bit of truth. As far back as Culpepper, we have records of apples being used for a variety of healing uses. Culpepper offers a range of uses, from using them to soothe “hot and bilious stomachs”, to roasting them and adding frankincense to a poultice to address pain in the abdomen or side.  He notes their generally cooling quality. He also notes that an apple syrup will surely assist with “faintings, palpitations, and melaoncholy.” It seems there is very little that those in the western world in the middle ages and Reniassance.

 

Today, likewise, herbalists recognize the importance of apples to health.  Matthew Wood, in his Earthwise Herbal (Old World Plants) notes that apples are a “true folk medicine” in that accounts of what apples can do in terms of health vary widely.  Each herbalist, therefore, had his or her own personal experience with how to use the apple.  However, Wood notes some consitenencies–apples are cooling and moistening (reflected in what I just wrote above about Culpepper), apples before they are ripe have an astringent quality (making your mouth pucker).  Therefore, herbalists today use apple for a variety of “hot” conditions such as burns, fever, headaches, and kidney strain/pain.

 

Apple in the Western Esoteric Traditions

The Apple has a privledge place in the Western Esoteric Traditions and has a wide and varied interpretation of its magical powers and uses.  Here are some highlights:

 

Love magic:  In the Encyclopedia of Natural Magic, John Michael Greer notes that apples are in the sign of Venus (in Libra) and that they were most typically used in love magic (love drawing). This association goes back to at least Roman times, according to this source, where figs (known as “love apples”) eventually had their meanings transferred to apples on trees. This is also consisten from the American Hoodoo tradition, where Cat Yronwode says that apple is used as a “sweetener” to atract someone to love, but also for sweetening up customers or bringing in business.

 

The most amazing tasting apples from my neighbor's house

The most amazing tasting apples from my neighbor’s house

Expelling evil.  In “Ancient Legends, Mystic Charms, and Superstitions of Ireland” from 1887, a spell about apples and elder is written, “IT is said by time wise women and fairy doctors that the roots of the elder tree, and the roots of an apple tree that bears red apples, if boiled together and drunk fasting, will expel any evil living thing or evil spirit that may have taken up its abode in the body of a man.”

 

Apple as a Magical Key or Gateway. In “The Glass Mountain” from The Yellow Fairy Book, a book of celtic fairy tales, there is a golden apple tree that sits on top of a glass mountain. This apple grants people entrance into a splendid castle with stores of food, riches, and a princess waiting to be rescued by a valliant knight.  The apple tree’s apples are gaurded by an eagle. A young man makes it up to the apple tree and battles the eagle; he wins but sustains a wound.  He places the peel of one of the golden apples on his wound, and then goes to the castle to claim his bride.  This is but one of many Celtic tales that demonstrate apple as a gateway; the very famous Fairy Faith in Celtic Countries also describes apple branches as gateways to the otherworld.

 

Eternal Youth and Eternal Life. In the Norse tradition, there is an apple tree in Asgard that offers eternal youth to any who eat of its fruit. Iduna, a Goddess, tends the tree–and only with her tending do the apples grow.

 

Apple and Healing  Long Lost Friend (an American Grimorie of PA Dutch Folk Magic) suggests that the roots of an apple tree are good for curing a toothache, by way of using a needle, blood, and some tranfserence magic. This is but one of many ways which apple is seen as a healing tool for both mundane and magical reasons.

 

Apple’s Protective Nature.  As nearly every pagan can attest, cutting the apple in half horizontally reveals a pentacle.  Apple carries so much magic within her that it is literally reflected both in her fruit and in the blossoms–which form five petals.

 

Apple in Native American Traditions

A lot of Native American lore involves apple trees, but not necessarily magical qualities of them. I think that this was partially because apple was brought to the New World long after many of the mythologies were established. There are a few things present, however:

 

Apples as a fragrant blessing. One legend, from an unknown tribe, surrounds the fragrance of apple blossoms and flowers. In this story, a baby is carried by a panther under blooming apple trees, a baby who turns into a woman that “falls from heaven.” The villagers take her in, and she loves the flowers and blooms more than anything.  She dies and plans on moving onto the little people, but decides to first bless her village that gave her so much–so she makes the blooms, including the apple blooms, more fragrant.

 

Apple as a Gateway to the World.  In another legend from the Huron tribe, the world is divided into two parts. One part is the “sky world” where the people lived, and the second world is the lower world, which was all water, where the animals lived. A girl who lived in the sky world was tired and went to take a nap underneath an apple tree.  A hole appeared under the tree and she fell through along with the apple tree to the lower world below. She is caught by two swans, and then big turtle brings all of the animals together. They decide to bring the soil up from the depths of the water to create an island for her to live on. This doesn’t work well, but eventually, the animals spread seeds and dirt onto big turtles back, and the girl lives there. Now, the whole world rests on big turtle’s back, which is why this land is called “turtle island.”

 

A magical apple pie!

A magical apple pie!

Apple’s Magic and Meanings

Apple’s Blessings.  Apple offers blessings, abundance, fertility, and magic in nearly every story she shows up in.  Apple’s blessings are apparent from her giving nature–apples can sustain people through difficult winters, they can be baked, fermented, dried, and made into wonderful and delicious foods that nurture and heal as much as they sustain.  Apple offers us connection to our ancestors and our future through her nurturing spirit, blessings, and wisdom.

 

Apple as Healing and Life-Giving.   The “Golden Apples” present in so much of the magical lore demonstrate the life-sustaining and longevity properties of apples.  Magical golden apples offer keys to eternal youth, eternal life, and healing.

 

Apple as a Gateway.  Like her sister the hawthorn (although to a lesser extent), apple trees can be gateways to other realms and experiences–the holes that open in the ground, the apple as a key to the castle, the sleeping person under the apple that is transported to a new place.  Apple offers us these journeys and experiences–in a much more gentle way than Hawthorn.

 

Whew! After all of that research and fun, I think I’m off to make use of these “flood apples” and bake myself a nice apple pie with these beautiful “flood” apples.  And to you, dear readers, I wish you an abundant harvest at this beautiful fall equinox.

