The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Druidry for the 21st Century: Psychopomping the Anthropocene February 24, 2019

As an animist druid, I recognize the spirit of all beings.  I honor and interact with the spirits in the land, in the trees, in the animals and birds, in the insects, in the rivers, in the mountains. Animals die, plants die, insects die. Their spirits live on.  In the Anthropocene, even mountains die, they are removed for mining activities all along the Appalachians and in many other places.  Rivers die, and have been dying for centuries as we fill them with refuse. In the Anthropocene, many things die. What happens to that mountain’s spirit when the mountain is gone? What is happening now to the millions of non-human lives that are dying because of human activity? That’s the question we focus on today–as part of my druidry for the 21st century series.  Earlier posts in this series include Druidry for the 21st Century and Druidry in the age of the Anthropocene.

 

As I shared in last week’s post, non-human life is dying at an incredibly alarming rate at this very moment–with almost 50% of all animal life dying in the last 50 years. One article discusses that while extinction is a natural process, extinction rates and die off rates are currently between 1,000 and 10,000 times higher. I think a good resource for this is to look at IUCN’s red list and see the 26,500 species threatened with extinction–these are species regularly losing regular numbers. Unfortunately, humanity’s actions continue to cause the death of so many species and so many individual lives, and given models and projections, it is expected to get much worse in the next decades. The mass amounts of death and extinction of non-human lives are not “natural”; they are directly the result of human activity.  This makes humans, collectively and individually, responsible.  Not just for the actions that cause such death, but also, I would argue, for what happens to those spirits when they die.

 

The journey into spirit

The journey into spirit

Death is an inevitable part of life. Death is another journey, and some of us are called or choose to help spirits along that journey.  This work has many names, one of the most common being called “psychopomp” work. Psychopomp derives from the from Greek words “pompos” which means “guide  or “connector” and psyche which can be translated as “mind soul, life, or breath.” A psychopomp, then, is a guide of souls. Other names I have heard for this work include death midwifery, soul midwifery, deathwalking, death shamanism, to name a few.  Regardless of the term, this work has been a regular part of the healing, magical, and spiritual arts in nearly all cultures across the ages.  Many cultures recognize that humans with certain sets of skills do this work (such as a shaman or other religious leader), as do non-humans (deities, animal spirits, angels, and other such beings). In fact, it is very likely that this was work done by the Ovates in the time of the ancient druids, for they were described by various classical writers as working with spirits and the dead, along with herbalism, divination, and other kinds of healing arts.  They were also described by classical writes as “mastering the language of nature” which I believe comes into play into this kind of present 21st century ovate work.

 

This sacred practice of helping spirits pass is largely forgotten in mainstream consumerist life, however, it is still quietly practiced in many earth-centered, pagan, and new age spiritual traditions. Every person I have ever met who does this work does it for human souls. Human souls, of course, may often (but not always) need help crossing over. Humans are complicated, and when we die, our deaths may be complicated too. Many human get lost on their way across the veil. They may get stuck, they may die unexpectedly and need to process their death, they may have unfinished business that prevents them from leaving, and/or they often need assistance to find their path. Psychopomps are the shining beacons in that confusion, helping a wayward soul find his or her path to the next part of their journey.

 

But today, I’m not here to talk about human souls. You can learn about that kind of psychopomp work from many other sources. Today, I’m here to talk about non-human souls and the work we can do given this time, this age, and the present conditions.  I will also note that the rest of this post is entirely from my own experience, from the many years I’ve been quietly doing this work.  You can agree, disagree, or share your own experience–and I hope this blog can be a space for us to talk about it.

 

The cycle of life and death of animals, plants, insects, amphibians, reptiles, birds, fish, etc, has been going on as long as life in some form has existed on this planet.  Spirits of the land know how to handle their own deaths, and human psycopomps would not typically interact in that way in regular circumstances.  Think about a death in a forest: if an animal or plant dies, within a few days (or in the case of a tree, a few years) those nutrients are completely cycled back into the ecosystem.  I have always gotten the sense that this same process takes place on the level of spirit as well—the land cycls her own.

 

However, because we are in another extinction-level event, where the whole world is threatened, whatever happens typically to non-human souls is simply not enough. In the last few decades in particular, and with increasing frequency, a much larger number of souls began departing, with some of them being the very last of their kind.  Some non-human souls who pass are exhibiting many of the same characteristics that human souls who pass often exhibit: anger, confusion, being lost, being stuck, not wanting to go.  I don’t get the sense that this is “normal”, but rather, this is a product of the anthropocene. If a typical cycle of life and death is a gentle forest stream, right now, the stream is massively flooded well beyond its banks, causing erosion and destruction, and this spillage needs some attention. I think another way of framing what is happening is that spirits of these various species are experiencing new phenomena, a phenomena that their own natural paths and natural cycles are not adapted to. Anything can adapt over a long period of time; that is the nature of evolution.  But it is hard to adapt–for any species or spirit–to such frequent and intense change, the kinds of changes driven by relentless human activity in the Anthropocene.  And that is where the trouble seems to lie.

 

Trees

Trees

Before I get into some of the specific practices I’m going to suggest today for actual psychopomp work, I want to start by saying that each person has different spiritual gifts (a topic I explored before in this blog) and not everyone has the gift of spirit communication (although you can learn to do this over time).  The work I describe below is fairly advanced.  It requires you to have extremely good protection, practiced ways of spiritually cleansing yourself, a solid mental state (do not try this if you are mentally unbalanced, depressed, etc), and excellent self-cares trategies. It also requires you to have basic plant spirit communication and journeying skills.  Finally, it requires inner contacts (guides, deities, spirits, plant spirits, animal spirits, etc) who will partner with you for this work; it is very necessary to have individuals on both sides.  This is a list of some of the many deities and guides that do this work; it might be that you are already connected to someone. Some people find themselves drawn to this work intuitively, and for others, they may seek out training, books, teachers and other such resources.  I think like anything else, it is a skill you can learn to do, and do well, if you dedicate yourself to it. There are plenty of options out there to learn, and I can share some of the best.  I can also direct you to some of the basic skills that you need to do this work: spirit communication and journeying skills being most central. This page provides a good list of books for more information, for those who want to read more and understand.  I also want to stress that this work is not for everyone: there are many other kinds of work we can do in the Anthropocene. I think each of us should do something, but that something should be tied to our gifts and own journey.

 

So to get into the psychopomp work, I’m going to share a few examples to help illustrate some of what I understand to be the basic principles. Again, these are my own experiences; yours may be very different (and if you feel led to share, please do so in the comments–sharing is important at this stage, as we can build our knowledge and help the land in this way).

 

I remember the year the Christmas trees came.  Thousands of them, just after the holiday rush was over. They waited for me, patiently, planting themselves all over my property. I went out and walked among them. They wanted to understand why they had been cut and left to die. These trees, I realized, had never found themselves in the center of the family home and hearth adorned with gifts. Or if they had, once their use was over, they were unceremoniously thrown on the curb without so much as a thanks. They wanted to understand, needed to understand, what had happened and why.  Their whole lives–and deaths–were wrapped up in a cycle they did not understand, and they had to understand it in order to pass. I thought it was a fair question.  And so I showed them; I talked to them about humans and human life today. I invited representatives to join me for a few days in the world, to see how humans think and what they do, and I shared a human perspective. The representatives asked questions, and eventually, they were satisfied. They understood, after seeing me interact with humans and with my translation and explanations, that humans didn’t realize they had spirits. That humans didn’t realize that they were anything other than objects.  I apologized on behalf of all humans who did not understand. This seemed to appease them. When I felt the time was right, about two weeks after they arrived, I opened up a sacred grove in my outdoor grove.  I built a fire and, with the aid of my own spirit guides, helped open a gateway for them to pass. They went through it, one at a time.  It took a very, very long time.  Finally, they were all through.  Afterwards, I got the sense that that work was done, and now, others could pass.  Not through that specific gateway, which we closed at the end of the ceremony, but through their own means. Afterwards, I also did extensive cleansing and self-care; as the energies of the dead are not to be worked with lightly.

 

I’ve always been connected deeply with trees, and have long done this kind of work for forests who were logged. One forest, however, in particular stands out. It was a section of forest that I had spent time in; it was a wild place that, when I was a child, I would often go into with my parents. Maybe eight years ago now, the township decided that their industrial park was going right in the middle of that beautiful forest. They cleared giant swaths of it, put in infrastructure, and there, it sat.  Empty. I drove through it soon after it happened, and I felt such incredible sorrow, such loss, such anger and frustration. The spirits of the trees, of that land, of the animals who died, of insects whose lives were over, crowded up around me and demanded to understand why this had been done. Again, I asked them to choose a representative, which ended up being a spirit of a red maple. First, I sat in the forest for a long time, observing, singing to them, simply honoring them and letting them know that I was there, I was not alone (I describe many such practices in my earlier land healing series in the work of witnessing and apology). I walked along that recently cut land, and I found a piece of wood that had been cut, part of a stump.  I took it with me, along with some other materials, and made them into a piece of art honoring that forest. The artwork and use of the wood in a spiritual way seemed to appease the spirits. But, they still had questions.  Their representative went with me, learned what he needed to learn, and then we returned together to that place.  I did a ceremony for them (similar to the one I described above) and helped them move on.  After that, when I passed other logged sites near there, I got the sense that the spirits were once again taking care of their own work in those kinds of cases.  I was welcome to help, but I wasn’t necessary for me to do the deep work I did with this forest.

 

Former life....

Former life….

On one otherwise ordinary work day when I was working from home, I suddenly sensed a very angry presence. Opening up my spiritual eyes, I saw an entire tribe of lions.  They were angry, they were thrashing about. They could see me, and I could see them.  As their eyes bored into me, I felt almost like prey.  They demanded answers, and they were going to get them. I set my work aside, and told them I would speak with them, but only if they backed off and calmed down.  They left, and I thought that was that, that since I wasn’t feeding into their anger, they were going to go somewhere else.  But, a few hours later, they were back. I asked them about who they were, where they had come from.  They had been poached, they were the last of their tribe in any land as far as they were aware.  I simply listened,  acknowledged their hurt, and apologized for their suffering and deaths. As is the way of things, I invited a representative to come with me for a few days, to better understand the way that humans lived. To see. To understand.  In time, they were satisfied.  I did a similar ceremony to those I had done before: opening up a sacred grove, making an offering, inviting any final conversation, working with my guides to open up a gateway, inviting the spirits to pass through the gateway, and then carefully closing the gateway and space.  Again, afterwards, I did lots of spiritual self care, cleansing.

