The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Walking Meditation Garden with Hugelkultur Beds June 24, 2018

As a practitioner of permaculture and as a druid, I am always looking for ways to work with the land to create sacred and ecologically healthy spaces.  That is, to create self-sustaining ecosystems that produce a varitey of yields: create habitat, offer nectar and pollen, systems that retain water and nutrients, offer medicine and food, create beauty and magic.  But conventional gardens, even sheet mulched gardens, can falter in water scarce conditions.  So building gardens long-term for resiliency and with a variety of climate challenges in mind is key.  At the same time, I am also looking to create sacred gardens, that is, not just places to grow food (which is simple enough) but to develop sacred relationships and deepen my connection with the living earth. Given all of this, I developed a design for a butterfly-shaped garden that would use hugelkultur raised beds and allow for a space for walking meditation and ritual.

 

Meditation Garden

Meditation Garden

When I came to the new homestead late last year, one thing was clear–any gardening was going to be rough going with the acidic, heavy clay soil full of rocks.  Digging down into the sunny part of the yard that was once excavated for a pool revealed virtually topsoil or humus content–basically, I was going to have to grow on clay subsoil.  A soil test revealed practically no phosphorous either.  Becuase I also have abundant wood on the property, digging down and creating some hugelkutur beds seemed like a great idea.

 

Hugelkutur beds were popularized by Sepp Holzer and discussed in his book Sepp Holzer’s Permaculture. They are used widely around the world as a way to create beds that are enormously productive due to their ability to create vibrant soil biology and hold copious amounts of water. The key to these beds is sinking a good amount of wood–large pieces–that slowly rots down over time. As the wood rots, it becomes a spongy mass ready to hold water.

 

The Hugelkultur beds certainly take some sweat equity, but they will pay out dividends in the long run. Each year that passes, more and more moisture will be held in the bed from the wood.  Microbial life will flourish in this wonderful, undisturbed system of nutrients and roots. Each year with the hugels is more abundant and productive than the last as the underlying soil structure grows more connected and diverse.

 

Choices for Hugels

One of the challenges with Hugelkultur is doing it without heavy equipment or fossil fuels. I’ve seen people make amazing hugels using a backhoe, tractor with an attachment, etc. They dig a big hole then use the machinery to pile up even more wood, making these enormous hugels. I don’t have knowledge of how to operate such machinery, so I was going to do mine on a smaller scale by hand. The question is–what can we do by hand, given these conditions?  Can we still make abundant and productive hugels on a smaller scale?

 

One of the key conditions for us was the heavy clay soil–when it rained, the water pooled in the space.  I thought that if we dug down, then the water would pool in there a bit, being able to be sucked up by the rotting wood.  After digging out the hugels (but before wood was added) this proved to be true–the water literally just laid in the heavy clay, forming pools that took days to dry out.  Yes!

 

Others, however, may find it more beneficial to go up rather than down–the key is to get the wood in it and get some layers of compost and such on top.  Your own conditions beyond that determine a lot of how you want to create your beds.  Here’s how I created mine!

 

Choices for Garden Design

In permaculture, one of the principles is “stacking functions.”  The idea behind this is that you should try to get as many different functions out of a single space as you can.  For example,  the greenhouse offers not only a great growing space for fall and spring crops, it offers shelter from frost for seedlings, and it offers a wonderful place to hang out when its 35 out and you want some sun.  Its multiple purposes, then, contribute to the overall goal of the greenhouse.  In the case of desginging a garden itself, this is also critical. The title of this blog is, after all, the “druid’s garden”–implying not only a garden but a sacred space.

 

The Lawn and Potential Space

The Lawn and Potential Space

And so, I think it is really important to consider the role of the sacredness and design in a garden space.  It’s not just a space to grow things in, to serve the pollenators and create ecosystems….but also a place of sacredness, where the act of gardening is sacred work and considered sacred practice. As is the act of being in the garden for non-gardening purposes, such as meditation and ritual.  To me, making garden spaces that can “stack functions” in this way is an important part not only of gardening, but of living a sacred life more generally and building connection and communion with nature.

