Tag Archives: quercus alba

Three Principles for Ethical Foraging

Foraging for wild foods, mushrooms, and wild medicines is something that is growing as a pastime for many people. The joy of foraging from the land connects us to our ancient and primal roots and allows us a chance to build a more direct connection with nature. But with any practice rooted in nature comes the need for balance and responsibility. Thus, the following principles can help wild food foragers and wild food instructors harvest ethically, sustainably, and in a way that builds wild food populations rather than reduces them.  I share both the principles in text below as well as graphics.  The graphics are (full size and web-sharable versions, see links) and they are licensed under a Creative Commons license.  Anyone who teaches plant walks or wants to use them in foraging, wild foods, and herbalism practice is free to download them, print them, and share them! The two graphics are of the same content, rendered differently. For full size printable versions click the following links: The Foraging Flower (8 1/2 x 11″ JPG); Foraging Ethics Tree (8 1/2 x 11″ JPG)

Harvest Mindfully: Mindfully and ethically harvesting from the land to ensure sustainable harvesting, ensuring the long-term survival of wild food and medicines for the benefit of all life and future generations.

  • Take only what you need. Harvest only what you need and resist the urge to harvest everything. Find ways of preserving foods and wild medicine so that nothing goes to waste.
  • Harvest in a way that sustains long-term populations. Be careful about how much you harvest, where you harvest, and when you harvest to ensure that you are not damaging plant populations or harming individual plants. If you need to take a root harvest, it should only be done sustainably and when plants are in abundance. If you are taking a mushroom harvest, remember that mushrooms are the reproductive system; if you harvest them all, the mushroom can’t reproduce. At the same time, recognize that some plants should be harvested as much as possible–those who are spreading and harming native plant populations.
  • Harvest with gratitude and respect. recognize the gift that nature is offering you, and harvest respectfully and with gratitude. Be thankful for the plant and the opportunity to harvest.

Tend the Wilds: Our ancient human ancestors understood that creating a reciprocal relationship with nature were the only way to ensure a more bountiful harvest and sustain our lands so that they could sustain us in return. Thus, building in wildtending practices and tending the wilds should be a counter-practice to foraging.

  • Cultivate and spread wild plants. Learn how to cultivate and tend the native and naturalized plants you commonly harvest.  Work to establish new wild patches of these plants by gathering and scattering seeds, dividing and planting roots, and transplanting. Cultivate new patches which you can later harvest from.
  • Target your efforts towards at-risk plants. Look for plant populations that are in danger of disappearing (from overharvesting, loss of habitat, etc) and target your efforts to help cultivate them. This may mean that there are certain plant populations that you do not harvest until a more stable population is established.
  • Create a balance between foraging and wild-tending: Strive to balance your practices between foraging and wild tending, both in terms of working to cultivate more specific plant populations and also in terms of broader conservation and ecological work, such as protecting wildlands, replanting lands, engaging in political activism, or working with conservation groups.

Build your Knowledge: Understand the plants that you are harvesting–how they grow, how they function ecologically, and the populations of plants in your area.

  • Build your knowledge of ecology and plants. Recognize that there is a lot to know about plants and that this is a lifetime of study. The more you know, the more you are able to apply to your foraging and wildtending practice. Read books, attend workshops, and learn about how your plants function in the ecosystem: where do they grow? how do they grow? What insects/animals depend on them?  Which plants can you harvest as much as you want? Start by learning about a few plants and build from there.
  • Observe and interact.  Don’t depend on the wisdom only in books but get out into your local landscape, observe, and interact.  Recognize that the populations in your local area of plants and mushrooms may be radically different than what you read about.  Understand what is happening in the areas that you spend time in specifically so you can be more mindful of your interaction.
  • Connect, learn, and share with community.  We can do more as a community than as individuals, so find ways to connect with like-minded others, building and sharing knowledge.  The more we spread these principles and ethical foraging approaches, the more good we can do in the world.