 

After a number of these experiences, I realized I needed a permanent space on my land where I could properly honor these spirits.  So I did that–creating a shrine that I used to “honor the fallen” and as any spirit interacted with me in this way, I would put a representation of them on the shrine.  When I moved to new land, I took a stone with me from that shrine and took the rest deep into the woods, to lay at peace.  The stone is now the start of my new shrine on our new land here.  I do not photograph these shrines out of respect for the dead, but they are like many others I’ve talked about on this blog: full of natural things and regularly honored. This shrine helps me honor them, to hold them in my memory.  I wrote about them, researched them, and told them that while I lived, they would not be forgotten.  With these words I write, this holds even more true, because they now live in more than just me, they live in you.

 

The Ovate Psychopomp

These examples are fairly consistent with my larger practices surrounding what I now understand to be some of the Ovate work of the Anthropocene, at least from my own perspective and experience.  So what is the nature of this work? We’ll now explore it from two perspectives: first, what I call “prerequisites”, i.e. the things you need to bring to the table to do the work.  And second, the things you do surrounding the work itself.

Prerequisites

The first prerequisite is being open to working in this way.  You have to be willing to see, be willing to acknowledge, and spend the necessary time and energy to do this work. If you aren’t open to it, they are never going to come to you, or you aren’t going to do them justice.  Some people probably read this and know this work isn’t for them, and to that I say, good!  I’m sure some other work is out there that is better well suited for you–like physically regenerating the land, teaching humans to honor nature, fighting to protect forests, fighting for environmental rights, etc.

 

Second, as I mentioned above, it requires some advanced gifts and skills: spirit communication, spirit sight, and solid practices surrounding protection and self-care.  It might be that you aren’t ready to do this till you’ve been walking the path for a number of years–and that’s ok.  I don’t recommend that any new person take this on.

 

Third, you must have guides, spirits, and/or deities working with you.  You need to have those you can trust in the spirit world for this kind of work; both for your own safety but also because this work seems to require it as a balance.  You are helping a spirit move from corporeal life to non-corporeal life, and that requires both someone who is corporeal and someone who is not to do it properly.

 

 

Cultivating connection

Cultivating connection

Fourth, you have to find balance and practice good self care and spiritual cleansing. This is true for everything we do, but especially true for this kind of deep work.  The energies of the dead are not good for the living long term (and if you’ve ever tended a dying person, you’ll know exactly what I mean).  I don’t do this work every day; I do it as necessary, and as individuals or groups of spirits come to me.  I can always refuse to do it if I don’t think I’m in the right state of mind–which I have done more than once.  Don’t let the dead stay near you for long periods of time.  They must pass, and you must find your way into self care and balance and embrace the energies of life.

 

Fifth, you will always have the gratitude of the spirits who pass, however, understand that this is quiet work.  Its work you do on your own, that you don’t typically talk about, and other humans have no idea.  That’s ok, the work isn’t for them.  But if you are someone who needs regular validation from human others, this is probably not for you.  This work is never about you.

 

Finally, a lot of people who I’ve spoken with who have gotten into this work one way or another had almost had some close experience with death, some way that helps them better understand it.  These experiences may have been having a very special person (human or otherwise) die, tending a dying relative, having a brush with death themselves.  Its not always the case, but does seem to be something that a lot of folks have.  I think that experience opens up something within you that then can be used to help others.

 

The Work Itself

Given the above, we now turn to some of the core aspects of psychopomping in the Anthropocene, as I understand it.  They are:

 

One, being open.  If you are doing this work regularly, somehow, the spirits sense it, and somehow they know. Its like you have an “open for business” sign up on the astral plane. Even if it’s just a self acknowledgement that you are willing to do this work, they will come once you are open.

 

Second, being ready to do the work of apology. Humans all over this planet are doing awful things and are causing the genocide of many, many lives and species. Why would these spirits of the recently departed trust a human?  Because you are acknowledging what is happening, you are compassionate, you can offer them perspective, and most of all–you can offer them a true and heartfelt apology.  Acknowledgement and an apology is all that many need to move on.

 

Third, being ready to explain things from a human perspective. This seems to be very, very helpful for many spirits who are dying in the age of the Anthropocene. They want to know why things are happening, and their minds cannot understand human behavior without your help.  And so my basic strategy is to let them tag along for a few days as I’m out and about in the world, explaining to them what they see, answering their questions. This has always led to success, at least in those I’ve interacted with.

 

Fourth, ritually helping them move on, if they need you to (often, I offer, and not all of them accept or need me to help).  I have my specific techniques, which I have shared above through stories, and which I do in the context of druidry.  Some of my techniques are unique to me, some of them would likely work for others. I would suggest learning what will work for you directly from a spirit, guide, or deity that you work with who is on the other side.  For me, I use music, fire, natural gateways, and other such things to help them pass.  These techniques were all taught to me by spirit, so I don’t know how translatable they are to others.

 

Finally, practicing extreme self care. This is not easy work; it can be rewarding but also very draining.  You have to take care of yourself, you can’t do too much of it, and you need to make sure to spiritually cleanse carefully after doing anything like this.  I like to do a herbal vinegar bath: I take a few tablespoons of infused herbal vinegar and add it to my bath and scrub myself all over.  I infuse it with plants that are significant to me personally and that are personal plant allies.  For a general blend, I would suggest sage, mugwort, rosemary, bay, lemon balm, and/or hawthorn.  You can simply throw handfuls of dried herbs into a quart jar, fill it with vinegar, and then have it available when you need a cleansing bath.  In addition to the bath, make sure you take time to do what fulfills you most–and let nature heal you!  For me, spending a lot of time gardening (working with the energies of life), being in healed and whole natural places, and working in my art studio are the ways I heal from this work.

 

There’s a lot here to process, and I hope it is of use to some of you who feel led to do this work.  I never thought I would write this post or talk about this in such a public way, but spirit said otherwise! If you are doing this work, please share if you are willing; I’d very much want to hear others’ experiences.  If you aren’t doing this yet but would like to, feel free to reach out!

 

A Seed Starting Ritual for Nourishment, Connection, and Relationship February 10, 2019

All of the potential and possibility of the world is present in a single seed.  That seed has the ability to grow, to flourish, to produce fruit and flowers, to offer nutrition, magic, and strength.  Seed starting offers us a chance to connect deeply with the seeds we plant, and to , from the very beginning, establish and maintain sacred relationships with our plant allies. Seed starting is a truely magical druidic practice, and in today’s post, I want to talk a bit about the magic of seed staring and share a simple ritual that you can do to bless your seeds as you plant them. Some of my earlier posts on seed starting can be found here (a general philosophy of seeds from a druidic perspective) and here (recycled materials for seed starting).

 

Seeds coming up!

Seeds coming up!

One of the most important parts of a druid practice, in my opinion, is integrating sacred activities into everyday life. I think working to live our regular lives in a sacred manner is one of the ways we can stay balanced, happy, and connected in an otherwise unbalanced world.  But I also think that this is part of what living druidry is all about–finding sacred moments, sharing them, understanding that each moment can have its own kind of sacredness. This is important in each aspect of our lives, but certainly, in activities that tie us directly to other kinds of life and allow us to interact with other cycles of life.  To me, there is nothing more sacred than starting seeds. And while this may be considered a “mundane” activity to some, to me, it is an incredibly sacred one. Because the seeds we will start are such a blessing to so many, and are part of the sacred cycle of nature, I think its critical to honor them and support them on the journey that they will take from seed to harvest.

 

Connection, Nourishment, and Relationships: What Seeds Offer

This is the time of year for starting seeds. Right now, we are just over 14 weeks out from our last frost date, and the first of our seeds are being started this upcoming week on the full moon, these include our greenhouse seeds (kale, lettuce, spinach, arugula), our alliums, and some slow-growing herbs (rosemary, lavender, white sage). These seeds will feed us, nourish us, and in the case of the white sage, rosemary, and lavender, also be used for sacred offering blends, smudge stick making, rituals here on our land, and other sacred activities surrounding our druid practices.

 

Last year, the white sage and lavender we grew from seed ended up being shared with members of the grove and other friends, mostly in the form of incenses and smudges.  It continues to be offered in our rituals, both individual and grove.  Last year, the vegetables we grew ended up with over 10 families, as well as in our bellies and the bellies of our animals here on the land. So part of the magic of starting these particular seeds is the magic of community, togetherness, and sharing.  I think that happens a lot when we grow things–we end up sharing the abundance.  The plants give and give to us, and it is only right that we give back to them.  One of the ways we can give back is do rituals that offer them the same thing they offer us: physical nourishment and metaphysical energy.

 

Alium going to seed, Summer 2013

Allium going to seed, Summer 2013

 

But there’s another piece of this too–seed starting is about relationships: establishing relationship with new lines of seeds, or, maintaining relationships with saved seed over a period of time.  Some of these seeds we are starting this week are brand new to me and have entered my life for the first time.  That is, we purchased them from organic seed companies or small sellers. These seeds should be welcomed and honored as friends.  But some of these seeds have been with me for a long time.  One of the alliums I am planing, a Long Red Florence onion, has been with me quite a while.  In fact, if you are a long-term reader of this blog, this isn’t the first time I’ve shown the photo to the right.  I began planting this seed in 2012, and I am planting the seeds of this particular onion’s offspring today.  A seed planting ritual, then, should also connect you deeply with the plants–both those who are brand new, and those who you have cultivated relationships with over time.  And so, a good seed starting ritual should be about establishing and maintaining relationships.

 

Relationships with perennials and annuals are a bit different, and I want to talk about that difference briefly here, as it has very direct relevance on the rituals I’ll share today.  Annuals, in a lot of cases, particularly in cultivated varieties that are not native or naturalized to your region, depend on you for continuing to grow.  It is rare for a lot of plants to come back (or they will come back at the wrong time, like a rotted tomato that dropped to the ground and then starts sending up babies from the sprouts 2 weeks before frost!)  These plants, due to their long cultivation by humans, need us.  Perennials need us too, but in that case, its more to visit, to honor them, to continue to make sure they have what they need to grow.  In either case though, we are talking about interdependency.

 

So from the above, we have four key pieces to a good seed starting ritual: physical nourishment, energy, relationship, and interdependency.  Let’s now take a look at some options for how you can build this into an existing seed starting practice.

