The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Rituals and Activities to Enhance Creativity and Support the Bardic Arts August 6, 2017

This is my song, this is my voice,
These are my words, this is my choice.
Hear me now, take heed of my words.
Love me now, and your spirit will fly.

Hear me in the howling of the wolf,
My voice is the song of the Bards,
I am the power that helps the salmon leap,
I am the very first breath of a child.

From Damh the Bard’s Song of Awen.

 

It has been a long journey into considering the role of the bardic arts in the druid tradition and the role that creativity plays in spirituality. I realized that one final thing was missing from our discussion–a set of practical exercises and rituals that you can use to better work with the flow of awen and embrace the path of the bard. And so, to finish out my long series on the Bardic Arts in the Druid Tradition, we turn today to some practical rituals and practices that you can engage in to help cultivate your own bardic practice. If you haven’t read the other posts in this series, you might want to start there.  They are, in order: the cultivation and flow of awen, cultural challenges surrounding taking up the path of the bard, tips for how to cultivate the bardic arts, the fine art of creating functional things, and finally, the bardic arts as a path of spiritual development.  And so today, we look at five practices that can help you further cultivate the bardic creative arts in your life and in the lives of others: the bardic circle/Eisteddfod, a bardic storytelling ritual, a ritual for invoking the awen, setting up a magical creative working space, and a ritual for cultivating the bardic arts.  I hope that these suggestions offer you some practical tools as you continue on your own path of the bard and embrace the creative flow of awen in your life!

 

Hosting a Bardic Circle or Eisteddfod

In the modern druid tradition, an Eisteddfod is a circle of bards who come together to share tales, stories, dances, and more.  We use this term more loosely in the druid community than where it originated historically, and to frame this practice, understanding a bit about the Welsh Eisteddfod is necessary. Welsh Eisteddfods are traditional bardic arts competitions that have been has been held on a national level in Wales since the 18th century, but go back in various forms much further than that. One of the key early figures in the druid revival, Iolo Morganwg, took the Eisteddfod a bit further.  He developed a “Gorsedd,” which was an event within the Eisteddfod that offered various degrees, ritual and ceremony for the for the purpose of promoting excellence in the bardic arts, particularly poetry, music, and literature. To this day the Welsh Gorsedd has druids, bards, and ovates who wear various robes.  The ranks of the bards include individuals who sit for exams in a variety of bardic arts, Welsh language, and more. Ovates and druids are honored for their contributions to Welsh Culture. Both of these practices persist to this day in Wales, and they take on a particular flavor in the modern Druid communities that trace their roots to the druid revival.

 

In modern Druid communities, it is very common to experience an Eisteddfod, sometimes simply for sharing, and other times, for a bardic arts competition.  Most typically, the bardic circles happen around campfires and can last into the wee hours of the morning.  Sometimes, the Eisteddfod is setup as a formal competition with multiple rounds, winners of individual rounds get to compete at the final night of the gathering.  The winner gets a prize, or at least, serious community recognition. But also, just as often, there is no competition and instead, it is a chance simply to share something by the fire: a poem, a story, a song, . Sharing at an Eisteddfod does not come easily to many people due to a lifetime of cultural conditioning, however, sharing at an Eisteddfod  allows you to break the potential years of silence and thinking you aren’t good enough and again realize there you are, telling a tale and hearing a thunderous applause.

 

Starting an Eisteddfod: You can start an Eisteddfod with friends (including non-druid friends). Ideally, you need a circular space where people can gather and enough people to make it a good time. A campfire or fireplace to gather around is a plus, but not necessary. Consider having a potluck meal as part of your Eisteddfod.

 

Damh the Bard Concert at OBOD East Coast Gathering a few years back

Damh the Bard Concert at OBOD East Coast Gathering a few years back

A Simple Setup. For an Eisteddfod, you need a space where people can gather, enough people to share stories, songs, dances, and other creative expressions, and some libations and food. A fire is a bonus, but is by no means necessary. You also need a master of ceremonies of sorts to help keep things going.  If you are doing an actual competition, you need two additional things: a panel of judges who will be able to declare winners and prizes for the winners.

