The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

A Framework for Land Healing February 15, 2020

Ginseng my family grew

American ginseng in our sanctuary

In the next few months, the forest that I grew up in is going be cut and torn up to put in a septic line.  A 40-60 feet path, at minimum, will rip a tear through the heart of it. This is the forest where I grew up, where my parents and I have created a refugia garden, a wildlife sanctuary, and native woodland plant sanctuary.  It is just heartbreaking to tend land carefully, only now, to have this awful thing happen that we have failed to stop. This is the forest that taught me so many of these lessons of land healing. The forest had just gotten to a point where it was once again vibrant, where the ramps started to creep back in, and the mature forest trees now stand, growing above the stumps that have rotted away. I feel powerless, knowing that despite getting a lawyer, writing letters, attending meetings, and banding together with neighbors, this septic line through the woods will go forward. As sorrowful as I am about this happening, I know that this happens everywhere, all the time, and this is exactly why land healing matters. This same situation is being repeated all over the globe as “right of ways” are used to cut through lands for oil pipelines and more. This is one of the many challenges of nature spirituality in the 21st century and one of many reasons to practice land healing.

 

In last week’s post, I offered many suggestions for why we might want to take up the work as a land healer as a spiritual practice.  In this week’s post, I’ll offer my revised framework for land healing.  I first wrote an earlier draft of this land healing framework on my blog a few years ago. I’m returning to it now as my own work with this has gone in some unexpected and interesting directions, and I am feeling the need to deepen and revisit it.

 

Land Healing: A Framework

Land healing work may mean different things to different people depending on life circumstances, resources, and where one feels led to engage. The following is a roadmap of the kinds of healing that can be done on different levels, a roadmap that I’ve developed through my own practices over my lifetime.  I recognize that healing can include multiple larger categories.  Some people may be drawn to only one or two categories, while others may be drawn to integrating multiple categories in their spiritual practice.  The important thing isn’t to try to do everything–the important thing is to start small, with something you can do and sustain over time, and build from there.

 

Physical Regeneration and Land Healing Practices

Physical regeneration refers to the actual physical tending and healing of the land on the material plane.  Most ecosystems we live in are degraded due to human activity and demand throughout the last few centuries.  One of the most empowering things you can do is to learn how to heal ecosystems directly, whatever environment you live in: urban, rural, or suburban. These practices are wide-ranging and include so many possibilities: creating community gardens, conservation activities, regenerative agriculture, restoring native plants, growing plants on your balcony for pollinators, converting lawns to gardens, scattering seeds, creating habitat, cleaning up rivers, putting in riparian zones, helping to shift land management practices of parks in your city, helping address stormwater issues, and much more. Thus, physical regeneration is work we do on the landscape to help the land heal and be restored to a functional and healthy ecosystem.

 

One of the things I want to stress here is that some form of this work is available to everyone–we are all rooted in a local place with the earth beneath our feet. But the specifics of this work will vary widely based on where you call home and what kinds of opportunities might be available. Thus, if you live in a city, your work will look very different than someone who lived in a rural area on land.

  • Building knowledge about ecosystems and what yours traditionally looked like and more broad systems theory so that you can know where and how to intervene
  • Learning and practicing permaculture, regenerative agriculture, and other land tending techniques that are focused on regeneration and repair
  • Supporting and volunteering in organizations that are doing conservation and habitat restoration work (this is especially good for those without land or who live in cities)
  • Work with others in suburban and urban settings to develop sanctuaries for life (for good examples of this, I suggest the Inhabit film)
  • Develop refugia on land you have access to create a sanctuary for life
  • Develop wild tending practices for whatever settings you belong to (urban, suburban, and rural)

Physical healing of the land is also deeply healing for the soul.  As you bring life back, you bring those same healing energies deeply into your own life.

 

Metaphysical Land Healing Practices

In this framework, metaphysical healing work refers to any energy or ritual work on the etheric or astral planes focused on bringing in healing energy or removing suffering. There are several basic types of energetic healing you can do, depending on the state of the land.

 

Land Blessing Practices

The first layer of metaphysical work with the land are land blessings.  Ancient peoples engaged in many such blessing ceremonies to ensure the health and abundance of the landscape around them–both for the benefit of the land itself and for the survival of everyone who depended upon the fertility of the land. This is a form of energetic work that raises positive energy for the good of all.

 

Energetic Healing: Raising Energy to Help Heal the Land

Energetic healing is raising positive energy in some form to work to infuse the land with such energy for healing–this is bringing love and light into damaged places ready to heal (think about a forest after logging, a fire, a drought-stricken area that is now receiving rain, etc). Using the metaphor of a sick human can help put the differences between this and palliative care (below) in perspective. In this case, a sick person has recently undergone an illness but is now in the place to recover. This person might need a lot of visits, good medicine and healing food, and positive energy. This is the idea of energetic healing.  Energetic healing most often takes the form of rituals and ceremonies in the druid tradition, but those skilled in other kinds of energy healing like reiki may find that of use.

Listening to the plants

Land healing in all forms

 

Palliative Care: Encouraging Rest, Sleep and Distance

The opposite of energetic healing is palliative care–and much of our world right now needs this kind of support.  This is what I will be doing for our land that is getting cut to put in a permanent septic line. To return to our sick person metaphor, this is a person who has been engaged in a long illness with an ongoing disease or someone who is facing a terminal illness, and they are continuing to suffer. With palliative care, the best you can do is try to soothe the wounds, let them rest until the worst is over. Palliative care, however, should be used for places with ongoing destruction or for sites that will soon have serious damage. Thus, we use energy techniques in both cases, but in one case, the goal is alleviating suffering wherein the other case, the goal is active healing.  You don’t want to be raising a ton of energy in places where active damage is occurring or will soon occur.

  • Rituals that offer soothing, rest, or distance are particularly good for these kinds of cases.
  • Helping put the spirits of the land to sleep is a key skill in this area (I will share more about this in an upcoming post, haven’t yet gotten to writing this set of practices on my blog yet)

 

Witnessing, Holding Space, Honoring, and Apology

A specific subset of Palliative care is the work of witnessing, holding space, honoring and apology. Part of the larger challenge we face in today’s world is the collective ignorance and lack of willingness to pay attention to what is happening to the world, the ecosystems, the animals, ourselves. Thus, choosing to engage, and choosing to see and honor, is critical work–and really, some of the most important we can do. Being present, witnessing, holding space, offering an apology is work that each of us, regardless of where we are in our own spiritual practices and development, can offer. The much more advanced practices, such as psychopomp work, are also part of this category.

  • Suggestions for witnessing, holding space, and apology
  • Some of my recent writings on working with extinct species and rituals for extinction are in this category.
  • Psychopomp work, also, falls into this category, in that it is actively holding space and helping spirits of the land or of dying animals/trees/plants/life move on.
  • Acceptance of our own role in all of this as well is useful.  Joanna Macy’s work on Coming Back to Life and her many rituals I think in that book are really good tools for this category and the one below.

 

Healing Human-Land Connections and Fostering Interdependence

Prevention is the best medicine. Another consideration for land healing work is to “repair the divide” and help shift people’s mindsets into a deeper understanding of the interdependence of humans and nature. For generations, culturally, particularly in the west, humans have been moving further and further away from nature and deep connection and don’t see the land as having inherent value beyond any monetary (e.g what resources can I extract for profit). Many humans in the 21st century have almost no connection to the land, and thus, I believe, are not willing to step in to prevent further damage. Thus, part of land healing work can involve us building and healing human-land connections, but within ourselves and in our larger communities. A big part of this is reframing our relationship to nature and to our broader land, giving it inherent value.

Permaculture Triad for Druidry

Permaculture Triad for Druidry

 

For this, I see at least two direct needs:  the first is making changes to our lives to be more in line with the carrying capacity of the earth and regenerative practices.  The second is to help repair human-land connections through working at the level of mindsets and developing new ways and paradigms for humans interacting with the world.

 

Some ideas in this direction:

 

Land Guardianship

If we are to put many of the above practices together, you might find yourself in a guardianship role.  That is, making a long-term commitment to adopting a piece of land, as a protector, healer, and warrior. Committing yourself to that land, working with the spirits of the land closely, and throughout your life.  I’ll be writing more about this in the coming months as a deeper practice.