 

So for this garden, I had a limited 2/3 circle space after putting in the greenhouse.  I toyed around with a large number of designs before settling on a tree of life theme.  As the garden developed, I realized I didn’t just want a set of “branches” but rather a space to do walking meditation like a labrynth, so the tree transformed more into a moth/butterfly design.

 

Building a Hugelkultur Walking Meditation Garden

Now that we’ve talked through both the mundane and sacred aspects of this particular garden design, let’s take a look at how to build one of these gardens!

 

Step 1: Observe, Interact, and Create a Design

I already had a good sense of the sunniest part of the land that was near the house and easy to access; this, was where the old owners had once had a pool.  It was here that I decided to place both the greenhouse and the walking meditation herb garden.  I observed this space in rain and sun, and also measured it out, thought about how I wanted to move among the garden, how big the beds should be, and so on.  To do this most effectively, you can get some garden stakes or sticks and then string–actually map out the location of your beds, see how it will be as you walk it, etc.  If you don’t have this, some old flour also works, just pour the flour down where you want the beds to be in lines, so that you are essentially “drawing” with flour.

Once I had a plan and was ready to proceed, I called out some friends to help get me started.

 

Step 2: Dig Down

I was blessed with some serious help from friends one weekend just after I moved in to help dig out the hugels.  First we had to remove a burn pit the previous owners left.  Then, we dug them down about a foot and a half–as far as we could go. The clay will be used for a cob wall project(more on that later in the year) that will go in the back of the greenhouse. This doesn’t look like much, but it was literally about 5 hours of work by six people!  Clay is heavy and doesn’t play nice.

Clay garden beds dug down

Clay garden beds dug down

 

 

Step 3: Add Wood

The next step is to add wood to your hugel bed. A lot of it.  As much as you can fit in it.  Here you can see me completing one half of one of the hugels. I used a lot of medium sized logs, some sticks, and also large huge logs along the bottom (not all of which you can see in the photo). The bigger logs will take much longer to break down, but that’s ok!

 

Most wood is fine to use with hugels, but you want to avoid a few kinds.  First, don’t use any woods that have chemicals that prevent the growing of other plants (black locust, walnut and alanthus come to mind). You also want to avoid rot resistant woods (cedar, black locust) as the point is to get it rotting down quickly. My beds primarily consisted of maple, cherry, and oak, as that was what was available.

Adding wood

Adding wood

Step 4: Add Additional Soil-Building Materials

The next stage is to cover the wood with anything else you can–any non-weedy garden waste, leaves, fresh or finished compost, manure, and so on. I threw some old pumpkins that were rotting in there, coffee grounds, a good pile of leaves, mulched grass, horse manure, and more.

 

In traditional hugel building, you would replace the topsoil upside down on top of the logs and keep adding more materials.  The issue I have with that is that I have 100% clay, and I don’t want to have any additional clay in my beds.  So I instead removed it for another project.

Adding leaves and materials

Adding leaves and materials

Step 5: Add Borders (optional)

A lot of people make hugel mounds and don’t add borders, but I find that the borders are really helpful to get them higher, especially with the design I was using (which consisted of fairly small beds.  Also, the borders give a clear demarkation line bewteen what your path is and what a bed is–and for good garden design, this is critical.  Paths determine garden space, after all.

 

After seeing my two friends who made a cool hugel garden with uprightlogs as borders, I thought I could do something similar.  In fact, this does not work:

I put the logs upright and then sunk them in the clay.  But…frost heaving in the winter knocked them all down.  I couldn’t dig down far enough to get them firmly in the soil without some kind of auger…. So I scrapped this idea and went to shorter beds with a rock linked edge.

This looks cool, but won't survive the winter!

This looks cool, but won’t survive the winter!

Since there is copious amounts of stone on the property (I just have to go digging and searching for it) and so I instead spent a lot of time hunting for stone on the property and moving stone for these beds.  It is empowering work!