 

Building Deep Plant Relationships at Lughnassadh July 29, 2018

Nicotiana Rustica Botanical Drawing

Nicotiana Rustica Botanical Drawing

Last weekend, some druid friends came over for a retreat with a focus on land healing. As part of the ritual we collaboratively developed, we wanted to make an offering to the spirits of the land. I went to my sacred tobacco patch and carefully gathered leaves drying at the bottoms of the plant and flowers for use in this offering, humming a song that the tobacco had taught me and making sure that none of the leaves hit the ground in the process. The ritual went beautifully well and the offering was well received by the spirits.  After the weekend, it struck me how long my relationship with these particular tobacco plants was–more than a decade at this point from seed to leaf to flower to seed.  And how I had something to share about cultivating this relationship over time.

 

So I thought I’d take a short–yet related–detour from my “connecting with nature series” to talk about plant spirit and plant relationship work, specifically tied to Lughnassadh, and building sacred relationships with plants over time, using the wheel of the year and wheel of the seasons.

 

Lughnassadh and Sacred Plants

My sacred plant ready for the Lughnassadh harvest

My sacred plant ready for the Lughnassadh harvest

Lughnassadh is an ancient Gaelic festival still celebrated in Ireland, Scotland, and the Isle of Man.  Of course, Lughnassadh is also a holiday celebrated by many druids and other neo-pagans today as part of the wheel of the year.  While traditions vary from region to region and group to group, it is largely agreed upon that Lughnassadh always was and is a “first harvest” festival.  In my neck of the woods, early August is just when some of the most important crops are coming into season: tomatoes, peppers, cucumbers, wild berries, elderberries, and more. I’ve come to see Lughnassadah as a festival dedicated to the plant kingdom, not only because of the abundance that the plants produce this time of year in temperate climates, but also become of my long-term work as an herbalist.

 

As I wrote about some years ago, Lughnassadh is a perfect time to make sacred plant medicine and harvest herbs. The power of the sun is energizing, the herbs are in full bloom and many are at the peak of their growing, and the weather is warm for wandering among the weeds. It is after that moment in early August that we start seeing die back and die off of many medicinal herbs as the fall grows nearer and nearer.

 

Today, though, we aren’t just talking about any herb harvesting–we are talking about cultivating deep relationships with one or more plants on a long-term, perhaps lifetime journey.  I first share my story of the sacred tobacco that I have been growing for over a decade, and then share ideas for you to start cultivating your own deep relationship with a special plant.

 

The Story of Sacred Tobacco

I remember tucking the small packet of seeds, a gift from a gardener, herbalist, and wise woman, into my bag ever-so-carefully.  A gift like this was meant to be cherished, and I couldn’t wait till the next spring when I would be able to start some of the seeds. Like little specs of dirt, the tobacco seeds called to me, “plant me, plant me, give me good soil” and I assured them that all of this would come to pass.

 

In the spring, after opening up a sacred grove for planting (something I do regularly with my spring seed starting) I scattered them on some growing trays, and covered them with the finest layer of soil. They sprung up almost immediately, with almost 100% of them germinating, their little fuzzy green leaves reaching toward the light. Within two weeks, I transplanted them, and they grew quickly, getting big succulent leaves and putting up stems.  I transplanted them again, and they grew even bigger.  By the time the last frost had come and gone, they were in large plastic cups straining to get in the ground. I created a special wheel of the year garden for them in a warm and sunny location and into the ground they went.

 

The continuity of the seed....

The continuity of the seed….tobacco pods ready to harvest.

Its fun when you are growing a new plant for the first time; all the photos or descriptions in the world never substitute for the plant itself and its glorious spirit.  This is especially true when you don’t even know what the plant exactly is! I hadn’t grown tobacco before.  My tobacco plants, the 15 or so that took root, were delighted with their new space.  They put on leaf, and then, grew masses of beautiful little flowers that looked like elongated yellow parasols.  As the flowers grew ready to fall off, the plant told me to harvest them and dry them, and I did.  The flowers turned into large seed pods, which eventually grew brown–along with the rest of the plant–and burst open, self seeding for the following spring.

 

At Lughnassadh that first season, I carefully harvested the leaves and lay them in the sun to dry–since my intention was an offering tobacco, something grown solely as an offering to the land and not smoked–I didn’t have to worry about the complexities surrounding the curing of tobacco. I later learned that I wouldn’t have wanted to either way, as this variety has an extremely high nicotine content (and I am not a smoker, ceremonially or otherwise). I let the leaves dry out and go brown and yellow, and then crumbled them up, added the flowers I had already saved, and stored it all in a jar.  I created a little leather pouch and filled the pouch with the tobacco, and went off to make some offerings. The land loved the offering and asked for more and more, so I carried the pouch with me and used it often. I saved the seeds and began sharing them with some people I felt drawn to give them to. I saved the stalks and used them in my smudge sticks. This is the same tobacco (and later, tobacco blend) that I recently talked about in my Beltane Offering Blend post–that blend is my current favorite for creating an offering.

 

Later, I learned that these seeds were nicotinia rustica seeds, also known as “wild tobacco”, “shamanic tobacco” or “Aztec tobacco.”  It is native to North America (and hardy to zone 8), but is no longer widely cultivated in the Americas because the more common tobacco, nicotinia tabacum, is what is now prized and grown. Nicotina Tabacum is much less harsh, with 1-3% nicotine content, which is what people smoke in cigarettes and pipes.  Rustica, on the other hand, has up to 9% nicotine; in some places in the Americas, it is used as an entheogen or as one of the ingredients in herbal blends that also contain Ayahuasca (likely, this is why it is called “shamanic tobacco”). It is believed by some South American Shamans that tobacco is a plant that gives you access to the spirit of many other plants; it is like a gateway plant to the deeper plant mysteries.  I have found this to be true, even though I only use it as the plant has directed–as an offering.

 

Each year I had a garden, I planted this plant, and gave it a privileged space. If I planted only a few things when I didn’t have a garden, my tobacco would always be planted first to be planted. And each year, I saved seeds. Each year, I kept my pouch with me and offered the tobacco regularly to the land–and it was always extremely well received.

