The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Druidry for the 21st Century: Druidry in the Anthropocene February 17, 2019

Druidry is rooted in relationship and connection with the living earth: the physical landscape and all her plants and creatures, the spirits of nature, the allies of hoof and claw, fin and feather. The land and her spirits are our primary allies and energies with which we work as druids. The question I keep coming back to is this: how do I practice a nature-centered path in a time when nature–those of the hooves, fins, feathers, and claws–are going extinct and dying all around me? How do I practice druidry when everything that I hold sacred and love  is under severe threat, and when it is likely that in my lifetime, I will witness severe ecological collapse in multiple ecosystems.  How do I practice druidry with my “eyes open” to all of this, and honor nature in this great extinction event, and still say sane? How do I do this “druid” thing, given these challenges?

 

A less disruptive path to help preserve an ecosystem

A less disruptive path to help preserve an ecosystem

Druidry in the 21st century is a complex topic, and I’ve been trying to work my way into it in different ways on this blog. I started this by thinking about how druidry offers coping mechanisms for those of us faced with the many challenges of our age: that is druidry offers refuge in dark times. I think it’s critically important to acknowledge that first and foremost, we need self care to do it well.  While all humans need self care in these dark times, our spiritual relationship with nature requires it. I followed this up with a post about the future of human civilization (Druidry for the 21st century) and made the argument that one way druidry may serve the future is through developing and providing paradigms and mindset shifts.  The idea that druidry is the seed of something different; that druidry offers us new paradigms and hope; paradigms to replace the thought processes and civic ideals currently driving post-industrial civilization to the brink of global collapse.  These are two useful responses, but they certainly aren’t the end of this conversation–not by a long shot.  So today’s question is a serious one: What can druids do about what is happening to all of nature now and what will continue to happen in the foreseeable future?

 

Today, then, I’m going to talk about death.  I’m going to talk about nature and relationship, and I’m going to talk about extinction. Maybe you want to stop reading at the words “death” and “extinction”; these are things we don’t talk about.  These are things our media refuses to cover. These are things overwhelming to even well meaning people, people who love the land, people like you and me. These are things that bring tears to my eyes when I read them or think about them.  But it is necessary that we honor and acknowledge those parts of nature that are no longer with us; that are dying and may never return because of human indulgence. To avert the eyes is essentially allowing a loved one to suffer alone.  If your grandmother were dying in a hospital, would you ignore her, or would you go visit her? (For more on my idea of “palliative care” and why witnessing is so important, see here and here).  If your sacred companion on the druid path–nature–is suffering and dying, can you really pretend everything is ok? I don’t think I can just go into my woods and do some woo-woo and get healed by nature and call that druidry.  Druidry is not a one-sided relationship.  If we want to gain our strength, wisdom, peace, and healing from nature, we must also offer something in return. I believe that now–in the 21st century, in the Anthropocene, nature needs us just as much as we need her.

 

The Hard Stuff

So let’s start with the hard stuff. Scientists are clear that the world’s sixth extinction-level event is underway. “Biological annihilation” is the phrase used to describe what is happening–since 1970, at least half of the world’s animals are gone. That means that we had twice as many animals living on this planet in 1970 than we do today. This isn’t some far-off future prediction. It has already happened. It is continuing to happen as you read this. It has happened in the time that you have been present on this earth. Here’s a list of the “recently extinct” species–those who have gone extinct primarily since industrialization. There are many more who are not on this list because they weren’t discovered or documented before going extinct. A 2017 study, examined 27,600 land species and found that all species were showing huge amounts of population loss, even among species of the “lowest concern” with regards to the International Union for the Conservation of Nature’s guidelines (which sets guidelines for endangered species).  This study suggests that 80% the traditional territories of land mammals have been eradicated, making way for cities, people and shopping malls–this is the “biological annihilation” that they speak of.  The study also indicates that this trend will likely increase in the next two decades with the rise in population and continued rising demands on the earth. Another piece of this comes from the work of Bernie Krause, who wrote The Great Animal Orchestra (which I discussed a few years ago on this blog).  Krause’s work focused on recording nature sounds, and he demonstrates that the sounds of nature are simply vanishing, along with the life and species.  These issues are also not limited to vertebrate species–another study, released in October, showed a 75% decline in insects in protected ecological areas in Germany.  The problem isn’t that change is happening; the problem is that it is happening so quickly that natural evolutionary processes (processes that allow species migrations and adaptations) cannot occur.  And so, how do we honor those animals, plants, insects, trees, amphibians, reptiles and so forth that have passed, many unnoticed?

 

One more piece here, that I think is critical to consider. All ecosystems have what is called a “carrying capacity.” That is, given the resources available (sunlight, soil, plant matter, water, weather, etc) the land can reasonably sustain so many lives of different kinds: so much insect life, so much plant life, so much animal life, so much human life.  Ecological collapse refers to when an ecosystem suffers a drastically reduced carrying capacity–that is, the ecosystem can no longer support the life it used to because of one or more serious factors.  These factors are usually compounded and may include the loss of a keystone species, general pollution or degradation, deforestation, ocean acidification, over-hunting, you name it.  Its like a domino effect–sometimes, all it takes is one core species to go.  Climate scientists call this the tipping point–think of it like a chair.  The chair is being held at 45 degrees, and just a fraction more, and it will crash.  It is almost certain that we are heading into a nose dive of ecological collapse.  Ecological collapse doesn’t just affect all of nature–it affects humans too.  So while we should care about even one life, a single species, we also need to be concerned deeply for all life.  This will happen in our lives–how do we spiritually prepare to support nature when it does?

 

Now, put this in context. While we practice druidry, while we enjoy nature’s benefits and her healing, this is happening. When we are honoring nature, celebrating the wheel of the seasons, this is happening. Its happening in every moment of every day. This is part of our reality, as nature-honoring people.  Given that this is the reality, responding to this should also be part of our druid practice.

 

Exoteric / Outer Works: Refugia

A safe space for all life

A safe space for all life

Druidry is about nature and relationship.  Its about your relationship with nature both exoterically (that is, in the material world) and esoterically (that is, in the world of spirit).  In the case of this information, I think it’s really important that we develop a range of responses, both esoteric and exoteric.  In terms of the outer world, I’ve long advocated on this blog a very wide variety of things that can aid the land in healing, regeneration, and growth.  I think that each of us can do something, and that something varies based on our life circumstances.  All of us can attend to our ecological footprint, consumption behaviors, transit, energy use, and all of the usual things.  I think that’s part of just being a druid–living your practice.

 

To be more specific to the material above, however, I’ll share what I consider to be my key method for responding this kind of extinction level event: building refugia. Refugia is a concept discussed by E. C Pielou in After the Ice Age: The Return of Life to Glaciated North America. In a nutshell, refugia (also called “fuges”) are small pockets of life that were sheltered from broader changes that destroyed most habitats. Pielou describes specific isolated pockets of life that survived as a sheltered spot, a microclimate, a high point, and so forth, while the rest of the land was covered in ice. When the glaciers receded and left a bare landscape devoid of topsoil or life, it was these refugia that allowed life to spread outward again, repopulating areas in North America stripped bare by glaciers. Of course, Refugia aren’t limited to North America–they are a worldwide phenomenon, and even our human ancestors, at various points in our history, have used them to survive challenging environmental conditions. In the 21st century, in the time of human-dominated land use, things are not as different as you might think from our glaciated pre-history. For one, the loss of biodiversity and essentially inhospitable landscape can be found in the 40,000,000 acres of lawns currently in cultivation in the US or the 914,527,657 acres of conventional farmland in the US. Many areas that aren’t lawns or farmlands are subject to other kinds of stresses that create inhospitable lands: pollution, resource extraction, deforestation, and so on.  Refugia allow us to create small pockets of biodiversity–which is going to really, really matter in the next 20-30 years.

 

Refugia are all about individual action.  While no average person has control over what much of what is happening in the world around us, even in the landscape around us locally, we can create refuges for life. Refugia are small spaces of intense biodiversity, critically important during this time of mass extinction and habitat loss. Cultivating refugia allows us to put more of the building blocks back into nature’s hands for the long-term healing of our lands. That is, refugia is that they are little arks of life, that is, little places where biodiversity and life can spring forth once again. A network of refugia created by 21st century druids may be the difference between extinction and thriving for many diverse species.  What you do can make an incredible difference–it could save a species.  I have written more about how to create a refugia garden here and here!

 

Esoteric / Inner Works: Honoring the Fallen through Ritual, Shrine, and Sound

Given the state of nature and that we practice a nature-oriented spiritual practice, I think it is necessary to directly honor the massive loss of such life through rituals, shrines, moments of silence, psychopomp work, and other practices.  I would argue that this work should be a regular part of our practices as druids. I’m going to share two ideas here, and next week, I offer a larger set of suggestions on psycopomp work for the animals and the land.