Stone is quite heavy and moving it is a very good workout!

Moving stone is a very good workout!

 

Leaves and Stone

Leaves and Stone – I lined the beds with stone before adding the final layer. I packed the stone in with clay.

 

Step 6: Top with Finished Compost

The final step for the bed creation to top the bed with finished compost–I added about 5-6″ of compost over everything and then let it rain and settle, then added more.  This gives the plants you plant some room for growing. The beds, being so young, are otherwise difficult for the plants to take root.  Even so, the first year of the hugels as things are just starting to rot down can be not as abundant for plants.  You also want to suppliment with nitrogen–as carbon starts to break down (which is what most of your woody material is) it does suck the nitrogen out of the soil.  The most readily available form of nitrogen is, of course, liquid gold!

Adding finished compost to the bed

Adding finished compost to the bed

Step 7: Establish Paths

Becuase I wanted this to be a walking meditation garden, I needed to also think about the paths between the beds and creating them with something that would last.  I have done a lot of paths in the past at my old homestead with cardboard and wood chips; they are excellent choices, especially for a vegetable garden. Eventually, the wood chips and cardboard breaks down, and you end up with great soil you can move into your beds, then add another layer in.  However, these kinds of paths require regular yearly or at least every-other year maintenance and the paths quickly get lost.

 

But for this garden, which was more permanent and meant to also be a sacred space, I chose to use landscape fabric (which has a 20-25 year life and is breathable) and pea gravel from a local supplier. You could do a lot of things here for paths: brick work, stone work, other kinds of gravel, cardboard and wood chips, etc.  The key is to create something that you like and that fits the vibe of the garden.

 

So I laid the landscape fabric down and used steel pins to pin it in place. This fabric allows water to permeate but will not allow grass or other plants to grow.

 

Laying out the landscape fabric

Laying out the landscape fabric

Finally, I topped this with a 2-3″ layer of pea gravel (locally sourced) for walking paths.

Pea gravel going in

Pea gravel going in

 

Step 7: Plant!

The hugels can have both annual and perennial plants, trees, shrubs, etc.  I opted for this garden as a walking meditation garden filled with healing plants and some food plants.  There are three inlets and you can walk a figure eight or a loop in the garden and commune with the perennial plants.  The garden is planted with a variety of perennials and a few annuals: calendula, yarrow, horseradish, basil, thyme, new england aster, wood betony, garlic, chives, tomatoes, chamomile, rue, echninacea, St. John’s wort, and much more!

Butterfly-Shaped Meditation Garden Complete

Butterfly-Shaped Meditation Garden Complete

Another view of the garden

Another view of the garden

It is amazing to see how far this beautiful garden has come from the green, consumptive lawn.  It will now produce food, medicine, habitat, nectar, beauty, and a wonderful space for ritual and meditation work. This is just one variation–of countless others–to combine solid permaculture design techniques with sacred gardening.

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Sacred Gardening through the Three Druid Elements – Designing Sacred Spaces and Planting Rituals December 5, 2015

A representation of the 3 druid elements

A representation of the 3 druid elements

A number of people have asked me for ceremonies and activities that help facilitate sacred work on the land in various ways. Why would we want such ceremonies? Quite simply, because we can get the most effect by combining actions out in the world with ritual and other forms of magical practice on the inner worlds. For many years, I’ve been using my  druidic practices to help my work with plants and gardens. So in addition to the practical work of growing my own food on my homestead, practicing permaculture, regenerating lawns, and building a healthy ecosystem, I designin with the elements in mind, performing land healing and garden rituals, and engage in other sacred practices.  These two parts form a cohesive whole that unifies spiritual practices with everyday living.

 

Today, I’d like to share the first of a series of  posts on principles from the druid tradition that can be used both for designing sacred garden spaces and for simple rituals and sacred activities that can be used with gardening. And because I’ve decided to spend some extra time in my art studio in the winter months, so I’ve done my best to provide some illustrations for this post :).