 

Spiritual Self-care for Land Healers

A final piece, and one that is critical, involves our own self-care. Digging oneself into this work involves being faced with damaged ecosystems, places that you don’t want to see, statistics that you don’t want to read. It involves taking a hard look at our own behavior, the behavior of our ancestors, and engaging in self-critical reflection on “automatic behaviors” in our culture.  This all takes its toll. So a final consideration for land healing work is our own self care, and how we can connect with nature to form reciprocal healing relationships.

Some practices that help with self care include:

 

Integrating practices

Many of the above practices can be integrated and woven into a complete whole.  I’ve written some of the ways you can integrate, particularly through the Grove of Renewal practices.  I’ll be talking more about this kind of integration in future posts.

 

Taking up Land Healing as a Spiritual Practice February 9, 2020

Sometimes, spirit offers you a call and its a call that can’t be ignored.  Part of the reason I write so much about working physically and energetically with land healing on this blog is that its clear to me now that a large part of my call is in this direction. When I was a child, it was the logging of my forest–and my eventual return to that forest years later. At my first homestead, I had to spend years working to connect with the spirits of the land and heal the land physically.  When I found the current land where I live, everything was perfect about it in terms of features I wanted–except that three acres had been logged pretty heavily. I put my head and my hands and cried–how did I find a perfect piece of land that just had been logged?  The spirits laughed and said, of course, Dana, it is the perfect piece of land for someone like you.  And thus, the lessons of a land healer continue to spiral deeper and deeper as my own spiritual practice grows. I realize that while I’ve written a lot about land healing in my previous series in 2016 and beyond, my own understanding of these practices–for both individuals and groups–has changed a lot. I’ve been refining my thinking about these topics, especially as I keep finding myself in a teaching role to others and with my return to my ancestral lands where the healing need is very strong. Thus, I’d l like to offer a new series on Land Healing practices and go deeper than my previous coverage some years ago (all of the links to my original series can be found here).

 

I feel the impetus for talking about these things now more than ever because of what is happening in the broader world. I’m continuing to reflect on what the 21st century brings for all of us practicing nature-based spirituality. Many of you can probably easily witness the impetus for doing land healing work in your immediate areas: a forest or tree friend being cut, spraying, pollution in the skies or waterways, the loss of species that you used to see, and so on.  In this post, I’ll start with a plea, if you will, for why I think that nearly everyone practicing any kind of earth-based, druid, or nature spirituality should consider taking up land healing practices as a core spiritual practice. After that, throughout this year, I’ll be sharing posts filling in some of the gaps from my previous writing and offering deeper practices.  Next week’s post will offer my revised and expanded framework for land healing practices, which include everything from physical land regeneration techniques to energetic work, witnessing work, apology, land guardianship, shifting your own practices to reduce your footprint on the earth, and self care.

 

The Impetus for Land Healing Practices as Spiritual Practice

There are so many reasons that I think that those practicing nature-based spirituality, like druidry, should consider integrating land healing into their regular spiritual practices.  If you are already convinced that this is a good idea, then you probably want to wait for next week’s post for my revised framework.  But if you are still wondering, here are my reasons why I think land healing should be a core practice for nature spirituality (And you may feel free to disagree.  Nature spirituality is wide-ranging and broad, and different people have different foci.  But let me do my best to convince you!)

 

Sacred Nature

Tending that which is sacred. What is nature spirituality without nature? If we are going to hold something sacred, it is right that we tend it and work to preserve it. Right now, given the state of nature, there is a lot of healing and preservation work to do.  If we begin to treat the land as sacred from a perspective of daily practice, we begin putting our practices and daily life in line with our values.

 

Deeper connections with the land and her spirits. If you are interested in establishing deep connections with the land–this is a clear path forward. I’m an animist, and so to me, my relationship with the local spirits of nature is one of my most critical spirit relationships. Learning about how to tend and heal nature in multiple ways allows you to share with the spirits local to you and gain their goodwill. This will happen to a much deeper level on land you are actively working to tend and heal the same land you are looking to connect with spiritually.

 

Inner and Outer Tools for the 21st Century. One of the core reasons to take up the path of land healing as a spiritual practice is simply that it is good work to do, offering you the opportunity to ‘do something’ and engage in positive change where, right now, the bulk of humanity is going off in a less productive direction. Land healing as a framework that I’m expressing here encompasses not only physical regeneration but also energetic work and self-care. Thus, it offers a number of tools that work together to help you bring balance and harmony to the land–and to your own inner spiritual life.  And I think, given where this world is unfortunately heading, we are all going to need them to bring balance, harmony, and wisdom to our own practices and the world around us.

 

 

Healing the Soul. This reason is a bit hard to put into words in a brief way, but I’m going to do my best.  I have found that the more I allow myself to get into the quagmire of 21st-century culture here in the US, the more hollow and numb I feel. Its everything: the explosive politics, the over-consumption, the extreme demands of work, the lack of balance, the constantly being connected but never actually having a connection, etc. Being out in the world, it’s hard to look at people. They look so sad and miserable, many radiating exhaustion and suffering. I do a lot of mentoring of young adults because I’m a college professor: our campuses are literally exploding with mental illness. So much of what this current US culture offers people is suffering: being overworked, overcommitted, overstimulated, overconnected, always angry or outraged, and having an utter lack of inner life.  When you focus your attention away from this quagmire and into the natural world, it can be hard there too. I remember a day when I just wanted to take a quiet walk in the woods near campus after a particularly difficult day. I picked a new trail in our local forest and set off. My hike turned in an unexpected direction as I came across so many fracking wells, all of which had only recently been installed. After coming across about well #5 on what would otherwise be this beautiful landscape, I broke down. I laid under a giant tulip poplar tree near the well and I cried into the earth. Not even in nature, here in my beloved home state, could I just get away from what was happening  I felt lost, like the landscape of my ancestors had been turned into some kind of extraction dystopia and I was stuck in the middle of it.

The aftermath of that experience, made me really start thinking about land healing practices not just as something I did when I felt the need, but as one of my core spiritual practices.  I needed a set of tools to combat what I was seeing and feel like I could do good, rather than just cry about it and feel bad. This experience really helped me begin to form the framework that I’ll present next week and see why this matters.  I went back to those woods a few weeks later with some land healer’s tools (seed balls, sigils, etc) and rituals that I had developed through meditation practice. I walked up to the fracking well where I had cried, and I worked deep ritual for sleep and healing with the land here. I could sense the land settle, the spirits calm.  I was tired, but felt better about the whole thing.  Then the spirits invited me to lay back down in the spot where I had cried a month before.  I did so. And they gave back, this beautiful healing light, and I could feel my own stress and strain settling.  It could only be described as a healing of the soul.  Land healing work offers this deep soul healing to those that need it.

 

Protecting against and responding to Biological Anhilliation. As I’ve been sharing–and processing–on this blog, over the last decade, scientists have been clear that the world’s sixth extinction-level event is underway. Scientists use the term “biological annihilation” to describe what is happening–since 1970, at least half of the world’s animals are gone. These numbers are but a small part of a larger picture, where ecosystems around the world—including right here in your backyard—are under serious decline and threat. Now, put this in context. While we enjoy nature’s benefits and her healing, the above challenges are being faced globally. When we are honoring nature, celebrating the wheel of the seasons, this is happening. It is happening in every moment of every day. This is part of our reality, as nature-honoring people (and all people on this planet). Given that this is the reality, responding to this in some capacity can also be part of our spiritual practices. Land healing practices can help you “do something” about this tragic problem–in the case of some physical land healing practices, it can be something powerful indeed.