 

Seed Starting Rituals

With most rituals, particularly in the druid context (where we don’t have hardly any ancient traditions to go back to), the intentions are what matter most.  You can do a lot of different things to get at the four points above, and you can do different things that go from very simple to fairly elaborate in terms of ritual.  I’m going to offer a few options, but these are by no means the only options you have before you!  But I think the key thing is to think about the principles above:  nourishment, relationship, energy, and interdependency.  Here’s what I like to do:

 

Soil....the beginning of life and abundance

Soil….the beginning of life and abundance

Assemble all of your supplies. Before you start, assemble your supplies: potting soil, pots, seeds, a work area, and so on. Put your potting soil or any other nutrients (like coffee grounds, great for seed starting) in your work area.  Have a bucket or potting tray ready to mix.  Also have labels available and anything else you will need, like a small hand shovel, etc.

 

The Elemental Seed Starting Ritual.  

For this ritual, you’ll need something to offer the seeds from each of the five core elements: earth, fire, water, air, and spirit.

  • For earth, you can offer a good potting mix rich with nutrients, the most obvious thing for planting seeds.  If you can, grab a little bit of the soil that last year’s plants were grown in. As part of the ritual, you will mix the soil with nutrients and your own energy, so don’t fill up your pots in advance.
  • For Air, you have your own breath, which is better than anything else.  You can have incense, feathers, or other air-focused elements to supplement, of course.
  • For water, you can offer standard pure water, or, if you are particularly ambitious and want to build tremendous relationship and interdependency, offer a 90% water and 10% of your own urine in a mix.  I know this sounds crazy, but read my blog post here.  Its pretty simple–your urine is very high in nitrogen, which is one of the core building blocks for all plant life. Your waste product is their life–just as their waste product, oxygen, is yours.  Using your own urine puts you in a direct interdependent relationship that frankly, few other things, can do.  I usually have a pot of pure water for mixing and then the urine/water dilution for watering afterward.
  • For fire, you may use any representation of fire; if the sun is shining, I like to bring the seeds into the sun. If not, I like to have candles available.
  • For spirit, I prefer to use an herbal offering that I grew or some other spiritual offering. Anything you’d typically use as an offering will do.

 

A few notes before I describe the ritual:  You can start your seeds all at once, or you can start each different seed type one at a time, using the appropriate elements as needed.  What I’ve offered is just a suggestion of what you can do for the seeds; please feel free to adjust and add your own creativity into this ritual!

 

Establish a Sacred Grove or Sacred Space.   Many druid traditions, including OBOD and AODA, offer clear instructions for how to establish a sacred grove.  (I described one version of a sacred grove in a recent post on herbalism).  I like to start my seeds in a sacred grove, as a sacred grove in my tradition sets intentions for sacred work.  This helps with both energy and relationship. And so, before beginning to plant, I will establish a sacred grove.  While you don’t have to do this, I recommend it.

 

The Work of Earth: Mix your potting soil.  Begin by putting your potting soil, nutrients, coffee grounds, peat moss, whatever you are using as your typical seed starting mix in a potting tray or bucket.  Even if you are using a completely store bought mix, go ahead and put it in the bucket.  Begin mixing the materials together, and as you do, envision some of your own energy going into the soil.

 

As you mix, you might want to chant or sing.  I prefer to chant the ogham for Oak (strength, stability): Duir (doo-er).  So I will mix and chant.  It is  much easier to seed start with wet soil, so after I chant, I will add some pure water to my mix and mix it all well before putting my soil in the trays.

 

Put your soil in the trays.  As you do so, continue to chant.

 

Establishing and Maintaining Relationship through Planting Your Seeds. Hold your seeds in your hand for a moment, and connect with the spirit of the seed.  Welcome any new seeds.  For those who you already have a relationship with, tell them you are glad to see them.  Pause for a moment to see if the seeds have anything to share with you.  Then, plant each one.  As you plant, sing or chant.  I like to chant the Ogham for birch here (Beith) for new beginnings.  Once you are finished, say “My energy supports you, as you will support me. May the great soil web of life bring you strength.”

 

The Work of Air.  Label your seeds.  As you label, continue to chant Beith or offer other air blessings.  When you are done labeling, blow softly over each of the pots of seeds.  Say, “My outbreath is your inbreath, your breath is my life. May the blessings of the air sustain you.”

 

The Work of Water.  Take your pure water or urine dilution, and sing or chant as you water each plant.  I like to chant the ogham Willow here (Sallie) while I am watering.  After watering say, “My nutrients feed you, as you will feed me.  May the power of the water nourish you.”

 

The Work of Fire.  Sing or chant the ogham for Fir/Pine (Alim) (Aye-lim) and hold up the pots to the sunlight.  Alternatively, move a candle around the pots.  Say, “May the fire of the sun let you grow.”

 

The Work of Spirit.  Sing or chant the ogham for Apple (Quert) (or another ogham as you choose).  As you do this, sprinkle an offering lightly over the pots.  When you are finished say, “My offering today, for your offering tomorrow. May the Nwyfre flow through you.”

 

Additions: Singing and Drumming.  At this point, feel free to do anything else you like.  I like to drum or play my panflute a little for the seeds in a welcome and to raise good energy for them.

 

Close the space. When you are finished, thank the spirits and close out your sacred grove.

 

Trays of small plants from seed!

Trays of small plants from seed!

Final Thoughts

While it seems like a lot above, the ritual is actually quite simple.  I’ve used the energy of the Ogham, of sacred trees, and of sacred chanting to do the work of connecting to each of the elements.  But you could connect with them in any way you want, or replace what I’ve done with other sources of power that you work with (such as deity, etc).

 

If you have any other ideas for sacred seed starting, or if you have things you’ve done in the past, I’d love to hear about them in the comments!  Thank you for reading and blessings of the seeds!

 

Druidry for the 21st Century January 13, 2019

This is a challenging age, doubly so for anyone who is connected spiritually with the living earth and who cares deeply about non-human life. The Fourth National Climate Assessment, released towards the end of 2018, presents a dire picture for the future. This isn’t the only recent report from governing bodies globally–report after report continues to paint a clear picture of what humanity is doing, and what we need to do to change.  And yet, it seems to be business as usual.

 

The cycles of nature

The cycles of nature

When I talk to druids about their thoughts about this present age, there seems to be a few ways to think about it.

 

First, the glass half empty approach is feeling extremely demoralized, looking at climate change reports and long-term forecasts and seeing the continued inaction on behalf of world leaders. The glass half empty approach may also have feelings that nothing we do now matters, and may wonder what the point of even trying is. Druidry for them is a means of coping, a means of connecting, even if they think it may all go down the drain.

 

Second, the glass half full approach is feeling concerned about the state of the world but also recognizing the great potential in this age–we must adapt or not survive. One of the core permaculture design principles is “the problem is the solution” meaning we can see into the nature of the problem and in seeing it, we can find solutions within it. These eternal optimists feel that we can be the solution, and it’s just a matter of finding out what to do and how to do  it, and doing it well.

 

Finally, the third approach is ignoring the glass altogether: those who choose not to think about whats happening large-scale, and instead, respond by individual and local action and what they can control.  These druids are fed up with what is happening broadly and pay it no mind–but care deeply about what they can control and work to live in a way that honors and cares for all life.

 

There are probably more responses than I named here (and if I missed yours, please share it!).  Regardless, living in the 21st century is an incredible challenge for druids and any other practitioners of spiritual paths where nature is sacred and revered.  The questions that I keep getting asked, and that I keep asking myself are:  What does druidry do for us in the 21st century?  What does druidry offer the future?  How can we become good ancestors, and create a world that is safe, vibrant, and stable for our descendants?

 

I don’t profess to have all of the answers, by any means.  But I do have thoughts I can share.  I’ll tackle this first question above in this week’s post and the second question in next week’s post.

 

What does druidry do for us in this age?

This is a complex question that requires a number of different answers.  On one hand, we have to look at what it does in an individual’s life–how it supports an individual’s spiritual practices.  We also have to look at what it does to the world around us, ecologies and communities. Finally, we can look at larger paradigms that it challenges and helps us replace, more broadly.  Thus, in this age, it works on at least three levels: the level of the self, the level of the land, and the level of the community.

 

The Self: Tools and Practices. In my work as Archdruid of Water in the Ancient Order of Druids in America, I see a lot of applications from new members. As part of our application, people need to write a letter that explores what encouraged them to join AODA, what made them come to druidry, what they hope to gain. Most of them have key similarities: the need to reconnect with themselves through a spiritual path, the need to connect with nature, and the need to find balance in their lives.  These needs bring me to one of the core gifts of druidry: helping us live in this age fully, powerfully, and sanely.

 

Being connected with nature

Being connected with nature

Modern western culture, particularly here in the USA, has discouraged many things: creative practices, being outside, having any kind of thoughts or an inner life, being curious about the world.  Druidry offers people a way back into these very human and fundamental practices. Druidry is ultimately a connecting practice.  This includes our connection with nature through the ovate arts, our connection with core spiritual practices that sustain us and allow us to cultivate a rich inner life through the druid arts, and our connection with our creative spirit through the bardic arts and the flow of Awen. Druidry offers us tools, strategies, and powerful metaphors to help us adapt, reflect, and ground.

 

Again, in my role in AODA, I get to read a lot of people’s reflections at the end of their coursework.  It’s amazing to hear just how much a single year of druid practice changes them: their healing from past trauma, their deepening appreciation and care for the natural world, their cultivation of a rich inner life, their cultivation of a creative practice.  These kinds of things get to the heart of what a spiritual practice can, and should be, for each individual–a way to connect with themselves, their creative gifts, and the world.

 

Tools and Practices for the Land. Druidic practices don’t just benefit us as individuals; they benefit the world around us. One of the great challenges of our age is that humans are radically disconnected from nature; our food comes from somewhere else, our products come from somewhere else; we don’t know the names of plants or animals in our local ecosystem, we don’t know what a healthy ecosystem looks like. We could not survive in our ecosystem without modern conveniences in place, as our ancestors once could.

Through learning about nature, through nature study, wisdom, and experience–we learn how to be in nature.  Once you begin seeing nature as sacred, you treat it as sacred.  This manifests in so many diverse outward actions–we learn how to live more caring lives that support rich ecology and diversity; we learn how to nurture and tend the lands around us. Druids plant trees, tend gardens, do river cleanup, convert lawns to wildlife sanctuaries, and so much more. Druids make lifestyle changes to reduce their impact on the living earth and help sustain life. Ultimately, druidry takes us from potentially indifferent to knowledgable and connected with nature–and that helps us do good in our land, rather than cause harm. This change on our inner selves has outward results that support our broader ecosystems.