 

The best part about an Eisteddfod don’t need to invite “druids” over or people on a similar spiritual path. Everyday folks from a variety of different traditions and life paths might find the idea of the Eisteddfod appealing and join your circle of bards.  It is a good way for solitary druids to find community without other druids nearby and still engage in a core practice in the druid tradition.

 

A Bardic Storytelling Ritual of Empowerment

The stories of our own past and histories can help shape our present understanding. This ritual is performed by two people. It can be performed in a sacred space, around a fire, or over a period of days where two people are spending them together. In this ritual, we use the bardic art of storytelling to share stories that are themed through one of four Jungian archetypes (the hero, caregiver, magician, and bard). The two people take turns telling their stories, and while one is telling the tale, the other is deeply listening. At the end of the tale, the listener shares the deeper qualities that he/she heard. For example in a tale of the hero, the listener might hear that the speaker showed bravery, quick wittedness, and eloquence. The goal of this storytelling ritual is to allow both participants to recognize the other’s gifts, the things that are already within ourselves, and that we may want to further cultivate.  Write down the qualities that the listener tells you for each of the stories—they are qualities to remember, and draw upon, for our own healing and growth.

 

The following four archetypes can be used:

  • The Hero (a person who employs courageous acts)
  • The Caregiver (a person who protects and cares for others)
  • The Bard (a person who realizes a creative vision)
  • The Magician (one who is able to work magic)

 

Other possibilities that you might want to include beyond the original three.

  • The Explorer (one who goes on a journey)
  • The Lover (one who expresses deep love for another)
  • The Sage (a person who seeks truth and deeper self awareness)
  • The Ruler (one who helps lead others)

Ritual for Invoking Awen

This very simple ritual for invoking Awen connects us deeply with the waters and the flow of Nywfre. You can use it at the start of any creative endeavor.

 

Supplies: Sacred Water. Before you can do this ritual, you will need to gather some water from a place sacred to you. Natural springs or wells are particularly effective for this, as is rainwater. If you are home-bound, even getting a bottle of fresh spring water from a local source will be effective here. Once you have your water, you can “make more” sacred water for this ceremony by simply adding new water (of any kind) to it. This water can also be used in your elemental altar, below. Place the sacred water in a small glass bowl and have it available for the ritual.

 

Sacred Flows from a Local Spring

Sacred Flows from a Local Spring

The Ritual:  Begin by taking three or more deep breaths, settling yourself into your body and allowing your breath to center and calm you. When you are ready, close your eyes and ring out the “Awen” chant three times. Then, with the bowl of sacred water, lathe your brow and your hands, and say “May the Awen flow within me. May the muse inspire me.” Take a moment to visualize the flow of the Awen within you, flowing in from the land, sea, and sky.

 

Setting up a Magical Creative Working Space: A Bardic Altar

 

Setting up Your Altar

We can use the elemental systems present in the druid tradition to help cultivate the right kind of energy for our own creative workings. One very effective way of doing this is to draw upon the power of the elements to create a physical shrine dedicated to helping you with your creative bardic arts.

 

For the bardic arts, we might use a four-fold elemental system as follows:

  • Fire – Beginning projects, gathering steam, projects of passion and intensity, any body-based work
    • Materials for Altar: Candles, igneous rocks, plant material that likes to burn (like white birch, conifers), red altar cloth, images of fire/sun/light
  • Air – Projects that require deep and clear thinking, projects that are mind/language/communication/memory based, writing/poetry/songwriting projects, problem solving
    • Materials for Altar: Incense, white/light gray/light yellow altar cloth, feathers, wind chimes, bells, singing bowls, images of the sky and clouds
  • Water – Building positive emotions towards a project, overcoming challenges, allowing the Awen to simply flow through you, any painting-based work (watercolor), other work that requires flow and fluidity (like dance)
    • Materials: Bowl of water, collection of water from sacred places, shells, river stones, opals, blue altar cloth, images of water/rivers/lakes, lake plants, seaweed/lake weed
  • Earth – Continuing on with a longer project that you are growing weary of, stubbornness and determination, also any wood-based work or earth-based work (clay), any nature-themed work
    • Materials: Stones, roots, nuts, fruit, bowl of earth, brown or green altar cloth, bark, images of caves and mountains

You can create a small elemental altar near where you are working on your bardic arts to help bring in that elemental energy to the space. You can change the “focus” of the altar based on what elemental energy you might need at the moment for your work. An altar cloth and change of materials will allow you to always bring in the blessing of the element.