 

Addressing the decline of ecological carrying capacity. All ecosystems have what is called a “carrying capacity.” That is, given the resources available (sunlight, soil, plant matter, water, weather, etc.) the land can reasonably sustain so many lives of different kinds: so much insect life, so much plant life, so much animal life, so much human life.  Ecological collapse refers to when an ecosystem suffers a drastically reduced carrying capacity–that is, the ecosystem can no longer support the life it used to because of one or more serious factors. These factors are usually compounded and may include the loss of a keystone species, general pollution or degradation, deforestation, ocean acidification, over-hunting, or over-harvest. The demand humans are putting on ecosystems is pushing the land beyond carrying capacity in many places in the world, especially with global demand for products. It’s like a domino effect–sometimes, all it takes is one core species to go for the entire ecosystem to collapse. Climate scientists call this the tipping point–think of it like a chair.  The chair is being held at 45 degrees, and just a fraction more, and it will crash.  It is almost certain that we are heading into a nosedive to broader-scale ecological collapse. Ecological collapse doesn’t just affect all of nature–it affects humans too.  So, while we should care about even one life, a single species, we also need to be concerned deeply for all life here on the planet. And, we should be in a position to know something about how to heal the land if it does.

 

Reparations for ancestral activity. The present certainly gives us enough impetus to engage in direct land healing work—but for some of us, particularly white people in the US (like me) cultural and ancestral backgrounds may offer an additional motivation. Certain cultures have a history of exploitation that has led to the situation at present, and thus, the work of repair (or reparations) necessary. I am certainly one of those people. I am from the United States, and my ancestors have been on this land since the start of colonization in Pennsylvania. My family is rooted in Western and Central Pennsylvania, and has been for generations—I can trace one family line back to landing on the Mayflower and founding the state. My direct ancestors were part of the mass genocide and removal of native peoples, peoples who were tenders of the land and had maintained it in healthy balance for millennia. The Susquehannock who used to live right on the soil I now reside are extinct, killed off primarily by disease (smallpox) and being slaughtered by white settlers (despite the fact that they had peaceful treaties in place). With the removal of the native peoples came the removal of the idea that nature was sacred and honored, but rather, that it was a thing to exploit and profit from to drive progress. Thus, my own ancestors were players in the three-century extraction and exploitation of the natural and destruction of native peoples. The lands they stole were tended abundant with rich natural resources—in less than two centuries those resources were almost stripped bare, in some counties in PA, 99% of the forest cover was removed by the turn of the 19th century.  I feel that I have an ancestral obligation to heal these lands and bring them back into a healthy place of abundance and life.

 

Seeds for new traditions!

Planting seeds….for hope and a better future

Connecting to the energies of life. The last few points are difficult to read for many, and certainly, they aren’t fun to write.  Tied to the healing of the soul, I think that part of the reason that practices like organic gardening and permaculture are so powerful is that they connect us with nature’s healing energies of life, the energy of regeneration and hope, rather than the broader problems with consumption and land destruction.  When you plant and grow a seed, and tend it, you are honoring life.  You are bringing the energy of life into your world–and that has a positive impact on you and on the world.

 

Offering a new path forward.  Ultimately, humanity has to develop a different paradigm if we are going to survive beyond the next 100-200 years.  A paradigm not based on consumption, growth at all costs, and greed, but rather, one built on building a healthy and sustaining relationship with nature, perhaps similar to what Wendell Berry laid out in “Work Song 2: A Vision and rooted in indigenous wisdom. That work starts today, now, with each of us in our own way.  Learning a path forward that allows us to sustain and enrich our earth mother.  Land healing practices, for me, have been a way to distance myself from the paradigms that no longer serve us and into a mindset and set of practices that are sustaining.

 

 

Anyone can practice land healing in some capacity—as we all live on this beautiful planet, and as we all are connected to it, so, too, can we learn to heal it. It is for these reasons that I believe that anyone who is taking up a path of nature spirituality should make land healing of some kind part of the core of their spiritual practice.  Our land and spirits of the land need us. Our world needs us.

 

Rituals for Extinction and Honoring Extinct Species January 19, 2020

Death card from the Tarot of Trees

In the Anthropocene, many things are dying at a rate unprecedented to human history.  Currently, 75 % of the world’s life is endangered, and 50% of life in the world has disappeared since 1970 due to human activity.  I’m not sure why these statistics aren’t getting more attention.  But the unfortunate truth is, whether or not we are willing to see it, this is happening. Unfortunately, humanity’s actions continue to cause the death of so many species and so many individual lives, and given models and projections, the die-off of non-human life is expected to get much worse in the next decades.  While earth has experienced other extinction events, this one is caused by humans. This makes humans, collectively and individually, responsible.  As land healers and nature spirit workers, we might consider what happens to those spirits when they die and how we can help.

The two rituals here thus offer a way to “do something” about the tragic losses of life that are happening on a broader scale. I wrote about the fires in Australia two weeks ago and said that I’d be following up with a discussion of extinction.  That took some time to work through and led me to some unexpected places, so I’m offering it here this week rather than last week!

I see these rituals as having two purposes.  The first is to obviously help the spirits who are dying because of human activity pass on in love and acknowledgment. But the second is to acknowledge our collective responsibility as part of these tragedies, which I believe may lessen our own karmic debt for what is happening.

 

A Ritual for Honoring Species that Have Gone Extinct

This isn’t a “magical” ritual in the traditional sense.  This ritual was written for anyone, regardless of their background (e.g. it is not required for this ritual that you are practicing nature spirituality, magic, or neopaganism or have familiarity with these traditions.)  It’s something you could do with friends or family or a spiritual group to recognize and honor extinct species.  If you are performing this ritual solo, you can simply do both parts.

 

Participants gather in a circle, preferably in a natural place or indoors in candlelight.

 

Leader:  This is a moment we can share to honor those species who have gone extinct and our unfortunate role in that extinction <pause>.  Participants, do you wish to acknowledge any species?

 

Participants take turns sharing about one or more extinct species. (Alternatively, the leader can hand out slips of paper that have information about human-caused extinct species for each participant. A list of species is included after this ritual.)

 

Leader: Does anyone here wish to share their feelings at this moment?

 

Participants: Share as they choose.

 

Leader:  Let us now honor these species and all endangered species with a moment of silence.

(Optional: Leader sounds a singing bowl, chime, or bell at the start of the moment of silence.

 

<Moment of Silence>

 

Leader: Please say with me, “Species who have crossed the veil, I am sorry.”

 

Participants:  Repeats…

 

Leader: Species who have suffered, I am sorry.

 

Participants: Repeats…

 

Leader: Species who are forever gone, we honor and acknowledge you.

 

Participants: Repeats…

 

Leader: We acknowledge the role of our own species in your deaths.  And we are sorry. <Pauses>

 

Leader: What is one thing you can do, starting today, to help prevent the loss of more species?

 

Participants:  Offer their ideas and lifestyle changes.

 

Leader. Thank you to all of you who have participated.  It is through our own actions and raising the awareness of others that we can help save the species that still live in this world.

 

Ring the bell/bowl to mark the end of the ritual.

 

Extinct Species – List for Participants

  • The Unknown Species. Many extinctions are in places that are undocumented or unknown.  This accounts for insects, invertebrates, and many amphibians and reptiles.
  • The West African Black Rhino. This beautiful rhino went extinct in 2006, after being poached by hunters for its horn, which was in demand in Yemen and China for is aphrodisiac powers.
  • The Passenger Pigeon. The Passenger Pigeons were in the millions when Europeans began pillaging and colonizing the Americas. The Pigeon was hunted to the point of extinction in 1914.
  • The Pyrenean Ibex. The Pyrenean Ibex, a deer-like creature with beautifully curved horns, was hunted to extinction by the year 2000.
  • The Golden Toad. The Golden Toad, a bright orange toad living in the Costa Rican rainforest, was destroyed by global warming, pollution, and disease.  The last toad was seen in 1989 and it was declared extinct in 1994.
  • The Zanzibar Leopard. This leopard lived in Tanzania.  This animal was hunted and exterminated, both by individuals and the Tanzanian government due to the widespread belief that the Zanzibar Leopard was kept by witches as pets.
  • Po’ouli. This bird is a native of Maui, Hawaii, living on the southwestern slope of the Haleakala Volcano.  The species went extinct due to habitat loss and a decline in its food source—native tree snails. The species went extinct in 2004.
  • Maderian Large White Butterfly. This butterfly, with yellow and black markings, went extinct in the 2000’s due to loss of habitat due to human construction and pollution from agricultural fertilizers (for olives, figs, pineapples, bananas, and sunflowers).
  • Carolina Parakeet. Native to the Eastern US with unusual orange, yellow, and blue markings, the Carolina Parakeet went extinct in 1918. Deforestation and poaching were the main causes; millions of these birds were killed so that their feathers could adorn ladies’ hats.
  • Tecopa Pupfish. Once native to the hot springs of the Mojave Desert, this fish was destroyed by the destruction of their natural habitat by human construction.
  • Pinta Island Tortoise. This Tortoise was native to the Galapagos Islands and went extinct in 2015.  Humans introduced goats who destroyed their native habitats; humans introduced rats who prayed on their young; and humans killed tortoises for their meat.