Background on these Principles

Milkweed patch now well established in the meditation garden!

I started teaching wild food foraging almost a decade ago after a lifetime of cultivating an ethical practice of foraging and working to regenerate damaged landscapes.  I began teaching foraging with the naive and simple premise that if people understood that nature had value for nature, they would honor and respect it, work to protect it, and cultivate a relationship with it. However, this is not the case. But with increasing frequency, as new people get into wild food foraging, I’m seeing something very different emerging: communities of people who see wild food foraging as a treasure hunt, going into areas without any knowledge of the plant populations or sustainable harvesting techniques, and pillaging the ecosystem.  And in these same communities, there is strong resistance to any discussion of limits, ethics of foraging, or cultivating reciprocation with the land.  But, this situation offers us a chance to grow and to learn how to be better stewards of the land.  With that said: what an opportunity for change. We are always learning and expanding our understanding, foraging is an opportunity for this. Be open to changing your perspective and be forgiving and understanding of yourself and others on this foraging path.

Unfortunately, in the wild food community, we see the same colonizing and capitalist attitudes that pervade other aspects of Western society. Here in North America, one of the underlying issues is that nature is treated by most people in the 21st century no different than it was treated in the 16th-19th centuries: as a resource that you can take as much as you want from. The history of colonization here in North America turned carefully cultivated food forests into deserts and destroyed the way of life and culture of indigenous peoples who lived in harmony with nature. The current practices of land ownership and individualism stress this further–the assumption is that if it’s your land, you can do what you want with it regardless of how it impacts other life living there. Many people born into Western culture are enculturated into this colonizing mindset and may not even be conscious of how much it impacts our assumptions and relationship with nature. This mindset drives a set of behaviors that are literally putting our planet–and all life–at risk. Thus, it becomes increasingly clear to me that at least some behavior surrounding wild food foraging is a new take on the very old problem of colonialism.

I’ll give three examples to illustrate the impetus for the principles I offer. When I was a child in the Allegheny Mountains, Wild Ginseng (Panax quinquefolius) was easy to find. My grandfather used to harvest it in small quantities and brew it up for us as a special treat. In the years since, with the increasing demand from China and the rising prices for American Ginseng, in all my time spent in the forests here, I have never found a single wild ginseng plant growing.  This means that the medicine of American Ginseng is completely closed to the people of the Appalachians, and it should not be. I have only had the opportunity to interact with wild ginseng that someone (myself or others) has planted. And in cultivating it, I’ve realized how incredibly hard it is to establish and grow. Most people cultivating it have less than a 20% success rate with either seeds or roots. In a second example, when a friend and I were co-teaching a wild food class, we came across a patch of woodland nettles. Some of the students in the class immediately went into the patch of nettles like vultures, taking every last nettle. Not 15 minutes before, we had had a discussion of wild food ethics and sustainable harvesting, but this was quickly forgotten with the excitement of the harvest.  That nettle patch has since regrown with some careful tending, thankfully, but it took about four years to get as large and beautiful as it was. In a final example, one wild food foraging online group in my region, a person posted a picture of six 5-gallon buckets full of ramps, including the bulbs. This represented an extremely unsustainable harvest for several reasons, not the least of which being that ramps take 1-2 years to germinate from seed and up to 7 years to mature. When I kindly shared information about how to harvest ramps more sustainably (very limited or no bulb harvests depending on the population, being mindful of the amount being taken, scattering seeds to propagate ramps), I was banned from the group for “pick shaming.”  Most online groups have very strong and immediate reactions to anyone discussing ethics, sustainability, or limited harvests, which prevent any conversations from taking place.

These three examples illustrate the challenges present with overharvesting and were part of the impetus for the above principles. I will also note that all of these examples come from the United States; I don’t know if the issues I’ve witnessed apply to other contexts or cultures.