 

Ringing the Bell/Sounding the Bowl

After reading the Great Animal Orchestra, I thought it would be very appropriate to honor the loss of life through sound.  Since we are missing the sounds of that life, and the world is growing silent (or replaced by human sounds), I wanted to create space in my rituals to honor the loss of life.  There are lots of ways you might do this, here is mine:

 

A simple indoor altar with singing bowl

A simple indoor altar with singing bowl

Anytime I open a sacred grove to do ritual, I have begun with a simple sound ritual to honor the life that has passed.  I have a small singing bowl, and I go to each of the quarters and ring the bell in each direction.  Sometimes I do this silently, and sometimes I say some simple words, like “honoring those who have passed on in the east.”  I allow the bowl to resonate until it is completely quiet again, and then move on to the next direction.  I’ve found for typical OBOD or AODA grove openings, this is best done just after declaring peace in the quarters.

 

You don’t have to do this in ritual; you can do it anytime.  I like doing it in ritual because it is in ritual that I’m drawing upon the land and her energies, and I want to honor and acknowledge the suffering of the land before I ask for anything else (that’s why I do it early in the ritual rather than after I’ve called the quarters and established the space).

 

Honoring the Fallen Shrine

I also maintain two shrines–an indoor shrine and an outdoor shrine–to honor the many lives that have passed.  I often will do my sound ritual above and leave small offerings (like my offering blend).  These shrines are simple–a pile of stones outside on a stump, I add bones and other things as I find them on my walks.  Indoors, I have smudges I make special for this shrine, usually of rosemary (for remembrance), bay laurel (for passage), white cedar (for eternal life), and white pine (for peace) and I burn these regularly.  I sometimes print out pictures of animals or other species, and add other things of significance.  Like most things, it is the intention of this shrine that is critical.

 

Council of All Beings and Other Rituals

At least once a year, if not more frequently, I also like to engage in ritual (group or solo) to directly honor and support the land.  One of my favorite things to do with this comes from the work of Joanna Macy (who has many great ideas for group rituals and group healing and processing of what is happening now).  She has a ritual called the Council of All Beings (the link will take you directly to the ritual).  I like this ritual because it allows us to give voice to those who do not normally have it, and it helps all participants get into a frame of mine that acknowledges and honors other life’s suffering. I think its important to engage with this not only for ourselves, but with others–talking about it, sharing what we do, and working on doing some things together.

 

I also think that general land healing and blessing ceremonies are useful and important to do regularly and help energetically support the land and her spirits during this time. I wrote a series on land healing; this final post links to all others.

 

There’s so much more to write and say here, but alas, I think this post is long enough.  Dear readers, I hope you will share some of your own thoughts–how do you answer the many questions I’ve posed in this post?  I would love to hear your ideas and stories.

 

A Seed Starting Ritual for Nourishment, Connection, and Relationship February 10, 2019

All of the potential and possibility of the world is present in a single seed.  That seed has the ability to grow, to flourish, to produce fruit and flowers, to offer nutrition, magic, and strength.  Seed starting offers us a chance to connect deeply with the seeds we plant, and to , from the very beginning, establish and maintain sacred relationships with our plant allies. Seed starting is a truely magical druidic practice, and in today’s post, I want to talk a bit about the magic of seed staring and share a simple ritual that you can do to bless your seeds as you plant them. Some of my earlier posts on seed starting can be found here (a general philosophy of seeds from a druidic perspective) and here (recycled materials for seed starting).

 

Seeds coming up!

Seeds coming up!

One of the most important parts of a druid practice, in my opinion, is integrating sacred activities into everyday life. I think working to live our regular lives in a sacred manner is one of the ways we can stay balanced, happy, and connected in an otherwise unbalanced world.  But I also think that this is part of what living druidry is all about–finding sacred moments, sharing them, understanding that each moment can have its own kind of sacredness. This is important in each aspect of our lives, but certainly, in activities that tie us directly to other kinds of life and allow us to interact with other cycles of life.  To me, there is nothing more sacred than starting seeds. And while this may be considered a “mundane” activity to some, to me, it is an incredibly sacred one. Because the seeds we will start are such a blessing to so many, and are part of the sacred cycle of nature, I think its critical to honor them and support them on the journey that they will take from seed to harvest.

 

Connection, Nourishment, and Relationships: What Seeds Offer

This is the time of year for starting seeds. Right now, we are just over 14 weeks out from our last frost date, and the first of our seeds are being started this upcoming week on the full moon, these include our greenhouse seeds (kale, lettuce, spinach, arugula), our alliums, and some slow-growing herbs (rosemary, lavender, white sage). These seeds will feed us, nourish us, and in the case of the white sage, rosemary, and lavender, also be used for sacred offering blends, smudge stick making, rituals here on our land, and other sacred activities surrounding our druid practices.

 

Last year, the white sage and lavender we grew from seed ended up being shared with members of the grove and other friends, mostly in the form of incenses and smudges.  It continues to be offered in our rituals, both individual and grove.  Last year, the vegetables we grew ended up with over 10 families, as well as in our bellies and the bellies of our animals here on the land. So part of the magic of starting these particular seeds is the magic of community, togetherness, and sharing.  I think that happens a lot when we grow things–we end up sharing the abundance.  The plants give and give to us, and it is only right that we give back to them.  One of the ways we can give back is do rituals that offer them the same thing they offer us: physical nourishment and metaphysical energy.

 

Alium going to seed, Summer 2013

Allium going to seed, Summer 2013

 

But there’s another piece of this too–seed starting is about relationships: establishing relationship with new lines of seeds, or, maintaining relationships with saved seed over a period of time.  Some of these seeds we are starting this week are brand new to me and have entered my life for the first time.  That is, we purchased them from organic seed companies or small sellers. These seeds should be welcomed and honored as friends.  But some of these seeds have been with me for a long time.  One of the alliums I am planing, a Long Red Florence onion, has been with me quite a while.  In fact, if you are a long-term reader of this blog, this isn’t the first time I’ve shown the photo to the right.  I began planting this seed in 2012, and I am planting the seeds of this particular onion’s offspring today.  A seed planting ritual, then, should also connect you deeply with the plants–both those who are brand new, and those who you have cultivated relationships with over time.  And so, a good seed starting ritual should be about establishing and maintaining relationships.

 

Relationships with perennials and annuals are a bit different, and I want to talk about that difference briefly here, as it has very direct relevance on the rituals I’ll share today.  Annuals, in a lot of cases, particularly in cultivated varieties that are not native or naturalized to your region, depend on you for continuing to grow.  It is rare for a lot of plants to come back (or they will come back at the wrong time, like a rotted tomato that dropped to the ground and then starts sending up babies from the sprouts 2 weeks before frost!)  These plants, due to their long cultivation by humans, need us.  Perennials need us too, but in that case, its more to visit, to honor them, to continue to make sure they have what they need to grow.  In either case though, we are talking about interdependency.

 

So from the above, we have four key pieces to a good seed starting ritual: physical nourishment, energy, relationship, and interdependency.  Let’s now take a look at some options for how you can build this into an existing seed starting practice.

 

Seed Starting Rituals

With most rituals, particularly in the druid context (where we don’t have hardly any ancient traditions to go back to), the intentions are what matter most.  You can do a lot of different things to get at the four points above, and you can do different things that go from very simple to fairly elaborate in terms of ritual.  I’m going to offer a few options, but these are by no means the only options you have before you!  But I think the key thing is to think about the principles above:  nourishment, relationship, energy, and interdependency.  Here’s what I like to do:

 

Soil....the beginning of life and abundance

Soil….the beginning of life and abundance

Assemble all of your supplies. Before you start, assemble your supplies: potting soil, pots, seeds, a work area, and so on. Put your potting soil or any other nutrients (like coffee grounds, great for seed starting) in your work area.  Have a bucket or potting tray ready to mix.  Also have labels available and anything else you will need, like a small hand shovel, etc.

 

The Elemental Seed Starting Ritual.  

For this ritual, you’ll need something to offer the seeds from each of the five core elements: earth, fire, water, air, and spirit.

  • For earth, you can offer a good potting mix rich with nutrients, the most obvious thing for planting seeds.  If you can, grab a little bit of the soil that last year’s plants were grown in. As part of the ritual, you will mix the soil with nutrients and your own energy, so don’t fill up your pots in advance.
  • For Air, you have your own breath, which is better than anything else.  You can have incense, feathers, or other air-focused elements to supplement, of course.
  • For water, you can offer standard pure water, or, if you are particularly ambitious and want to build tremendous relationship and interdependency, offer a 90% water and 10% of your own urine in a mix.  I know this sounds crazy, but read my blog post here.  Its pretty simple–your urine is very high in nitrogen, which is one of the core building blocks for all plant life. Your waste product is their life–just as their waste product, oxygen, is yours.  Using your own urine puts you in a direct interdependent relationship that frankly, few other things, can do.  I usually have a pot of pure water for mixing and then the urine/water dilution for watering afterward.
  • For fire, you may use any representation of fire; if the sun is shining, I like to bring the seeds into the sun. If not, I like to have candles available.
  • For spirit, I prefer to use an herbal offering that I grew or some other spiritual offering. Anything you’d typically use as an offering will do.