 

The Three Druid Elements: Nwyfre, Calas, and Gwyar

In order to craft effective ceremonies to support sustainable activities, we need an underlying theory that helps us work with various flows of energy.  The Druid Revival has a set of three elements (we like to do things in threes) that are quite useful to understanding and enacting some sacred space rituals and building sacred spaces. A lot of current pagan and earth-centered practices use four elements, and there is so much out there about the four elements already, that I don’t really need to say a lot about those (and they are effective and useful for sacred gardening practice–see my elemental tree planting ritual here, for one such example).

 

The three elements are worth considering as an alternative or used in conjunction with the four elements, especially in regards to nature spiritual practices surrounding the land.  These three terms use Welsh words and pronunciations (like many other things coming out of Revival Druidry). They do not cleanly map onto the four elements, so don’t try to see them that way. See them, instead, as an alternative elemental system that emphasizes different properties of the world–all elemental systems do that, generally–they serve as an archetype of things that we can see or experience or know.  They are three archtypes, three ways of representing the inner and outer worlds of our experience.

A second representation of the three druid elements

A second representation of the three druid elements

Nwyfre (NOOiv-ruh): This first druid element is represents the life force and consciousness within each living being.  It is associated with the sky and the heavens; it represents the spirit of things; the mind.  The term means “sky” or “heaven” in the Welsh language.

 

Nwyfre in a gardening/growing/land healing context refers to the spirit of life flowing through each of the plants. This is the spark of life that encourages a seed to grow; it is the magic within the plant; and in some forms of herbalism, this would be the spiritual energy of the plant and the plant spirit itself. Nwyfre is not a physical thing (like Gwyar or Calas, see below); it is the spirit behind the physical thing. Nwyfre is often what we refer to when we talk about things unseen, “energies” of spaces and people.

 

Nwyfre is also the mental processes associated with gardening–its the design work, the thoughtfulness, the planning and careful consideration.  Its the feeling you get when you enter the garden; its the awareness that is awakened with a sacred connection to the plants.

 

Gwyar (GOO-yar) – This druid element represents the principle of flow, of movement, and of change. It is associated with the energy of the water (although is not limited to it); it represents the change that is inherent in all living things. The term means “flow” or “fluidity” in the Welsh language and we can refer to it as energy flows (in physical manifestation) of all kinds.

 

Gwyar is responsible for the change we see in the plants across the season; its the growth of the seed from spout to adult plant and finally into decay; its the flow of the seasons moving ever forward. Gwyar is the flow of the sap in the maple trees that first signals spring; its the growth of the plants; the budding and leafing of the trees; the ripening of the fruit; and the eventual composting and decay at the end of the season. Gwyar is the flows of nutrients in the great soil web of all life.  It is the principle of Gwyar we see in photosynthesis, the conversion of light into energy and oxygen by plants. For homebrewers, it is gwyar that allows the physical fermentation and transformation of grains or fruit into alcohol. It is this principle of flow in herbalism, also, that allows the medicine to move from the plant matter into a menstra (for tea, tinctures, etc). When permaculture designers talk about “catch and store energy” we are referring to harnessing the Gwyar in the land for common good (through rain barrels, swales, solar power, and so on).

 

Calas (CAH-lass) – The final druid element is Calas, representing solidity or substance. Calas is that which is the physical manifestation of things within the world: their form, their substance, and their features that help distinguish them. This is the welsh word for “hard” or “stability.”

 

Calas is the physical being of the plants in the garden, the soil, the microbial life.  It is Calas you feel when you pick up the rich soil and run it through your fingers. It is Calas that is the feeling of your tools in your hand (although its Gwyar that makes those tools work!). Its Calas that is in the vegetables sitting in your harvest basket and ready for your plate. All of the physical manifestations of your garden; the solidity of the pathways, the size of the beds, the physical structure of the plants; the weight of the stones–these are Calas.