 

Over time and over various harvests, the plant shared some of its deeper mysteries with me, a song for harvesting, for example.  Now, when I start new seeds in the early spring, the first sprouts are like an old friend, greeting me once more. I sing the songs, I sow the seeds.  Since I save the seeds, my relationship with these particular seeds, this particular plant continues and persists throughout my lifetime, and in the many cycles of this annual plant’s lifetime. As Lughnassadh is here this week, I will continue my annual tradition of harvesting the plants as they go to seed, laying the leaves in the sun, and continuing this cycle into the future years. I will once again mix my blend and fill up my jar for the year till the spring when I plant again.

 

My choice of tobacco originally wasn’t my own; they were gifts of seeds and I wanted to see them grow.  But in retrospect, I am delighted that this tobacco is now so firmly in my life. I really like the fact that my sacred tobacco has only one use to me–an offering–and that use is critical for my interaction with the broader land.  I also liked the idea of “reclaiming” tobacco from the ways that it has been abused (and grown in a toxic and unceremonial way) by my broader culture.  So part of this work was “reclaiming” a native sacred plant, and part of it was building a brand new relationship with that plant that was my own, not built on any previous culture’s use.

 

This isn’t my only plant relationship–each of the relationships is unique and its own.  But this is certainly one of my more potent ones, and therefore, is a good illustration of the larger technique I’m sharing today.

 

Plant Spirit Connections and Practices

Beautiful Nicotiana rusticas growing in the garden!

Beautiful Nicotiana rusticas growing in the garden!

So here’s a simple technique you might do, based on what I’ve written about above: choose a plant to cultivate a deeply sacred relationship with. Plan on this relationship spanning a period of time, years or decades, if possible. Rituals and sacred actions have meaning in part because we repeat them; the more repetition we have over the years, the deeper the connection and meaning.

 

I would recommend choosing a plant that has some sacred use to you and that you can grow, even if its in a pot or on a sunny windowsill.  For the method I offer above, I think the cultiavation of it is important.  If you aren’t cultivating the plant, I would suggest one you have regular access to, and that you can “tend” in some way (pruning, scattering seeds, etc).

 

In terms of sacred use, there are so many options:

  • an offering plant, one that you use to make offerings to the land, ancestors, spirits, diety, etc (this is where my tobacco mainly fits)
  • a smudge stick or incense plant, one that is used to help purify and cleanse a space (also can be an offering)
  • a culinary plant that you use for cooking special meals or creating sacred drinks at sacred times (see, for example, my elderflower recipe)
  • a visionary plant, one that helps you open new doorways
  • a brewing plant, one that can be used to create sacred alcoholic beverages (and you might check out Buhner’s Sacred and Healing Beers for some inspiration)
  • a plant for sacred decor, see for example my post on Yule decorations
  • a sacred crafting plant, a plant you can make something from (like cordage, plant dyes and inks, cattail paper, etc)

 

Spend some time selecting your plant–there is no rush.  The plant will be there when you are ready.  Your plant has lived hundreds of thousands of lifetimes, she will wait for you to be ready to begin this work.  In my case, I had no previous relationship with tobacco at all (and had avoided my culture’s use of it); but for other plants I work with in this way, I certainly have had previous relationships (sometimes spanning back to my childhood). By the time I do this work, they are already good friends :).

 

Begin simply by planting your plant or finding it in the wild, watching it grow.  If it doesn’t yet grow where you live, cultivate it. When you interact with your plant, especially for sowing and harvesting, try to do so in an open grove/sacred space.  This helps establish, from the beginning, the sacredness of your relationship with this plant.

 

Visit your plant often. Pay attention to how it grows, how it moves in the wind and how the rain washes over it. Learn your plant in the physical world: learn how it grows in each stage of its life cycle. If it is a perennial, watch it die back and be reborn in the spring. If it is an annual, carefully save its seed each year and plant again to bring your sacred relationship with you as the years go on. Learn what pests may eat it and how to prevent those pests.

 

Connect with the plant in spirit. Listen for the plant’s inner song (each plant has a song, and may reveal that song in time to you). Find out if the plant has a sacred name she wants you to use–and call her by that name.  Find out if you can use that name with others, or if she wants you to keep it to herself.

 

If you can consume part of the plant, do so, and see how it works within you. Do some meditation after consuming your plant; see how it feels and what it reveals. If you want to get even more radical, do a fast and consume only the plant (or tea from the plant) if it is edible; let it sustain you (again, Buhner’s work on fasting may be helpful to you here).

 

Ready to harvest!

Ready to harvest!

Find your sacred harvesting time–perhaps it is Lughnassadh, perhaps some other sacred day on the wheel of the year or a full moon.  Discover how the plant wants to be harvested and prepared; use your intuition and go with the flow of it. Use the plant respectfully, taking just enough to get you to the next harvest (perennial) or saving the seeds carefully (annual).

 

Let the years pass, and continue to build your relationship with the plant. Be slow to speak of this work, and speak of it only when directed by the plant (as tobacco has asked of me); this will keep the magic between you and the plant.  As the years pass, you will grow quite close–and your sacred plant will always be there, with you, offering her quiet presence. The plant will help show you the way to her magic, her stories, her songs. All that you need to do is begin with an open mind, patience and perseverance, and let her guide the way.  Blessings of the plant kingdom this first harvest season!