 

A few notes before I describe the ritual:  You can start your seeds all at once, or you can start each different seed type one at a time, using the appropriate elements as needed.  What I’ve offered is just a suggestion of what you can do for the seeds; please feel free to adjust and add your own creativity into this ritual!

 

Establish a Sacred Grove or Sacred Space.   Many druid traditions, including OBOD and AODA, offer clear instructions for how to establish a sacred grove.  (I described one version of a sacred grove in a recent post on herbalism).  I like to start my seeds in a sacred grove, as a sacred grove in my tradition sets intentions for sacred work.  This helps with both energy and relationship. And so, before beginning to plant, I will establish a sacred grove.  While you don’t have to do this, I recommend it.

 

The Work of Earth: Mix your potting soil.  Begin by putting your potting soil, nutrients, coffee grounds, peat moss, whatever you are using as your typical seed starting mix in a potting tray or bucket.  Even if you are using a completely store bought mix, go ahead and put it in the bucket.  Begin mixing the materials together, and as you do, envision some of your own energy going into the soil.

 

As you mix, you might want to chant or sing.  I prefer to chant the ogham for Oak (strength, stability): Duir (doo-er).  So I will mix and chant.  It is  much easier to seed start with wet soil, so after I chant, I will add some pure water to my mix and mix it all well before putting my soil in the trays.

 

Put your soil in the trays.  As you do so, continue to chant.

 

Establishing and Maintaining Relationship through Planting Your Seeds. Hold your seeds in your hand for a moment, and connect with the spirit of the seed.  Welcome any new seeds.  For those who you already have a relationship with, tell them you are glad to see them.  Pause for a moment to see if the seeds have anything to share with you.  Then, plant each one.  As you plant, sing or chant.  I like to chant the Ogham for birch here (Beith) for new beginnings.  Once you are finished, say “My energy supports you, as you will support me. May the great soil web of life bring you strength.”

 

The Work of Air.  Label your seeds.  As you label, continue to chant Beith or offer other air blessings.  When you are done labeling, blow softly over each of the pots of seeds.  Say, “My outbreath is your inbreath, your breath is my life. May the blessings of the air sustain you.”

 

The Work of Water.  Take your pure water or urine dilution, and sing or chant as you water each plant.  I like to chant the ogham Willow here (Sallie) while I am watering.  After watering say, “My nutrients feed you, as you will feed me.  May the power of the water nourish you.”

 

The Work of Fire.  Sing or chant the ogham for Fir/Pine (Alim) (Aye-lim) and hold up the pots to the sunlight.  Alternatively, move a candle around the pots.  Say, “May the fire of the sun let you grow.”

 

The Work of Spirit.  Sing or chant the ogham for Apple (Quert) (or another ogham as you choose).  As you do this, sprinkle an offering lightly over the pots.  When you are finished say, “My offering today, for your offering tomorrow. May the Nwyfre flow through you.”

 

Additions: Singing and Drumming.  At this point, feel free to do anything else you like.  I like to drum or play my panflute a little for the seeds in a welcome and to raise good energy for them.

 

Close the space. When you are finished, thank the spirits and close out your sacred grove.

 

Trays of small plants from seed!

Trays of small plants from seed!

Final Thoughts

While it seems like a lot above, the ritual is actually quite simple.  I’ve used the energy of the Ogham, of sacred trees, and of sacred chanting to do the work of connecting to each of the elements.  But you could connect with them in any way you want, or replace what I’ve done with other sources of power that you work with (such as deity, etc).

 

If you have any other ideas for sacred seed starting, or if you have things you’ve done in the past, I’d love to hear about them in the comments!  Thank you for reading and blessings of the seeds!

 

Recipe: Wildcrafted Herbal Blessing Oil January 27, 2019

A herbal blessing oil is a simple magical tool that you can make that directly comes from the living earth. The herbal blessing oil can be used to bless tools, seed balls, trees, yourself, other people, or anything else you like. You can include it as part of your Druid’s Crane Bag. Your own unique blend of herbs and wildcrafted ingredients will make it an amazing and potent tool for your practice.  While druidry doesn’t use oils extensively, other traditions, like the American folk magic and Hoodoo, use oils a lot to dress candles and do other kinds of energetic work.

 

Choosing Plant Material

You can harvest material from one plant or from a variety of plants and combine them. Here are some possibilities for you:

  • Lavender, Sage, Rosemary, Thyme, Lemon Balm, Majoram, – Garden herbs that offer healing and protection.  Add one or more of these as a blend.
  • Mugwort, Yarrow, St. Johns Wort, Goldenrod, Aster – Field herbs that offer protection, vision, and inspiration.  Mugwort is particularly good for dreaming.
  • Needles from White pine, eastern hemlock, and/or blue spruce – Tree herbs that offer strength, consistency, and vitality

You might also look at my series on sacred trees ( Elder, Walnut, Eastern White Cedar, Hemlock, Sugar Maple, Hawthorn, Hickory, Beech, Ash, White Pine, Oak, and Birch) to create a specific tree oil that will be useful to you and the work you are currently doing.  You can also refer to my longer list on smudge stick making for details about many plants and their uses.  You can also refer to any good magical herbal, like John Michael Greer’s Encyclopedia of Natural Magic or Beryl’s Master Book of Herbalism.

The oil in my photos is a journeying oil for dreaming and deep journeying work.  It contains mostly plants I grew and dried myself, but also some wildcrafted ingredients.  The recipe is: mugwort, bay leaves, rosemary, tobacco, lavender, borage, and heather.  Given that its winter here, these materials have been preserved from earlier in the year.

Plant material for a dreaming/journeying oil

Plant material for a dreaming/journeying oil

Gathering Materials

You want to gather fresh or dried plant material.  Fresh material can be obviously gathered in season; you can purchase or dry your own plant material otherwise.

Gathering Material. At a time of power (full moon, one of the eight holidays, another day of significance) go out and gather aromatic plant material. Aromatic plant material is that which has a high concentration of volatile oils (which is what essential oil is made from). When you crush the leaves of a plant or needles of a conifer and you can smell that wonderful smell, this is an aromatic plant. Even if its winter, you can gather conifers to make a potent oil.

You can gather your plant material from a variety of places a cultivated garden, an abandoned lot, an edge space, a field, or a forest. Before you gather your material, ask for permission from the plant and use inner listening skills to see if you can gather–I do not advocate taking any plant material without permission and an offering (see this herbal blend as a potential offering). If you are given permission, make an offering  and then harvest a small bit of the plant.

Purchased material. If you purchase your material, make sure it is organic and ethically sourced.  You don’t want any chemicals in your blend, and certainly, no suffering of the land.  Even though you purchased it, I suggest still making an offering to the land in thanks for the herbs before proceeding.

Dried material.  You can also use home-grown and dried materials from your garden or wildcrafted.

 

Making Your Oil

Fresh plant material. Once you’ve gathered your plant material or have obtained dried material, chop up the plant material into small pieces (1” or so in length). Spread the plant material out on a baking tray or similar surface. Allow the plant material to wilt on the counter indoors for a day so that some of the water is removed from it (wilting it in the sun will strip it of the aromatic oils). Wait till it dries out at least partially to reduce and/or eliminate the water in your sacred oil–water makes the oil go rancid.  It shows up like small bubbles at the bottom of the oil.

 

Open Up a Sacred Grove. Open up a sacred grove for magical crafting; as I described in my hawthorn post. You don’t have to do this, but I think if you are making an oil for magical purposes, its good to do so with intention and the right energy.

Making your Oil. Get a pint jar or other glass jar.  Using a pair of scissors or a mortar and pestle, break up the large plant material/grind up the plant material.  You can do this while changing, loosely pack the plant material into the jar. Now, take a good quality olive oil or other shelf stable oil (fractionated coconut oil or almond oil are other good choices) and pour the oil over the plant matter until it is completely covered.

Pair of herbal scissors with multiple blades easily cuts up dried plant matter!

Pair of herbal scissors with multiple blades easily cuts up dried plant matter!

Infusing your oil. Let the plant matter infuse in view of the sun and moon (like in a windowsill) for at least seven days.  If the plant matter is wet, you want to infuse it no longer than 7 days.  For dried matter, you can infuse it longer, up to a single lunar cycle.

