Tag Archives: druidry and the future

Visioning the Future through the Bardic Arts: Creating Vision, Creating Hope

Reishi mushroom from the Plant Spirit Oracle offers a vision of healing, growth, and regeneration

I used to be a big fan of reading dystopian fiction when I was younger. It seemed like a distant world, a reality far from our own. But perhaps now, those books resonate too close to reality. As someone who practices magic, I have to wonder, would the concepts present 1984 be as present if the book hadn’t been so well-read? Did George Orwell manifest these concepts as a magical act, or were these already present and he simply channeled what was already coming into focus? The same can be true of many such influential works: The Handmaid’s Tale, Brave New World, Bladerunner, and more. We also have things like robots, invented by Issac Asimov as science fiction in the 1940s and 60 years or more later, became a reality.  One might argue that despite the fantastical nature of these works, works like these have had an influence on present human culture.  Perhaps, it is a sign of the times that most of what has been produced from a mass media standpoint in the 20th-21st century is rather dystopian and chilling, with some notable exceptions. As we have recently seen here in the US, words have power.  Words can shape reality and incite people to action. Is this the world we want to create?

As someone who practices magic, I certainly accept that our intentions and the directing of our will can help shape our realities. I also accept that for many things, we have to have a spark or vision before we can see it come to reality.  It is hard to bring something to life if we first can’t envision that it could exist. If we accept this to be true, then, in turn, we can consciously harness intentions and that bring visions to life that help create a better future. I think that one of the powerful things that art of all forms can do is help envision the future.

 

Poison Ivy from the Plant Spirit Oracle – teaching new ways of interacting with nature.

At this point, we are facing both ecological disaster and many human challenges that grow more serious by the year as our society continues the “slow crash”.  This era of human civilization will decline and end–but the question is–what comes after?   How can we be good ancestors for the future?  Thus, I am always looking for ways to do more. I want to take responsibility for my own behaviors physically and metaphysically. Physically, this might include being careful with my purchases, working to heal and regenerate landscapes, and engaging in other kinds of sacred action. Metaphysically, it can be bringing forth visions of a better future–we can create the visions now so that they can enter circulation and become something that helps seed a brighter world.

I also share the rest of this post with a caveat. People create art for a lot of different reasons, both external and internal. You might consider visioning arts as one of many reasons to create, a bonus reason, a reason that offers your art additional purpose.  Not all art has to have this kind of vision either, but some art forms and works may be very well suited to it.

Creating a Sacred Vision

If you buy into this idea and you practice the bardic arts of any kind (poetry, music, dance, writing, visual art, fine crafts, etc) you might want to give this idea some thought.  What vision are you putting into the world? What is the world you want to create?  Towards that end, I have a few suggestions for helping you hone and refine some ideas.  The most important thing you can do is spend some time in meditation and reflection about what vision of the world, what ideas and concepts, you want to bring forth.   So here are a few things to consider:

  1. Start by thinking about the specific kind of art (bardic work) you produce and what kinds of messages you can share. Certain art forms are easier to convey messages than others.  When you convey messages in your work, can the work stand on its own, or, do you want to share some information about the work in addition to the work itself?
  2. Consider presenting general philosophy about your work.  Messaging can come in a lot of forms: these sometimes come in the form of “artist statements” that talks about what you do and why you do it.  This is especially helpful for work that can be interpreted in many ways, or whose interpretation is not immediately clear upon examination (e.g. woodcarving).  You can share these messages on social media, on your website, even with the physical art that someone receives.
  3. Consider your specific messages or themes you want to convey.   Perhaps you have a very specific message or a general one. Think about the thing you most would like to see in the world–write it down, and keep it in mind when you create.
  4. Consider the symbols you use. Symbols, whether they are intentional magical sigils or just broader symbols, also carry tremendous power. If you have specific symbols or symbolism you want to use in your work, this should also be considered!

Now, I’ll present three core visioning goals for my own work as an artist–I  am sharing them both to demonstrate an example of the kinds of visions you can create but also to spark your own creativity about how your bardic arts of all kinds (poetry, visual art, music, dance, fine crafts, writing) might support your own unique vision.

Messaging and Visioning: An Example

As a visual artist and a writer, I am always thinking about how I can bring this aspect of magical visioning into my work. It is one of the reasons I create, but certainly, not the only one! These are my three goals.

Presenting an alternative perspective and value of nature.