 

For example, I have a permanent elemental altar on a shelf in my art studio. While all of the elements are present, the major focus of the altar rotates based on the project I’m working on. If I am particularly deficient and having difficulty (for me, this is almost always in earth and maintaining my focus on a longer project over time) I will dedicate the entire altar space to the energies of the earth for that purpose. And so, I gather up things that are representative of the earth: leaves, acorns, roots, soil, and a potted plant and bring them into the altar.  I also include a small bowl of water, incense, and a candle to represent the other elements (as their presence is also needed for any project to come into manifestation).  Finally, I include an awen symbol on the altar to recognize and connect with the divine inspiration that drives the creative work.

 

In addition to the elements, you might want to put other pieces on the altar that are dedicated to your particular bardic arts.  For example, if you are working on writing, an old-style pen and inkwell might be appropriate, or a symbol fo Mercury, who governs communication.  If you are a dancer, an old pair of dance shoes and a photo of a dancer who inspires you would be appropriate, and so on.

 

Earth Altar in Kitchen for Magical Crafting and Magical Culinary Arts

Earth Altar in Kitchen for Magical Crafting and Magical Culinary Arts

Another option if you don’t have space for an altar or you don’t have a dedicated bardic arts space (or it isn’t appropriate due to living circumstances) is to hang an elemental representation (or set of representations) somewhere near where you practice your bardic art.  So if you practice your storytelling in front of the mirror in the bathroom, hang up a painting or photo of the element(s) or a natural place that is strongly aligned with that element that will aid you.  You could also use a simple awen drawing for this purpose.

Using Your Altar

You can use the altar in a variety of ways.  The presence of the altar itself will have a beneficial on the bardic work. Pausing before you begin the work to open up a sacred space (see below) using the altar as a focus is also a useful practice.  Tending the water regularly (changing the bowl of water, regular adding of new things, dusting, etc.) also connects you to that bardic practice.  Even if you don’t have time to engage in your bardic arts that day, visiting the altar and offering an awen chant will continue to encourage the flow of awen in your life.

 

Before you begin to do magical crafting or practice your bardic art, you can use the altar as a focus point to open up a sacred bardic grove, which I’ll now discuss.

 

 

Opening up a Sacred Bardic Arts Space

As the druid tradition recognizes that the bardic arts are inherently connected to spiritual practice, you can create a sacred space in which to engage in your bardic arts by using a simple sacred grove opening. This practice is particularly effective if you are working on a project that is new, challenging, or spiritual in nature.

 

This could be very simple:

  • Declaring that you are opening a space for working in your bardic art
  • Declaring peace in the quarters
  • Drawing upon the four elements for strength (see below)
  • Asking the Awen to flow within (see below)
  • Putting up a sphere of protection (AODA) or a simple protective circle (OBOD) for the duration of your crafting experience.

 

Here is some elemental invoking language you can use:

  • May the blessings of the Air inspire me and give me focus and clarity for my creative work.
  • May the blessings of Fire inspire me and give me passion and creativity for my creative work.
  • May the blessings of Water inspire me and allow the work to flow.
  • May the blessings of Earth inspire me and give me grounding and strength.

 

You can also get more specific with the language based on the bardic art.

 

To invoke Awen, yo might use a simple poem:

I call upon the Awen, the ancient source of divine inspiration,

I call upon the muses, the hallowed ones who guide my hand/voice/body
[as appropriate]

I call upon the living earth, the force of nature that inspires my craft.

I call upon my ancestors, whose creativity flows within me.

[Add any additional calls as is appropriate]

May the blessing of the awen flow within me this day and always. 

 

And with that, you can open your sacred space for creating the bardic arts, and leave it open as long as you plan on working that day.