Coconut oil is being used for this recipe

Coconut oil is being used for this recipe

On the seventh day, get a fine strainer and strain the plant matter out. If you don’t have a strainer, 1 ply of a paper towel can work, but it takes a while to drip through. Sometimes, a cheesecloth or thin paper towel (one layer) can be used to get final bits of plant matter out. Getting out as much plant matter is critical because plant matter will make the oil go rancid much faster.

 

Finishing Your oil: At this point, if you want, you can add a few drops of your favorite essential oil. You can get a small portable bottle and take the oil with you. Store your oil in a cool, dark place.  It will stay good 1-2 years.  Make sure you label it carefully and write your recipe down so if you want to make more, you will remember how to do so!

 

Using Your Oil

Here are just some of many uses for this kind of oil:

  • Put it in your crane bag or in a bottle necklace and take it with you to bless trees, rocks, or any other aspects of nature on your journeys.
  • Consider using it to support meditations and dreams; you can dab a bit on your temples before meditation, dreaming, ritual work, journey work, and more
  • Dress candles with it, using traditional folk methods.  Dressing a candle means putting oil on your finger and holding the candle in front of you.  If you bring your finger from the bottom of the candle and up, toward you, you are “bringing in”.  If you do the opposite, and move your finger away from you and down the candle, you are “removing”.  You can do this and then burn the candle (I like the little 4″ chime candles for this purpose).  Use this for healing, meditation, and more.

I hope this is helpful to you as yet another druid tool for your crane bag!  Readers, can you share any additional tips for how you’ve used magical and sacred oils in your practice?

 

The Lessons of Nature at the Winter Solstice December 16, 2018

In the fall, I always feel like I’m fighting against the coming dark at the time of the winter solstice, and each year, I have to learn the lesson anew.  This year proved particularly challenging for a few reasons. After the time changes at Daylight Savings time, and the sun starts setting at 3:30pm.  It is down by 4:30 and completely dark by 5:15pm. As a homesteader, in preparation for spring planting and the winter to come, there always seems to be so much to do.  Bringing in the harveset, preparing the greenhouse, preparing and clearing garden beds, stacking wood, cleaning gutters, shoring up the hen house, and doing all of the necessary multitude of other preparations for the coming winter.  As the fall deepens, each day, the light continues to wane, and there is less light each day to work with. On many days when I go to work, I rise before the sun rises, I am on campus all day in a windowless office, and I leave campus after the sun has set–literally never seeing the sun, sometimes for days on end. These “lack of sun” issues were certainly heightened this year, by our region having the rainiest season on record.  Many of us in Western PA felt like summer never happened; an extremely rainy and cold July and August meant that the warmth never had a chance to seep into our bones. These climate changes are the new norm, but they certainly make it difficult to adapt! Finally, and perhaps most salient, I think the cultural darkness has also left its mark on many of us in 2018; it was a hard, dark year.  No wonder as the light wanes, I found myself really mentally fighting the coming darkness of the winter solstice.

 

Snowfall at our homestead

Snowfall at our homestead

But whether or not we want to face the darkness, it is now upon us, as it will be each year of our lives.  Earlier, I wrote about embracing the darkness at the winter solstice on this blog.  I’ve also written about enacting a winter solstice vigil during the darkest night of the year and about sustainable and magical activities for the winter solstice.  In re-reading these, I remind myself that the lessons of this year are powerful, and perhaps, each year, we must learn to embrace the darkness anew. So today, I offer three additional insights for the lessons of the winter solstice and thinking about embracing the darkness during this time.

 

Lessons of Darkness, Again and Again

The irony is that in my earlier posts about the winter solstice, they seemed so certain, so firm, as if I had found the answer that helped me embrace the dark.  The truth is, for this druid at least, there is no “one” answer to addressing the coming of the darkness.  I am in a different place as the wheel turns again, and the darkness of each year finds me in a different mindset, different life circumstances, different present time.  Such that, particularly for this holiday, learning how to work with the Winter Solstice must be learned and deepened each year anew.  Each holiday on the Druid’s Wheel of the Year offers us this same lesson–a chance to deepen our experiences with the magic of that sacred time.  For Alban Arthan, the darkness requires a different kind of interaction and engagement with the world–a time of quietude, slowness, of otherness.  And we must simply let ourselves be present in it and embrace it.  And for some of us, we have to teach ourselves this lesson again each year.

 

Perhaps, saying that we have to learn a lesson is not the right way of thinking about it.  It is almost like we have to come to a place of acceptance of this time, this dark, this cold.  There is something so joyful about the light of summer, and that light is so far away. As the light wanes to nothingness, those of us who are stuck indoors at jobs may notice that all of our “light hours” are gone during the working week.  Further, the cold and dreary days set in, and some days, it hardly feels like the sun is there behind the clouds at all.  Darkness requires us to step away from “business as usual” and re-orient ourselves to this time.  Culturally, this re-orientation is extremely difficult because the hustle and bustle of the holiday season is in full effect. If anything, our lives are the most busy this time of year, yet nature is telling us hey, you’ve got to slow down.  I think this is part of why there is so much depression around the holidays: we are fighting our natural instincts. And perhaps that’s why each year,  it seems of all of the wheel of the year holidays, I find this one to be the most difficult to adapt to, to embrace, and to accept.

 

Indeed, my first lesson is that the darkness may always be difficult for many of us.  In the same way that nobody wants to have bad things happen in their life, experience pain or loss.  But like the dark, these things are inevitable, just as the darkness of the winter solstice is inevitable.

 

The Lesson of the Seed

Spirit of Black Cohosh (from my in progress plant spirit oracle deck)

Spirit of Black Cohosh (from my in progress plant spirit oracle deck)

In the last week, two seed catalogs arrived, reminding me that while it may be dark, planning for the coming season offers hope.  As I browse the seeds, thinking about their magic and life, I realize that we can learn a lot about embracing the darkness from starting seeds.  I think about all of the seeds of the self-seeding annuals, perennials, and nuts that the squirrels buried this past fall season: those seeds are there, covered in dark soil, awaiting the spring. Awaiting warmth, moisture, and a chance to grow. The darkness holds these seeds, preserves them, allows them to be in  a time of stasis before they spring forth.

 

In fact, many of the seeds of some of the most rare and medicinal plants require “cold stratification.”  The seed packets tell you to put the seeds in your refridgerator for a period of time, usually some weeks or months, for without this period of cold, the seeds will not grow. Black cohosh, a critically endagnered forest medicinal plant, is one such plant that requires cold stratification.  For years, I attempted to do just as the seed packets asked–putting them in the fridge in a damp paper towel for three months, as requeted, then planting them indoors with my other seeds and hoping they would grow.  For years, no sprouts happened. The seeds simply would not grow.  Last year, I stuck the seeds right in the ground in the fall, after clearing away and marking little areas.  Sure enough, in the spring this year, the seeds came forth and now I have several beautiful black cohosh plants growing on the property in addition to some live plants I had purhcased and planted.

 

I wonder: how many of our most sacred and magical ideas are just like that Black Cohosh, requiring that darkness and incubation period? There are seeds we plant that must have their own time of darkness and cold before they can spring forth into the light of day. We need the darkness, just as the seeds need the darkness.  We need the quiet, the slowness, the time for reflection and introspection, before the seeds of our ideas can sprout in the spring.

 

The Lesson of the Roots

Another aspect of nature reminds me of another important lesson about darkness. Roots on trees and plants are extremely sensitive and require darkness to live. If roots are exposed to air and light, they will almost immediately be damaged.  Enough exposure will kill the roots, thereby killing the plant. I remember the first time I was planting trees as a new druid.  I had no idea how sensitive roots were, and I had left a number of trees’ roots exposed to light and air while I dug holes.  These little planted seedlings struggled mightily, I hadn’t realized that I had damaged their roots by exposing them as such.  They eventually did live, but only after a tremendous amount of care: water, singing, sunlight, and sitting with them. This was certainly a powerful lesson for a new druid!

 

Roots go deep

Roots go deep

Even many root crops, like potatoes and Jerusalem Artichokes, prefer to stay in the darkness and space within the soil.  When exposed to too much light, these crops go “green”; this greening produces Solanine.  Solanine is actually slightly toxic to humans, creating symptoms of nausea and upset stomach when consumed. How ironic that that which we want to embrace–the light–is so detrimental to the root crops.

 

But there is a deep lesson here about darkness and why we need this winter solstice time. Our own roots–that of our spirits, that of our creative practices, that of the core of our beings–are in need of the same kind of darkness.  Our roots are our grounding, the place of spirit and of the soul.   If the dark offers us a time for quiet contemplation, for rest, for rejuvenation: all of this is necessary if we are to bring any fruit into the world.  Fruit will not happen without strong roots, and strong roots do not happen without darkness.  Otherwise, we are just producing Solanine.