One of the first ways I see us using art, writing, poetry, music, and other bardic arts is to present alternatives or ways of reseeing our present reality.  We can show a different perspective on something, offer a new angle, or provide new insight through our work.  I think you can do this with anything, but as a druid who has her heart set on preserving the natural world, my focus s on nature and on providing alternative messaging and visions.

The art show!

I’ll give you a good example of this. As I’ve shared before on this blog, I live in a region of the USA that is an extraction zone: we have fracking wells, 1000’s of miles of streams full of acid and iron from mine runoff, mountaintop removal, boney dumps, logging, and coal-fired power plants–to name just a few.  Around here, most people view nature as something to extract; a resource to be profited from, and a way to keep jobs in the region. Hunting and fishing are also big around our rural area; while I’ve met some hunters who have reverence, unfortunately, many shoot animals, birds, and rodents for sport.  Thus, there is very little respect or love for nature and in my art, I work to offer a different message. 

A few years ago, I was invited to hang some work through our local art association at the regional hospital. It was a nice opportunity to have my work seen by a lot of people.  I thought really carefully about the content of my art and decided to work to present an alternative view of resource extraction.  I painted trees with hearts in the ground, I painted the telluric currents of earth energy flowing, I painted regenerated landscapes.  It’s hard to say how these pieces of art touched those who saw them, but I hope they did some good. The more these kinds of alternative messages and perspectives can get into circulation, the more “normalized” they become and the more power they hold.

Staghorn Sumac ornaments from reclaimed wood

Another way of thinking about this is in the tools and materials I use–there’s a message about valuing nature inherent in this work.  For example, my neighbor plowed over a beautiful stand of staghorn sumac last summer without even knowing what it was or how it could be used.  This beautiful stand was one I got to know well and I was really distraught at how it happened.  This really saddened me, but he did allow me to come in and harvest as much as I wanted of the wood and roots.  I did so, and at the holidays, I made him an ornament from the beautiful root wood and put a note on there that it was from the wood he let me harvest.  Perhaps this beautiful wood will have him think twice about cutting down the trees and seeing some inherent value in them.

Re-enchanting the world

After someone is willing to see nature, to value it more, to understand it in a new light, then I can shift to the more magical and potent part of the message–the message of the world being an enchanted place helping re-enchant humanity’s perspective of the living earth. If a new vision is step 1, then re-enchantment is step 2.  In other posts, I’ve written about what I see as the disenchantment of the world, the philosophical and literal stripping of all magic and wonder from the world, which I believe has paved the way for some of the more egregious abuses of nature in the 18th- 21st centuries. 

Ultimately, if we see nature as sacred, enchanted, and having a spirit of its own, it is much more likely that humans of all kinds will behave in ways of reverence and respect. I think a lot of authors and artists have done a great job in showing that the world has an enchanted side. 

Japanese Knotweed as Guardian of the Waterways

I think one of my own projects that most closely aligns with this goal is the Plant Spirit Oracle.  The goal of this deck was to take common medicinal plants and offer them in an enchanted and personified way.  I also paid special attention to plants that were maligned like Poison Ivy and Japanese Knotweed as part of this work. Thus, Japanese Knotweed, which is widely hated and maligned, is shown in an enchanted light as a guardian of the waterways; the catnip in your garden is shown to have spirit, poison ivy teaching awareness, and so on.  These plants have forms that can be viewed, interacted with, and offer guidance and wisdom. . 

Offering new visions of the future and personal empowerment

Wendell Berry’s Poem as a Woodburning–I made this at Samhain and in the spring, I will leave it as an offering in the forest, a reminder of the vision we can bring forth

A final aspect, and one that has a lot of potency for me right now, is thinking about how works of art of all kinds can shape the future. I’m sick of reading and thinking about things from a dystopian perspective and I’m sick of watching our world go further and further into those dystopian vision.  I’ve firmly committed to creating works of hope.  This was a clear vision for me for the Tarot of Trees– a response to deforestation. I wanted people who used the deck to value trees more, and I wanted a vision of a healed world to come forth. But there’s also a lot of future vision in these works: witch hazel, one of my favorite paintings in the PSO, is all about a pathway towards the future; about becoming a good ancestor. Comfey is about having the tools to bring positive change, while Rosemary reminds us of the powerful cycles and generations that we have to consider.  The messaging is there for those who look!

In another example, this one by one of my favorite writers, Wendell Berry, his poem, Work Song, Part II: A Vision is a prime example of a message that holds a vision of the future. When I first read this poem, I cried from the beauty of it, the vision Wendell Berry offered and thought about what we might need to get there.