 

Mapping the Elements onto the World

You can map these elements onto another triad in the druid path–the triad of earth (calas), sea (gwyar), and sky (nwyfre).  If you are interested in working with these three elements, I would start by suggesting that you spend time meditating on each of them and also spend time examining these principles at work in the world.

 

For example, as I look down my street, I see the Calas in the pavement, in the trunks of the strong trees, in the physical body of the people walking there.  I see Gwyar in the rain falling on the street, in the movement of the branches in the air, in the swinging of the hands and walking of the people.  I see the spark of Nwyfre in the laughter of the children crossing the street holding hands in the rain.

 

Sacred Bee

The bee embodying the three druid elements

As a second example, we can think about the honeybee.  The honeybee’s physical body (legs, wings, abdomen, exoskeleton, eyes, tongue, and so on) represent Calas.  The honeybee’s flight and movement in the hive represent Gwyar.  The magic alchemical process that allows eggs in the hive to have the spark of life, the magical process where nectar is transformed into honey, and the blessing the bees bring to the land all can be represented in Nwyfre.

 

I would suggest that if you want to use these three principles in your sacred gardening work, magical practice, or daily life, you spend time with each of them.  Spend time focusing on one, meditating on one, writing about it, maybe sketching it or creating a song, and observing it in everyday life.  Do the same with the other two–while these three elements are simple on the surface, profound understanding can be found with dedicated study and work with these elements. Now that we have some understanding of the principles behind the three druid elements, we can consider how they can be put to work in a sacred garden space.

 

Using Nwyfre, Gwyar, and Calas in Garden Designs

The other way you can use these elements is by considering their role in the garden design process and think about integrating them physically into our spaces.  Let’s look at two such garden designs where these three elements can play a prominent role.

 

1. The Herb Spiral

The herb spiral is probably the most quintessential design from permaculture; the spiral is built up so that the top of the spiral is above the earth by several feet, making it drier, and as the spiral goes down, it has various small microclimates.  Some spiral designs (including mine here) include a water feature at the bottom.  I like the herb spiral a lot, as its simple to implement, encourages us to think about the plants and their microclimate needs, and looks great.

 

From a magical perspective, we can apply the three druid elements easily into this design: the spiral itself representing nwyfre; the stones, earth, and plants representing calas; and the flow of water and areas of wetness and dryness as well as the encouraged growth habits based on placement through gwyar.  There’s also a really good reason to put a standing stone at the very top, buried 1/3 of the way into the soil–stay tuned for my next post for more on the inclusion of the standing stone.

The Sacred Herb Spiral, complete with standing stone and sacred pool

The Sacred Herb Spiral, complete with standing stone and sacred pool

You’ll notice in this design drawing I’ve included a number of different herbs, many of them both magical and medicinal.  The top of the design starts with the herbs that like it hot and dry–rosemary and white sage being at the top of that list, perhaps with a bit of accompanying garden sage or clary sage.  From there we move into thyme and dill, who can handle it a bit dryer, along with echinacea (purple cone flower), a wonderful medicinal.  Basil or lovage, too, would work wonderfully around this spot.  Chives, chamomile, and calendula (along with others, like New England Aster) fill out the bottom.  Next, we get to the pool’s edge.  Mountain mint and boneset are two water loving plants that would like that spot, as would any other mint.  Finally, the pool itself can contain horsetail (especially if you are using sand in your pool) or calamus, two rooted and water loving plants.  This design can be modified to your own herbal interest and specific ecosystem.

 

2. A Larger Sacred Garden Spiral

We can expand the idea of the herb spiral to create a larger sacred spiral garden in which things more than just herbs grow.  Here’s a simple design for one that honors these three elements as well as recognizes the importance of an 8-fold wheel.