 

A Fire Ritual to Honor Extinct Species

This ritual can be done individually or in a group setting. Before the ritual, gather up materials to build an effigy. Your effigy will represent one or more extinct species in the world. You can also tuck prayers (written on paper) and rolled up into your effigy. Construct your effigy only out of natural materials, things that can burn without harming the earth. Before the ritual, build yourself a fire that you can light. The ritual has no words, just actions, although you could certainly add words of your choosing.

 

Open up a sacred space.

 

After opening the space, take the time to carefully build your effigy and tuck your prayers inside.  As you build, feel the energy of the extinct species enter the effigy. Hold the effigy into the air and speak the name of the species.

 

Place your effigy on the top of your fire.

 

Light the fire.

 

Watch it burn. Drum while it burns. Do anything else that you feel led to do.

 

Feel the energy of the species growing calm as it burns.

 

Feel the energy of the sorrow and death being released.

 

As the fire dies down, sit with that fire as long as necessary, utill it is nothing but coals and ash.

 

Bid the species farewell and blessings.

 

Close the sacred space.

 

After this ritual, ground and center yourself and practice good self-care.  This is a powerful ritual and can connect you with the energies of death—thus, you should engage in life-focused activities for a few days after this ritual (e.g. gardening, sitting with plants, bringing in light and healing and blessing).

 

A Bardic Sigil Technique December 8, 2019

Sigil creation in progress!

I open up a sacred grove with intention.  After opening the grove, I sit for a few moments, breathing deeply and centering myself.  When ready, I pick up the chalk pastel and I allow the chalk pastel to move across the page, closing my eyes at points, emphasizing lines at points, and letting me be in the flow of the moment.  I keep refining the design, moving pieces of it to new areas of the paper.  I don’t focus too much, paying attention instead to my overall intention: a specific land healing sigil, a sigil that will link different sacred sites I’m working on and work with ley line energy on the landscape. After a number of versions, the sigil seems complete, and I work to transfer it to a wooden round–the process of transfer allowing it to undergo yet another, final, revision.  In today’s post, I’ll share this technique I’ve developed and will discuss how you might use these kinds of sigils for a range of purposes, particularly for gratitude practices and land healing.

 

What is a sigil?

The concept of a sigil, a magical symbol imbued with intention, has been a longstanding part of many esoteric traditions. All through the history of hermetic magic and western occultism, sigils have been used for a variety of purposes (such at those found in the Three Books of Solomon, including the most famous Lesser Key of Solomon).  The term “sigil” derives from Latin, meaning a “sign, mark, or seal”.  It comes from the earlier terms sigillum and sigilla (statuettes, little images, seal).  What was a seal, after all, but a sign of power and authority? Sigils have a wide range of uses within various magical traditions and there are lots of possibilities for creating them, empowering them, and employing them.

 

Part of our ground sigil at MAGUS 2018

Druids don’t seem to use sigils much as part of our tradition, but occasionally they surface. For example, one of the big rituals we put together for MAGUS 2018, a land healing ley line ritual, used a giant sigil on the earth to help focus our intentions and movement. I have been incorporating sigils for a long time in my own spiritual practices, especially for land healing work and gratitude practices on the land.

 

One of the ways I like to think about sigils within the framework of Druidry is that they are a synthesis of all three of the druidic expressions: we use the bardic arts to bring them to life, but use druid and ovate wisdom in order to help create the spaces and intentions for their work. It is through this synthesis that the sigil itself can emerge–born of our bodies, minds, and spirits. I think there is a lot of potential for sigil work, both within the bardic arts (integrating specific sigils into your visual arts) and also as part of a larger nature spiritual practice.

 

In the rest of this post, I’ll share one sigil making technique, adapted and expanded from Jan Fries’ Visual Magic.  Early in his book, Fries describes part of this process–what I’ve done is add my own take to it, expend it, and make it fit within a more druid framework.

 

Preliminaries

My chalk pastels (garage sale find!)

Supplies. In order to make sigils, you don’t need much. You need something to draw with and you need some paper.  I prefer to do sigil making on large paper rolls of recycled paper (you can get brown recycled paper rolls easily).  The larger roll allows for more free expression while the sigil is being created. The second thing you will need is some kind of media for drawing: I am using chalk pastels (which show up beautifully on the dark background).  You could use a box of crayons (which would work great on white paper), colored pencils, oil pastels, etc.  I think you would get a different effect if you used wet media vs. dry (the dry media allow you to pay less attention to the needs of the media, like mixing paint colors or using water).  But by all means, experiment!

 

After I complete the sigil on paper, I like to make it more permanent in some way (particularly for the kinds of uses that my land healing sigils are for). For this, you might create a sigil in clay, in wood, or painted on a stone.  In my example above, I am using round wood slices with a wood burner.

 

Setting intention. The other thing you will need is an intention. Setting your intention in advance is a useful practice and can be done through a simple meditation technique.  I used discursive meditation (described in the link the last sentence) to help me set my intentions for my sigil work.  I think its important to spend some time with your intentions (the whole idea of being careful what you wish for!) I think it’s useful to consider carefully what intentions you might want to put into a sigil and out in the world: that your intentions are good and with sacred intent.

 

For today’s walkthrough, I am working on a series of land healing sigils.  I used to carry around just one sigil that I’d leave everywhere; like a general blessing sigil.  I crafted it many years ago and have been painting it with walnut ink on stones and on the insides of hickory shells and acorn caps.  I would take these in a little bag with me wherever I would go.  But recently, when I was at a site where they were doing mountaintop removal, I didn’t want to leave one.  The general “blessing” energy wasn’t right for that site–it needed a “sleep” and “soothing” kind of energy, and my sigil energy wasn’t working for that purpose.  So I decided to create a whole set of new land healing sigils (which I will share in an upcoming post so others can use them too).  My intention for the sigil in today’s post is a “linking” sigil for land healing work.  I have meditated on this concept and have been working with it for many years and felt it was the right time to put this intention into a visual form.

 

Sigil Making Walkthrough

Start by opening up a sacred grove or sacred space as your own tradition may offer. If you don’t have a sacred grove/space opening, something simple like calling in the four quarters, purifying the space with the elements, and offering a prayer or two (like the druid’s peace prayer) can work. You can then imagine a grove of trees around you, protecting the space and giving you the sacred time in which to work.

 

Once your space is set, return to your intention (or spend some time in meditation).  Feel through and think through your intention before starting the sigil and make sure it is aligned with your overall journey and goals.  Take all the time you need to do this work.

 

Now, take out your supplies and give yourself a lot of paper to work on.  Keep your intention in your mind, and start moving the pastel across the page.  Don’t worry about what it looks like or where you are going.  Just keep drawing.  As you draw, you might switch colors when one particular part of the drawing catches your eye.  I do this several times, working my way through my own intentions and allowing the drawing to unfold with different colors.   As I work, the sigil itself takes shape (if you see my first photo in this post, that’s after doing a single sigil for quite a while!)

Starting the ley sigil

Continuing to work on the ley sigil

First drawing is done

At some point, you may feel the first drawing is done, but the sigil isn’t complete.  Take a piece of that drawing, whatever piece speaks to you, and re-create it next to the first drawing on your paper.  Now keep going with the same technique as before.  Here, we can see part of that first drawing coming into the second one.

Second drawing underway

I did this a third time and worked with the final sigil a bit more.