 

What can druidry offer the future?

Druidry helps individuals and those individuals can make some impact on ecosystems–but what about what is happening broadly? While the glass half full and the local action readers are probably nodding and smiling with what I’ve written above, my glass half empty reader is probably reading this and saying sure, that’s great, but we still have an unsolvable predicament on our hands.  And to this, we begin orienting ourselves not only to the present, but to the future.

 

As druidry develops in the 21st century, I think it will inherently look differently than it did in the 18th, 19th or 20th centuries. It’s a personal spiritual practice, yes, but it’s also an alternative philosophy–druidry is in the process of developing new mental models for living and being and interacting in the world.  Let’s look at why this matters, and the power it holds.

 

The Systems Thinking Iceberg Model  offers us a way of understanding how change happens, and at what level change happens. This model suggests that if we want to change behaviors and actions, we must change the underlying mental models–the paradigms we live by. In this model, the top of the iceberg is events–things we react to, events that happen.  That’s what is sticking out of the water, what we can see.  So something occurs, and we react to it. A lot of people get stuck here–reacting to events that occur, not realizing that most of the iceberg (the cause of the event) lies under the water.  The second layer down, just below the water line, are patterns or trends.  These are the series of events that are connected over a period of time and form larger patterns of actions and events.  We don’t always see the patterns, but they are often there.  The third layer is the underlying structures: physical world, organizations, policies, rituals (in the societal sense).  These are the things that govern and support a lot of patterns, and thus, a lot of events.  These are also the structures that make it detrimental to engage in certain kinds of activities (such as going fully off grid).

 

The layer we are most concerned with today, however, is the final layer–that which underlies all else.  This is the layer of mental models: where ideologies, attitudes, beliefs, expectations, values, and myths reside.  These are the stories we believe and the stories we tell ourselves, both as individuals and as cultures.  These mental models drive larger structures in society as well as individual actions.  These are the myths we live and die by.  If you want to change action, the mental models themselves must change. And here’s the thing: right now, western culture has some incredibly destructive myths: to individuals, to communities, and to ecosystems.

 

So what does this have to do with druidry and the future?  And my response is — just about everything.  Druidry isn’t just a spiritual path for individuals in the here and now.  Druidry is a way to change the world.  When individuals take up nature spirituality as a path, the practices lead them to shifts in thinking–to rethink and reframe mental models.

 

Loving the Land (All Heal from the Plant Spirit Oracle, my in-progress oracle deck)

Loving the Land (All Heal from the Plant Spirit Oracle, my in-progress oracle deck)

The Myth of Progress vs. the Cycle. One of the core arguments that John Michael Greer has made about industrialization is that the myth of progress is a national, cultural religion (see Not the Future we Ordered, among his other writings). The myth of progress insists that growth must happen always (economic growth, technological growth) and that progress will forever continue. That is, the idea of progress is so central to the way that humans think and act, and the decisions that we make, that this paradigm drives nearly everything else. The myth, like all good myths, is rarely questioned: to grow is good, and not to grow is bad.  A housing development is progress over a forest.  The myth suggests that humanity has progressed from the stone age to today, with today being the pinnacle of progress, and tomorrow being even better.  This myth also asks us to value efficiency, expediency, mechanization, and standardization.

 

Druidry asks us to confront this myth.  Lessons of nature, of the wheel of the year, of the seasons, teach us that the world doesn’t work in a straight, ever-upward moving line.  The land works in a cycle, with seasons of famine and of plenty, with light and dark times.  Nature’s lessons offer us key ways of re-orienting our own philosophy away from the destructive myth of progress and into something that is more sustaining.

 

Infinite Growth vs. Balance.  Tied directly to the myth of progress is the myth of infinite growth. The idea that all growth is good, and the only way to have a stable society and stable economy is by growing.  This is embedded in to any discussion of modern economics, and certainly, is a driving force.  Edward Abbey wrote, “Growth for the sake of growth is the ideology of a cancer cell” and this very much rings true.

 

Druidry teaches us differently.  Nature is certainly about growth, but like everything else, it is growth for a season.  Nature teaches us that limits are real, and necessary, and that growth and limitation are always in balance.  If trees grew too tall, they would blow over.  If the summer never ended, pests on the land would grow and multiply to great numbers, harming plants.  Nature spirituality teaches us the lesson of balance.

 

Harmful consumption vs. Humans as a force of good. In the permaculture film “Inhabit” permaculturist Ben Falk talks about the challenge we face as humans who care about the land. So many of the things we buy, the narratives we hear, suggest that we should do “less harm.” As though the only thing we can do is harm less, or be a little better than we were before.  But, as he argues, if you follow this thinking to its logical conclusion, it almost seems better if we weren’t here at all, if we had never been born, or that the best thing we could do is end our lives rather than keep polluting and consuming.  This, of course, makes us feel guilty just for inhabiting our earth, for going about our daily lives.  I agree with him in that this thinking is extremely problematic because it defines our role only in a damaging sense.

 

Druidry, and ecological approaches like permaculture, offer us an alternative perspective: we can interact with nature in many other ways–we can be a force of good.  Through tools of both spiritual action and physical action, through the head, heart, and hands, we can regenerate and heal our lands.

 

There are more paradigms than just these that druidry confronts, but I think these three are a good starting point.  To go back to the iceberg metaphor, we can see how what happens (events) and patterns surrounding what happens are supported by underlying structures.  But those structures exist ultimately because of mental models–that which we think, believe, and hold sacred.  If we can change the mental model–we change everything else.

 

What will druidry do for our descendants?

The mental models that have driven this world, particularly, the western world, into the 21st century are failing.  They are failing humans, non-human life, and every ecosystem on this planet.  And frankly, given how destructive they are, they need to fail.  We are quickly approaching the time when a lot of people are going to be seeking new mental models. We are already seeing movement in this direction–the decline of traditional religions and the growth of ecologically oriented religions, the growth in other kinds of ecologically-based thinking– it’s already there.  We’re seeing this movement in the youth of many countries. The paradigms we learn from nature are being shared in many nature-oriented practices and communities: balance, wholeness, integration, connectedness to the land, cycles–lessons from nature.

 

If we can rewrite the culture’s mental models and paradigms using lessons of nature, and if that new myth can become a driving force, all of society will change as a result of it.  And here’s the thing–people are looking for these kinds of new ways of thinking, doing, and being.  The mental models, rooted in nature, can offer us the next paradigm–the next society we build, one that is in line and honors nature and all life.

 

As we grow in our understanding of what this tradition is now, and where it is heading, I believe that we druids are the forerunners of so much change.  Humanity will either have to adapt and develop more ecologically sensitive models, or go extinct.  Think of us druids like the forerunners of that change.  This is the gift we offer our descendants–the mental models that precipitate new structures, patterns, and actions in the world.

 

Abundant milkweed along a field

Abundant milkweed along a field

The Road Forward

 

As I’ve shared before on this blog, druidry as a spiritual tradition is a response to our age, and through the ages, it has always been such a response. Revival druidry began at the dawn of industrialization, responding to that day.  Modern druidry has gained speed as our ecological problems have increased.  Revival druidry saw the beginning of industrialization, and I honestly believe it will see us through to the end of it.  For those of us in the 21st century–druidry is our response to today.  And what we offer our descendants, then, is hope.

 

What we do today will help shape what our tradition–and our world–looks like tomorrow. Today’s practitioners have much to contribute to this conversation–What are we currently doing? What will we do? Who will we become?  I would love to hear your own thoughts on what druidry–or other earth-centered spiritual practices– do for you, how they help, and what potential it may have for us as we pave the way for the future.

 

What can Druidry offer in dark times? October 7, 2018

Things seem broken right now. These last two weeks have been a very hard week for many people. The national conversation here in the USA grows more difficult by the day, and it seems nearly every nation is facing many kinds of serious issues. These challenges are happening concurrently at many levels—internationally, but also in communities we care about, in our families, in our homes. Things are tough. They seem tougher for many of us today than they were yesterday. Many of us fear that they will likely be even tougher tomorrow. This is the reality of industrial decline, the reality of the climate crisis before us.

 

The questions that I’ve had for myself, and my fellow druids is a simple one: what can druidry offer us in these dark times?

 

I’ve been thinking about the role of druidry in all of this, this question a lot, not only over the last several weeks, but over the last few years as it becomes more and more obvious that humanity has chosen for itself a course that we cannot escape from.  I wanted to share with you some of my own thoughts and practices that you, too, may find healing and strength in them.  I’ll group my answers to this question in three areas, reflecting the three major branches of druidry: that of the bard, the ovate, and the druid, and then offer some overall thoughts on the tradition and druidic philosophy itself.

 

Bardic Responses: Within and Without

The bardic arts within the druid tradition are varied and multiplicitious. In my OBOD 2018 Mount Haemus Lecture, when I researched the bardic practices of almost 250 druids worldwide, I found that nearly all of them saw their bardic practices first and foremost as a spiritual practice that gave them peace, strength, and the ability to function better in the world. For a much smaller portion of people, art was a medium for them to express their feelings, hopes and dreams–about nature, about the crisis of our age–through their bardic expression. We’ll now consider each of these in turn.

 

Bardic Arts as Inner Healing

Art journals for processing and healing

Art journals for processing and healing

For many of us, during these difficult times, it is important to have something to retreat to.  Soemthing that calms us, provides us distance, space, and perspective.  For those of us who practice a bardic art, the practice of that art can certainly be a source of refuge. Druids from around the world use the bardic arts as a way of making meaning of the world, processing difficult things, and grounding.

 

Some bardic practitioners work best when they are in a “healthful” headspace, however, and feel that they can’t create something if they aren’t happy.  But my response to that is–create.  Express.  Get it out.  The audience for some of our bardic expression can be only us, never anyone else, and that is healthful and helpful for these dark times.  For me, I use art journaling as a bardic expression that is meant solely as a healing medium–one that nobody else has to see, and not even one I necessarily hold onto after it is completed (I’ve thrown many a journal in the Samhain fires to release the energy I put into them!). The point here is to find something you can do from a bardic perspective: song, dance, drumming, photography, artwork, writing, singing, movement, woodworking, and so on–and let it help you find peace.  If you aren’t sure how to get started in this, you might check out my Taking up the Path of the Bard series of artices here, here, and here.