 

A Summer Solstice Sunrise Observance Ritual June 17, 2018

Summer Solstice Sunrise from the Water

Summer Solstice Sunrise Progression from the Water at Yellow Creek State Park on the Summer Solstice 2017

My alarm goes off at 4:00am.  I’m conveniently camping right along the lake shore, after having spent the evening watching the sunset on the eve of the summer solstice with members of our grove. My kayak is ready to launch, and I roll out of my sleeping bag and slip it quietly into the still, dark water. The starry heavens are brilliant in their glory, the moon a crescent low in the sky. But just as I begin to paddle, the first light on the horizon is present. The mists rise up from the lake water–the lake is warm like bath water even though the air itself is much cooler on this summer solstice morning. I paddle through the mist, finding a good spot from which to watch the sun rise. The lake expands around me, the trees dark shadows in the distance. Everything seems to move very slowly, and then, the light rises, faster and the light seems to rush in with each breath I take. The bullfrogs and birds help call up the solstice sun, their voices begin rising in song all around the edges of the lake. The fish start rising up to the surface; one leaps in front of me. The crows begin to caw, the hawks fly in the distance.  The world is coming awake, and I have a front row seat to all of it. The moon disappears behind some clouds that are rolling in, and for a brief moment, tiny drops of rain fall on the still water.  Then, the sun emerges from behind the mountain.  All the while, I sit, soaking in the moment. Breathing deeply, I am simply happy to be here and to witness.

 

The solstices and equinoxes are special times that celebrate the passage of the sun and the turning wheel of the year. Over the years, I’ve celebrated them in elaborate ways with large groups and also simple ways, by myself. One of the most simple rituals that I know, and use often, to celebrate is simply a sunrise observation ritual, as I began to describe in the last paragraph.  I actually wrote this post a year ago, during 2017, right after my solstice celebration with the hopes of sharing it with you before the solstice in 2018.   I’m going to share the details of this ritual today and how you can do it for this summer solstice–or any other seasonal celebration.

 

Ritual Preliminaries

There are a few preliminaries that you need to take care of to do a sunrise observation ritual.

 

Weather: Weather can be tricky. If there are clouds, storms, or it is overcast, you might not be able to see the solstice sunrise that day. However, in the druid tradition, we hold that the energy of the time is actually present three days before and three days after, so anytime in that 7 day window would work of the day itself does not (of course, the day itself is a better choice).  If you really want to do it on the day of the solstice, you might have to wait a year or two till the weather is right.  This happens, and sometimes, the wait is worth it.

 

Finding Your Observation Spot: Finding “the spot” where you will observe, from land or sea, is an important part of the ritual. You may already have a spot in mind–it should allow you to see open skies to the east, but also as far around as possible. You’ll also need to make sure you can get to that spot early enough to see the sunrise.  Since I live in the Appalachian Mountains, I prefer overlooks and/or lakes–both of these offer a wonderful view.  Last year, my grove rented a cabin for the evening on the lake, and so, I had very easy access to do the sunrise ritual.

 

When to get to the spot. If you look up sunrise times online, you’ll see two numbers, typically “first light” and “sunrise.” First light times can be deceiving; I have found that “first light” actually occurs up to an hour earlier than it indicates. For my sunrise rituals, I plan on being at my spot 1.5 hours before the scheduled sunrise (and staying about 2 hours total).  Depending on mountains and other geographic features, the sunrise time may also be off (last year, I actually saw the sun come over the mountains at about 6:10, even though 5:45 was the specified time).  If you get there 1.5 hours early, it will be completely dark, but within the first 15 minutes, you will see the sky slowly changing–and seeing that part is worth it.

 

Comfort. The Sunrise Ritual is a long one–you spend your time in stillness and reverence, observing the world around you.  Because the sun takes time to rise, you will want to make sure you are comfortable wherever you are.  Bring yourself a chair, a blanket, or get yourself seated in a cozy kayak (like I did) to watch the sun rise.  Even if the days are warm, it is likely much cooler at 4am, so bring appropriate clothes, blankets, etc.  If bugs are a problem, bring bug spray, etc.  The idea is to be as present as possible to witness this wonder of nature, not be worrying about your cold toes, mosquitoes buzzing in your ear, or uncomfortable seat.

 

Second Sunrise Ritual, a few days after the solstice in Summer 2017

Second Sunrise Ritual, a few days after the solstice in Summer 2017

The Ritual

The ritual is as simple as it can be–simply watch and observe the sunrise. Pay attention not only to where the sun will rise, but to the whole 360 degree area where you are. Fully engage with all of your senses (which is why the sacred brew is helpful): your sight, your taste (tea), the sounds, your sense of touch (feeling the temperature, the ground you are sitting on, etc), and your ears. There is so much to take in and it changes so quickly. Even if you are scanning another part of the sky or surroundings, when you look again, the light has shifted. Pay attention to the far edges of the sunrise area–sometimes, beautiful colors will appear and then disappear within 5 or so minutes (last year, there was this amazing patch of hot pink for a little while reflecting on some clouds on the edge of the sunrise).

 

Deepening the Ritual

Here are a few things that can enhance or deepen your ritual experience.  None of them are necessary; just being present is enough. But over the years of doing this ritual, I have found a few additions enhances the experience.

 

A Sacred Brew. I have found that drinking tea or another sacred brew (like elderflower cordial at the summer solstice) is a wonderful way to heighten the power of this ritual.  Prepare something sacred, something wonderful.  I drank elderflower while watching the sun rise.  In the winter, a tea of warming herbs like sassafrass root or ginger would also be welcome.  I suggest brewing the tea in the sun the day before the solstice sunrise, and take that solar energy within as you watch the sun come in.

 

A Sacred Space. If you have the time, you can add to this ritual by creating a simple sacred space around you while you observe.  While this is not necessary, I feel that it really heightens the experience. I did this in my kayak last year, going through the AODA’s sphere of protection as the light began to come in.

 

Bringing In the Sun. If you wait till you can physically see the sun, you can also bring in the light and energy of the sun for your own healing. Draw its first golden rays towards you and bring them deep within. Combining this with breathwork is powerful. Offer gratitude for the sun and its light-giving rays.

 

Music/Singing. The Awen flows strongly at the summer solstice –you might feel compelled to sing or play an instrument.  I was once given a “sunrise song” that I play on my panflute sometimes during this ceremony.  You might see it this way–roosters, bullfrogs, birds, and many others work each day to raise the sun with their voices.  By joining in, you participate in that shared magical practice.

 

Solstice Activities.  Typically, after this ritual, I go off to find some elderflower and brew it up into sacred medicine.  This, or any other solstice-appropriate activity is a great way to keep the energy of the ritual with you.