Third drawing begins

Final sigil drawing on paper

Now, consider making it more permanent by transferring it to a more permanent media like wood, stone, thicker board, or ceramic.  I want to transfer my paper based sigil to some other surface, something that will actually seal the intention and magic into the sigil.  To do this, after meditating on the final sigil on paper, I switch it to a more permanent media (painted stone, woodburning, etc).  So for this, I took a cedar wood round and then allowed the wood to work with the sigil, which changed it a bit more.  Again, I don’t try to exactly replicate the paper sigil, but allow the wood to speak to the sigil and the final sigil to emerge.  Usually, the sigil may be further simplified during this final process.

The final sigil in wood

 

TAfter making your sigil, you will want to do additional ritual to empower it.  I prefer a “raising energy” approach, particularly as you used a more contemplative and inner approach to set your intention.  So, in a sacred space, drum around your sigil, raise your voice in song, dance, bring the power of the elements and the powers of nature and spirit that you work with, and ask them for aid in empowering this sigil.  There is no right or wrong way; feel your way into this work and do what feels right.

 

After that, you set it to work helping you with whatever intention that might be.  For this specific sigil above, I will create these and put them in a pouch that I carry with me, being one building block of my larger land healing and blessing work. That’s how these particular sigils are best put to use.  But other sigils may be put to use in other ways, depending on your intention.  If you are seeking a peaceful home, you might create a piece of art with that sigil and hang it on the wall in your house.  If you were working on a sigil for healing for a sick friend, you might create it (with their permission of course) and then give it to them to put by their bedside.  While there is no wrong way to use a sigil–the energy of it does need to get out into the world in some specific way.

 

Variants

Here are two variants you can try.  A more traditional sigil making technique starts not with random drawings, but with quickly written letters from the intention one on top of each other.  You write the letters quickly and stylistically, not even caring if they are legible.  Then you work with the layer of letters, in the same way I did above. If you are a very word-based person, you might appreciate this way to start your work.

A second variant is an ovate variant where you work with nature to create a sigil for a natural purpose.  Take portable media and materials out to a place that you want to work with.  Do everything as above, but rather than YOU setting the intention, put it out to nature to set the intention.  You are simply, then, the instrument that creates the sigil.  This technique is also very powerful for land healing, and I’ll also write about it in more detail in an upcoming post.  You can do this with snow sigils among other things!

 

I hope you find this technique useful and helpful!  I’d love to hear your thoughts about how you create sigils, how you use them, and how they might work within nature-spirituality based practices.

 

Using an Oracle or Tarot Deck to Establish Sacred Space September 22, 2019

Plant Spirit Oracle

As some of you may know from my posts on Facebook and Instagram, in early 2020, I’ll be releasing the Plant Spirit Oracle as my second self-published divination deck (if you want to support the project, see link in the right sidebar with the Oak image). I described the Plant Spirit Oracle project a bit in an earlier post. For today’s post, I wanted to share a ritual space strategy that I developed as part of the PSO project–how to use a tarot or oracle deck to establish a sacred space.

 

The idea in a nutshell is that rather than calling in th elements or powers in a more static way, you can use an oracle deck to draw upon them in a more dynamic way. Thus, each time you create sacred space, you will be asking the cards to help you select the right energies for the space.  I’ve been using this in my own practices for about a year and it works beautifully. While the Plant Spirit Oracle is used and mentioned below, you can adapt this to be used with any oracle or tarot deck that you enjoy using–I have instructions at the end for how to do so.  Most sacred space openings use one set of energy (e.g. calling air, fire, water, earth, and spirit) and the energy is always the same for any sacred space. This approach allows for the divine/spirit/nature (through the use of the divination deck) to call forth specific energies for a specific need–thus, spirit helps you create the specific sacred space you need. Thus, each sacred space you create using this method is different and unique to your specific circumstances.

 

Tje following segment on how to use the approach is adapted from the fourth chapter of the Plant Spirit Oracle book. While the first three chapters of the book focus on how to use the PSO as a divination tool, the last two chapters offer deeper work.  The fourth chapter focuses on the ritual, magical, and spirit journeying approaches to working with plants in the PSO.  The 5th chapter focuses on herbalism practices–thus, working deeply with the sacred plants both on the outer and inner planes.  And without further delay, here is how to establish sacred space with an oracle deck!

 

Excerpt from the Plant Spirit Oracle Book: Establishing Sacred Space with the Plant Spirit Oracle

To do many of the deeper activities with the PSO as described in this chapter, you will want to establish a sacred space in which to work. You may even find it useful to establish a sacred space when using this oracle for meditation or divination purposes. Creating a sacred space can help you get into a more receptive mindset and clear away (and keep away) negative energies that may interfere in your work.  It also helps you create a mental shift, shifting you from “everyday time” to “sacred time.”

 

Preliminaries: Setting up a physical space is an important part of establishing sacred space. If you are indoors, you might set up a small altar with candles, incense, herbs, and so on. This is also a place to put your PSO deck for use during the ceremony. If you are outdoors, find a quiet space you are drawn to, and, if you feel led, make a small natural altar from stones, sticks, flowers, and such. Lay out a cloth and your PSO deck in the center of the space.

 

The Great Soil Web of Life

Opening a Sacred Space

 

Step 1: Clear yourself and the space. Begin by using a technique to clear yourself and the area around you. For example, you can use a smoke cleansing (smudge) stick of dried herbs. Clear yourself and smudge the space. If you don’t have a smoke clearing stick, you can burn some kitchen herbs (Sage or Rosemary) on a piece of charcoal. Alternatively, make a strong tea of herbs (Sage, Rosemary) and then asperge yourself and the area by flicking drops of the tea around with a branch or your fingers. If you are outside, you can use a branch with leaves or pine needles to asperge the space. You can also use music, like ringing a bell, sounding a drum, or using a singing bowl.

 

Step 2: Declare your intent for the ceremony. Indicate to the spirits why you are establishing this sacred space. Are you working with the oracle for divination? Finding your plant spirit ally? Journeying? Let the spirits know. Here is an example: “Sacred plant spirits, I call to you to assist me in doing a plant spirit journey to learn deeper wisdom from the Reishi.”

 

Step 3: Shuffle your PSO deck. As you shuffle, keep your sacred intent for the ceremony in mind.

 

Step 4: Call forth four plant spirit allies. Now walk to the east with the oracle cards in hand. Hold the deck up to the east and say, “Spirits of the East! Powers of the Air! I call to you to reveal my eastern guardian.” Draw a card from the PSO and speak the plant’s name. Then say, “I thank you [plant] for your protection and wisdom this day.” Set the card down in the east as you move to the south.

 

In the south, repeat the above: “Spirits of the South! Powers of Fire! . . .”

 

Move to the west and repeat the above: “Spirits of the West! Powers of Water! . . .”

 

Move to the north and repeat the above: “Spirits of the North! Powers of the Earth! . . .”

 

Move to the center of your space put your deck on the ground. Say, “Spirits of the land beneath me, spirits of the interconnected web of all life, I call to you to reveal my guardian spirit below. . . .”

 

Stay in the center and raise your deck to the sky above you. Say, “Spirits of the skies above, the celestial turning wheel of the stars. I call to you to reveal my guardian spirit above. . . .”

 

Hold the deck to your chest and say, “Spirits of the spark of life, of the hope of regeneration. I call to you to reveal my guardian spirit within. . . .”

 

As you do all of this, you are physically creating a circle of cards around you (leave them for the duration of the ceremony if you feel so moved).

 

Step 5: Envision a circle of plant protection. Stand in the middle of your space and visualize the energies from the seven cards creating a powerful protective sphere of plant matter around your space. When you have this firmly visualized, say, “I thank the powers of nature and the plant spirits for their protection and healing.” Gather up your cards (or leave them in place, if you are not doing divination or do not need the full deck). The sacred space is now open.

Closing a Sacred Space

Once you have completed whatever work you want to do with the PSO, you should close out your sacred space. Closing out the space helps you return to normal space.

 

Step 1: Make an offering. Make an offering to the plant spirits who have helped you hold your space.  If you do not have a physical offering, you can offer these words or your own:

 

“By bramble and by seed; by star and by thorn; by root and by bud, I honor you, great spirits of nature. Earth mother, plant spirits, thank you for your wisdom and guidance.”

