Tag Archives: embracing life

Visioning the Future through the Bardic Arts: Creating Vision, Creating Hope

Reishi mushroom from the Plant Spirit Oracle offers a vision of healing, growth, and regeneration

I used to be a big fan of reading dystopian fiction when I was younger. It seemed like a distant world, a reality far from our own. But perhaps now, those books resonate too close to reality. As someone who practices magic, I have to wonder, would the concepts present 1984 be as present if the book hadn’t been so well-read? Did George Orwell manifest these concepts as a magical act, or were these already present and he simply channeled what was already coming into focus? The same can be true of many such influential works: The Handmaid’s Tale, Brave New World, Bladerunner, and more. We also have things like robots, invented by Issac Asimov as science fiction in the 1940s and 60 years or more later, became a reality.  One might argue that despite the fantastical nature of these works, works like these have had an influence on present human culture.  Perhaps, it is a sign of the times that most of what has been produced from a mass media standpoint in the 20th-21st century is rather dystopian and chilling, with some notable exceptions. As we have recently seen here in the US, words have power.  Words can shape reality and incite people to action. Is this the world we want to create?

As someone who practices magic, I certainly accept that our intentions and the directing of our will can help shape our realities. I also accept that for many things, we have to have a spark or vision before we can see it come to reality.  It is hard to bring something to life if we first can’t envision that it could exist. If we accept this to be true, then, in turn, we can consciously harness intentions and that bring visions to life that help create a better future. I think that one of the powerful things that art of all forms can do is help envision the future.

 

Poison Ivy from the Plant Spirit Oracle – teaching new ways of interacting with nature.

At this point, we are facing both ecological disaster and many human challenges that grow more serious by the year as our society continues the “slow crash”.  This era of human civilization will decline and end–but the question is–what comes after?   How can we be good ancestors for the future?  Thus, I am always looking for ways to do more. I want to take responsibility for my own behaviors physically and metaphysically. Physically, this might include being careful with my purchases, working to heal and regenerate landscapes, and engaging in other kinds of sacred action. Metaphysically, it can be bringing forth visions of a better future–we can create the visions now so that they can enter circulation and become something that helps seed a brighter world.

I also share the rest of this post with a caveat. People create art for a lot of different reasons, both external and internal. You might consider visioning arts as one of many reasons to create, a bonus reason, a reason that offers your art additional purpose.  Not all art has to have this kind of vision either, but some art forms and works may be very well suited to it.

Creating a Sacred Vision

If you buy into this idea and you practice the bardic arts of any kind (poetry, music, dance, writing, visual art, fine crafts, etc) you might want to give this idea some thought.  What vision are you putting into the world? What is the world you want to create?  Towards that end, I have a few suggestions for helping you hone and refine some ideas.  The most important thing you can do is spend some time in meditation and reflection about what vision of the world, what ideas and concepts, you want to bring forth.   So here are a few things to consider:

  1. Start by thinking about the specific kind of art (bardic work) you produce and what kinds of messages you can share. Certain art forms are easier to convey messages than others.  When you convey messages in your work, can the work stand on its own, or, do you want to share some information about the work in addition to the work itself?
  2. Consider presenting general philosophy about your work.  Messaging can come in a lot of forms: these sometimes come in the form of “artist statements” that talks about what you do and why you do it.  This is especially helpful for work that can be interpreted in many ways, or whose interpretation is not immediately clear upon examination (e.g. woodcarving).  You can share these messages on social media, on your website, even with the physical art that someone receives.
  3. Consider your specific messages or themes you want to convey.   Perhaps you have a very specific message or a general one. Think about the thing you most would like to see in the world–write it down, and keep it in mind when you create.
  4. Consider the symbols you use. Symbols, whether they are intentional magical sigils or just broader symbols, also carry tremendous power. If you have specific symbols or symbolism you want to use in your work, this should also be considered!

Now, I’ll present three core visioning goals for my own work as an artist–I  am sharing them both to demonstrate an example of the kinds of visions you can create but also to spark your own creativity about how your bardic arts of all kinds (poetry, visual art, music, dance, fine crafts, writing) might support your own unique vision.