A beautiful scene from the shore in Maine at the sunrise!

A beautiful scene from the shore in Maine at the sunrise!

May the blessing of the summer solstice sun be ever with you!

 

An American Ley Line Network: A Ritual of Creation May 7, 2018

This past weekend, we had a delightful time at the 2nd OBOD Mid Atlantic Gathering of US(or MAGUS). It was a wonderful weekend full of positive energy, community, and celebration of the land. I was involved heavily in the ritual planning and work this year and was the gathering’s keynote speaker, and we once again did a Galdr ritual (a chanting ritual) using Ogham (sacred trees). This year’s theme was “Sacred Time, Sacred Space” and as part of this work, we decided to re-enchant the land by establishing a new ley line network. We are co-creating a new ley line network across the land.

 

Motherstone at Four Quarters Interfaith Sanctuary

Motherstone at Four Quarters Interfaith Sanctuary

The overall goal of this ritual was to re-enchanting our landscape, connecting sacred spaces and creating sacred spaces across the landscape, and connecting our broader druid community. The work involves empowering, connecting, and eventually, dispersing a set of stones to the broader landscape. I wanted to share parts of our ritual and work here as part of my “Sacred Landscapes” series. I say “share parts” because you can certainly talk the magic out of something, and I think that this is key for this particular ritual moreso than some others we have done in the past.  However, I will share enough that others interested in this work have a blueprint for building their own ritual and the foundation of their own energetic work.

 

Overview of the Work:

The most simple way of creating a sacred ley line/energetic network is to think about linking one or more places together.  These could be any number of things:

 

  • Sacred points you create along a landscape on a piece of property, say, between a sacred grove, spring, and shrine at  tree
  • Sacred points you create along a larger landscape: say, your sacred spot in a nearby forest and a nearby meditation spot you use regularly
  • Sacred points between two outdoor stone circles (shared between friends)
  • Sacred points connected between many groves and individuals (what we did at MAGUS) with a central “hub” (the Stone Circle at Four Quarters).

 

Even connecting two or more points is a good start to think about how the energies might flow between the two sites, enriching them and exploring the magic and energy that can flow between that connection. And this can be really simple: a standing stone you set up on a hill to bring down the solar current, connected to a sacred grove deep in the woods. Many ley lines of ancient times were only a few miles in length–in today’s age, without whole cultures behind us, doing smaller things is totally appropriate.

 

So if you’d like to try this out, let’s first go through two kinds of background information and then onto some specific things you might do.

 

Background: Ley Lines and the Telluric Currents

In order to prepare for setting up even a small ley line network, we need some background information.  I’ve shared this in my blog before at various points, but here is an overall summary:

 

Sacred Mandala as part of our MAGUS 2018 Ritual

Sacred Mandala as part of our MAGUS 2018 Ritual

Ley Lines and the Re-Enchantment of the World: As I’ve discussed in previous posts in this series, re-enchanting the land is, I believe, part of what we can do as druids, particularly druids in North America. The basic premise is this: at one time, humans across the globe recognized the sacredness and enchantment present in the land and worked, in collaboration with nature, to bring that sacredness into manifestation through various earth works, stones, and old straight tracks (ley lines). They did this both physically on the landscape throughout the world and energetically using various magical and ritual techniques. This was not done by a single group of human ancestors, but by many of them over a period of millenia. The specific ley lines, rituals, and beliefs obviously took on their own local flavor, but several key aspects were consistent across time and culture:

 

  • The sanctity of “straight lines” as a sacred feature on the landscape
  • The use of various kinds of sacred features and alignments across the landscape (sacred sites, stone circles, earthworks, connected by paths, marker stones, etc)
  • Usually, some kind of “central point” from which energy radiated outward
  • The relationship between energy flows/land healing/blessing and  physical markers on the landscape
  • The use of nature-based augury for conditions to set the lines and ensure right placement (birds, weather patterns, astrology)
  • The ability of people, over time and space, to shape these energy flows and enhance the magic of the land.

 

If we take these six premises, we have a roadmap that our ancient ancestors offer us for the kind of re-enchantment of the world and creating sacred landscapes for here and now.  There is so much we could do with this.

 

Telluric and Solar Currents: A third piece of our Galdr ritual this year is the interplay and work between the Telluric and Solar currents. I described these in much more detail in an earlier blog post, but will briefly talk about what they are and how we are working them there. Most peoples, save modern Western Civilization, have some concept of “energy” and how it flows across the land. The model I’m describing here is based in conceptualizations from the Druid Revival tradition, but you’ll find that other traditions offer similar or complimentary understandings. In this view, we have two main sources of energy: the solar and the telluric, and one that is created through a synthesis and harmonious combination of these (the lunar).

 

  • The Solar Current: Is the energy of the sun and the celestial heavens. The solar current comes down to the earth, and, as the ancient lore suggests, can be channeled and brought to/in/across the earth in various ways: through a properly set standing stone (see John Michael Greer’s Druid Magic Handbook), through a properly aligned temple or church (see John Michael Greer’s Secret of the Temple), or through a properly aligned ley network (see Pennick and Devereaux’s Lines On the Landscape, final chapter.). The solar current brings life, energy, vitalization, and power.
  • The Telluric Current: Is the deep energy of the earth, rising up from the earth’s core. The Telluric Current comes up from the earth, and, as the ancient lore suggests, can be purified and enhanced with the Solar current. The earth’s energies are disrupted now, particularly with so many destructive activities taking place below the earth’s surface, fracking being the absolute worst of these.

 

Most of the time in various cultures and in various ways, these energies were shaped and enhanced through human activity to bring healing, vitality, and abundance to the land. And that, too, is a primary goal with our Galdr ritual and Ley Line Network here we are creating through the MAGUS gathering.