 

Step 2: Thank the four directions and plant spirits. Now, move to the north and thank the plant spirit who protected the space, saying, “Spirits of the North, powers of Earth, and [plant spirit], thank you for your wisdom and protection this day.” Move to the west, south, and east, and repeat, phrasing appropriately.

 

Step 3. Return energy of the plant protection circle to the earth. Return to the center of your space and once again focus on the energy of the plant protection circle that you created. Envision any remaining energy moving out of the sphere and into the earth, for her healing and blessing.

 

Step 4: Close your space. Cross your arms and bow your head, saying, “I thank the plant spirits for their wisdom and blessings.”

 

 

Example Sacred Space Opening

Let’s say that you want to do a harvest ritual at the fall equinox to honor the many gifts you have been given, make offerings to spirit, and focus on the quiet of the winter that is to come.  You decide to open up your space using the PSO (or other divination deck). Before beginning your ritual, you clear your mind and focus on the intent. Then, you do the opening ritual as above and you get the following cards at each of the seven directions:

 

There is a clear energy being brought into this space from drawing these particular cards. In the East, we have Spruce, which focuses on openness, journeys, and travel. In the south, we have Catnip, which focuses on opposites, contrasts, or separation. This energy may be helping us overcome those things (depending on the working), or bringing in that energy.  In the west, we have Burdock, which is all about recovery, rest, and fallow periods. In the north is Comfrey, which is about resources, wealth, and personal action. The three center cards are Above/Oak: masculinity, strength, and wisdom; Below/Sweet flag: clarity, concentration, and insight; and bringing it all together is Within/Apple: abundance, comfort, and harvest. These energies, in their different positions, would lend you their strength–bringing in the openness, wisdom, and separation from the “always-on” mentality to allow you to rest; enjoying the resources that you were given; enjoying the abundance of the season. These cards would not only offer you a ritual space but some commentary on the nature of the ritual work you might want to do. They offer you a message on what to focus on as you proceed with your ritual.

Adapting this Practice for Other Oracle/Divination Decks

You can use this same sacred space opening and close with any other oracle deck.  With that said, I suggest you choose carefully.  An oracle deck with weird or dark energy will bring that same kind of energy into a working–which might be appropriate for your purposes or might not.  Each oracle or divination deck has a mind of its own, and may or may not be open to this kind of work.

 

Conclusion

Regardless of what deck you use, this is a very accessible, and yet, deep way to craft a magical space for whatever purposes you might need.  As I mentioned in the opening, the crowdfunding campaign was released this week to fund our print run.  If you are interested in supporting the PSO, please visit the Indigogo page.  We have original art, readings, and the chance to preorder book and deck sets!  As always, thank you for reading and for your support. I hope you find this helpful–and blessings upon your journey this harvest season!

 

Building with Cob, Part II: Soil Tests and Mixing Cob September 8, 2019

Happy feet mixing cob!

In a meadow under the summer sun, a group of dancers laugh and fling mud.  Beneath their feet, clay, sand, and water become mixed together, creating a sticky earthen blend that sticks to their feet, their legs, and, after some play, faces and fingers! This is a cob mixing party, one of the best times you can have with good friends. After the cob is mixed, it is added by others to the bench and more soil is added and the dance continues.  In last week’s post we explored some reasons to consider exploring natural building as a potential way to build sustainable structures and be more attuned with the energies of earth.  In this week’s post, we will get into how to test your soil and how to make some cob!

 

One thing I want to share about cob–you don’t have to build big things, like houses or ovens, with cob.  You can also build really small things–candleholders, paperweights, primitive statuary, and so on.  You can do an earth plaster on a wall in your home, or build a small cob bench overlooking the woods. I think the underlying practice with cob is simply to work with the earth in this very earth-honoring and embodied practice.  This post explores how to test your soil and make cob, which you can then use to shape your world!

Preliminaries for Cob: Testing Your Soil and Quality of Cob

Soil Horizons and Your Subsoil

Soil horizonsMaking cob requires you to understand a bit about soil horizons and how soil lays on the earth.  If you dig a hole in the earth straight down, you’ll see that soil show up in layers (horizons).  The first layer, the O layer, is an organic layer–where dead and rotting organic matter can be found.  This is the layer that is created when leaves fall and rot, creating dark, rich, humus.  This is what we want to grow plants in, NOT what we want for natural building.

 

The second layer, the  A Horizon, is the surface layer.  It is usually less dark, but still contains nutrients and organic matter. It usually appears lighter in color. Again, this is for plants, not for cob.

 

The third layer, the B Horizon, represents the sub-soil.  It is here where we find clay, sand, and silt; our basic building blocks for cob construction.  You’ll notice another break in your soil as you go down–in my region, the soil gets quite orange, representing the high iron content that we have here.

 

The fourth layer is the C Horizon, or sub-stratum, where you get quite rocky before hitting the final layer: the R layer, bedrock.  We don’t really want that for cob either.  Depending on where you live, the bedrock may be very close to the surface or dozens of feet down, so you may never see it.  Here in Pennsylvania, however, you can get a good look at the C horizon less than a foot down!

 

The amount of O and A Horizons you have is based on your own soil ecology as well as the long-term land use and land history. Parts of the world were stripped to bedrock by glaciers.  Other parts have a 15 foot A Horizon due to long-term patterns of beneficial animal herd grazing.  The same is true of the B, C, and R layers–the depth of these layers is based on a lot of land history factors spanning back tens or hundreds of thousands of years.

 

The good news is that in many parts of the world, clay and sand are fairly abundant and easy to get to with only a shovel!  You can learn more about soil horizons in your area by looking at recently dug up areas–a fallen tree that has taken the roots with it as it fell offers one such opportunity; new construction into a hillside offers another.  Or, you can simply get out a shovel and start digging–the secrets of the soil horizons will be revealed to you with a bit of sweat equity.

 

The Soil Jar Test

To find out how much sand, clay, and silt you are working with in your subsoil, you can perform a simple soil jar test.  Dig down into the subsoil and get yourself a good cupful of subsoil.  Break it up well if it is compacted as much as you can (this might mean letting it dry out for a few days in the sun and then breaking it up that way). Place this in a quart mason jar and fill with water to the top, leaving about an inch or so to shake it.  If you have animal helpers, this is a good time to enlist their help. Shake it very well.

Soil jar after shaking well.

 

Goose inspection of the jar. All is well.

Now, let your jar sit somewhere undisturbed or 24 hours.

  • The sand (a large grain particle) will immediately sink to the bottom, within a few minutes.  Mark this with tape or a marker if you can, or mentally note where it is.
  • A layer of silt (a medium particle) will settle on top of the sand in about 30 min.  You should .again mentally note where that ends.
  • Over the next 24 hours or so, the clay (a vey fine-grained particle) will settle out of the water.
  • You will also see any organic matter floating at the top of the jar.

24 hour later, all has settled.

You can look at these ratios as a way to determine if you will need to source some off-site materials to make an effective cob blend (2 parts sand, 1 part silt/clay).  As you can see from above, I am blessed in that I have an excellent ration of sand to clay/silt, and the cob from my land is almost perfect without any additions.

Any organic matter will settle on top (or float) but if you are using subsoil and you dug below the A horizon, you shouldn’t have much of that. (As an aside, you can use this same test for garden soil on the surface and it will tell you how much organic matter is in your soil, which is a very good thing!)

 

Clay Ribbon Test

Another good thing to do to test your clay in your subsoil is to do a ribbon test.  This gives you a simple test that lets you know how pure your clay is and how it will hold up over time.  A good example of how to do this is here. You mix up your cob as usual and work to create one of those clay snakes (like you may have done as a kid). When you have it mixed, you see how well it can be worked (bending) without breaking.  The higher the clay content, the more bendy it is.

 

Making cob at my PDC in 2015!

Soft and Sharp Sand

Not all sand is created equal and it is very good to know what kind of sand you have in your subsoil. Some sand has very soft edges; you can think of beach sand here. The waves and water over a long period of time have softened the sand to the point where it is smooth. It is possible that the sand in your subsoil is like this–it is very soft because at one time, it was on a beach somewhere! Sharper sand contributes to a stronger cob. If you are doing major load-bearing building projects, you might consider adding some “builders sand” (which is a sharp, coarse sand) to your mix.