 

Bardic Arts as Outward Response and Change

It has long been the case that artists, musicians, dancers, singers, storytellers, and the like, helped carry parts of culture with them, respond to culture, and work to change culture through their art.  Consider the power of a photograph, a story, or a song. Sometimes, a single image can impact people–and enact changes in perceptions and behaviors–in ways other forms of communication cannot.

 

And so, for those of us drawn to it,  the other way our bardic practices may help us respond and deal with the crisis of our age is through external expressions–bardic practices that help us get our message out there, help us help others, help others see a new perspective, and so on.  Unsurprisingly, for me, that’s a lot of the writing I do on this blog–I can’t control what is happening more broadly, but I do feel, at least in this small corner of the web, that I am doing something good.  It doesn’t have to be big, the important thing is feeling empowered to do something.

 

Ovate Responses: Seeking Solace in the Living Earth

Part of the challenge in present culture is the constant flow of information, the constant bombardment. These larger cultural currents seem to crash over and over again like powerful waves, knocking us over, beating us up, and then knocking us over again. Finding ways of shielding against this flow of information and getting regular—and long—breaks from it can be very helpful. For this, I like to find quiet time in nature.

 

Grounding and Flow, or the Druid Elements of Calas and Gwyar

A while ago on a similar topic, I wrote about the interplay between calas (grounding/stability) and gwyar (flow/adaptablity) and how both are necessary in these times. Seeking solace in nature can offer us either–or both–of these things as we need them.

 

Seeking the stabilizing forces of nature can help give us strength in these difficult times.  Work with stones, the earth, trees, mountains, or caves can be particularly powerful to help connect with Calas and offer us grounding. The Oak tree down by the river is not going to throw re-traumatizing bullshit my direction, she is not going to bombard me with things I don’t want to see, or frustrate me with her lack of integrity. She is simply going to be as she always is: stable, welcoming, and powerful. When I sit with her, and simply breathe. I can sit with her for 5 minutes or 5 hours, and she will always offer me the grounding and stability of her presence.

My favorite spot for connection on my land

My favorite spot for connection on my land

 

Similarily, these times require us to be flexible, to be adaptable, and to be willing and ready to change, even if change is difficult.  Nature also offers us the energy of gywar for this purpose, primarily through clouds, wind, and water. When I go out on my kayak on the Clarion river, I am offerd both zero cell phone signal (so no unwanted intrusions) and the activity of learning to go with the flow, to float, and to let the river guide me. Likewise, laying on the solid earth and watching the leaves blow and the clouds flow is another excellent way to connect with this energy.

 

Retreat and Rejuvenation: Nature Heals

In this broken time, I like to places that are damaged and in the process of healing.  Nature is a master healer, and learning to read her landscape and the healing that happens in each breath can remind us of our own capacity to heal. Old fields that are now bursting with life, logged forests that are coming back into health. The dandelion, in her bravery, pushing up through the sidewalk and giving no care.  The mushrooms on the stumps that offer the promise of new beginnings from old wounds, breaking down the old so that the new can come in.

 

Here in Pennsylvania, almost all of our forests are in a state of healing. 100 years ago, according to the 1898 PA Department of Agriculture Forestry publication, 98% of Pennsylvania’s forests were logged. Stripped bare,, used to support mines, lay rails, and make charcoal for steel production. Some of these forests are so regenerated that its hard to tell that they had ever been damaged. Others show the tell-tale signs of ecosystems still regenerating.  I like to go to these places, these healing-in-progress places, and be reminded that nature can heal all wounds, given time. We are part of nature, and therefore, we, too, can heal. You can also take this idea much further by doing a druid retreat–retreat into nature for a time (a few hours, a day, a week or more).

 

Druid Responses: Stability in our Practices

Spiritual practices offer much in the way of healing and strengthening us in these difficult times, and in the druid arts, these primarily center around the practices of ritual and mediation.

 

Daily Meditation as Emotionally Beneficial and Balancing

Watching the healing happening--pain transformed into soil!

Watching the healing happening–pain transformed into soil!

Daily deep breathing, mediation (of any form, but especially nature based) and simply being quiet for a time can greatly aid us.  Even taking three deep breaths when we get upset, maybe closing our eyes for a few moments to let the intense emotions slip away–these simple mediative practices can be incredibly sheltering during these times.  More and more research is coming out on the benefits of mediation as a way of promoting more happiness, less anxiety, and better approaches to handling stress and strain.  A daily meditation practice offers you such benefits–and certainly, it is a core part of our tradition.

 

Meditation in the druid tradition is often combined with being in nature–walking meditation, meditation in stillness or focus, or simply, sitting quietly and not allowing your thoughts to overtake you.  Discursive meditation also ofters a powerful tool to step back from emotions and think through them.

 

Here are a few powerful tools:

  • Observation meditation: Find something you want to observe for a period of time (an intricate flower, a lizard, a bird, a tree).  Do three deep breaths, then return to a normal breath pattern.  Observe and be in stillness.
  • Oneness meditation: Similar to the above, find a part of nature with which you want to connect.  A waterfall, a stone, a tree, etc.  Mind your breath and then imagine that part of nature encompasing you, and bringing you in line with its energy.  Take that energy within you with each breath, and on each outbreath, release any pain or suffering.
  • Discursive meditation.  Discursive meditation helps with focused thinking; the idea in a nutshell is that you choose a theme for meditation.  This can be something that is causing you pain or something you want to understand more.  Now, think deeply about it, following one thought to the next.  If you find yourself deviating from the original thought, trace it back through.  I have found this strategy particularly helpful for working to get at the root of emotions–why am I having this emotion? And once I have the root, I can work on it directly.

 

The Wheel of the Year and Ritual Work for Clearing and Healing

In the Druid’s wheel of the year, we recognize that the dark times are part of the natural cycle of things, that they are part of life and the passage of time.  Still, it is difficult to live in a time of decline, when we know that winter is quickly approaching, and there is nothing we can do to shelter from that storm. Take advantage of the season that is upon us for introspection and healing work that the dark half of the year provides.  It allows–and encourages us–to go deeply within, to cast off that which no longer serves us, to re-orient our relationship to the darkness of this time, and to bolster ourselves and strengthen ourselves for what is to come.

 

Ritual work can be highly effective for this goal.  Writing simple rituals for yourself, tied to the wheel of the sun and the phases of the moon (or simply, when you need them) can greatly aid you in these dark times.  Rituals don’t have to be elaborate affairs, they can be simple.  Some ritual actions you might take include:

  • Releasing: Letting go of emotions, feelings, pain, other things that are not serving you any longer.  Rituals where you throw things into water or where you release things with water are particularly helpful here.
  • Cleansing: simple rituals to cleanse you (particulalry after releasing) can also be helpful here.  Smudging with herbs, asperging with water, doing a naked or barefoot forest bath, clearing yourself with the energy of the sun–all of these can be powerful cleansing rituals.
  • Energizing/strengthening: Bringing in energy to help bolster you during these difficult times. Drawing in the power of nature, the energy of the sun, the strength of the oak–whatever you need to help strengthen and ground you.
  • Shielding:  Shielding rituals are particularly effective in this day and age, and I suggest every person develop one and use it if they don’t already have one.  I use the AODA’s Sphere of Protection (which offers banishing, energizing, and shielding in one 5 minute or less ritual)–using this daily helps clear me and offer me balance and strength.

These are just some simple ideas–the important point here is to work with nature, work with whatever other powers you have, to find ways of strengthening you, cleansing you, energizing you, shielding you, and releasing the pent up emotions of these hard times.

 

Druidry as an Alternative Life Philiosophy

Observing and interacting with nature in a sacred manner offers us much in the way of re-aligning ourselves, and our worldview, towards that of the living earth.  Modern industrial and consumerist culture has a set of beliefs that have spiraled us into many of the challenges we face–and druidry offers us alternative perspectives and philosophies that can be counter-balancing in these times.  These include:

  • Tertiary thinking. Tertiary thinking encourages us to avoid false binaires and to consider alternative perspectives beyond those which are given
  • Recognizing the cycle and season. Modern American culture (and I suspect many others) demand that we are always in what I’ll call “high summer.”  High summer is high energy, with lots of activity, long days, lots of abundance. But life isn’t like that–and the more that you follow and align yourself with a wheel of the year and the cycles of nature, the more that this view will shift into a view that embraces, or at least accepts, that we also go through cycles in our lives, and cycles in our culture.
  • Nature as sacred and healing. Unlike much of culture, which sees nature as something that can be exploited, we druids recoginize the sanctity of all life, the sacredness of the living earth, and her power to heal.  This can, by extension, put us in different relationship with everything–for all things, ultimately, come from her and return to her.
  • Understanding time differently. Living by the seasons and wheel of the year also puts us in a different relationship with time; rather than time being a line, time can be a circle or spiral, which offers us powerful tools for reflection and strengthening. I wrote more about this in my series on time a few years ago here, here, here, and here.

 

Druidry as A Response to this Age

If you think about what druidry does, what the different paths do, it very much is a way of reconnecting us with those things that are the most important: our connection with nature, our connection with core practices that sustain us, and our connection with our creative spirit. It offers us tools, strategies, and powerful metaphors to help us adapt, relfect, and ground.

 

Druidry as a spiritual tradition is a response to our age.  As druidry develops, as we figure out what the druidry of the 21st century should be (as opposed to the druidry of the 19th century or even druidry of the 20th century), I think all of us have much to contribute to this conversation.  I would love to hear your own thoughts on what druidry–or other earth-centered spiritual practices– do for you, how they help, and what potential it may have for us during these dark times.

 

Awen!

Awen!

 

A Druid’s Meditation Primer February 11, 2018

In this time as the light is coming back into the world, the time surrounding Imbolc, I find myself often going deeply inward for healing and strength and turning towards meditation as a guide for spiritual balance.  This deep winter period is, of course, coming on the heels of the frenzied holiday season where many of us get burned out by the amount of hustle and bustle.  Further, many of the demands of modern living, particularly for those working wage-earning jobs, require us to move faster, be always “connected” and present with new technology, and have an increasingly fast stream of information pouring in and out of our heads. This can lead to long-term drain on the spirit. In this quiet time of the year, amidst the snows and frozen earth, various meditation techniques allow for rest, centering, and rejuvenation.

 

The quiet that nature provides...

The quiet that nature provides…

Meditation offers us a quiet moment away from the hustle and bustle of normal life—a sacred moment, a moment that gives us peace and allows us to be only within our own minds. And yet,  I think that “meditation” for a lot of people raises up images of sitting cross legged ohm-ing or doing deep breathwork (the kind of meditation you might see on TV or find in a Yoga class). These forms of meditation are certainly effective, but represent only a small number of possibilities, and may not be as useful or practical to those who are on a druid path and seeking to connect deeply with nature. Particularly for those walking a nature-based spiritual path, other meditative forms might be more effective and connecting.  I would like to explore some of those today.