Visioning a Brighter, Nature-centered Future

Providing alternative perspectives, enchantment, and visioning for the future is certainly a magical act and one that many people who practice the bardic arts might build into their work.  When you create something and put it out in the world, you have an opportunity to create so much more than just a piece of art–you have a chance to help build a vision of the world to come.  While simple visioning work is only part of the task before us, however, as Wendell Berry’s poem notes, it is an important part and something that each of us can do. 

Dear readers, I am very interested in hearing from you on this topic: Have you built visionary principles into your art? If so, please share.  If you haven’t yet but would like to, I’d love to hear from you as well!

 

Druidry for the 21st Century

This is a challenging age, doubly so for anyone who is connected spiritually with the living earth and who cares deeply about non-human life. The Fourth National Climate Assessment, released towards the end of 2018, presents a dire picture for the future. This isn’t the only recent report from governing bodies globally–report after report continues to paint a clear picture of what humanity is doing, and what we need to do to change.  And yet, it seems to be business as usual.

 

The cycles of nature

The cycles of nature

When I talk to druids about their thoughts about this present age, there seems to be a few ways to think about it.

 

First, the glass half empty approach is feeling extremely demoralized, looking at climate change reports and long-term forecasts and seeing the continued inaction on behalf of world leaders. The glass half empty approach may also have feelings that nothing we do now matters, and may wonder what the point of even trying is. Druidry for them is a means of coping, a means of connecting, even if they think it may all go down the drain.

 

Second, the glass half full approach is feeling concerned about the state of the world but also recognizing the great potential in this age–we must adapt or not survive. One of the core permaculture design principles is “the problem is the solution” meaning we can see into the nature of the problem and in seeing it, we can find solutions within it. These eternal optimists feel that we can be the solution, and it’s just a matter of finding out what to do and how to do  it, and doing it well.

 

Finally, the third approach is ignoring the glass altogether: those who choose not to think about whats happening large-scale, and instead, respond by individual and local action and what they can control.  These druids are fed up with what is happening broadly and pay it no mind–but care deeply about what they can control and work to live in a way that honors and cares for all life.

 

There are probably more responses than I named here (and if I missed yours, please share it!).  Regardless, living in the 21st century is an incredible challenge for druids and any other practitioners of spiritual paths where nature is sacred and revered.  The questions that I keep getting asked, and that I keep asking myself are:  What does druidry do for us in the 21st century?  What does druidry offer the future?  How can we become good ancestors, and create a world that is safe, vibrant, and stable for our descendants?

 

I don’t profess to have all of the answers, by any means.  But I do have thoughts I can share.  I’ll tackle this first question above in this week’s post and the second question in next week’s post.

 

What does druidry do for us in this age?

This is a complex question that requires a number of different answers.  On one hand, we have to look at what it does in an individual’s life–how it supports an individual’s spiritual practices.  We also have to look at what it does to the world around us, ecologies and communities. Finally, we can look at larger paradigms that it challenges and helps us replace, more broadly.  Thus, in this age, it works on at least three levels: the level of the self, the level of the land, and the level of the community.

 

The Self: Tools and Practices. In my work as Archdruid of Water in the Ancient Order of Druids in America, I see a lot of applications from new members. As part of our application, people need to write a letter that explores what encouraged them to join AODA, what made them come to druidry, what they hope to gain. Most of them have key similarities: the need to reconnect with themselves through a spiritual path, the need to connect with nature, and the need to find balance in their lives.  These needs bring me to one of the core gifts of druidry: helping us live in this age fully, powerfully, and sanely.

 

Being connected with nature

Being connected with nature

Modern western culture, particularly here in the USA, has discouraged many things: creative practices, being outside, having any kind of thoughts or an inner life, being curious about the world.  Druidry offers people a way back into these very human and fundamental practices. Druidry is ultimately a connecting practice.  This includes our connection with nature through the ovate arts, our connection with core spiritual practices that sustain us and allow us to cultivate a rich inner life through the druid arts, and our connection with our creative spirit through the bardic arts and the flow of Awen. Druidry offers us tools, strategies, and powerful metaphors to help us adapt, reflect, and ground.

 

Again, in my role in AODA, I get to read a lot of people’s reflections at the end of their coursework.  It’s amazing to hear just how much a single year of druid practice changes them: their healing from past trauma, their deepening appreciation and care for the natural world, their cultivation of a rich inner life, their cultivation of a creative practice.  These kinds of things get to the heart of what a spiritual practice can, and should be, for each individual–a way to connect with themselves, their creative gifts, and the world.