How to Make Cob!

Without further delay, let’s mix up some cob!

To make your own cob, you will need the following tools:

  • A shovel to dig out subsoil, wheelbarrow
  • Subsoil
  • Straw (chopped up), aged manure, or other grassy things (this adds strength)
  • A mixing tarp (any tarp will do, at least 6′ across  so you can move the cob around on it
  • A water source (hose, bucket, etc.)
  • Some happy feet for cob dancing (you know you want to!)
  • A large wooden screen sizes (use 1/2 or 1/4″ screen; see “tools” below)
  • A rock or small board to help sift subsoil

 

Tools

Probably the only tool you will need to make is your screen sifter. For general cob applications, you will want a 1/2″ screen for coarse/building cob. For finer cob applications (finish plasters, earthen candleholders or statuary, etc) you will want a 1/4″ screen. I made my screen by making a simple wooden frame out of scrap 2×4″ board. Then, I used a good amount of staples to staple my hardware cloth (1/2″) to the frame. The process took about 30 minutes, which mostly involved cutting and stapling the hardware cloth.

Screen with soil

It is necessary that you screen your cob in most locations–you don’t want those happy dancing feet to step on sharp rocks, sticks, or other stuff.  If you are taking your cob down to the 1/4″ level and have really rocky and uneven subsoil, I suggest starting to screen it at 1/2″ and then rescreen it down to 1/4″.

Making Cob

Dig your soil. The first thing to do is to dig out a good amount of subsoil.  I usually mix two medium wheelbarrows full at a time.  If you mix too much at once, it becomes unwieldy, particularly if you are mixing it yourself.  You can see how rocky our subsoil is!

Wheelbarrow full of subsoil

Screen your cob. Now, screen your cob. To do this, break up the hard chunks as much as you can with a shovel.  Wet soil will not screen.  Really dry soil (as in, you haven’t had rain for quite a while) may get hard to screen as well, so there really is a sweet spot for soil moisture (experiment, you will see what I mean). Put a few shovel fulls of cob in your screen and then start moving it around. After you break up the big stuff, you can use a rock or small piece of board to really push the soil through the screen. Once you’ve screened all of the cob, place the stones and other debris in a bucket, and continue with more subsoil.

Using a stone to work out the last bits of subsoil/clay chunks from stone

Make your cob. Once your subsoil is all screened, you can dump it into the mixing tarp. Make a well in the center of the subsoil, and just like you’d do making a dough, place water in the well in the center.  Don’t overdo it, just fill up that well.

The well with water

Now, start mixing the cob together with your feet. As you mix, grab an edge of the tarp and pull part of the soil over on itself. Add more water. Mix with your feet again, and continue the process–flipping over the cob, adding water, etc, until all the cob is firm yet pliable. How wet you want your cob depends on the application. If you are using cob as a mortar for a stone wall or brick rocket stove, you will want it much wetter. If you want to make bricks and build with it (like an earth oven), you will want it more firm.

Work it!  Mixing in the straw.  Sprinkle lightly to prevent clumps.

Optional: Add straw. At this stage, if you want your cob to have extra strength, you can mix in some straw or other grassy matter. This addition is excellent for building cob ovens, walls, and so on. The straw will suck up some of the moisture in your mix, so you may have to add a bit more water till you get a perfect consistency!  For fine applications, a lot of cobbers actually use dried out horse or cow manure–the cellulose stays in the plant matter as it moves through the animal, giving a really nice soft strengthener.

 

In my photo here, I am using this cob as a mortar for my greenhouse back wall, so I have added straw to help strengthen it.

A good mix!

Create anything with your cob! Now, you have a wonderful building material that you can do anything with!  If you don’t have anything to build yet, consider not adding the straw and instead, making some primitive statuary, cob candleholders, paperweights, and so on.  I love the way that some cob statuary and candleholders look on an altar!

Ready to use!

Cob and cobblestone wall ongoing in the greenhouse!

 

The photos in this blog post show two different locations–at my permaculture design certificate program, where the soil was more brown/gray and then here in PA, where we have beautiful yellow-orange iron-rich soil.  One of the other delightful things about cob is that it reflects the land where it comes from–we can truly see the colors of the land through this practice.

I hope this post was inspirational to you and you consider experimenting with this amazing building source!

 

Building with Cob, Part I: Project ideas and Honoring Earth September 1, 2019

Making some cob!

Connecting with the earth can mean a lot of things–and today, I want to talk through how to create a simple building material that can be used for a wide variety of purposes: cob.  Cob is an ancient building material that is a combination of sand, clay, and straw (or other strengthening materials) mixed with water. Cob, the synthesis of water and earth, becomes the passive forms through which we shape anything from a small earth oven to a whole living space.  In this post, I’ll introduce cob and offer some different kinds of projects that you can do with it. This post compliments last week’s post, where I shared how to make ecobricks from waste plastic materials.  Cob is certainly one of the more sustainable and local construction materials to use in conjunction with ecobricks, so I thought it would be a nice time to introduce this as well.  I’m also going to be doing a variety of cob projects on the homestead in the next few years that I will share about, and thus, it is useful to have this introduction first!

 

For many years, when I was studying natural building and various kinds of sustainable living at Strawbale Studio in Michigan, I offered a series of posts on natural building topics and rocket stoves. This post continues that series, and I am delighted to revisit some of these construction techniques. This post will serve as a basic introduction to natural building with cob–for more resources, there are books and classes (I’d highly suggest one of the internships at Strawbale Studio for a hands on experience!) Today’s post covers the preliminaries for cob building – what cob is, the kinds of projects you can make with cob, and the spiritual implications of learning to work with this amazing material. Next week’s post will show you how to test your soil and make cob.  Once I finish it in a month or so, I will also show the cob/cobblestone build a simple passive solar greenhouse heatsink wall.

 

Connecting to the Earth

Cob is the combination of sand, clay, and straw that has been used as a building material throughout the ages.  It is a most ancient building material, an ancestral building material.  It is always a local resource that reflects the different qualities of the earth in that location. It has been created by humans for thousands of years (if not longer), and is used in a number of building techniques, including adobe construction, waddle and daub construction, strawbale construction, and much more. In fact, nearly every temperate or tropical non-industrial culture has created their own version of cob in some capacity. This is a building material that is right from the land, created with our bodies in perfect harmony with the living earth.

 

In modern industrialized cultures, we often live in and build structures in opposition to the land. These structures almost always ignore basic things like sunlight, wind, or other weather patterns that would make heating and cooling them more effective and instead, rely on unsustainable fossil fuel burning to make them comfortable.  We live in houses full of toxic substances: the materials were toxic to the land and her peoples (human or otherwise) during extraction, toxic during their production, and they will be toxic when they are destroyed and put in a landfill. Our homes, structures, and building materials are thus in a constant state of disconnection from the living earth.  I think its hard to live that way, even subconsciously, and not experience some disconnection as well.

 

Cob offers us one path, of many, back to more nature connection.  Learning some cobbing and other natural building skills can help us connect with the earth, honor the earth, and learn some of the deeper mysteries of the land.  We can reconnect with the wisdom of our ancestors, who built shelters and homes right from the land aroudn them.  Learning to make cob, even through small things like making cob candleholders, allows for that deep, ancestral connection.  There is nothing as satisfying as communing with the earth, digging up some of her subsoil, sifting it, and stomping it with your bare feet to mix it into something that you can use to create virtually anything!   The mud between your toes, the weight of the earth, the shape of it in your hands–it is empowering, it is connective, and it is soul-filled.

 

Making cob and building with cob (also known as “cobbing”) also offers powerfully to the druid elements (which are explained here): particularly, the synthesis of gwyar and calas. You can also think of cob through the classical elements: the passive elements of water and earth are combined to build structures which heat, shelter, and allow us to cook meals, and so on.  It is an incredible and beautiful way to learn to live more in harmony with nature.