 

Concluding Thoughts

The seed needs dark soil to spring forth.  The roots cannot be exposed to light without damaging or killing the whole plant.  Potatoes go green in the light.  Maybe we are the same. The roots of our being are found only in the times of darkness: within ourselves, in our dreams, in the promise of a new beginning, in the quietude that can only be found in rest and open time.  We need the darkness as we need the air to breathe.  Blessings to you on the upcoming long night–may your spirit soar.

 

PS:  I’ll be taking a few weeks off of blogging for some travel and deep spiritual work over this period of darkness.  I will resume blogging again in mid January!  Blessings of the snowy white pine and sheltering Eastern hemlock upon you!

 

PPS: Larisa White, who is a fellow AODA druid and fellow OBOD Mount Haemus scholar, is working on a World Druidries Survey for her 2020 OBOD Mount Hameus lecture. If you haven’t already taken it, please consider spending time taking her survey!  Here is a link.

 

Druid Gratitude Practices – Nature Shrines and Offerings November 25, 2018

Black Raspberry in fruit

Black Raspberry in fruit

Every year, I look forward to the black raspberries that grow all throughout the fields and wild places where I live. These black raspberries are incredibly flavorful with with crunchy seeds. They have never been commercialized, meaning no company has grown them for profit. You cannot buy them in the store. You can only wait for late June and watch them ripen and invest the energy in picking. Each year, the black raspberries and so many other fruits, nuts, and wild foods are a gift from the land, the land that offers such abundance.  If I would purchase such berries in a store, my relationship with those berries would be fairly instrumental–I pay for them, they become part of a transaction, and then I eat them. There is no heart in such a transaction.  But because these berries can’t be bought or sold, when I pick them, the land is offering me the gift of sustenance.  Gifting is a much different kind of relationship, a powerful and connected relationship, a relationship that asks not only for reciprocation but gratitude.

 

Gratitude is an incredibly important aspect of reconnecting and reciprocating with the living earth. Given the recent cultural holiday of giving of thanks, I wanted to reflect on the idea of gratitude practices and share ideas for what we could do in the druid tradition to offer gratitude to the living earth and her many aspects. So in today’s post, we’ll explore how to develop a gratitude practice and why it matters.

 

What is a gratitude practice?

There are lots of words you might use to describe a gratitude practice: honoring, venerating, giving thanks, respecting, and so forth. What I’m calling a “gratitude practice” puts us in regular contact with the living earth and allows us to express our respect, gratitude, and offer our thanks to the living earth and various aspects of nature.  Nature provides everything for us–even if we are mostly disconnected in the western world from that process.  Re-imagining our relationship as one full of gratitude helps us reconnect to the living earth in incredibly powerful ways.

 

There are many, many ways to engage in gratitude practices–speaking them, writing them, saying them. One common gratitude practice is ancestor work, which I wrote more about in an earlier post, and where we are in gratitude towards those who came before. Today, I’ll explore a long-term strategy for gratitude practices surrounding the living earth–through choosing aspects of nature to honor, creating shrines, and making offerings.

 

Choosing Aspects of Nature to offer Gratitude

The word “honor” refers to treating someone or something with admiration, respect, and recognition. If we think about the way we honor humans–soldiers, guests, or dignitaries–we may offer gifts, set aside special spaces for them (statuary, memorials, etc), or hold various kinds of celebrations for them. For example, in American culture we have presidential monuments, days honoring Martin Luther king and others of importance, monuments to fallen soldiers, and we offer regular respect to those humans who have done something extraordinary. If we use this same kind of thinking to honor nature and aspects of nature, we can develop a deeper relationship to nature over time and make this a core of a gratitude practice.

 

Some druids may choose to honor all of nature or focus on “the land” or “the earth” as the center of a nature honoring practice, while other druids may choose to focus and work with a specific aspect of nature intensively. Working to honor that aspect of nature—say, an element manifested in the world, an animal, a tree or plant, a mountain, a river, a natural phenomenon (storms), etc, can put you in a very deep relationship with that particular aspect. Thus, choosing who or what to honor in the natural world is important and is highly individual. Some druids may have already been drawn to a particular animal, plant, place, or other aspect of nature, while others may need to seek out different aspects to honor. Perhaps you have a plant species you have always been drawn to, or perhaps an animal species frequently visits you.  Perhaps you’ve had powerful experiences in a particular place, or along a particular mountain ridge.  Perhaps you feel energized and excited by the storm. You can select one, or multiple aspects of nature, to honor. As you choose to work with nature or aspects of nature, recognize that gratitude is work of the heart. The most important choice, then, deals with your own personal connection to the living earth and her spirits. What aspect of nature is deeply meaningful to one person may not be to another—the point of all of this is to develop, for yourself, deep relationships. Follow your heart and intuition.  In this section’s activity, a specific ritual is given that can help you choose which aspects of nature you want to develop a devotional practice towards.

 

In an animistic perspective, we recognize the difference between matter and spirit, and in this case, both can be honored. For example, one druid decided to honor the black bear, so she begins by bringing in black bear imagery and statuary into her home; learning about the black bear; and creates a small shrine in the woods near her home to honor the greater spirit of the bear.  She also learns about a local movement to protect bear populations and volunteers her time. In doing these kinds of honoring activities, she is able to deeply connect with the bear energies and bring those energies into their life. In a second example, a druid chooses to honor the local mountain range where he was born and raised. He learns about this mountain range, its history, and what lives there and grows there; he spends time hiking and backpacking on various parts of the mountain range; and he does regular ritual to protect the mountain from harm. He also carries a piece of wood in his pocket from the mountain and places a second piece of wood on his home altar. He connects to the spirit of the mountain through deep meditation and journeying work.

 

Nature Shrines as a Gratitude Practice

Poison Ivy shrine

Poison Ivy shrine

One way of engaging in a gratitude practice is through creating a shrine or special space inside or outside of your home to honor the living earth and/or specific aspects of nature. In the druid tradition, a “shrine” is typically dedicated to a specific aspect of nature, while an “altar” is typically more of a working tool where you might engage in various kinds of rituals and practices. “Sacred spaces” are larger areas, perhaps containing a shrine or altar, that are dedicated to sacred activity. However, these can blend together, and we druids don’t get too picky about the differences.

 

To create a nature shrine, you need to consider four aspects: where the shrine will be, how you will construct the shrine,  what the goal of the shrine is, and how often you will interact with the shrine. There is no right or wrong way to answer these questions–but you should give them some thought.

 

To start getting your own creative juices flowing, I will now share a few shrines I’ve built over time:

  • Honoring the Fallen Shrine (Outdoor). The “honoring the fallen” shrine was a large shrine on a recently cut stump. The shrine consisted of sticks, stones, and bones, with a stack of stones in the middle. The sticks, stones, and bones came from sites that were damaged or hurting. The shrine honored trees, animals, and others who were passing on due to human interference. I would honor species going extinct, trees and forests that were cut, making regular weekly offerings at the shrine.
  • Protecting Waters Shrine (Indoor). The “waters” shrine was to honor the waters of all kinds: rain, lakes, rivers, streams, springs, and so on. I gathered water offerings from all over the world (and asked friends to bring me water from various places) and I would put the new waters in little glass vials with a label. The shrine held the glass vials. This shrine had a beautiful large bowl of water as the centerpiece, which I kept regularly filled. This shrine was near a large tub I had in my bathroom, up on a little ledge.
  • Poison Ivy Shrine (Outdoor). Everywhere I’ve lived, poison ivy has lived with me, and I’m one of the very sensitive people who get it easily. The poison ivy shrine was created to honor the poison ivy on the property and ask it not to harm me or my guests. I built this shrine in the winter when the poison ivy was more dormant after scoping out a place with the most poison ivy on the property. I created a small shelf with several rocks and then created a clay statue that was my personification of poison ivy. I put the statue on the rock shelf. And then, I let this shrine alone.  As the poison ivy grew back into the space, it mostly covered the stone and statue.  I left this shrine largely be, as poison ivy wanted to be left alone!
  • Land Healing Shrine (Outdoor, Group). I created a land healing shrine with a group of druids was a land healing shrine, also on a large stump. We took fallen wood from the property, cut it into wood rounds, and then woodburned protective and healing symbols and ogham onto the wood. We left these on the shrine along with aspects of the four elements. The goal of this shrine was to send healing out to the land.
  • The Mother Earth Shrine (Outdoor). This shrine was created to honor the entirety of the land and all of her spirits. I would frequently gather new things for this shrine from wild places and add them to the shrine. Over time, the pile grew quite large! The shrine itself was wild—I never cleaned leaves off the shrine but rather let everything layer just like it does in nature. I left regular offerings of cornmeal here as part of my daily spiritual practices.
  • The Animals Shrine (Indoor). I created a small shrine, using only photographs on a wall space, in my office. I wanted to honor certain animals in my local ecosystem and also draw upon aspects of those animals while at work. The cluster of photos didn’t appear to anyone as a sacred space, but I understood the intent of the work.