 

Tools and Practices for the Land. Druidic practices don’t just benefit us as individuals; they benefit the world around us. One of the great challenges of our age is that humans are radically disconnected from nature; our food comes from somewhere else, our products come from somewhere else; we don’t know the names of plants or animals in our local ecosystem, we don’t know what a healthy ecosystem looks like. We could not survive in our ecosystem without modern conveniences in place, as our ancestors once could.

Through learning about nature, through nature study, wisdom, and experience–we learn how to be in nature.  Once you begin seeing nature as sacred, you treat it as sacred.  This manifests in so many diverse outward actions–we learn how to live more caring lives that support rich ecology and diversity; we learn how to nurture and tend the lands around us. Druids plant trees, tend gardens, do river cleanup, convert lawns to wildlife sanctuaries, and so much more. Druids make lifestyle changes to reduce their impact on the living earth and help sustain life. Ultimately, druidry takes us from potentially indifferent to knowledgable and connected with nature–and that helps us do good in our land, rather than cause harm. This change on our inner selves has outward results that support our broader ecosystems.

 

What can druidry offer the future?

Druidry helps individuals and those individuals can make some impact on ecosystems–but what about what is happening broadly? While the glass half full and the local action readers are probably nodding and smiling with what I’ve written above, my glass half empty reader is probably reading this and saying sure, that’s great, but we still have an unsolvable predicament on our hands.  And to this, we begin orienting ourselves not only to the present, but to the future.

 

As druidry develops in the 21st century, I think it will inherently look differently than it did in the 18th, 19th or 20th centuries. It’s a personal spiritual practice, yes, but it’s also an alternative philosophy–druidry is in the process of developing new mental models for living and being and interacting in the world.  Let’s look at why this matters, and the power it holds.

 

The Systems Thinking Iceberg Model  offers us a way of understanding how change happens, and at what level change happens. This model suggests that if we want to change behaviors and actions, we must change the underlying mental models–the paradigms we live by. In this model, the top of the iceberg is events–things we react to, events that happen.  That’s what is sticking out of the water, what we can see.  So something occurs, and we react to it. A lot of people get stuck here–reacting to events that occur, not realizing that most of the iceberg (the cause of the event) lies under the water.  The second layer down, just below the water line, are patterns or trends.  These are the series of events that are connected over a period of time and form larger patterns of actions and events.  We don’t always see the patterns, but they are often there.  The third layer is the underlying structures: physical world, organizations, policies, rituals (in the societal sense).  These are the things that govern and support a lot of patterns, and thus, a lot of events.  These are also the structures that make it detrimental to engage in certain kinds of activities (such as going fully off grid).

 

The layer we are most concerned with today, however, is the final layer–that which underlies all else.  This is the layer of mental models: where ideologies, attitudes, beliefs, expectations, values, and myths reside.  These are the stories we believe and the stories we tell ourselves, both as individuals and as cultures.  These mental models drive larger structures in society as well as individual actions.  These are the myths we live and die by.  If you want to change action, the mental models themselves must change. And here’s the thing: right now, western culture has some incredibly destructive myths: to individuals, to communities, and to ecosystems.

 

So what does this have to do with druidry and the future?  And my response is — just about everything.  Druidry isn’t just a spiritual path for individuals in the here and now.  Druidry is a way to change the world.  When individuals take up nature spirituality as a path, the practices lead them to shifts in thinking–to rethink and reframe mental models.

 

Loving the Land (All Heal from the Plant Spirit Oracle, my in-progress oracle deck)

Loving the Land (All Heal from the Plant Spirit Oracle, my in-progress oracle deck)

The Myth of Progress vs. the Cycle. One of the core arguments that John Michael Greer has made about industrialization is that the myth of progress is a national, cultural religion (see Not the Future we Ordered, among his other writings). The myth of progress insists that growth must happen always (economic growth, technological growth) and that progress will forever continue. That is, the idea of progress is so central to the way that humans think and act, and the decisions that we make, that this paradigm drives nearly everything else. The myth, like all good myths, is rarely questioned: to grow is good, and not to grow is bad.  A housing development is progress over a forest.  The myth suggests that humanity has progressed from the stone age to today, with today being the pinnacle of progress, and tomorrow being even better.  This myth also asks us to value efficiency, expediency, mechanization, and standardization.