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Awaiting the Sunrise: Holding an Outdoor Winter Solstice Vigil December 17, 2016

Winter Solstice Fire Vigil

Winter Solstice Fire Vigil

A group of people make music and merriment near a roaring fire during the longest night of the year. Their mission: to await the sunrise and hold vigil through the darkness with feasting, celebration, and the burning of the sacred yule log. The winter solstice vigil–lasting upwards of 15 hours in the darkness can be one of the most intensive, challenging, and rewarding experiences.  I’ve succeeded at one all-night vigil and failed at one all-night vigil (due to underpreparedness, see later in the post) and yet both have been moving experiences.  This year, on the 21st, a group of us is going to attempt an outdoor all night vigil.  At this point, the weather looks good (not dipping below 30 degrees and clear) which is about the best Winter Solstice Vigil weather you can ask for!

 

In preparation for next week’s vigil, I thought I’d take the opportunity today to reflect on the art of preparing for vigil, doing the vigil, and offering some contextualization for this kind of initiatory work. For one, I’m going to do vigil with some folks who haven’t done it before (and I started writing this for them and realized how useful it would be for others). Its a good idea to know what you are really in for with the Winter Solstice Vigil! But for two, I think its good information for anyone wanting to attempt such a vigil. I’ll cover the history of such a vigil, how to prepare physically and spiritually, what to do during your vigil, and offer simple rituals for both the setting and rising sun.  While this post is primarily focused on outdoor vigils, I’ll also include some tidbits about alterations if you aren’t able to be outside for the all night vigil.

 

Understanding and Defining “Vigil”

The term “vigil” itself gives us some understanding of the nature of this work.  The term vigil derives from Latin vigilia, which means “wakefulness.” When we look at a few dictionary definitions of “vigil” we get the following kinds of phrases: “a devotional watching, or keeping awake, during the customary hours of sleep“; “a purposeful wakefulness”; or “a period of keeping awake during the time usually spent asleep, especially to keep watch or pray.” All of these definitions offer us useful understanding and insight into the nature of a vigil and why one would take it on.  The Winter Solstice vigil is certainly a vigil–not usually so much of a solemn one, but one of wakefulness, watching, and sacredness where we work to tend our fires and eventually, welcome the sun back over the land.

 

The Winter Solstice: A Bit of History

Ceremony at the Winter Solstice reaches back, in some parts of the world, to pre-history.  The basic premise is simple: before the days of modern electric lighting, humans lived more closely with the seasons.  The days of darkness, where the earth seemed to stand still, needed humans’ help to bring the light back into the world.  And so, much of the celebrations and feasting at the time was focused on light and life.

 

Fires that burn against the darkness...

Fires that burn against the darkness…

For example, Sí an Bhrú (New Grange), is a neolithic monument in Ireland that is at least 5,000 years old.  New Grange is a large, circular earth chamber with a long stone entrance that is illuminated with the rays of the sunrise on the Winter Solstice. In other parts of the world, especially throughout Europe, the Winter Solstice was often celebrated with feasting and bonfires.  Saturnalia, an ancient Roman festival of feasting, gift giving, and revelry in honor of Saturn, was originally on Dec 17th, but later expanded to Dec 17th – Dec 23rd.  Many Celtic peoples celebrated the “birth of the sun” or the “return of the sun” around the Solstice  (and it is no surprise that evergreen boughs were used to celebrate these events, given evergreen’s connection to life and longevity). A yule log was burned, sometimes with feasting lasting days or weeks.

 

With the rise of Christianity in the 4th century, the Catholic Church proclaimed that the “Birth of Christ” was on Dec 25th to tie to older feasting and merriment traditions.  So even today’s modern celebrations of “Christmas” hearken back to much older Winter Solstice traditions. Even today, we have houses lit up with lights, evergreen trees surrounded with lights and colorfully wrapped packages–all magical ways of raising up the sun.

 

All of this background is useful when thinking about the framing of a druid winter solstice ritual and vigil.  The mood is not solemn here, although solemn work and initiatory work can certainly happen. Rather, this is a patient wait–through celebration and feasting–for the rising of the Solstice sun.  Let’s now turn to some practical considerations before undertaking such a vigil.