 

One the things you might notice about the shrine examples I’ve offered above is that the shrines don’t just have a theme—the have an intention or goal. Your goals and intentions may evolve as you work deeply with the spirits of nature, so you can see these kinds of shrines as evolving things. I do think as you create a shrine, the shrine will evolve just as you evolve!

 

Earth Shrine

Earth Shrine

Sourcing Materials for Your Shrine

Sourcing materials for your shrine is also a critical choice, and sends a particular kind of message to the land and her spirits. For outdoor spaces, it is a good idea to make sure anything that you leave will not cause harm or pollution to the land. Further, you want to make sure that the earth was not harmed in the creating of that thing or the taking of that thing. This means you might use more naturally-oriented things or representations: sticks, stones, collected objects, secondhand objects, handcrafted objects, and so on. You can make beautiful shrines, altars, and sacred spaces using materials only from the land around you in many cases. Using things directly from the land allows them to break down and return to the land gracefully.

 

Building Your Shrine

Spend time planning and building a shrine to nature or to a specific aspect of nature. The process shouldn’t be rushed—often, the process of building a shrine takes time and unfolds in unexpected ways! First, you want to source the right location. Whether indoors or outdoors, it takes time to find the right spot. If it is in the house, you want to think about where it might be, and how visitors and other family members may interact with it (or not), and may respect it, or not. I once created a beautiful shrine in a guest bedroom, which worked except when I had guests who didn’t understand it and didn’t respect it well.

If it is outdoors, you again want to think about other people who may have access to the shrine and how public or private the shrine will be. I prefer to keep shrines as private as possible, unless I’m working with a group of fellow druids and we are co-constructing a shrine (as one example explored above). When sourcing a location, I recommend taking some time and doing multiple visits to ascertain the right location and if the spirits of the land would welcome the shrine. There are lots of considerations for location, particularly in terms of the weather, seasons, accessibility, visibility, and human interaction.

 

Once you’ve selected your spot, now comes the fun part of building the shrine.  I like to see a nature shrine as an evolving thing—just as the wheel of the year turns in nature, so too your shrine evolve as you find new things for it.  Shrines do not have to be complex, even a small stack of stones or ring of sticks works beautifully for a shrine.

 

The timing of initially setting up your shrine also can be important. Choose a day or time that is meaningful—a new or full moon, one of the druid holidays (solstices, equinoxes, cross quarter days) or some other day that lends itself well to the energies of your new endeavor.

 

Tending Your Shrine

After you have your shrine built, you’ll want to think about how you might regularly tend it.  Regular attention to the shrine assures that you are connecting deeply with the energies of the shrine and connecting with that aspect of nature and that you are investing time, energy, and care into the shrine.  Regular tending may include clearing the shrine of debris, replacing objects, and so forth. It may also be quietly sitting with the shrine, meditating near it, and simply observing it during the various seasons (if outdoors).  There are lots of ways you can regularly tend and visit your shrine.

 

Offerings

Offering on a stone cairn

Offering on a stone cairn

Another thing you can do regularly at your shrine is make offerings–this helps you “give back” and engage in a more reciprocal relationship with the living earth.  Offerings are often symbolic representations of our understanding of the give and take relationship we have with the earth that provides abundance. One of the ways you might think about offerings within a druid framework is that they are part of a larger gratitude practice. That is, through offerings, we are giving thanks, acknowledging, and honoring nature.

 

In terms of what to offer, the general principle here that I like to follow is this: my offering should be an offering of something that I value and that is important to me, not simply an empty gesture of something that I purchased.  These things may be physical or non-physical.

 

On the side of physical things: many things that can be purchased are problematic because their purchase put additional strain on the land (the resources that produced it, the shipping and fossil fuels, the packaging that creates plastic waste, etc.). So you want to give any physical offerings some careful thought.  One of the ways you might get around this is by either growing offerings, finding them, or wildcrafting them. A great offering could be something as simple as acorn caps gathered in the fall with a symbol painted on them in a natural ink. You could gather small stones or pieces of bark and bless them with the elements, and then use them as an offering. Another option is to create or grow a sacred offering blend of herbs (I use home-grown tobacco, lavender leaf, and rose petals as my current mix, see this post for more information).  You can also purchase offerings that are sustainably created—go to a farmer’s market and buy a bottle of locally produced organic wine or locally milled cornmeal or flour, for example.

 

Non-physical things make wonderful offerings as well.  Bardic practices, like drumming, dancing, singing, and so forth can be a great offering of your time, energy and spirit. I will also note here that music in particular is a great offering if you want to honor the spirits of the land while others are around—I like to take my flute to majestic places (which often have other people visiting them) and play a song or two.  The intention of the song is an offering to the land, but it doesn’t hurt to have others hear it too.

 

I hope that this post was useful in thinking about one way–among many–that we might engage in a regular gratitude practice as part of our paths in honoring and connecting with our most sacred earth.

 

Sacred Tree Profile: Oak’s Medicine, Magic, Mythology, and Meanings November 11, 2018

A glorious oak tree in fall colors!

A glorious oak tree in fall colors!

There is nothing quite as majestic as an oak, which is likely why ancient druids met in groves of them to perform their ceremonies.   As I write this, I look at my glorious black oaks, white oaks, and burr oaks in the surrounding landscape and their incredible mantle of gold, tan, crimson and oranges.  Where I live, the oaks keep the green on their leaves through most of the fall season, and begin their transition into color just before Samhain. The oaks and beeches, here, are the very last to lose their leaves–if they lose them at all.  Many of the oaks, especially the younger ones, keep their leaves all winter, dry and crackling, and only drop them before they bud out again in the spring.   Their behavior in the fall and winter months is certainly a testament to their energy and strength.  All across the land, the oaks’ powerful presence here at this time of no time, holding space for all of us as we move further into the dark half of the year.

 

This is a post in my “sacred trees in the Americas” series where I explore sacred trees in the context of North America, particularly the upper Midwest and East coast. Often, the meaning of trees and the place of these sacred trees in the ecosystem differs from traditional European sources, and so I’m working through a number of dominant trees here with extensive research, exploring their physical uses, meanings, magic, sacred traditions, and more.  Previous trees in this series have included: Elder, Walnut, Eastern White Cedar, Hemlock, Sugar Maple, Hawthorn, Hickory, Beech, Ash, and White Pine. Today, we will be exploring the majestic oak, a dominant tree in much of North America.

 

Oaks in Many Forms

In North America alone, over 56 species of Oaks make their home.  Where I live, we have about 20 different species of oak, although certainly, a few oak species dominate: chestnut oak, white oak, northern red oak, swamp oak, and black oak.  In other parts of the US and Canada, different oaks may be present or dominant.  The good news is pretty much wherever you go that is not a desert here, you can find oaks!  And this is great news for druids, as the oak has been a primary symbol of druidry since the time of the ancients.

 

One dominant, majestic oak in the eastern seaboard is the White Oak (quercus alba); white oak is the most dominant species in North America. White oaks can grow up to 100 feet high, with a 5 foot diameter trunk.  One of the few places you see such large oaks are in old growth forests, such as Cooks Forest in Western PA.  Black oaks (quercus veluntina) are much smaller trees, getting up to 80 feet high with a smaller 3′ trunk.   All oaks have a very strong, hard wood with a close grain.  Oak in past times was used for any situation where strength and durability were required: old barns, oak barrels, railroad ties, posts, ships, hardwood floors, and furniture, to name a few.

 

Like most other hardwood nut trees (hickory, walnut, butternut), oaks are relatively slow growing and long lived.  Some white oaks can live 600 years or more. Oaks are considered a “climax” species, meaning that once mature oaks are present, the forest is considered mature and no additional ecological succession will take place. Oaks are a keystone species in many forests on the East coast and in the Appalachian mountains: the oaks provide understory, food, and habitat for many other species and drive the overall shape of the forest.  A typical mixed oak forest may also include hickory, white ash, tulip poplar, beech, sugar maple, or black cherry with an understory of serviceberry, spicebush, or witch hazel.  This is contrast to the other typical forest type, which here, would be the birch/beech/hemlock forest with an understory of witch hazel.  Of course, I am writing here of the typical types of forests found in the Allegheny mountains; your own observations of your local ecosystem will also be helpful to determine how oak functions where you live.

 

Honey mushrooms (known around here as “pa-pinkies”) can be found on the roots of oaks infected with them. The infection that produces the honey mushrooms is armirillia root rot; it can be characterized by, as   writes in Field and Forest, “blackish, fibrous, rootish strands extending up the tree beneath the bark.”  Unfortunately, honey mushrooms, while delicious, kill oak trees.  The cycle of life can be a fierce one; I’ve seen honey mushrooms take out ancient oaks, turning them into soil once again, and have watched young acorns sprout in the remains of their ancestors.