 

Three Outcomes of Meditation

Its always interesting to talk with a spiritual practitioner of another path. I have several good friends who have deep Yoga, Zen, and mindfulness practices, and when we talk about daily spiritual life, we find a lot of similarity–but also a lot of difference. In conversations with these friends, I have realized how important it is not to assume the word “meditation’ carries the same meaning, and to talk instead about the specific practices that we do. I have come to understand that  meditation is not a single technique but a wide range of techniques that work on the relationship between mind, body, and spirit and that offer spiritual benefit. These goals of meditation can manifest in at least three ways:

 

Clearing Meditation: Some forms of meditation encourage us to disconnect from the troubles and everyday grit of living–to facilitate peace, calm, tranquility. In eastern meditation, we might have “empty mind” kinds of meditation, where the goal is simply to clear one’s mind for a period of time or practice 30 or 45 minutes of quietude a few times a day. In druid and western meditation techniques, this might be when we practice a “fourfold breath” technique at the beginning of a meditation session to simply clear out what was there. Other forms may connect us to universal energies or our higher self. These goals are very “up and out” kinds of goals, and can certainly be useful and spiritually enriching. I also think these kinds of goals are really useful for distressing and finding ourselves again after busy life circumstances–the kinds of meditation that offer us real health benefits and stability.

 

Connection Meditation. Other kinds of meditation practices ask us to work to be fully present with the moment. I see mindfulness practices from Eastern tradition as a great example of this as well as the practices of nature observation, walking meditation, and other goals that connect us deeply with nature. In this broader goal then, the point of the meditation seems opposite of the first–it isn’t to help us clear and get us out of a present reality, but rather, put is in touch with one.

 

Focus Meditation. A final goal for some types of meditation is the goal of focus. I see this goal really clearly in the use of discursive meditation, where the goal of discursive meditation is to help direct thoughts and lead to deep insight. A second meditation where this happens is shamanic trance and journey work, where inner journeys are facilitated by a particular receptive–and yet focused–state of mind.

 

Reconnecting with the land

Reconnecting with the land

Breaking meditation into these three categories has helped me with my own meditation practice, and it has certainly also helped me teach these techniques to others and explain the benefits.  If you simply want to “meditate every day” as many druid and esoteric traditions suggest, you have to figure out what you’d like to get out of the meditation so that you can use appropriate techniques. If you use only one form of meditation always, you are getting a particular benefit but may not be getting the full range of benefits that different styles of meditation provides. You can also combine meditation styles (starting with a clearing meditation and moving into a focus meditation, for example) for maximum benefit.  So now that we have some sense of the goals of meditation, I’m going to share some meditative techniques that can be helpful for us to achieve them, specifically from a druid-based framework.

 

Preliminaries: Posture and Breathwork

Before you begin any kind of meditation, priming the body and mind for the meditation is necessary. This priming includes posture and breathwork.

Posture: Many meditation techniques suggest a particular posture (sitting in a straight-backed chair with the spine upright, sitting cross legged on the ground on a small pillow to elevate the spine, standing comfortably, laying flat on a hardwood floor with a yoga mat underneath, and so on). I have two thoughts on this subject.  First, because different meditation techniques have different outcomes, the position of the body may need to be different for these.  For deep journey work, for example, my preferred posture is laying on the ground on a yoga mat.  For a simple 10 minute clearing meditation, I’d prefer to sit cross legged outside on a stump or on the ground in front of a candle. So as you think about the roles and goals of your meditation, different postures may be helpful.

 

Another consideration is that some bodies do not do well with certain postures.  For example, some people are very comfortable sitting in straight-backed chairs or standing for long periods of time, while other bodies may hurt after only a few minutes of this practice.  While there is a body element to meditation, in that you can train your body, just as you train your mind, you can also be aware of what your body’s limits are.  Early on, for me, trying to maintain a rigid pose when my body doesn’t want to do that led me to frustration and shorter meditations.  When is tarted laying down and using a yoga mat, I was able to gain tremendous benefits without body sensitivity.

 

Breathwork is used in nearly all meditation styles, and styles of meditation connected with druidry is no exception.

  • Three Deep Breaths: Three deep breaths is a technique taught by OBOD and used at the start of many OBOD ceremonies.  It is a very simple clearing meditation technique where you take three deep breaths, typically tied to the elements of earth, sea, and sky.  So you can simply stand and take a deep breath with the sky above you, with the sea around you, and with the earth beneath you.  And those three deep breaths can be a very simple meditation technique in their own right or as a gateway to deeper work.
  • Four-fold breath. The four-fold breath is a breathing technique that helps you settle into a meditation and is used in many esoteric practices and traditions. I see it as being used for both focus and clearing purposes.  I was taught it through the work of John Michael Greer (Druidry Handbook and other works).  In this technique, you focus on counting to regulate your breath in four equal ways.  The way I do it is this: breathing in for the count of three, hold your breath (lightly) for a count of three, breath out for a count of three, and pause (again lightly) for a count of three.  JMG warns that if you close off your throat at either the inbreath or outbreath to severely, it can lead to long term health complications.   I like to see the fourfold breath almost like a pendulum or swing (breathing in to the moment of apex, where there is that pause and then outbreath, with another pause on the other end, except the time intervals are all equal).
  • Quiet Breath. JMG also describes “quiet breath” as another meditation technique–after doing a four-fold breath, for example, you might transition into quiet breath for the remainder of the meditation (this is the technique with discursive meditation, taught in the AODA’s tradition).  Quiet breath is a normal breathing pattern, where you are lightly breathing in and out in your normal rhythm.  The idea is transitioning away from breath being a central focus of your meditation and into other work.

 

Three Nature Meditations for Druids

Now that we have some of the preliminaries covered, I thought I’d share three meditation techniques that can work well for those practicing a druid path, framed within the three paths or perspectives of druidry: druid arts, ovate arts, and bardic arts.  I also want to indicate that I’m sharing new forms of meditation here–ones that are very connected to druid-based and nature spiritual purposes.

 

The flowing of awen and the river

The flowing of awen and the river

A Druid-Focused Meditation: The druid path asks us to connect deeply with spirit, thus, a simple “clearing” meditation is helpful for the druid path. To do this meditation, you should find a source of running water or falling water (so a rainstorm, stream, flowing spring, or seashore would be highly appropriate). Find a comfortable position near the body of water. Begin with three deep breaths followed by the fourfold breath where you work to simply be present and let go of anything you might be mentally carrying with you. You can switch at this point to quiet breath for the remainder of the meditation. As you enter quiet breath, close your eyes and allow the sound of the water to flow through you, within you, and over you. Simply be with the water, taking the sound into you, feeling the flow of it through you. Do this for a time until you find peace, tranquility, and presence.

 

Water is a very good element to start with for this meditation, but you can actually do it with any of the four elements for different effects. A windy day makes a nice air meditation, as does sitting by the fire, or digging one’s feet in sand or earth. This is a very sense-oriented meditation, but the overall goal is to work with that element to help clear and ground you.

 

I will also note that while I developed this meditation for the purposes of clearing, it also offers benefits for connecting and focus–in other words, it helps us meet all three goals of meditation.

 

An Ovate Mediation: The ovate path asks us to connect deeply with nature, so a walking meditation with a primary goal of “connecting” is a useful for this regard.  For this meditation, go to any natural area and be ready to walk.  Ideally, this should be a place where you are not going to run into a lot of other people, certainly, a place where you don’t have to interact or converse if possible. For this, I like to find a quiet and out of the way path at a state park (but you could go into any natural area that fits your . I begin by standing on the path and doing a simple earth-sea-sky breath and a quiet prayer to ask the spirits of nature to inspire me on this journey.

 

The idea of this meditation is a walking-based meditation, where you get into a state of focus on the world around you, and allow the spirits of nature to simply flow through you and be with you.  For this, the goal is to be in the present moment, experiencing whatever there is to experience, on whatever level there is to experience it.  Observing, interacting, and simply taking it all in and being part of the journey.  This practice leads to deep spiritual awakenings and insights–and each walk, even in the same natural area, can be completely different.

 

A Bardic Meditation: A bardic meditation is often a focus meditation, with the goal of the meditation to bring forth something into the world as part of a nature-enriched creative practice.  For this, it is best to find a place that you find inspiring–a place that sings to your soul.

 

For this meditation, you will want to go to that inspiring place and bring with you the tools of a bardic art you’d like to practice or already do practice. So you might bring an instrument, pen and paper, paints, and so on (I think it is ALWAYS a good idea to bring some kind of recording device as well).

 

Begin by opening up a sacred grove and using the fourfold breath and quiet breath to bring you to a receptive state. Transition into a series of Awen chants, and then simply take the place within you. Be like a sponge, pulling in the energy of that place, hearing that sacred place’s song, story, poem, painting–connecting deeply with spirit. The goal here is to be in a meditative and receptive state so if this place has something it would like you to bring forth, you are able to be ready to have a quiet and receptive mind to do so (the meditation part). The first few times you do this, you might not end up creating anything at all.  But with enough visits and practice, these techniques will put you into a receptive state where awen will flow when it is ready to do so.  

 

This technique, for me, has produced amazing paintings, songs, and words…many of which have ended up here on the Druid’s Garden blog!

 

Concluding Thoughts

There are so many other kinds of meditations that you can do that connect you with nature, your own spirit, and the bardic arts.  I think the important thing, with any of these, is making enough time for these connections to take place.  Not all spiritual work has to be planned–sometimes, the best experiences come from the unplanned things, the things that simply happen, or things for which we make space.

 

Taking up the Path of the Bard III: Practice makes Perfect February 4, 2018

“You have so much talent” or “I’m not talented enough” are powerful statements, statements I hear on a regular basis from those who long for a creative practice. The idea of talent can cause an incredible amount of inaction, of people not feeling they are “good enough” to even try.  I see this, in particular, with the visual arts. But the first time you put pen to paper, if you aren’t Picasso or Monet, you might as well forget about it. This larger cultural ideal, of course, seems at odds with the druid tradition where Eisteddfod and the channeling of Awen are central to our spiritual life. In the druid tradition, creativity isn’t about producing something of commercial value or high quality, its about the channeling of creativity for spiritual purposes. But for those coming out of mainstream Western culture with all of the cultural baggage, this can be difficult to institute such a mindset shift.