I’ve never met a wild food instructor, teacher of herbalism, or earth skills instructor who didn’t do their best to teach at least some of the principles I’ve outlined above.  But it seems that we need to do more, particularly as large numbers of new people are picking up wild food foraging and that many online spaces are opposed to discussions of the ethics of practice. These principles can be a critical part of every class we teach, every social media post, every Youtube video we create, and every publication we author. By adhering to a set of ethical standards that put wild food foraging in the broader context of building a reciprocal relationship with nature, I believe we can create a more balanced and ethical practice for all.

Examples of the Ethics in Action: Working with Milkweed, Garic Mustard, and Oak

Here are three specific examples how this might be done, both from a teaching standpoint and from a practitioner standpoint:

Common Milkweed (Asclepias syriaca) is one of my favorite wild edible plants, with four different harvests throughout the season. A wild food foraging practice that includes common milkweed has a chance for causing harm. Overharvesting shoots can prevent the plants from growing at all; overharvesting flower buds, immature seedpods, or silks can prevent the milkweed from going to seed and spreading.  In most areas in the US, common milkweed is in decline due to new farming techniques, spraying, mowing, and land-use changes. Thus, our land needs a lot more common milkweed, which is a critical food source for declining insect populations, including the increasingly endangered Monarch butterfly.

When I teach common milkweed, I start by passing out small packets of common milkweed seeds that I have grown in my garden from local seed stock.  I tell people about what a wonderful wild food that common milkweed is, how good it tastes, and how to prepare it.  And, I ask that people work to cultivate their own patch (in their garden, yard, or in a wild area) so that they can eventually start harvesting it themselves.  I explain that I do not, ever, harvest this in the wild but rather, I cultivate new patches and eventually return to them to harvest. In this example, I teach Common Milkweed in context: not only what it is but how to harvest, but the challenges surrounding it.  And, I put the direct tools for change–seeds–in their hands, so that they can spread them and begin their relationship with milkweed from a place of reciprocation and stewardship.

Garlic Mustard (Alliaria petiolata) is another plant I commonly use and teach.  The lesson of this Garlic Mustard is a very different one: Garlic mustard is an opportunistic plant (I avoid the term “invasive”, also for ethical reasons) and by harvesting, we can control the populations of this plant.  Because it is always abundant and opportunistic, not only do I teach this plant, I encourage those on my plant walks to harvest as much of it as they can while we are on the plant walk.  I will sometimes bring a garlic mustard pesto or another dish that they can taste to see how delicious it is.  On social media, I will share recipes and information on how to find it and cook it, so that others can also start harvesting this plant abundantly.

Offering gratitude to the oak with an offering

Offering gratitude to the oak with an offering

Oak (Quercus Rubra, Quercus Spp.) is another one of my favorite trees from a foraging perspective. When I teach oak in the fall, I usually bring a sample of acorn bread or cake so people can get a sense of how delicious the oak is.  This helps people recognize and honor the oak tree as such an abundant resource. We discuss the principle of the “mast year” and how you can harvest acorns. We discuss how to identify good acorns to harvest based on examining their caps and shells.  We do talk about how much one can reasonably harvest and process–and how to leave acorns for wildlife.  I also teach wildtending practices with Oak in two ways: first, I encourage them to be like a squirrel, not only harvesting acorns but, after harvesting, taking a stick and popping some of them back into the ground to propagate the oak.  I also encourage people to return to their favorite oak in the spring and dig up some of the small oak seedlings to spread elsewhere, ensuring the genetics of the tree survive.  This creates a balanced relationship with the oak, and helps repopulate a keystone species in our bioregion.

In all three examples, I’ve developed both a teaching and foraging practice based on examining the specific context in which a plant or tree grows, its abundance, and the ecological needs it has.  In the case of Milkweed, declining amounts of milkweed (including in my immediate ecosystem) have led me to cultivate it in a number of places, spreading those seeds outward, and considerably limiting how much milkweed I enjoy eating.  The case with Garlic Mustard is the opposite–I harvest and eat as much of it as I can as a way of limiting the spread.  One of the practices of the oak is to participate in acorn planting and spreading oak trees.  Each of these wildtending practices allows me not only to ethically balance a foraging practice but to create a deeper and more meaningful relationship with the living earth.