Larger Spiral Garden Design Inspired by the Three Druid Elements

Larger Spiral Garden Design Inspired by the Three Druid Elements

This design is flat, and the stone walking pathways (or mulched paths, etc) form the basis of the design.  I’d keep the beds in the spiral no more than 3′ across; its harder to manage a bed wider than that (I speak from hard-learned experience!)  The center of the garden offers a standing stone (more on that in my upcoming post) as well as a sacred pool with calamus and horsetail.  The edge, like the design above, is for water-loving plants, and then any herbs you want to grow work their way outward from the spiral.  The outer edges (which can continue on, beyond what I drew) can be home to perennial berry bushes, brambles, etc, as well as rotating annual vegetable crops.  I really liked the nettles there, at the entrance, serving as guardians….so many of our forests have those kinds of protectors, and stinging nettle is not only a great guardian of spaces but an incredible medicinal and tasty food!

 

So now that we’ve looked at the three elements in design work, let’s see how we can use them for prayer and planting.

 

A Garden/Land Altar Using The Three Elements

Setting up a sacred space and acknowledging the presence of the elements is an important step; its a way to encourage us away from the strictly practical and into the sacred.  Another way of doing this in an existing garden space is to setup an altar for the three elements.  You can use a flat stone or stump, and on it, place a stone for calas, for example; a bowl of water for gwyar, and some representation of nwyfre (a symbol like a spiral or an awen or else some herbs/incense (sage, mugwort, or lavender are my favorites, but you can also use any blend of herbs that have a strong connection with planes beyond the physical).

 

An alternative is to create a living altar, where you can use three plants to represent them: an earthy or rooty plant for calas (burdock, comfrey, dandelion, or any garden mushroom or mushroom log would be perfect here), a water plant like calamus, horsetail, boneset, mountain mint, arrow root, and so-on for gwyar, and a plant associated with the spirit realm (sweetgrass, sage) or strongly with the sky  (a climbing vine like nasturtium) for nwyfre.

 

A good way to choose symbolism for your altar is to meditate on each of the three elements and/or do a free association with them in order to come to a deeper understanding.

 

Three Element Daily Prayer

A daily prayer at your three element altar can be simple and yet effective. I might come into the garden and say this prayer at morning’s first light or before I begin to work in the garden.

“Calas, the form and the shape
Gwyar, the flow and the change
Nwyfre, the spark of life
Sacred elements spiraling
Bless this [garden’s/land’s/place’s] growing”

As you say the prayer, pause after each line.  You can touch the elemental representation on the altar as you pause.  Then, for Calas and Gwyar use your 5 senses closely to see how that element is manifesting in the garden at each moment. Nywfre will require your inner senses, but it too can be sensed in various ways.

 

A Simple Prayer for Growing Things – A Three Element Blessing

This prayer, or another like it, can be used to encourage many things to grow, anything from sprouts on your counter or seeds you have started to the planting of a new garden.  I use this prayer this after planting my first sets of seeds in the fertile earth, transplanting seedlings, or putting in new trees or shrubs.

Say: “May the essence of the earth support you in strength.”
Action: Pour a small bit of earth or finished compost over the growing plant/seed/tree. Alternatively, if you are planting seeds, plant them at this time.  As you are sprinkling the earth or planting the seeds, chant “Calas” three times and envision the seed’s deep roots and the fertile earth supporting it.

 

Say: “May the flows of the land transmute you in harmony.”
Pour a small bit of water near the roots of the growing plant/seed.  As you are pouring, chant “Gywar” three times and envision the waters flowing to the seed and the seed’s growth and change.
Say: “May the spirit of life bless you in wisdom.”
Smudge the plant with a bit of herbal incense (I like sage, mugwort, rosemary, or lavender for this purpose; see my post on smudge sticks for more ideas).  As you are smudging, chant “Nwfre” three times and imagine a spark of life shining outward from the center of the seed to facilitate its growth.


Say:
“May the triune essence of Calas, Gwyar, and Nwyfre bless infuse you with blessing and abundance.” and chant “Awen” (Ah-oh-en) three times to close out the ceremony.

 

Concluding Thoughts

As you can see, the three elements of the druid tradition represent a wonderful opportunity to work on a sacred level, creating sacred gardening practices.  These kinds of practices truly contribute to a “druid’s garden!”