Messaging and Visioning: An Example

As a visual artist and a writer, I am always thinking about how I can bring this aspect of magical visioning into my work. It is one of the reasons I create, but certainly, not the only one! These are my three goals.

Presenting an alternative perspective and value of nature.

One of the first ways I see us using art, writing, poetry, music, and other bardic arts is to present alternatives or ways of reseeing our present reality.  We can show a different perspective on something, offer a new angle, or provide new insight through our work.  I think you can do this with anything, but as a druid who has her heart set on preserving the natural world, my focus s on nature and on providing alternative messaging and visions.

The art show!

I’ll give you a good example of this. As I’ve shared before on this blog, I live in a region of the USA that is an extraction zone: we have fracking wells, 1000’s of miles of streams full of acid and iron from mine runoff, mountaintop removal, boney dumps, logging, and coal-fired power plants–to name just a few.  Around here, most people view nature as something to extract; a resource to be profited from, and a way to keep jobs in the region. Hunting and fishing are also big around our rural area; while I’ve met some hunters who have reverence, unfortunately, many shoot animals, birds, and rodents for sport.  Thus, there is very little respect or love for nature and in my art, I work to offer a different message. 

A few years ago, I was invited to hang some work through our local art association at the regional hospital. It was a nice opportunity to have my work seen by a lot of people.  I thought really carefully about the content of my art and decided to work to present an alternative view of resource extraction.  I painted trees with hearts in the ground, I painted the telluric currents of earth energy flowing, I painted regenerated landscapes.  It’s hard to say how these pieces of art touched those who saw them, but I hope they did some good. The more these kinds of alternative messages and perspectives can get into circulation, the more “normalized” they become and the more power they hold.

Staghorn Sumac ornaments from reclaimed wood

Another way of thinking about this is in the tools and materials I use–there’s a message about valuing nature inherent in this work.  For example, my neighbor plowed over a beautiful stand of staghorn sumac last summer without even knowing what it was or how it could be used.  This beautiful stand was one I got to know well and I was really distraught at how it happened.  This really saddened me, but he did allow me to come in and harvest as much as I wanted of the wood and roots.  I did so, and at the holidays, I made him an ornament from the beautiful root wood and put a note on there that it was from the wood he let me harvest.  Perhaps this beautiful wood will have him think twice about cutting down the trees and seeing some inherent value in them.

Re-enchanting the world

After someone is willing to see nature, to value it more, to understand it in a new light, then I can shift to the more magical and potent part of the message–the message of the world being an enchanted place helping re-enchant humanity’s perspective of the living earth. If a new vision is step 1, then re-enchantment is step 2.  In other posts, I’ve written about what I see as the disenchantment of the world, the philosophical and literal stripping of all magic and wonder from the world, which I believe has paved the way for some of the more egregious abuses of nature in the 18th- 21st centuries. 

Ultimately, if we see nature as sacred, enchanted, and having a spirit of its own, it is much more likely that humans of all kinds will behave in ways of reverence and respect. I think a lot of authors and artists have done a great job in showing that the world has an enchanted side. 

Japanese Knotweed as Guardian of the Waterways

I think one of my own projects that most closely aligns with this goal is the Plant Spirit Oracle.  The goal of this deck was to take common medicinal plants and offer them in an enchanted and personified way.  I also paid special attention to plants that were maligned like Poison Ivy and Japanese Knotweed as part of this work. Thus, Japanese Knotweed, which is widely hated and maligned, is shown in an enchanted light as a guardian of the waterways; the catnip in your garden is shown to have spirit, poison ivy teaching awareness, and so on.  These plants have forms that can be viewed, interacted with, and offer guidance and wisdom. . 

Offering new visions of the future and personal empowerment

Wendell Berry’s Poem as a Woodburning–I made this at Samhain and in the spring, I will leave it as an offering in the forest, a reminder of the vision we can bring forth

A final aspect, and one that has a lot of potency for me right now, is thinking about how works of art of all kinds can shape the future. I’m sick of reading and thinking about things from a dystopian perspective and I’m sick of watching our world go further and further into those dystopian vision.  I’ve firmly committed to creating works of hope.  This was a clear vision for me for the Tarot of Trees– a response to deforestation. I wanted people who used the deck to value trees more, and I wanted a vision of a healed world to come forth. But there’s also a lot of future vision in these works: witch hazel, one of my favorite paintings in the PSO, is all about a pathway towards the future; about becoming a good ancestor. Comfey is about having the tools to bring positive change, while Rosemary reminds us of the powerful cycles and generations that we have to consider.  The messaging is there for those who look!