 

As I mentioned in my post last week, the reason I took the last few weeks off of blogging was so that I could turn my attention to another project–doing the analysis and writing the paper for the OBOD’s 19th Mt. Haemus lecture. My work in the mundane world is as a professor and a learning researcher; I study how people learn, develop over time, and transfer/adapt that learning to a wide variety of circumstances.  And so, understanding bardic development as a learning process is tied to some of that broader research I’ve been doing for a long time. Over the last five months, I conducted an empirical study of the bardic arts in the druid tradition, surveying 266 druids from 9 countries as well doing in-depth interviews 14 participants at different points in their bardic development. I talked to people about their bardic arts, their successes, their struggles, and gained a deep understanding of what the bardic arts do–and can do–for us as a spiritual practice.  The results were heartening, uplifting, and amazing.  The study itself will be published by OBOD on Beltane 2018 (and I’ll share a link on the blog when it is posted) so I’m not going to talk too much about it here.  However, I did want to share a specific piece of the study, almost a prequel if you will, and talk more about the bardic arts from a developmental perspective.

 

You’ve Got Talent!

In the process of doing this research and just over time in in sharing my own visual art, it seems clear that words alone are not enough to encourage people to break through the “talent” barrier and create, even for those who long for such a creative/bardic practice. In the last few weeks, I have had conversations with people about the study, and multiple conversations go something like this:

 

Friend: Dana, you are so talented! You should sell your work!

Me: Actually, I practice a lot.  I spend at least 10-15 hours in my art studio most weeks, and have done that for over 12 years.

Friend: I wish I had your talent!

Me: If you set your mind to it and devoted effort, you could make great strides and produce things you are happy with.

Friend: No, I’m not good at it.  I just couldn’t. I don’t know where to begin. 

Me: No, really, you could.  You just have to start somewhere and keep practicing. Take a class.  Come here, we can do art together.

Friend: It’s easy for you to say that because you are talented.

Me.: I haven’t always been this way. I have to work hard. 

Friend: I’ll never be talented like you.

Me: …

 

The problem with this conversation is at least twofold: first, the person assumes that because they aren’t “good” at something the first time they try it, they shouldn’t try at all. Yet, if we know one thing in educational research and human history, it is that humans have an incredible capacity to learn and adapt over time.  Denying oneself the opportunity to learn something new, grow, and learn a new skill is almost like denying that innovative and creative part of yourself that longs for expression. In fact, studies of human development in a variety of contexts (including some of my own exploring writers’ development over long periods of time) show that even people who aren’t “good” at all when they start can gain incredible amounts of proficiency and skill in the long run.  The key is taking the first steps on that path. The second challenge with this conversation, from my perspective, is that anything I say doesn’t make a difference because I am “talented.”  After several frustrating conversations just like this, and in seeing where some of my study participants struggled,  I realize that maybe the best way to address this issue isn’t in conversation, but rather, with actual physical evidence of an artist’s development over a period of time. And so, in the remainder of this post, I wanted to share a bit of my own bardic development.  I use myself as a model for a few reasons.  First, I am finding myself more and more often in a place where people talk about how I’m “very talented” and it “comes naturally” (incredibly ironic, given the rest of this post!)  Second, I think the only way for people to understand how real learning happens is to have good models, models not just of success, but also of how people worked through failure, so I’m hoping to provide one. The truth is, regardless of how much I love doing  art and the spiritual benefits it offers, I still have to work hard at it, and have worked hard at it for 12 years, and that counts for a lot more than any innate “talent” I may have had when I first picked up a paintbrush.  And I still have plenty of times where it doesn’t work out well, lots of “failures” and attempts that don’t pan out.

 

 

A Story of Bardic Development

When I was a child, I grew up in a family of artists; my parents were graphic designers, and that’s how they made their living. I made a lot of art as a child, but as a teenager starting to consider options for my future, I distanced myself from it.  To me, art was associated with not having enough, and I watched my parents struggle to make ends meet in a rust belt economy that was quickly seeing all of their clients leave the area.  Art, to me, was a thing I couldn’t do, something forbidden, some that would somehow pull me into that world of economic struggle.  Becuase I loved art so much, I felt I would get sucked into it, and end up loving it so much that I wouldn’t want to do anything else.  Circular logic, to be sure, but it prevented me from doing any art from about the age 15 to the age 25. When I decided to attend college and was trying to select a major, my parents asked me to do anything but be an artist. After one year as a miserable computer science student, I settled on Writing instead (which was another love of mine). But all through this time, I wouldn’t let myself near art supplies, I wouldn’t create, and I certainly wouldn’t think about art.

 

When I was 25, so many things in my world shifted.  I lost a dear friend to cancer, I found my spiritual path of druidry, and congruently, as part of my own bardic/spiritual practice, I began to seriously take up visual arts again: painting, primarily, but also a range of other art forms (jewelry, mixed media, bookbinding, etc).  Of course, I hadn’t practiced artwork in over a decade.  I didn’t have a style, I didn’t have a theme, I just knew that in my pain and sorrow, I wanted to do something creative.  I wanted to visualize it, to paint out the pain, so to speak, and so I bought some supplies and started painting.  I hadn’t practiced much, I wasn’t very good, and I had no idea what I was doing.

 

Example #1: Artist Trading Cards

Fairly quickly, I stumbled upon something called Artist Trading Cards (ATCs) which were great for my graduate student budget and time–they were little 2.5 x 3.5″ pieces of artwork that artists made and traded all over the world through various websites. I wasn’t very good at these and my first attempts were lackluster, but the community was super supportive (with no judgement) and I quickly realized how much I enjoyed creating these small works of art. After may failed attempts (which I didn’t photograph, unfortunately), I started trading them with people.  So in 2006-2008 or so, my mini works of art I was willing to trade and photograph looked a lot like this:

Attempt at Abstract art

Attempt at Abstract art, Circa 2006

Watercolor Tree 1 (Circa 2006)

Watercolor Tree 1, 2006

Watercolor Bonsai tree (Circa 2006)

Watercolor Bonsai tree, 2006

As I continued to paint hundreds of these cards, and challenge myself outside of my normal media, I started getting better. A lot better.  I took classes, I explored different media, I focused on the technical aspects of the craft. I watched a lot of YouTube to see how other artists went about their process. I took on challenges that I knew were too hard so that I’d get better even if I failed in the attempt.  I kept trying to hone my craft as an artist.  I started a “reject” box for all the art that I wasn’t happy with and didn’t want to trade; I saw that box as my “improvement” and “practice” box. As I improved, I developed a style, found tools and media that I really liked (a particular kind of paper, a particular brush, a particular paint) that I could rely on for effect.  And I improved:

Whimsical Tree, Circa 2010

Whimsical Tree, Circa 2010

Wintry Trees, Circa 2011

Wintry Trees, Circa 2011

Three trees, watercolor and ink, 2010

Three trees, watercolor and ink, 2010

I did these little pieces of art seriously for about 7 years.  In that time, I painted literally thousands of them.  I know this because each one I painted, I traded to another artist and I have a shelf of binders full of the pieces I received in return still in my art studio to this day.  Thousands and thousands of mini paintings on variety of subjects (but about half of them trees) will certainly help you improve.  Just recently, at the start of 2018, I completed some more ATCs as gifts for my interview participants in the Bardic Study.  My style and complexity have continued to improve, so here’s where I’m at with this same size  (and same paints/media/paper that I like):

 

Watercolor Awen Tree #1, 2018

Watercolor Awen Tree #1, 2018

Watercolor Awen Tree #2, 2018

Watercolor Awen Tree #2, 2018

Watercolor Awen Tree #2, 2018

Watercolor Awen Tree #2, 2018

Practice and dedication to one’s art, over a period of time, produces results.  Is there something to be said for vision, for inspiration, and for “talent”?  Perhaps, but I don’t think any of that is what has gotten me to where I am today.  What got me here was a willingness to make mistakes, a willingness to try and attempt, a dedication to improving my skill, and a lot of hard work and determination.  What keeps me going are the intrinsic and spiritual benefits I gain from such a practice.

 

Example #2: Tarot of Trees and new Healing Plant Spirit Oracle

As a second example, which in some ways is much more drastic because it is at a larger size, we might look at the comparison between my self-published tarot deck, the Tarot of Trees and a new project I’m currently working on. The Tarot of Trees reflects my skill level between 2008-2009 after I had been painting a few years; my new project, the Healing Plant Spirit Oracle reflects my style in 2016-2018.  The Tarot of Trees really pushed my skills at the time and also helped me really establish not only my own artistic style, but also, the synthesis of the creative arts with my spirituality–a true bardic art.  I did these as sacred artwork, completing them in a sacred grove, painting, channeling the Awen.  And like any of my other paintings and projects, I had a few that didn’t end up in the deck and didn’t pan out, but that’s part of the process.  Here are two of my favorite cards from the Tarot of Trees:

The Empress, Tarot of Trees (2008)

The Empress, Tarot of Trees (2008)

The fool from the Tarot of Trees (2008)

The fool from the Tarot of Trees (2008)

My newest oracle project got underway in 2016–a series of plant spirit paintings, reflecting the spirit of healing plants.  I’ve been really, again, working on the synthesis between my technical skill and spiritual practices. To deepen my technical skill, particularly my drawing skill, I’ve been doing individualized drawing study and studying the work of other artists. I’ve also gotten regular expert feedback from artists on these pieces.  These plant spirit paintings are, once again, pushing me out of my comfort zone.  Here are a few of my favorite pieces from the series (which I hope to have complete by 2020):

Spirit of Goldenrod, 2016

Spirit of Goldenrod, 2016

Spirit of Poison Ivy, 2017

Spirit of Poison Ivy, 2017

Spirit of Blackberry/Bramble, 2016Spirit of Blackberry/Bramble, 2016

Spirit of Blackberry/Bramble, 2016

Certainly there is magic here, but it lies not raw talent, but rather, the careful application of the skills I’ve honed to bring forth a particular vision combined with channeling the Awen that is flowing. Paintings like these don’t happen without considerable effort and work–I do a lot of meditation, journeying, sketching, and more to manifest them in the world. As evidence of this, here is a page from my sketchbook that shows just this for poison ivy (I worked on the sketches for this for several sittings before doing a larger sketch that led to the painting):

Poison Ivy sketch

Poison Ivy sketch

 

Concluding Thoughts

I think its easy to look at, see, or hear something beautiful and feel that the piece must have emerged out of the ether and is the result of some mystical talent. And yet, I’m a druid who channels Awen and even I don’t believe that. For every person I know who has considerable skill and expertise (notice how I’m avoiding the word “talent” here), I know that their work is a product of years of dedication to their craft. In fact,  think the most ironic thing about the whole “talent” challenge in modern society is that by ascribing to this idea of talent, it undermines the hard work that people who are dedicated to an art or craft take to hone their skill. By telling someone that they are talented, we reinforce the idea that it magically happens and you either have it or you don’t–and in my experience, this couldn’t be further from the truth.  It disempowers the speaker, it disregards the effort of the person who has practiced, and it makes the bardic arts unattainable for many.  In truth, we all can improve, we all can become highly skilled, if we put the time into it.