 

Background, Part II: Raising Energy through Sacred Chanting and Tree Energy

There are countless ways you might raise energy for the purposes of creating even a small ley line or alignment on the landscape. Here are two kinds of energies that we’ve been working with at MAGUS for the last two years that have worked particularly well for this purpose:

 

Galdr / Sacred Chanting:. We again used the idea of “Galdr” (which is a Norse word for “chant” or “incantation”) using our voices, chanting in unison to raise energy to enact a specific purpose. For us as druids, chanting Ogham (sacred trees) is more appropriate  than the runes, so that is exactly what we used. I offered many more details on the Galdr and its origins in my first post from the 2017 MAGUS gathering, so I will direct your attention there. The Galdr chanting works well with a group of any size; with 70+ druids at this gathering, we used the Galdr chanting in four separate groups to raise a network of interrelated energies. If you had a smaller group, or individual, you might use a series of chants in succession. The point here is simple: you can use chanting (and we used sacred tree names) to raise up energy and direct it for the purposes of establishing a sacred network of sites, stones, or anything else.

 

Four Sacred Trees and Ogham: Our ritual again uses Ogham (the Celtic tree alphabet, adapted to North American trees) for raising and shaping the energy of the ritual. These trees, using their sacred names, are chanted to raise energy. The two ritual co-creators (myself and Cat at the Druid’s Well) sat for many months with sacred trees to see who would aid in our work.  Since that is part of the “magic” of the ceremony, I’m not going to reveal much more here–but those wanting to do something similar should find four dominant and powerful trees on their own landscape that can aid in this work. One should be a tree that invokes peace between humans and the land, one should have some deep connection to spirit/otherworld to help create the network, one should help support that work, and one should serve as a container/strengthener to help hold the space.

 

Ley Line Chants

For our gathering, Loam Ananda, an incredibly amazing composer, wrote a ley line chant, which I have permission to share here. This is part of how we raised energy and brought everyone together.

 

You can hear the full chant on Soundcloud here. Here is the melody to the chant (for one person or a small group).

Singing up the Ley Lines Chant

Singing up the Ley Lines Chant

If you have more than one person, this is the chant for a larger group, with four harmonious parts. We have our four sacred trees in the bass part, but you can replace that with any other energies you are working to raise energy and connect space. This chant was taught to everyone prior to our main ritual and used both when we placed our stones for blessing/connecting/empowering during the gathering and also when we removed them to take home.

Singing up the Ley Lines

Singing up the Ley Lines – Group Chant

 

Now that we have a framework and some ways of raising energy–one possible framework among countless others–we can look at two ways we can directly do some of this work. One would be in a larger group setting and one would be something individuals could do.

 

A Simple Approach: Connecting Sites and Energies

Individuals can certainly do this work of establishing ley lines and sacred landscape features on their own, thinking about the connection between two or more sacred sites.  The layers of complexity come in depending on how far you want to go, how many sites you want to build/connect, and the number of people you might get involved.

 

If you want to create a sacred alignment individually, you might start with these aspects:

  • Listening to the spirits. Follow your intuition and communicate with the spirits of the land about the work you’d like to do.  Get a sense of what, where, and how you might to about doing this work. This may be as simple as a gut intuition or signs from nature (remember that the Roman Augurs often looked to weather patterns, birds, and clouds to determine “right alignment”).
  • Once a site has been selected, spend time attending to the energies of the land. Before a sacred ley line can be created, you want to make sure the spirits of the land are in line with this purpose and that any land healing and energetic work that needs to be done in advance is done.
  • Using stones or other features to connect two points. Take a stone from one place and set it ceremoniously in another place, raising energy while doing so and envisioning the two points linked. (See above for how you might do this)–we used sacred trees and chanting, but you can use the four elements  blessings or any other magic you regularly practice.
  • Regularly attending to the new line. Ley lines are both physical and energetic, and so it is useful to think about how these lines might be attended to regularly with seasonal celebration and ritual. They grow with power as we, as individuals and groups, attend to them over a period of time.

 

Carving stones with ogham at our stonecarving workshop at MAGUS

Carving stones with ogham at our stonecarving workshop at MAGUS

A More Complex Approach: An American Ley Line Network – Celtic Galdr Ritual at MAGUS 2018

What we did for MAGUS this year was in the spirit of what I discussed above, but a bit “bigger” since we had six ritualists as planners as well as numberous interconnected workshops and ceremonies. But the principle is the same. I’ll walk you through some of the basics of what we did.

 

Part 1: Stone Selection and Attunement

When people came to the gathering, the ritual began almost immediately.  In an opening workshop, people a These are the activities that we did to move attendees into part I.

  • Finding a Stone, Making it Your Own: Upon coming to the gathering, each participant was asked to find a stone–a stone that they would work, as an individual and as a group, to empower and eventually take home and ceremonially place in a sacred manner somewhere on their landscape. This stone becomes one of many “nodes” of our sacred network.  In our case, since we were building something bigger, we thought it was important that the stones all come from the same place (Four Quarters Interfaith Sanctuary) as they will already be connected and our work would simply be to connect them further.
  • Attuning to Stones: At the gathering, participants did a variety of things to attune to their stones. We had a wonderful stone carving workshop led by Forest Green, and druid attendees were able to carve ogham into their stone. The druids were also able to spend time in the larger stone circle at Four Quarters and attune to the energy there. Druids learned about chanting through a great workshop from Tom Dannsarach and Loam Ananda. Druids learned about sacred mapping and sacred place names from Cat Hughes. Four quarters forms the central “node” in our network and so, it was critical that our stones–and participants–were aligned with this sacred space.
  • Attuning to the Four Sacred Trees: As part of our pre-ritual workshop, each attendee was able to draw an ogham to place them in their group and then spent some time, attuning to the sacred energy of the tree they were working. Each group also had an opportunity to learn more about their tree and the mythology, magic, and specific energy that tree was bringing to our ritual. Each group did this differently, as each group’s role was unique in the ritual–some sat with the tree in question, others journeyed inward to meet the sacred tree and receive a message, learning how to hold sacred space, and so on.
    •  We spent months selecting the trees and each of the “ritual leaders” spent more months researching their trees and being prepared to lead their group in raising the right energy for the ritual.
Ogham staves, attunement materials, and scrolls for our ritual

Ogham staves, attunement materials, and scrolls for our ritual

In sum, we worked to attune participants to their own stones and sacred trees, in order that we might begin to connect them and weave in the ancestral magic of the ley line.