 

Acorns from the Tree of Life

Acorns from the Tree of Life

Acorns and Acorn Eating Cultures

“The World looks different when you eat acorns.”  Samuel Thayer, Nature’s Garden

Most oaks, like other hardwoods, have to be between 30-40 to produce acorns and up to 60 years to produce a full crop of nuts. Oaks flower in the spring; depending on the frosts that year, the frost may impact their nut harvest.  According to Samuel Thayer in Nature’s Garden, oaks produce a strong acorn crop every 2-3 years.  This is an ecological adaptation to prevent the populations of squirrels and other rodents that eat acorns to eat the entire crop each year.  Smaller crops for two years keep populations small, and a large crop in a 3rd year will ensure the survival and continuance of the oak.  Further, smaller crops train animals to “hoard” the nuts, stowing them in the ground and forgetting them, so that more oaks are born.

 

All acorns are edible, but in order to eat them, they have to be properly prepared.  Different oaks have smaller or larger nuts–around here, my favorite for eating is the chestnut oak or the white oak, both of which produce very large nuts.  These nuts are also both delicious when roasted.  Acorns, like all other parts of the oak, contain tannic acid, which makes the acorn bitter without preparation.  Leeching the tannic acid out of the acorns (through water extraction or boiling) turns acorns into incredibly delicious nuts and flour.  For extensive instructions on how to harvest, leech, and prepare acorns, I suggest Samuel Thayer’s Nature’s Garden.  Another good resource is the book Acorn and EatEm by Suellen OceanEuell Gibbons has several great recipes for Acorns in Stalking the Wild Asparagus, including candied acorns, acorn grits, acorn meal, and acorn bread and cakes.

 

The Native Americans used acorns as a key food source, making acorn meal and creating a flatbread that was eaten by many tribes (acorn was so important to so many tribes, they were called “acorn eating” tribes).  Native Americans also used the inner bark (containing tannins up to 11%) which could be used as an astringent for many internal purposes. Thayer suggests that because of the history of exploitation and conquering in North America, part of the reason that acorns are widely thought to be poisonous was due to European-Americans disdain for Native American peoples.  Returning, then, to the acorn as a food source can help us not only connect with the oak, but also deeply honor the ancestors of the land.

As druids know, the term “druid” is commonly translated “oak knowledge”, “oak-knower” or “oak-seer” referring to the fact that druids had knowledge of the oaks (and as oaks are a pinnacle species, therefore, druids had knowledge of the broader landscape) or perhaps, understood oaks on the inner and outer planes.  In the druid tradition, oak is tied to that same ancient symbol of the druid possessing strength, knowledge, and wisdom.  Through taking on the term druid, we bring the power and strength of the oak int our lives and tradition.  We don’t have a lot of surviving information about the Ancient Druids and their rituals, but one of the most famous was described by Pliny the Elder describes the druids as “magicians” who “hold nothing more sacred than mistletoe and a tree on which it is growing, provided it is a hard-timbered oak….mistletoe is rare and when found it is gathered with great ceremony, and particularly on the sixth day of the moon.”  The ritual is that two white bulls are brought, a white-clad priest climbs the oak tree and cuts the mistletoe with a golden sickle, and then they sacrifice the bulls and pray.  This mistletoe, growing on the oak, was said to be the most powerful medicine, curing all poisons and allowing an infertile animal to reproduce.  Pliny notes that druids performed all of their rites in sacred oak groves; when the druids were destroyed, the Romans cut all of their sacred oak groves down.  You can imagine what those ancient groves must have been like when you encounter even a single ancient oak tree–majesty and presence.

 

Oak leaves in late fall

Oak leaves in late fall

In the Encyclopedia of Natural Magic, John Michael Greer notes that oak is a tree of power you can use it to direct and channel high levels of energy., particularly earth magic or weather magic.  He suggests that the oak is the “most powerful of trees in Northern European tree magic.”

 

In the American Hoodoo tradition, Cat Yronwode describes in Hoodoo Herb and Root Magic that Oak (especially Quercus Alba) can be brewed into a tea and then added to a bath to remove jinxes; usually, a rootworker will also rub the client vigorously downward and pray as part of this removal.  She also notes that oak and mistletoe are burned together to smoke jinxed people or to remove unsettled spirits or ghosts from a house/place of business (I wonder if this oak and mistletoe combination ties back to the ancient druids? Most certainly!).  She also notes that oak galls increase the power of any herbal blend for any magical purpose; it can be carried or brewed into a tea for bathing to increase the potency of other workings.

 

Culpepper’s Herbal notes that the oak is governed by jupiter and that the oak is known to to help resist poison of both “venomous creatures” and those of herbs and plants.   

 

Finally, in alchemical circles, an article by Jean Dubuis titled The Preparation of a Powerful Spagyric Elixir without a Laboratory  also offers some additional insight on the oak (here’s a link to one version).  Dubuis essentially made a vitalizing spagyric tincture of acorn (for those not familiar with spagyrics, spagyrics are plant alchemy and allow you to make powerful, energetic plant medicine made in line with the alignment of the planets using specific techniques.)   This oak elixir is vitalizing, carrying the energies of life.

 

Oak as Herbal Medicine

Primarily, oak is used as an astringent to help tone and firm up lax or leaky tissue.  Of the astringents available in North America, it is one of the most potent.  I was taught by herbalist Jim McDonald to harvest the inner bark of oaks for this purpose, specifically, the oak’s cambium.  This, we dried and made into a tea/toner or into a tincture for internal use.  Matthew Wood in his Earthwise Herbal (Old World Plants) likewise shares that oaks’ astringency is present in any oak tree.  He mentions specifically the usefulness of oak for gum disease/loose gums, varicose veins, and other such lax/goopy conditions in the body.  He also notes that oak can be used mentally just like it is physically.  He writes that Oak, when used as a flower essence, “is the great remedy when the integrity of mind or body has been broken down by long, arduous suffering or usage….persons who struggle against adversity; never give up but never succeed; [oak] helps a person choose the battles they can win” (294-5).

 

 

Oak in the Mythology of Native American Peoples

I have already written of the critical importance of oak as a sustaining food for many of the tribes of North America, spanning the whole way from the east to the west coast.

Spirit of the Oak from the Plant Spirit Oracle

Spirit of the Oak from the Plant Spirit Oracle

In “American Indian Fairy Tales” Margaret Compton tells a story where the prince of the hares, a trickster, has his feet burned by the sun and then decides to go on a journey.  Finally, he comes to the edge of the world where a cliff of trees stands tall.  He asks the trees what they are good for, and ash, birch, and oak responds.  Oak tells him, “I shelter the great warriors.  I mark the spot for their councils.  From my boughs are made the swift arrow that bring food to the feet of the hunter and carry the death to his enemies.

 

In an article with a modern Native American elder of both O’odham and Chicano heritage, Dennis Martinez.  In the article Martinez shared a number of features of oaks in the US west coast.  He noted that both red oak and white oak were considered so important to the native peoples of California that they considered the oak the “tree of life” because of its benefits both as food and medicine.  There were many acorn-eating cultures in California up even until the 19th century in the US.

 

In one of my favorite Senaca legends, the mighty oak stands along with the tribe of the conifers (white pine, hemlock, and the others) to hold his leaves and to wear down the winter and bring spring in again.  Not only does this show the strength of the oak during the winter months (when many other deciduous trees are sleeping) but it also shows the connection of the oak to longevity and power.

 

A Sioux legend, The Man and the Oak, tells a story of a young woman who is taken in by a chief’s family.  She falls in love with the chief’s son, but since she is now a member of the family, it is not permissible.  The young woman sneaks into the son’s tent for several nights, and in attempting to see her face by stoking a fire, accidentally burns her.  He is so distraught that he goes under an oak tree and stays there all day and into the night.  A small oak tree grows up through him and pins him and he cannot move. The young woman disappeared, and the oak tree is found to be a curse.  A thunder god appears and frees the man of his curse, crumbling the oak tree.

 

The Magic and Mystery of the Oak in North America

An incredibly consistent image of the oak seems present from the different kinds of literature, mythology, herbal, and magical traditions in both North America and Europe.  Here are three core meanings for the oak:

 

  • Strength: The oak is obviously a sign of strength, both the strength of its branches and wood, and its strengthening qualities as a medicine and magical tree.  All cultures have revered the oak and sought such strengthening qualities, and that strength can be seen throughout the lore.
  • Wisdom/Knowledge: Tied to the ancient term for “druid” as “oak knowledge” oak has long been associated with knowledge and wisdom.  We can see this also in the Native American lore, where oak “makes space for councils”.
  • Vitality/Life: The most ancient druid ritual we have, as well as new work by Dubuis and others, suggests oak’s vitalizing quality.  Oak can heal poison, strengthen the sick, and certainly, bring vitality and energy through the blessing of the acorn, as a “tree of life.”
  • Thunder/Weather: As we can see from both the IndoEuropean traditions as well as certain native american lore, oak is also tied to weather/thunder and thunder deities.