In another example, this one by one of my favorite writers, Wendell Berry, his poem, Work Song, Part II: A Vision is a prime example of a message that holds a vision of the future. When I first read this poem, I cried from the beauty of it, the vision Wendell Berry offered and thought about what we might need to get there.

Visioning a Brighter, Nature-centered Future

Providing alternative perspectives, enchantment, and visioning for the future is certainly a magical act and one that many people who practice the bardic arts might build into their work.  When you create something and put it out in the world, you have an opportunity to create so much more than just a piece of art–you have a chance to help build a vision of the world to come.  While simple visioning work is only part of the task before us, however, as Wendell Berry’s poem notes, it is an important part and something that each of us can do. 

Dear readers, I am very interested in hearing from you on this topic: Have you built visionary principles into your art? If so, please share.  If you haven’t yet but would like to, I’d love to hear from you as well!

 

Introduction to Sacred Gardening: Connection, Reciprocity, and Honoring Life

My druid's garden full of sacred plants!

My druid’s garden full of sacred plants!

Walking into a sacred garden is like walking into another world, one full of joy, happiness, and wholeness.  Fruit hanging from happy branches, plants coming up from all angles inviting a nibble, a taste, a touch.  The pathways spiral and you get lost, looking at flowers, breathing in the fresh air, and tasting the tart berries on your tongue.  An indoor sacred garden is much the same – a bright window with a chair asking you to sit, stay awhile, and meditate with the plants (or even reach up and take a lemon-scented geranium leaf in your hand and breathe deeply).  Sacred gardens are places that are intentionally cultivated to be in harmony and balance, that are carefully tended by loving hands, and that offer many possibilities for spiritual practice and deeper spiritual connection.

 

It’s amazing to see that this year, so many new people are taking up gardening.  While I’ve written on these topics before (obviously, this blog is called the Druid’s Garden!), I’m returning to this topic today to offer an overall philosophy of sacred gardening that I hope can help you deepen your practice or start a new garden.  I’ve been engaged in these practices for over a decade, greatly aided by my permaculture design certificate and permaculture teacher training, which offered me much in the way of working with nature and developing deep observation, interaction, and ethical skills. I realize that other authors, especially those coming from different spiritual traditions, may have a very different take.  But this is mine :).

 

Sacred Gardening: A Triad of Reciprocity, Life Honoring, and Connection

To define sacred gardening, let’s start by looking at the definitions for the two terms.  A garden refers to a place where ordinary people can grow food.  Beyond that, gardens actually vary pretty widely based on the philosophy and practices of a gardener.  You can have gardens that are organic and holistically managed or those that are full of chemicals, weed killers, and poisons.  You can have gardens that are diverse and support life or those that are focused on keeping all life that isn’t intended out with some pretty violent means.  You can have large or small gardens, indoors or out.  They can be perennial or annual. Gardens, then, are defined by crowing food, cultivating plants for human benefit; they are often (but not always) very human-dominated spaces.

Sacred refers to something that is dedicated to a spiritual or religious purpose, something that is deserving veneration, being worthy of awe; and/or something that is entitled to reverence and respect.  When we think of something that is sacred, it is a special place where we offer honor, respect, and reverence.  Where we tend to our interactions and be intentional in our practices. For thinking about nature as sacred, several concepts emerge that are critically important to our discussion here they are: connection, reciprocity, and honoring life   It is in these three concepts that we can arrive at a useful definition of sacred gardening.

Diverse garden!

Diverse garden!

Actions here represent the third aspect that is important to define.  The ultimate point of most gardening is growing food, using whatever means an individual chooses.  What makes that gardening sacred is how the gardener chooses to interact with the land, the specific choices and behaviors that gardener engages in, and the intentions put forth into the space.  As with many things, while intentions matter a great deal, it is actions that determine our relationships and reality to the land. You can have all of the sacred intentions in the world, but walking into your garden with a backpack sprayer full of Round-Up sends a very different message.