 

Part II: The Galdr Ritual to Connect and Empower the Stones

Space Preparation: Sacred Fires and Sacred Circles

As part of the preparation for the ritual, eight fire tenders built and consecrated sacred fires (a central fire around whih we placed our stones) and four quarter fires. Further, a group of druids also created a cornmeal sacred circle using ogham prior to the ritual; this allowed us to again, place a physical manifestation on the landscape of the energy we were invoking.  The sacred circle had a number of conentric circles and lines featured both ogham as well as material from our sacred trees.

 

The Main Galdr Ritual

The Galdr ritual itself did not have a specific “script” of words, although we certainly had a script of actions and flow, unique to this gathering and space. We begain by honoring the trees, the stones, and the fire. Then, we did a similar thing to last year’s Galdr at MAGUS, where we had participants in four groups chanting, moving, and circling.  In this case, participants were circling a sacred fire and the stones that we were blessing. After raising this energy, we left the stones in that sacred space till the end of the gathering where once again chanting, each participant was able to take his or her stone and recieve instructions for how to place his or her stone.

 

Part III: Creating the Network: Setting Stones in Sacred Homes

Once the stones were empowered, at the end of the gathering, each participant came and gathered up their stone. Each particiapnt was also given a scroll with instructions on what to do next. Each participant was asked to find a sacred place for their stone of their choosing, to establish a sacred space (using OBOD’s grove opening or any other method of their choosing), to set their stone and chant all four sacred trees, and then to envision a line traveling from their stone back to the stone circle at Four quarters. As they envisioned this, they would once again use our “singing up the ley lines” chant.  We also asked participants to “map out” where their stones went on a Google Map, so we can literally see the lines being created after the gathering.

 

Final Thoughts

There’s a lot of information here to get you thinking. The thing that I like about this is that we are responding in a positive way, building anew, something that is ours, unique, magical and choosing to see the land as the enchanted, sacred place that it is.  I hope that other individuals and groups will find the above information inspiring and I encourage you to experment and see what you develop.

 

This idea and ritual is the creation of many minds and hearts! Contributors to this ritual include Cat McDonald (blog: A Druid’s Well); Loam Ananda (blog: Loamology.com); John and Elmdea Adams; Brom Hanks; David North and Nicole South; and Dana O’Driscoll here at the Druid’s Garden.

 

A Beltane Blessing: Recipe for Sacred Herbal Offering Blend April 29, 2018

Sacred blend being stuffed in leather pouch for around the neck

Sacred blend being stuffed in leather pouch for around the neck

Offerings to the land, spirits, and/or diety are a common stable in many traditions, druidry being no exception. Many opportunities present themselves and having something you carry with you can be built into your regular druid practice (and kept within, say, a crane bag).  Some years ago, I wrote about sustainable offerings and the kinds of offerings you can leave as part of a regular spiritual practice. These offerings might be home-grown herbs (as in the case of today’s post), home-brewed alcohol, small blessed stones, home baked bread or cakes, small shells, even your own nitrogen-rich urine.  I think the important thing with any offering is that it truly puts no strain on the ecosystem–but rather, is a true blessing.

 

In the spirit of this idea of sustainable and sacred offerings, in today’s post, I’ll share the recipe for one of my own sacred herbal blends that I often carry with me and use for leaving small offerings—in nooks of trees, on stones, in an offering bowl, as an offering as part of ritual, and so on. This kind of offering blend is a perfect thing to make at Beltane, as the energy of Beltane is full of vitality and life, of healing and blessing. Using the energy of Beltane to mix and bless these herbs brings that energy to the land and spirits throughout the year.

 

Sustainability and Suitability of Offerings

The key to leaving any offering is that it won’t damage the ecosystem or cause it harm–either in the leaving of said offering or in its creation. This means you have to take some serious care and consideration to develop an offering blend that gives back rather than takes. In the case of the herbal offerings I’m talking about today, it is critical that you leave only materials that will naturally break down and that will not spread any seeds that do not belong in the ecosystem.

 

Towards that end, I take two precautions with the herbal blend presented here. First, I use only leaf matter and flower matter (harvested long before the formation of seeds). Second, I bake the plant matter at 350 degrees for 10 minutes, killing off anything that might be present in the plant matter so that it is harmless and safe to leave (and bonus: it makes the house smell great!)

 

An alternative, another kind of herbal offering entirely, which I’ve talked about in some of my wildtending posts, is to intentionally leave seeds that are rare and in need of replanting–but that’s a different kind of thing–you can read more about that in this post. That is certainly another kind of herbal offering that you can leave.

 

An Introduction to the Herbs

A blend of herbs....

A blend of herbs….

For my blend, I wanted to use a combination of tobacco leaves and flowers (home grown), lavender flowers, rose petals, and  .  You can use any number of herbs you can grow yourself or buy organically: I like flowers a lot, as well as aromatic herbs for a nice smell (mints, rosemary, thyme, oregano, sages, etc).  Here are the herbs from this specific blend:

 

Nicotiana Rustica, or Wild Tobacco. Each year, I grow Nicotiana Rustica, which is an old form of tobacco known as “Aztec Tobacco” or “Wild Tobacco.”  I’ve grown it successfully in a garden as well as in smaller pots in a windowsill. It is super easy to grow and grows prolifically.  It will self seed if you allow it to.  Wild Tobacco is not a kind of tobacco used for smoking as it has up to nine times the concentration of nicotine compared to a traditional tobacco grown for smoking (although in some parts of South America, Shamans use it as part of entheogenic mixtures). I have found that this particular strain of tobacco is well received by the spirits of the land and they are joyful in receiving it. This variety is native to North America, but is usually not cultivated because it is too potent for the common misuses of tobacco today. By growing this plant myself, and, by being a non-smoker, I am cultivating a sacred relationship with a plant that has long been used as an offering here on the land in North America–and a plant that is often well received when given in reverence and respect to the spirits and the land. I feel, in some way, that I am reclaiming a relationship with this tobacco plant, returning it to its sacred, rather than its mundane and abused, purpose. It is still early in the year, and you can readily get seeds for this variety–so consider cultivating some!