 

Inner and Outer Preparation for the Solstice Vigil

Preparing for a winter solstice vigil requires both inner and outer preparation, which I’ll now describe.  Without both considerations, an all-night vigil can be dangerous and/or unsuccessful.  Such was the result of my first attempt at a winter solstice vigil. This was very early in my druid path, and I had really no idea what I was doing. I went to my sacred circle with my hat, gloves, and coat; a big pile of wood; a blanket; a tarp; and a thermos of hot tea; thinking that I would last the night and wait for the rising of the sun. For one, I had no idea how long this night was, nor how hard it was to hold vigil on my own. I quickly ran out of tea and wood, and a dwindling fire was not enough to keep the darkness and cold at bay.  Sometime deep in the quiet night, I grew too cold and the fire grew too dim and I and went back inside to my warm bed.  Better physical preparation could have substantially made this first attempt at a vigil more comfortable!

 

The general rule of thumb for these kinds of vigils is to over-prepare. That is, bring more warm clothes than you need, more food than you need, and more of any other supplies (like wood) than you think you’ll need.

 

Outer preparation: Common sense. The weather can be very variable in December and I ask that you please use common sense.  A night when it is 35 and the sky is dumping freezing rain down on you is a good way to get hypothermia, not enjoy a winter solstice vigil.  Tend to the weather carefully and only attempt this if you are sure you will be safe, warm, and dry.  This is my take on it–some years are not good for vigil.  I’ll still celebrate, but maybe I’ll light a candle in my window, or hold vigil in my house by the fire.  There are other ways of celebrating this–and what I offer here is one of many approaches.

 

Outer Preparation: Clothing. If you have never spent a cold night outside before, you may not realize how difficult it is to stay in a single place and hold vigil when it is less than 30 degrees Fahrenheit (which is fairly common for the places I’ve lived).  What this means, for you, realistically are several things: first, you need a lot of warm clothing, preferably of natural fibers like wool or fur. Second, you need to make sure you stay covered throughout the night, including the part of you that is not going to be near the fire (read, extra wool blankets).  Bring more than you think you will need, including a warm sleeping bag.  All of these things can help you get through the cold night.  Having another warm body (a dog, a snuggle partner) is also very helpful.

Friend Building a simple fireplace to reflect heat

Friend Building a simple fireplace to reflect heat

 

Outer Preparation: A Good Fire.  There are a lot of ways of making fire, and making a blazing bonfire is not, actually, a good way to stay warm throughout the night.  Big fires require a lot of wood, and a 14 or more hour fire will consume huge amounts of it, blasting heat in all directions.  If there are enough folks to go the whole way around the fire, this is OK.  But more commonly, there aren’t that many people willing to stay up all night in the darkness!  If there are only a few of you, the better approach is to use bricks or stones and build up a reflective surface, then building the fire against that surface (see photo above).  The photo shows is a simple fire setup that is small but that will reflect much more heat due to the fire bricks piled up behind.  This would also stay lit in the rain and snow for much longer.  If I had had this kind of setup during my first  vigil, I likely would have made it longer into the night!

 

Outer Preparation: Hot Rocks: One of the strategies I learned about holding vigil has to do with hot rocks or hot bricks.  The strategy is simple: have some old towels and stones or bricks available.  I especially like a large flat stone that I can sit on. Putting the bricks/stones close to the fire to warm them, then wrapping them with a towel and sitting with them, really helps keep the cold at bay.  A largish one makes an amazing seat at 2am in the cold!

 

Outer Preparation: Hot food and Drinks:Warm food and feasting are a necessary part of a Winter Solstice vigil, in the tradition of so many millennia of feasting and celebration around this time of year.  I have a smallish iron cauldron to hang over the fire and a 12 quart dutch oven for the fire that I will be bringing to our ceremony to keep the hot liquids and foods flowing all evening for participants. Warm drinks of the alcoholic and non-alcoholic variety are necessary for a vigil. I don’t drink, I prefer warming herbal teas or cider mulled with cinnamon, nutmeg, cloves, and orange peels.

 

Outer Preparation: First Aid. Its not a bad idea to have some general first aid materials available, especially if you are going to be doing your Winter Solstice vigil somewhere far away from civilization.  Preferably, also it is a good idea to have someone along who knows how to administer basic first aid.