 

At the same time as actions speak intentions into the world, it is also important to recognize that the physical and metaphysical are affected by each other and that there are many metaphysical aspects that can affect a physical space and vice versa.  Thus, we can think about sacred gardening as being about both inner and outer practices, practices that help not only support the physical presence of the garden but also the spirit.

 

Thus, I see three guiding principles, a triad in the druidic sense, that can help us with a full definition of this practice:

Three principles for sacred gardening:
Deepening inner and outer connections with the garden
Engaging in reciprocity with the garden
Honoring and creating spaces the diversity of life in the garden

Thus, sacred gardening is a practice of cultivating a space (indoors or outdoors) that allows for not only growing food but also spiritual connection, reciprocity, and honoring life through both inner and outer practices.  In the remainder of this post, I’ll explore these three concepts and offer both “inner” (metaphysical) and outer “physical” practices

 

Connection: Building a Relationship

The first principle is connection.  Sacred gardening is connected gardening, where a big part of the goal of sacred gardening is to cultivate a deep relationship with the garden: which might include plants, soil, bird or insect life, stones, and other features.  Connection allows us to learn and grow in the garden by building a deeper relationship with that garden. Connection can mean many things in a garden setting, from developing a long-standing relationship with seeds that you carefully harvest and save each year to learning more about your space.   So now let’s look at three “inner” and “outer” connection practices.

Beautiful, cultivated polycultures!

Beautiful, cultivated polycultures!

Inner Connection Practices for sacred gardening. These three practices don’t have to be taken up all at once. I suggest you start with one of them and build to others over time–it can take years to establish deep connections. Think about inner connection work as taking a seasonal approach: each season you can grow and deepen your practice

.

  • Plant Spirit Communication. Learning how to directly communicate with your plants and the spirits of your land is a fantastic way to build deep connection.  By practicing and learning these communication techniques, you can learn from nature and grow in deep ways–as plants have been teachers of humans long, long, before recorded history.  Many of our garden plants, especially the culinary herbs like rosemary, lemon balm, and sage, have extremely long relationships with humanity and are almost always willing teachers.  For more on plant spirit communication techniques, see Plant Spirit Communication 1, Plant Spirit Communication 2, Plant Spirit Communication 3, and Plant Spirit Communication 4.
  • Meditation. Meditation techniques, including walking meditation and meditation where you are in stillness within the space, are excellent ways to build connections.  Consider doing your regular meditative practices in your garden as often as you can.  Even taking 5 or 10 minutes a day in your garden to meditate and connect can be a very positive experience–for you and for the garden!
  • Planting and Harvesting Rituals.  Relationships are built, in part, by recognizing the spirit in the plants and honoring that spirit.  I have found that planting, blessing, and harvesting rituals are a great way to build a spiritual connection between yourself and your garden plants.  Here are a few rituals for you to try: land blessing, planting ritual 1, planting ritual 2.

Outer Connection Practices.  Outer connection practices help signal to the spirits of the land your intentions.  Humans in this age often take the easy and quick ways out (e.g. plowing, pesticides, chemical fertilizers), and those easy and quick ways are often at a high ecological cost.  By taking things differently, and slowly, we can demonstrate sacred intent.

  • Supporting the soil web and soil health.   One critical physical connection in gardens is the soil and building soil health.  I would suggest as part of your connection to the garden, you work to attend to your soil–of which there are many different practices.  One of the most important is, for outdoor gardens, taking up the practice of no-till gardening, for example, using sheet mulch or hugelkultur approaches.  Supporting a healthy soil web begins with avoiding tilling a garden; tilling each year destroys the soil web and is quite destructive on the soil bacteria, nematodes, worms, mycelial networks, and more.  Adding rich compost (finished compost, coffee grounds, etc) and natural amendments help cultivate rich soil.  Here’s more on a few compost techniques: composting for city dwellers, composting options for outdoors, and vermicompost.
  • Observation and interaction. One of the first principles of permaculture design is a very useful one to list here.  To build a connection, you have to interact, to be present, and to do so frequently throughout the season.  Observe your plants as they grow.  Spend time with them, watch how they grow.  Look at them at different points in the season and at different times of day.  Take a full moon walk and see the glistening of the dew in the early morning.  This kind of walking meditative practice, where you are simply present with your garden, will offer you much.  More on observation and interaction. 
  • Seed starting and seed choices. Another connection practice focuses on seeds.  Seeds today can be difficult to navigate and choose because of the proliferation of GMO seeds (which I don’t recommend for sacred gardening)–this guide offers some suggestions for seeds.  Once you’ve selected some good seeds, you can start some for yourself (even starting a few will really give you a connection with the plant).  And I would suggest saving at least some varieties of seed from year to year.  For example, I have tobacco seeds that I use for ceremonial purposes and I’ve cultivated a many-year relationship with those seeds. At this point, each time I welcome up the new tobacco, it is greeting an old friend!