 

I like to gather the flowers as they bud–each little stalk will produce a new flower and drop it regularly, much like common mullein. I will typically gather up most of the flowers and later, seed pods (to share the seeds).  And I will cut the stalks and allow the leaves to naturally dry (they slowly turn brown). I save the stalks for use in smudge sticks that are specifically created as “offering” and “blessing” sticks.  Both the dried leaves and stalks smoulder nicely.

 

In this blend, the wild tobacco represents an offering to the land that is sincere and represents a desire for continuing a sacred relationship with the land.

 

Nicotiana Rustica

Nicotiana Rustica

Rose / Rosa spp (flowers/petals): My second ingredient in this blend is rose petals–they produce a beautiful smell and color, and make the blend really delightful. However, they have a more important purpose, and that purpose is protective and healing in nature. Rose, medicinally speaking, helps heal the heart and also has thorns which offer protection. I gather rose petals around Lughnassadh each year (or earlier, depending on the specific species).  Rose is under the dominion of Venus.

 

Lavender (Lavandula spp) Lavender flowers are a third ingredient that comes in my sacred offering blend (and occasionally, lavender stalks and leaves, although I usually save these for smudge stick making as well).  Lavender, which is a Mercury herb, has been used for millenia for purification and warding purposes–and that’s exactly what it is used for in this blend.

 

Elder (flower, Sambuccus Canadensis; Sambuccus Spp.). I have written pretty extensively about elder in an earlier post, so you can find complete information on Elder in that post.  In this blend, I gather Elderflower (right around or on the Summer Solstice).  I turn much of this elder into Elderflower cordial and tea but save some of it for my sacred offering blend. Elder offers a connection to the realm of spirit and for bringing good energy into the land through the connection with the summer solstice and solar current.

 

These are the four plants I commonly use in my blend, but as I said above, you can use any plant that speaks to you and that you’ve developed a relationship with. Here are some ideas:

 

  • Conifers: Eastern White Cedar, White Pine, Eastern Hemlock (needles), Spruces, etc. Other tree leaves would also be fine!
  • Herbs (leaf, flower, stem): Mints, Lemon Balm, Oregano, Marjoram, Basil, Thyme (if you are unable to grow them, you can buy organic blends at the grocery store or fresh at a farmer’s market, and dry them and blend them)
  • Flowers: Any flower petal that you can dry (avoiding any seeds)

 

The key to any blend is that you think about the magical purpose and energy behind each herb/plant/tree as well as your own relationship with it. This is a great way to begin to cultivate relationships with certain plants for certain purposes as well. If you “grow your offerings” this season, by the end of the year when you are ready to make such a blend, you’ll have spent a full season with that plant. If the plant is a perennial or you save some of the seeds, then your relationship with that plant deepens over the years. For example, I’ve been growing Nicotiana Rustica for about 8 years now, and each year, as I save the seeds and replant them, and share them with friends, my relationship with this plant deepens–and the power of the offering I give also deepens.

 

To me, every part of the cultivating and harvesting of this sacred blend is, in fact, part of the sacred relationship I am cultivating with nature. By tending the plants, or finding them carefully in the wilds, I can continue to build a specific blend that honors the land our deepens our relationship.

 

Magical Crafting and Making the Blend

The good news about a sacred offering blend is there is no right or wrong way to blend it. I would suggest, in fact, that your intuition (rather than measuring select ingredients) goes further than a specific recipe. However, I do have some suggestions to follow:

 

Select a sacred time. In my case, I decided to make this blend on the full moon closest to Beltane. This draws both on the power of the moon and the energy of the sun.

Bowl and simple altar setup for creating sacred offering herb blend

Bowl and simple altar setup for creating sacred offering herb blend

Open a sacred grove. In the druid revival tradition, this would include calling in the sacred animals, calling in the elements, blessing/purifying with the elements, saying the druid’s prayer, establishing a protective sphere or circle.

 

Cut your Herbs (if necessary). Many home grown herbs are not in very small pieces, so I find it is useful to cut them. I do this with a pair of scissors.

Cutting tobacco leaf

Cutting tobacco leaf

Blend Your Herbs. Gather your herbs together and blend them. I find that using a clockwise motion while I chant or sing helps bless them and brings some of my own energy into the mixture.

Blending the herbs

Blending the herbs

Bless Your Herbs. You might use a simple blessing to empower the herbs further with sacred intent. I used an elemental blessing, drawing upon the energies already called and simply moving each elemental bowl clockwise above the herbal blend.

 

Store Your Blend. Depending on what you are going to do next, you might put your herbal blend in a mason jar to keep it airtight. The last batch I blended was primarily for gifts, so I instead put them in little bags with labels and also filled up my own offering bag again.

Bagging my herbs for gifts

Bagging my herbs for gifts

Attaching labels for the herb blend

Attaching labels for the herb blend

Close Your Sacred Space. Close your sacred space once your magical crafting is complete!

 

How to Use Herbal Offerings

There’s not really a wrong way to use an herbal offering, but I can give you some ideas of how I’ve used these.

 

Offering on a stone cairn

Offering on a stone cairn

Land Healing Purposes. When I see land in need of healing–an abandoned lot, a tree that has been cut down, a recently poisoned lawn, I will leave a pinch of the offering. This is just to let the land know that I am here, I honor it, and I am present. I have left these pinches near cut Christmas trees during the  holiday season–again, as a space holding gesture.

 

Land Blessing Purposes. When I’m interacting with the land, I will leave a pinch. For example, if I’m camping out somewhere, when I first arrive and again when I leave, I will leave a pinch of the offering. If I’m hiking, I will leave some as a I walk at a few points.

 

Ritual Offering Purposes. Because I always honor the land and the spirits of the land as a primary part of my own ritual work, I use this blend as an offering to the land.

 

You can do a lot of things with this sacred blend–or another like it! I wish you a blessed Beltane–and happy magical crafting!