 

I hope you’ve enjoyed this brief foray into the majestic oak tree–and if you haven’t yet had a chance to visit an oak as it dons its incredible fall mantle of colors, perhaps this is the week to do so!  Dear readers, I would also love to hear from you any stories you want to share about the incredible oak tree.

 

Medicine of the Spirit: Plant and Flower Essences – A Druid’s Guide to Herbalism, Part III November 4, 2018

Three completed flower essences

Three completed flower essences

A flower floats in a bowl of spring water under the sun. The drops of the resulting water contain the energetic signature of the flower; a bit of its essence and spirit.  A few drops of this medicine, taken with sacred intent and combined with inner work, can create powerful transformations in the body and spirit, both inner and outer. This is potent medicine, spirit medicine, medicine to work with the soul. It is a gentle medicine, a medicine based in energy rather than matter. It is plant spirit medicine, medicine that can help move us to new places and ways of understanding. Yet, when we think of the word “medicine” today, what often comes to mind are various pills–little white and yellow tablets in bottles, created by some unknown process in some faraway place. Many of them have extremely harsh side effects; they are so potent that they work quickly (which gets someone back on their feet and back to work) but these medicines lack connection and spirit. Just as our bodies need the medicines (most of which I covered last week) or spirits also need medicine–to release the non-tangible things (hurt, sadness, grief, trauma) and to help strengthen our spirits in these difficult times. And so in today’s post, we explore the medicine of the spirit through plant and flower essences.

 

 

Medicine of the Spirit

Flower essences are energetic creations. As I shared a few weeks ago, developing spirit relationships with the plants has many forms, and one of them can be through working with flower and plant essences. This is medicine of spirit, and for spirit, and so your individual connection to the plant deeply matters. In order to talk about plant or flower essences, I think it is important to develop individualized medicine and medicinal knowledge from plant spiritsworks based on connection. There are books and websites that tell you about the different flower essences; e.g. that Aspen is good for anxiety, particularly about unknown things, or that Crab Apple flower essences help you move beyond your imperfections.  And these will likely work well as they are established knowledge that has been worked with by many people. Using these kinds of resources are a great place for you to start, but I would suggest that you not end there–take it a step further. Working with the plant on both of these levels allows you to really understand and acknowledge the plant. Medicine of the spirit works differently than medicine of the body.

 

Creating a Healing Plant Flower Essence or Plant Essence

For some plants, you might want to work exclusively with the energy of the plant, rather than the physical body of the plant. This is because the plant may be poisonous to ingest (such as Thuja Occidentalis, the Eastern White Cedar) but you still want to work with its potent healing spirit. Or, can also be because it has a very low population at present (such as Indian Ghost Pipe); creating a flower essence allows you to not damage the plant as part of the harvest.  Or it can simply be that you want to work more with the spirit and energy of the plant, rather than the physical body.  Flower essences work on the same principles that cell salts, homoapathy, and reiki work on, that is, they work on subtle energy.  You can make flower essences anytime of year flowers are blooming; you can make conifer essences all times of year.  Given this time of year, you might want to try a witch hazel flower essence if you have any blooming around you!

 

Supplies. Once you are ready to proceed, you will need the following materials:

  • A bowl of your choosing
  • Fresh water (preferably rain or spring water, non-chlorinated if at all possible)
  • A strainer(depending on approach)
  • A small knife (depending on approach)
  • Moonlight or sunlight
  • Amber dropper bottle or jar for storage
  • Amber dropper bottle for use
  • Alcohol (vodka or brandy, 80 proof) for preservation.  Brandy tastes better, so it is usually my choice for flower essences.

 

Honoring and permission. Be in a good frame of mind as you start.  You may want to establish a sacred grove before creating the plant.  Make an offering to the plant  and then sit with the plant to make sure the plant is willing to help you create the essence. Listen for any messages that the plant wants to share.

 

Holding the bowl for a hemlock needle essence

Holding the bowl for a hemlock needle essence

Moonlight and sunlight. You can make a plant or flower essence in both moonlight or sunlight.  The choice of which depends in part on the work you want to do with the plant.  The energy of the sun is protective, it is outward facing, it is energizing, and it is potent. Use this for any healing work where you seek to strengthen, build, move forward, or start something new.  The energy of the moon is receptive; it is inward facing, it is calming, and it is subtle.  Use the moonlight for any healing work where you seek to remove old wounds, where you are doing shadow work on yourself, or where you seek to bring things in.  You can also use a combination of sun and moonlight–leave your flower/plant essence out during the day and then during the evening for a full 24 hour cycle to create balance.

 

Plant matter: You will need a very small amount of plant matter for your flower essence.  Use flowers if they are available (which means you may need to wait till the plant is flowering) or leaves/seeds if they are not.  Seeds and flowers both contain the potent energy of the plants.  Don’t use commercially grown flowers (like roses from the grocery store) or from greenhouses; nearly all of these are sprayed with poisons which will be infused into your water.  Instead, use wild populations or those you grow yourself or that are at friends/family’s houses where spraying doesn’t happen.  Grow your own on a windowsill if necessary!

 

Choose your approach and make your Essence.  There are two approaches to making flower essences, involving cutting or not cutting plants. Both with their drawbacks and strengths.

  • Cut plants approach: Go to your plant, and cut a small amount of plant matter or several flowers for creating the essence. Floats the flowers/plants in the bowl in the sunlight or moonlight for 3-4 hours or up to 24 for the sun/moon balance approach. When you are finished, remove the plant matter and complete the essence (see below).
  • Whole plants approach:  Go to your plant and dip a small amount of plant matter or plant flowers into the bowl.  If you can set the bowl on the ground or hang it somehow to keep the plant matter submerged, this is ideal.  If not, hold the bowl there as long as you can (at least 15-20 min) and allow the essence of the flowers or plants to infuse into the water.

 

Creating the “Mother Essence.” Once you have your essence, fill your jar halfway with your plant water.  Now, fill the rest with alcohol.  You have created a “mother” plant essence; this will last you a long time and be preserved indefinitely).  Take 7 drops of your mother essence and put it in the second jar, and fill it with pure water. This is our finished flower essence, and you can take it as often as you like and use it for various purposes (ritual, meditation, medicinal, etc).  You will also have plenty to offer others if you feel the need.  If you have any leftover “mother” water, consider using it in a sacred manner.

 

Goldenrod Flower Essence

Goldenrod Flower Essence

Plant and Flower Essence List

Here are a few plant and flower essences that I have used and developed (these come primarily from my own understanding and what has been taught to me as an herbalist and permaculturist):

  • Eastern White Cedar (Thuja Occidentalis): Getting past deep trauma and grief, getting past inner darkness, bringing light into a darkened soul
  • Lavender (Lavandula angustifolia): Bringing clarity and insight; focusing the mind
  • Indian Ghost Pipe (Monotropa Uniflora): Offering distance and perspective on current or past situations; offering distance from pain, breaking through addictions
  • Jewelweed (Impatiens capensis): Bringing the flow of awen/creativity into your life; cultivating creative practices
  • Goldenrod (Soladago spp.): Bringing in power and joy into your life; bringing forth the harvest

 

Using Plant and Flower Essences

Once you’ve created your flower essence, you are now free to use it.  But how do you use it?  The most standard way to use a flower essence is to take four drops from your dropper bottle four times daily.  You might do this while in ceremony or meditation, or when taking a quiet moment.   If you aren’t sure you are going to be able to do this, if you carry a water bottle, add the drops to the water bottle and drink it throughout the day.  Or, add them to a glass of water at meals.  The point is to get the essence into you however you can (and for some of us, taking something regularly, much less 4x a day, is not something that comes easily!)

 

I’ve found there are other ways of using the essences, however, and they lend their own magic.  One I really like is to take any leftover “mother” water and bottle it up in a spray bottle (or split it and bottle it up in several spray bottles); I use cobolt glass bottles for this purpose.  Then I can spritz myself with it when I want the energy of that plant, or spritz a room with it.

 

I also like to add three drops of my flower water to any ritual bowls of water as a way to infuse the ritual with the energy of that plant.

 

Finally, especially for cleansing floral waters, you might add a few drops to your bathtub when you are taking a bath.

 

This concludes my post for this week–and one way, of many, to use plants for medicine of the spirit. Blessings upon your spirit medicine journey!