Connection allows us to begin to establish deep relationships with our sacred garden both in inner and outer ways.  I believe that connection is a basic requirement for sacred gardening–and the other two steps begin with this one.  Let’s now turn to the second principle–reciprocity–and see how it leads directly from connection.

Offering on a stone cairn

Offering on a stone cairn

Reciprocity: Giving Back

Reciprocity refers to the ongoing relationship that is mutually beneficial where each side continues to gain positive benefits from the relationship.  In the case of a sacred garden, abundant land produces yields to sustain you.  In the case of the gardener, the gardener does things to improve the diversity and health of the land and ecosystem–not only for the direct benefit of growing food but beyond.

Inner Reciprocation Practices help us to shift our mindset from those commonly assumed and indoctrinated in our culture to something more sacred and reciprocal.

  • Offerings and Gratitude.  In a sacred garden, whether it is indoors or outdoors, I like to have a space reserved for gratitude and practice gratitude regularly–this is the first step.  I usually build some kind of small shrine (whether that is on the windowsill or in a corner of a larger garden) and leave regular offerings. Offerings may be physical, musical, or spiritual (energetic).  More on gratitude practices from an earlier post.
  • Meditations and critical thinking work. Another good practice here is to spend time dismantling (though discursive meditation or other thought processes) the underlying assumptions about nature that we might not even consciously be aware of.  Our present culture has a constant assumption that 1) nature is there for our benefit and profit and 2) we can take from nature heedlessly and constantly.  These kinds of assumptions run through everyday life in unexpected ways and it can take some serious work to distance ourselves from them and to develop more healthy and productive beliefs about our relationship with nature.  For some good reading on this topic, I highly recommend Wendell Berry’s Unsettling of America: Culture and Agriculture and John Michael Greer’s Mystery Teachings of the LIving Earth.

Outer Reciprocation work helps us create gardens and plans that give back as much (or more) than we take, and establishes balance and harmony with us and the living earth.

  • Closed-Loop Systems and replacing what is taken. One of the reasons that chemical fertilizers are so popular is that as we remove nutrients from the soil, they have to be replaced (even so, we know that these kinds of farming techniques have caused a considerable nutritional decline over the decades).  Ultimately, the loss of nutrients permanently from the soil is a problem with reciprocation.  At minimum, we need to be replacing nutrients that are lost through erosion and harvest–but I’d argue that we need to do one better and add even more than was originally present. Practicing composting is one way, and for more radical folks, humanure and liquid gold offer ways to have a truly closed-loop system. Adding healthy amendments (I especially like to get coffee grounds from nearby coffee shops and interrupt other waste streams to divert to my garden).  Gathering up fall leaves and using them as part of your gardening practice is another resource.
  • Reduction or Elimination of Fossil Fuel Use. Another issue with reciprocation has to do with our over-dependence on fossil fuels, a dependence upon which is literally killing life on our planet and threatening our very existence as a species. As an act of reciprocation and acknowledgment of the problems with fossil fuel, I make it a point to do as much of my gardening by hand as I possibly can (even in a 1000 square foot garden!).  When I must make use of fossil fuels (such as to bring off-site compost to establish new beds), I make sure that I am making minimal and conscious use of these resources.
  • Scattering Seeds and Wildtending. As part of the gardens at the Druid’s Garden homestead, we have a “refugia” where grow a number of rare medicinal species and regularly scatter their seeds to wild and untended places, particularly places that have suffered ecological devastation after logging or other disruption (common where we live).  We grow both full sun perennials (like St. Johns Wort and New England Aster) as well as shade-loving woodland medicinals (wild ginseng, blue cohosh, black cohosh, ramps, goldenseal, bloodroot).  We also make sure to give seeds and seedlings out to others as much as we possibly can.  This is a direct response to many of these plants being lost in our local ecosystem and offers one way to give back.