 

So how do we do this?  My earlier pieces in this series, Taking up the Path of the Bard part I and Taking up the Path of the Bard, Part II, offered details and discussion of how we can begin to develop creative and spiritual practice in our own lives. I’ve talked about the bardic arts as a spiritual practice, the historical idea of honing skill, channeling the flow of Awen, and other kinds of rituals to help empower us as bards.  Hopefully, among all of these blog posts, you’ll find something of value!

 

Blessings upon your bardic journey and may the Awen flow within!

 

 

On Being an American Druid November 26, 2017

The quintessential image of a druid is a group of people, all in white robes, performing ritual inside an ancient circle of stones.  This image is probably the most known and pervasive of all visuzaliations of druidry, and for many, it shapes the our perceptions of what druidry should be. But taken in a North American context, this image presents two problems.  First, we have no such ancient stone circles and two, another group has already claimed the quitessential white robe, and its not a group with which we want to associate our tradition.  This kind of tension, along with many other unique features of our landscape, make being an American druid inherently different than a druid located somewhere else in the world.  In the case of any spiritual practice, context matters, and context shapes so much of the daily pracice and work.    And so today, I’m going to answer the questions: What does it mean to be an American druid? What strengths do we have? What challenges do we face?

 

Stone Circle

Stone Circle

For this discussion, I am drawing upon many sources: my work as the Archdruid of Water in the Ancient Order of Druids in America (AODA), an American-Based Druid order, where I mentor druids and develop our curriculum; my experiences as a long-term member of the East Coast community of OBOD Druids (which now has two gatherings near where I live, ECG and MAGUS); and finally, many of the conversations and comments on this blog.

 

Key Differences

I want to set up, first, some key differences between the North American and UK contexts to help frame my overall discussion. In the UK, druids practice a religion that is inspired by their their ancestors who lived on that same soil. In the US and Canada, nearly everyone who lives here is the result of colonialization, where the Native Peoples were killed, forcefully removed, and their lands stripped from them. Given this tragic history, druids in North American have a very different cultural relationship to the land. Further, the United States was founded mostly by radical Christians who were generally quite intolerant of other faiths; this has long-lasting implications for the acceptance of non-abrahamic religious practices. North America also has considerable ecological diversity as it spans a much wider space (not to mention, druids are much more spread out!) Given radical differences in the contexts in which we practice druidry, it makes sense that American Druidry looks inherently different than British Druidry. Our changing context changes everything: our symbolism, our interaction with the land and her spirits, the way we think about sacred sites;  our relationship to our own history; our place in our own culture; and more.  Let’s look at some of those differences and think now about how druids can, and do, respond.

 

 

Dana's Wheel of the Seasons

Dana’s Wheel of the Seasons

Ecology and Symbolism

North America is a massive continent with an incredibly wide range of diverse ecosystems and a single “one size fits all” approach simply isn’t going to work here.  The diversity is, of coures, a blessing: we can experience many different ecosystems and climates by simply taking a quick trip somewhere new.  But the diversity is also a challenge for us, particularly in connecting to traditional symbolism. The druid tradition draws upon things like the Ogham (a set of sacred trees located on the British Isles) and traditional sacred animals (such as the Salmon, Stag, Bear, and Hawk).  Talking about four sacred animals (that don’t live in all parts of the US) or even thinking about holidays based on a certain timing wheel of the year based on certain seasonal changes, is simply not relevant to druids living in diverse ecosystems. Rather, druids here developing adaptations: their own unique druidries.  This prompted me to write about ecoregional adaptations of druidry through a re-envisioning of the wheel of the year through a local ecological approach, considering the role of localized symbolism, and considering the role of rituals, observances, and activities in this localizing practices. Other “traditional” druid herbs, trees, and so on simply don’t fit for a lot of the ecology in the US. Where I live in Western Pennsylvania, mistletoe doesn’t grow on oak, blackthorn doesn’t exist, and I’ve never seen wild heather. But I do have maple, sassafrass, spicebush, witch hazel, and so many amazing plant allies that I’m getting to know–and I’m thankful for the opportunity!

 

Spirits of the Land and Ancestors

Another key difference with the land has to do with the ancestors. On one hand, the native peoples who had such a deep spiritual connection to the land are largely no longer present and those that are present are struggling to keep what remains of their own ecological knowledge, rituals, and practices.  This information is largely not available to others outside of their communities, and out of respect, it shouldn’t be. This presents problems not only with ovate and ecological studies of plants and herbs, but also, challenges in connecting to the land spiritually. I’ve had many druids tell me that they had difficulty connecting to certain pieces of land, that the land and her spirits were “closed off” to them, and so on. We can only rectify this situation over a long period of time and through working on this land, healing it, connecting with it, and learning about it.  In other words, we have a lot of work to do, and taking up this work is a great honor and a great challenge.  But we are in a unique position to do so–to work to heal those wounds, as best we can, with time, courage, compassion and will.

 

Another ancestral challenge is the legacy of many non-native ancestors. For some of us, like myself, my ancestors were directly involved in the pillaging of the abundant resources of Pennsylvania in the name of “progress” to build up American industry. The forests were cut down, the streams were poisoned from mine runoff, the cities grew clouds of smoke and smog, you name it. I talked about in my “Coming Home” post from a while ago. This is, of course, still very much occurring, and again, offers us challenges with connecting to the land–not only do we not have an ancestral tradition of nature-based spirutality on this soil, but we have an ancestral tradtion of taking from the land and stripping it bare.  Again, I see this as a tremendous opportunity for healing work to be done.  We can choose to continue in this ancestral legacy, or we can step aside from it and take a new path.  The practice of permauclture design offers us tremendous tools for regenerating land, healing ecosystems, and honoring soil–we can show the spirits here that we are inherently different than that previous legacy that was left.  And this is very exciting work.

Sacred Spaces

Earlier this year, I had written quite a bit on establishing sacred spaces as an “American” challenge because of the history of colonization and genocide (and I think that other non-UK druids living in former British Colonies face similar challenges).  You can’t just walk or drive to your nearest ancient stone circle, raise some energy, and feel all druid-like here in the states.  In reading OBOD’s coursework, particularly the Ovate grade, so much of OBOD druidry focuses on connecting to stones, connecting to those ancient sites, and it leaves a lot of North American druids scratching their heads and saying…hmm.  What do I do?

 

Again, the problem is the solution. One of the things that a lot of us are are doing is working to establish our own sacred spaces. I’ve written about this numerous times over many years on this blog in different ways. On a personal level, we might consider how we create stone cairns, creating stone circles and other permanent outdoor sacred spaces, creating various shrines to butterfly/bee sanctuaries to full blown establishing sacred land. And of course, there are also the larger group projects, like raising stones with 200 people at Stones Rising! This is all to say–yes, we need our own sacred spaces here in North America, and yes, we  rising to the challenge and building them. I think this puts us in an inherently different kind of space with our druidry here: we are literally building it with our hands, hearts, and spirits. We are working to connect to this land, as her current people/inhabitants, and honor both the land and those that came before by seeing our land as inherently sacred.  And someday, we will be those ancestors who built the stone circles that others will come and celebrate in.

Healing the land...

Healing the land…

History and Culture

Another key difference between American druidry and the druidry of other places is cultural.  I see this in at least two ways.  First, there is the issue of broader cultural acceptance. I remember conversation between John Michael Greer and Philip Carr Gomm at OBOD East Coast Gathering  in 2012 about the how druidry in the UK vs. the US we percieved (this was archived on Druidcast in Episodes 68 and 69). Those of us listening were absolutely floored to hear Philip describe a story of a town was going to put a highway in, and they brought in a “local druid” to consult about its energetic impact on the land. This would never happen in a million years anywhere in the United States. And in fact, a lot of druids have to remain completely secretive about their spiritual practices, their holidays, not only at work but also with their own families. This issue, and seeing so many struggle with this here in the US, prompted my two-part series on being your authentic self, particularly, for those who aren’t able to be in the open (path of the moon) and those that are working towards more openness (path of the sun).

 

The second cultural issue goes back to that quintessential image of the white-robed druids inside the standing stones.  In the US, images of white-robed people in the forest at night lead to only one conclusion: the Ku Klux Klan. Many American druids express discomfort, heavily modify their white robes, or, simply refuse to wear white robes at all.  At least one American-based druid order, the AODA, is moving away from white robes entirely given the cultural climate present in the US.  And I see this is a good thing–I see it as a direct confrontation to the pervasive racicsim and intolerance in our culture.

A Way Forward

What I hope this post has described is that Druidry in the Americas is inherently different than in other places in the world.  These differences aren’t detrimental or problems, they are simply differences. I think that American druids have an incredible opportunity: we are building a tradition for ourselves, here, rooted in this place and in this time. We are building our tribe, our relationships with the living earth, our sense of identity, our own sacred spaces.  We are reconnecting with the knowledge of all of our ancestors–of our land, of our tradition, and of our blood.  We embrace challenges for what they are–opportunities–and make the most of those opportunities through our own creativity and enthusiasm!

 

Towards that end, we might think about some of the key work before us as American druids:

  1. Developing eco-regional druidries that fit our ecology, seasons, and local cultural traditions
  2. Developing a deep understanding of the local plants, animals, and trees that inhabit our  landscapes: their roles in the ecosystem, their medicine, their uses, their magic
  3. Honoring the previous ancestors of the land and working to keep the legacy of tending the land alive
  4. Thinking about druidry as inter-generational and helping to build the “next generation” of druidry
  5. Offering energetic healing to the land and acknowledgment of what has come before
  6. Learning how to directly heal and tend the land and bring it back into healthy production
  7. Building our own sacred sites and energetic networks
  8. Enjoying and embracing the ecological diversity that makes this land outstanding

I think there is more than this, but this is certainly a start!