 

In the 21st century and the age of the Anthropocene, I think we need multiple pathways to find our way back to the cradle of the earth.  To a place of connection, or re-connection. Of learning that the earth, right under our feet, and the living things around us can truly provide all of our basic necessities for life.  This is a lesson that humanity has forgotten in the century+ past industrialization, but it is time that we begin to learn this lesson anew.  And for some of us, this lesson comes in the form of learning to build as our ancestors did–of using materials right from our land.

 

What are the benefits of working with Cob?

The Strawbale Studio - Cob/Strawbale with Thatched Roof

The Strawbale Studio – Cob/Strawbale with Thatched Roof

Local and sustainable sourcing, ethical building material. Because cob is locally sourced, it is an extremely sustainable building material. If you have the right kind of sub-soil, you can literally dig it out of your land and make it right there. Some sub-soil may require off-site amendments, depending on the nature of your soil (see soil tests, next week’s post). Cob comes right from the earth, and can return right to the earth, with minimal to no ecological impact. For example, in digging my hugelkultur beds, I replaced hard packed clay with large amounts of wood, plant matter, and compost–and the clay that was removed from those beds was piled up nearby, ready to be turned into cob.  Now I have a giant pile of subsoil that I am slowly using for new cob projects.

 

By comparison, modern construction materials are just awful from an environmental perspective. For example, the production of concrete is the *third largest* producer of C02 in the world! The link in the last sentence shows at how many different stages the production of concrete is linked to C02. Yes, concrete is more permanent than cob, but it comes with serious disadvantages.

 

Endless possibilities for construction. The possibilities of building with cob are endless! You can build earth ovens, chicken coops, candleholders, and even whole living structures. About 10 years ago, strawbale/cob construction was listed in the International Building Code, which makes it easier to secure the necessary permits in places that require them. Most of the “finished” photos in this post are from the Strawbale Studio, built by my natural building mentor, Deanne Bednar.  In addition, unlike many conventional building materials that require squares and rectangles, cob also allows for amazing amounts of versatility and creativity.  Unlike regular structures built with straight lines, cob allows for flowing curves, circles, spirals, and many unique features. Thus, many natural building projects are flowing, curvy, and fun.

 

Accessible to everyone. If you didn’t grow up “handy” or had someone to teach you, traditional construction may be inaccessible–both because it requires a lot of specialized knowledge and also because it requires multiple kinds of expensive tools and supplies. By comparison, cob construction can be taught to anyone, including children. In fact, cob allows us to build things right from the land, on the land, with minimal hand tools and no fossil fuel demands. It is perfect for group settings, schools, and other places where people want to join together to do something fun.

 

The inside of Strawbale studio with curves and beautiful features

The inside of Strawbale studio with curves and beautiful feature

Building with cob is “slow” and “meditative.”  Taking fossil fuels out of the equation requires a different kind of time commitment. Fossil fuels allow us to radically increase the speed at which things are done, but not the quality by which they are done.  Cobbing allows us to slow down, to re-attune with earth’s rhythms, and to have fun making something magical with our own hands and feet!  This is “earth time” and requires us to simply embrace the experience. Creating and working with cob is not done on “fast time” but represents a very slow and meditative process.  I list this as a benefit because I truly believe it to be so–by attuning with the earth and her building materials, we are forced to slow down, breathe, and be a participant in the process.

 

Can be combined with other sustainable practices. Cob is but one of many different techniques that can be used to build material. Timber framing, ecobricks, thatching, passive solar, rocket stoves/energy efficient heating, and shingle making from wood are just some of the strategies that align with these approaches. A rich universe of knowledge awaits you down this path!

 

Example Cob Projects: Rocket Stoves, Ovens, and Structures

One of the first considerations when thinking about a cob building project is matching the cob project to your climate. In arid climates where there is little rain, cob can be out in the sun and elements unprotected with minimal damage. In temperate climate with lots of rain, sleet, hail, and snow, special considerations are needed to protect the cob from the elements. In particular, cob designs need to have a “good hat” and “good feet.” That is cob projects are required to have some kind of protective structure that prevents the cob from getting wet–even with a finish plaster, it cannot stand up to the regular elements for extended periods.  A good footer,  usually made of stone, is what you rest cob on (so that it can’t wash away). This is one of the big differences between concrete and cob. Concrete is designed to stand up to the elements for years–but it also means that it will not return easily to the earth. Cob requires more TLC with regards to the elements, but is perfectly fine when designed correctly. As you see some of the examples of cob projects, you will see the use of the good hat/good foot design!  With this in mind, let’s explore some of the wonderful projects you can do with Cob!

 

Cob Ovens for Pizza and Baking. A staple in the cob world and a project that can be complete over several weekends is a cob baking oven for pizzas.  This is a good beginner project for cob, and there are lots of designs and resources online and in print.  I’ve built a few of these and have also had the pleasure in cooking in them!  The pizza that comes forth from them is amazing.

A cov oven at Sirius Ecovillage

This first photo is of the cob oven at Sirius Ecovillage (where I was blessed enough to do my permaculture design certificate in 2015!).  I love this oven because it has a well-designed structure that lets light in, it has beautiful artistry of the oven outside, and it produces quite tasty food!

 

Cob oven with fresh mushroom pizza

Earth Oven at Strawbale

This second oven is located at Strawbale studio.  While this oven was built before my time there, I was able to help repair cracks in this oven and bake in it on several occasions.  This oven did not have the optional stove pipe (like the first one did) but it still worked great.  In this case, the venting of the heat and smoke just come out the front. Notice the “hat” and ‘feet” of this design. The first photo shows some handmade pizzas with fresh foraged mushrooms we made and enjoyed as part of a workshop!

 

A Cob Rocket Stove or Rocket Mass Heater: Cob is excellent at transmitting heat (or cold) and because of that, it makes an excellent material for a rocket stove or rocket mass heater. There are lots of different designs for these; some years ago I detailed one rocket stove using a cob mortar here that I built with a group of others at Strawbale Studio. Other designs include indoor ones that are designed to heat larger spaces, like this other indoor heater at Strawbale.  This cob bench works on the principle of heating bodies, not spaces, so it radiates heat out.  It takes a long time to heat up (about 4 hours, as the cob is 4″ thick in most places) but even after the fire dies out, it will stay warm for many hours.

Indoor rocket mass heater

Indoor rocket mass heater at Strawbale Studio

Rocket stove with cob mortar

Rocket stove with cob mortar

Larger Structures: Buildings, Walls, and More: Cob projects can become any size you are willing to work on–up to full size houses, saunas, chicken coops, and more. Strawbale Studio has a lot of such examples of these kinds of structures. One of the keys to thinking about larger structures is that cob transmits heat or cold really well–this means that a stove will move heat outward. However, uninsulated cob walls will quickly turn into a freezer in winter–this is why cob is often combined wtih strawbale construction for strawbale’s insulation properties in temperate climates.  Cob on its own has no insulation and will move heat or cold through it.

Hobbit Sauna

Hobbit Sauna tree (this is a tree I designed and created for the sauna with help from my friends!  Here, the tree is drying after working on it for two days. This was done during my last visit to Strawbale Studio in 2017!)

 

In Greenhouses and as Heat Sinks.  My current in-progress cob project (which I should finish by the end of Fall 2019) is a cob/stone wall for the back of my greenhouse.  I am doing this project in my small repurposed carport greenhouse. All greenhouses have three sides that allow for light and heat to enter (east, south, and west).  The other side of the greenhouse, north, never has direct light or heat coming through it, and thus, it is better to insulate it than to treat it like the other three walls. Because cob is an excellent conductor of heat, I am using the wall as a heatsink. This will be useful for any sunny day in fall, winter, or spring where the sun heats the greenhouse up considerably but the temperature drops a lot in the night (in summer, sinking heat isn’t a problem!).  I’ll share this design in a future post.

 

Cob benches and smaller structures. Cob is also used for a variety of smaller structures, such as cob benches. These can be done indoors or out. I haven’t yet worked on one of these projects, but you can see nice examples here.

 

That’s it for today–in my next post, we’ll look how to test your soil for an appropriate mix of clay and sand, mixing cob, and doing some basic construction (in this case, my cob greenhouse wall). May your hands ever be in the earth, may your heart ever be full, and may your spirit ever be inspired!