 

Outer Preparation: Seating.  If you are using a chair sitting up, you will need to somehow wrap or protect your body against the chilly air from behind.  Sitting on blankets or wrapping yourself in a sleeping bag can work well for this, especially for the back parts of you away from the fire. I prefer to sit on the ground, but that presents its own unique challenges as the ground obviously gets frozen and really cold this time of year.  To sit on the ground for a period of hours successfully requires you to protect from cold and damp.  I use a tarp as my base layer to protect from the damp.  Then, I usually start with a sheep skin (which I have used for many ceremonies) and a few layers of blankets on top.

 

Inner/Outer Preparation: A Yule Log: The Yule Log tradition has many variations, but I like to use one for the Winter Solstice Fire Vigil.  A Yule log should ideally come from someone’s property or be found, never bought.  It is usually a tree or part of a tree, like a large stump.  The large stump will burn through the night, and that’s part of the tradition.  Usually, the log is somehow specially prepared and magically prepared; one older tradition has it wrapped in evergreen and doused in cider.  In my grove events, we’ve painted it with natural dyes, wood burned the log, added springs of cedar, and have done many other things to honor the log before it is added to the Winter Solstice fire.  The ashes of this log, and fire, are distributed to participants and are excellent for land blessings and tree planting ceremonies, among other things.

 

Inner Preparation: The Mindset:  In advance, it is a good idea to set some mental limits to the event and understand when you shouldn’t or should end the vigil: if you can’t feel your fingers and toes, maybe its time to end the vigil.  If you fall asleep, is that ok?  What about if everyone else wants to go home and off to sleep? Give some thought to what you will or will not do, given certain circumstances, in advance, to help your preparation.

 

Inner Preparation: Facing the Darkness. The other part of this ceremony, as with fasting and many other kinds of initiatory work, is that you really do push your body and spirits in ways to its limits.   Physically, the body may not be used to staying up all night, nor used to being in the cold for so long, or sitting by the fire for that many hours.  Understanding, going into this, that this is a sacred ceremony is important.  Also, you will be in the darkness for a long time.  You may, deep in the night, have to face your own darkness.  The darkness is darkest, and scariest, just before dawn.  I will never forget the end of a vigil evening I spent in the woods by myself–I had never been so happy to see the sun rise, and I was so proud that I stuck it out till that moment.  My own preparation for this kind of deep work involves sitting in darkness for some time for 30 min or so in the days leading up to the ceremony and doing other things to embrace the darkness this time of the year (you might look at my post from last Winter Solstice on embracing the darkness for many suggestions).

 

Opening the Vigil: A Ceremony

Serenading the setting sun....

Serenading the setting sun….

So if you are still reading, then we are ready for the Solstice eve to come and for the ceremony to begin! I have found that the vigil evening is essentially composed of three pieces: the vigil opening ceremony (which may be attended by more folks than those who are doing the all night vigil), the vigil itself, which involves feasting, merriment, as well as quiet times, and the vigil closing ceremony, which honors the rising sun.  I’ll take these each in turn, starting with the opening ceremony.

 

We will do our vigil opening ceremony just as the sun is setting, which for us, is about 5pm on the night of the Solstice.  Because we will have a larger group for this and for the first part of the vigil, but only some staying for the entire vigil, we keep this in mind as part of the ceremony. Note that we do not yet have our fire lit at the beginning of the ceremony (it is lit during the ceremony itself); this is so that we can spend some time in the darkness and the setting sun.

  1.  Opening up a sacred space: As the darkness settles, we open a sacred space.  In the druid tradition, this includes proclaiming the intent of the ceremony, declaring peace in the quarters, cleansing the space with the elements, making an offering to the spirits of the land, and casting the circle around the entire space where we will be.
  2. The Vigil Opening Ceremony.  There are lots of things that you can do for this–here is what we are planning:
    1. We will begin by speaking of the Winter Solstice and, the history of how humans have celebrated this time with light and fire, and of the darkness and wheel of the year.
    2. We will all sit for a time in meditation, in the growing darkness, honoring silently the setting sun and preparing for the vigil of the evening.
    3. We will light our fire, honoring the light of this season and welcoming the sun to return after his long sleep.
    4. Once the fire is going, we ceremoniously add the yule log.
    5. In the spirit of the AODA tradition, we invoke the three currents (solar, telluric, and lunar) radiating a blessing out to the land.
    6. We begin the vigil, which starts with a feast and merriment.