 

Druidry asks us to confront this myth.  Lessons of nature, of the wheel of the year, of the seasons, teach us that the world doesn’t work in a straight, ever-upward moving line.  The land works in a cycle, with seasons of famine and of plenty, with light and dark times.  Nature’s lessons offer us key ways of re-orienting our own philosophy away from the destructive myth of progress and into something that is more sustaining.

 

Infinite Growth vs. Balance.  Tied directly to the myth of progress is the myth of infinite growth. The idea that all growth is good, and the only way to have a stable society and stable economy is by growing.  This is embedded in to any discussion of modern economics, and certainly, is a driving force.  Edward Abbey wrote, “Growth for the sake of growth is the ideology of a cancer cell” and this very much rings true.

 

Druidry teaches us differently.  Nature is certainly about growth, but like everything else, it is growth for a season.  Nature teaches us that limits are real, and necessary, and that growth and limitation are always in balance.  If trees grew too tall, they would blow over.  If the summer never ended, pests on the land would grow and multiply to great numbers, harming plants.  Nature spirituality teaches us the lesson of balance.

 

Harmful consumption vs. Humans as a force of good. In the permaculture film “Inhabit” permaculturist Ben Falk talks about the challenge we face as humans who care about the land. So many of the things we buy, the narratives we hear, suggest that we should do “less harm.” As though the only thing we can do is harm less, or be a little better than we were before.  But, as he argues, if you follow this thinking to its logical conclusion, it almost seems better if we weren’t here at all, if we had never been born, or that the best thing we could do is end our lives rather than keep polluting and consuming.  This, of course, makes us feel guilty just for inhabiting our earth, for going about our daily lives.  I agree with him in that this thinking is extremely problematic because it defines our role only in a damaging sense.

 

Druidry, and ecological approaches like permaculture, offer us an alternative perspective: we can interact with nature in many other ways–we can be a force of good.  Through tools of both spiritual action and physical action, through the head, heart, and hands, we can regenerate and heal our lands.

 

There are more paradigms than just these that druidry confronts, but I think these three are a good starting point.  To go back to the iceberg metaphor, we can see how what happens (events) and patterns surrounding what happens are supported by underlying structures.  But those structures exist ultimately because of mental models–that which we think, believe, and hold sacred.  If we can change the mental model–we change everything else.

 

What will druidry do for our descendants?

The mental models that have driven this world, particularly, the western world, into the 21st century are failing.  They are failing humans, non-human life, and every ecosystem on this planet.  And frankly, given how destructive they are, they need to fail.  We are quickly approaching the time when a lot of people are going to be seeking new mental models. We are already seeing movement in this direction–the decline of traditional religions and the growth of ecologically oriented religions, the growth in other kinds of ecologically-based thinking– it’s already there.  We’re seeing this movement in the youth of many countries. The paradigms we learn from nature are being shared in many nature-oriented practices and communities: balance, wholeness, integration, connectedness to the land, cycles–lessons from nature.

 

If we can rewrite the culture’s mental models and paradigms using lessons of nature, and if that new myth can become a driving force, all of society will change as a result of it.  And here’s the thing–people are looking for these kinds of new ways of thinking, doing, and being.  The mental models, rooted in nature, can offer us the next paradigm–the next society we build, one that is in line and honors nature and all life.

 

As we grow in our understanding of what this tradition is now, and where it is heading, I believe that we druids are the forerunners of so much change.  Humanity will either have to adapt and develop more ecologically sensitive models, or go extinct.  Think of us druids like the forerunners of that change.  This is the gift we offer our descendants–the mental models that precipitate new structures, patterns, and actions in the world.

 

Abundant milkweed along a field

Abundant milkweed along a field

The Road Forward

 

As I’ve shared before on this blog, druidry as a spiritual tradition is a response to our age, and through the ages, it has always been such a response. Revival druidry began at the dawn of industrialization, responding to that day.  Modern druidry has gained speed as our ecological problems have increased.  Revival druidry saw the beginning of industrialization, and I honestly believe it will see us through to the end of it.  For those of us in the 21st century–druidry is our response to today.  And what we offer our descendants, then, is hope.

 

What we do today will help shape what our tradition–and our world–looks like tomorrow. Today’s practitioners have much to contribute to this conversation–What are we currently doing? What will we do? Who will we become?  I would love to hear your own thoughts on what druidry–or other earth-centered spiritual practices– do for you, how they help, and what potential it may have for us as we pave the way for the future.