 

Honoring Life through Sacred Gardening

Garden with sacred statuary

When you start thinking about connection and reciprocation, this is all leading to the most important sacred principle of all: that of honoring all life.  This is tricky–gardens are traditionally human-dominated spaces and the goal is traditionally to grow food for humans.  When the potato beetles or squash borers come knocking, “honoring life” is probably the furthest thing from your mind as you literally watch your hard tended squash plants wither and die on the vine.  This is when you might be tempted to go to your nearest big box store for a chemical solution. But it is exactly these situations that test us as sacred gardeners, druids, and nature-honoring people.  Nature herself has ways of bringing those squash beetles in balance, and there are many things we can do.  The principle here of honoring life is so critical because it is this principle that is so broadly lacking.

Inner Principles focus on cultivating a diversity of life principles as part of our gardening practice.

  • A full season of blessing rituals. Offering regular rituals in the space that bless and welcome life is a great way over time to affirm your relationship with the sacred garden and raise positive energy for the space.  Here’s one such approach based on land healing.
  • Inviting others in. One of the ways to honor the life of your garden is by inviting others in, sharing with them, and helping others understand these basic principles.  Once you’ve done enough that you have something to share, invite others in to learn, grow, and enjoy the space.  I try to do this often, and as I offer a “garden tour” I share not only what is going, but the life-affirming philosophy that is present in the garden space and how we bring that into reality.
  • Permaculture ethics. Meditations on the three ethics of permauclture (earth care, people care, and fair share) can really help one develop a mindest that honors life and the resulting behaviors. I like to regularly meditate on these concepts and also create signs for my home that remind me of these concepts.

Outer Principles

  • Welcoming the diversity of life – pollinator hedges and more.  When designing for spaces and when planning, I think its important to design just not for what we want to eat but to welcome in diversity, particularly insect and amphibian diversity.  Insect diversity can help us with integrated pest management (below) but also just with cultivating spaces that have room for life.  A simple way to do this, for example, is to use a pollinator hedge–fill it with perennial species like borage, mint, comfrey, sage, milkweed, and more.  These pollinator hedges help welcome in insect life into your space and create habitat, food, and forage for non-human life.  Another common feature is a small frog pond and bee drinking area; a place for frogs, toads, and other amphibians to lay eggs, shelter from the hot sun, and get a drink.  A final thing here to consider is that life-honoring gardens are usually a little more “wild” than their human-dominated counterparts!
  • Integrated pest management. There are so many ways to deal with pests naturally.  Planting pollinator species, particularly the kinds that attract parasitic wasps, can help you with a host of pest problems.  Letting your chickens or ducks run through the garden.  Using cayenne pepper or copper tape to address slugs–the list goes on and on.  Most garden pests have several natural solutions in the short term.  In the long term, fostering a healthy ecosystem allows the predatory species of insects to handle the ones that could cause you trouble.  This approach does take more work and knowledge than a chemical one, and you are likely to lose some crops along the way–but in the end, it will be a much more life-respecting and affirming choice.
  • Making full use of the harvest. Another aspect of reciprocation is to use fully what is harvested and not contribute to food waste.  I think its really important that, in a time where up to 50% of the food grown is wasted, we make every effort to honor what was grown and produced in our gardens. This often means taking up some kind of food preservation, such as canning or drying produce.  Another way of thinking about this is also offering the harvest up to other life–e.g. if I can’t eat all my tomatoes, can some of my neighbors or friends enjoy them? What about offering leftovers to my chickens who convert that garden produce into eggs and manure?

Beautiful patio garden

Conclusion

I hope these principles will help those of you who are starting gardens with the intent of having sacred gardens or for those of you who already have a gardening practice and want to make it more sacred and intentional.  I would love to hear from you in the comments about other ways that you’ve engaged in sacred gardening techniques and things that you do.