It is sometimes the case that folks will want to join you for the opening (or for sunset and sunrise) but do not want to join you for the entire vigil for any number of reasons.  These choices should be honored.  Those who wish to stay will stay, and still, be supported by those who will not stay for the whole night.  There should never be any pressure to stay, or not to stay, during such an intensive ceremony.  A magical space (circle) should be prepared in such a way as people can pass in and out of it with ease, if this is to be the case.  This will certainly be the case for our group this upcoming week.

 

The Vigil: Continued Ceremony

In my experience, there  are really two ways you can go about your vigil: the time-honored tradition of fesating and merriment, using food, song, dance, and celebration to push back the cold and dark.  The second is a time for powerful initiation into the deeper mysteries of the winter months, the darkness, and the time of cold and rest.  I have found that both of these often happen in the same night during a winter solstice vigil. At some point, the feasting and merriment subsides and the darkness sets in, visions and waking dreams begin. Both are useful and powerful, and like the ebb and flow of the tide, both often happen in the course of the ewvening.  Recognizing this, and honoring this, is part of the process.

 

Here are a few suggestions for how to keep awake and the vigil going:

 

Ritual feast: Holding a feast as part of the ritual is a wonderful way to keep everyone warm and happy.  Ask folks to bring food that can either be heated up or that is kept warm.  Our site doesn’t have electricity, so people will use blankets and such to keep food warm. 

 

Eisteddfod festival: Holding a bardic Eisteddfod is a wonderful way to pass some of the night.  The Eisteddfod includes any of the bardic arts: storytelling, music, dancing, and song.  People take turns and, if you have enough people, a bardic competition can also take place.

 

Sharing your Life Story: Because you have 14+ hours, you have an opportunity for the deepest kinds of meaningful conversations with others around the fire. During my successful past vigil, one of the ways we managed the time was having each of us take an hour or so to tell the important parts of our life stories, the things that shaped us as human beings and put us on our spiritual paths.  As the sun rose, after hearing the stories of everyone around the fire, and sharing my own story, I felt an extremely close connection to those.

 

Darkness walks. One of the other things I really like to do, especially if there is some moonlight, is to take a break from the fire and to simply walk the land, seeing what things look like in the darkness, and feeling its power fully.

 

Sleeping area. The alternative to flat out leaving the area is to have a “sleeping area” (for us, a hayloft with warm sleeping bags) for those who need a few hours of sleep.  One variant on the vigil tradition is that its more like a watch: as long as someone is holding the space and tending the fire, that practice can be rotated.  So some people may go off to sleep for a few hours and then spell off others.  This is another good way to get through the evening and the vigil becomes a group effort.

 

The Ceremony of Welcoming Back the Sun

Sunrise - bliss!

Sunrise – bliss!

After the longest night, it is a blessing beyond all blessings to see the light rising again into the world.  There are so many ways to welcome back the sun, and I will share a few of those here.

  1. A Norse tradition that I rather like for welcoming back the sun is ringing bells right as the sun rises over the hills/land.  They ring clearly and brightly, welcoming the sun back.
  2. Drumming up the sun or playing music (if neighbors aren’t too close by)
  3. Letting the fire burn down as the sun rises–the fire was holding space for the sun, and as the sun rises, letting the sun regain that fire is a good way of ending the ceremony.
  4. Silent observation, observing the ever-changing landscape as the sun returns.  Once the sun is up, you can then do any other ceremonial work.
  5. Honoring the sun with singing, dancing, and merriment – if you have anything left in you, this is also a wonderful idea.
  6. Making offerings to the sun and to bless the land.  I have bottles of dandelion wine that I made for several years and like to offer the sun, the giver of life, some of this wine.

Now, you don’t have to do the whole vigil to wake up and honor the sun. There is nothing that says you can’t do the ritual at night, still get a decent night sleep, and then wake up before the sun to welcome it back to the land.  So these can work regardless of whether or not you are doing the vigil.

 

Once you’ve honored the sun and observed its rising, you can thank the elements and close the sacred space.  Likely, then, it is a good idea to go and get some sleep. Many solstice blessings to my readers–and may your dark nights be filled with merriment, inspiration, and joy!