I would love to hear thoughts on these principles and other ideas for how we can cultivate ethics of reciprocation within wild food foraging!

Making Acorn Ink – Instructions and Recipes

Acorn Ink! (Great color!)

Acorn ink, derived from the mighty oak tree, can be a wonderful addition to your druid practice or art studio.  Inks can be used for all manner of useful things, from drawing and artwork to the creation of sigils, writing in a druid’s journal, or engaging in other magical work.  In this post, I’ll share a method for making an acorn ink as well as a rust garden (that you can use to strengthen the color of this and other natural inks, like walnut).  I’m posting this now because I have found that acorns are best gathered for this not right after they drop, but after they’ve sat on the ground for some time (such as over the winter months).  This is a way for you to use acorns pretty much year-round, connect deeply to the energy of the oak tree, and localize your practice.

Ink making was once a common practice before the advent of commercial inks.  It was a sacred practice, for the arts of literacy and materials for drawing, writing, and painting were rare and hard to produce.  Toady, with the over-abundance of everything at the expense of nature, it’s wise to practice some of these older ways and reattune with the balance, wisdom, and joy of our ancestors. Ink making is actually quite simple and very rewarding and you will get colors that you can’t purchase commercially.  If you are interested in this topic, you might also want to check out my earlier post on berry inks.

The Magic of the Oak

Oak trees are special, particularly to those in the druid tradition.  The ancient druids did their rituals in groves of oaks. The ancient Irish considered the oak one of the seven sacred trees.  Many cultures around the world venerated oaks, which we can see from the use in military symbols and coats of arms throughout the world. The oak is a symbol of strength, persistence, courage, wisdom, and honor.

Acorns from the Tree of Life

Acorns in the fall months

According to John Michael Greer’s Natural Magic Encyclopedia, Oak is “the preeminent tree of power in ancient symbolism” being of particular use to those who channel high levels of energy, for weather magic, and for earth magic.  Acorns themselves are symbols of fertility in ancient times to the present. In the Ogham, Oak is represented by the word “duir”.  In ancient Sanskrit, duir literally means “door”.  Oaks, then, are not just symbols of strength but doorways to many other things (the inner worlds, worlds of spirit, new journeys, etc). It is tied with the time of midsummer.  The oak has very strong wood and was often employed as the Yule Log (where the oak’s power would allow the light to return to the earth once again!) In the Hoodoo traditions, oaks is used to remove hexes or jinxes, usually through a wash.  Oak galls (which you can also make ink with, also using iron) are specifically used in the hoodoo tradition to lend power to any other working.  So you can see how having some oak ink might be a useful tool!  What better opportunity to honor the sacred oak than by making some high-quality ink that can be used for drawing purposes, spiritual journaling, or magical uses.

Making your Ink

Making acorn ink is simple and requires a few basic ingredients and tools

  • Acorns, older are better
  • Something to crush your acorns with (mortar and pestle, hammer and plastic bag, etc)
  • Vinegar (preferably rust garden vinegar, see below)
  • Water to cover acorns
  • Strainer

Gathering Acorns. I like to make acorn ink early in the spring.  The reasoning here is simple–you can easily find last fall’s acorns, and whatever is left, wasn’t a viable food source nor will sprout. So you are using the true “castaways” from the oak–probably acorns that had a few worms, etc.  I also find the ink is stronger if you are using older acorns.  As always, ask permission to gather and make sure to leave an offering in thanks.  To make about a cup of ink, you can gather 2 cups acorns (a cup of ink is a LOT of ink, just FYI!)

Gather up some old acorns

Crushing Acorns. After you’ve harvested your acorns, you will need to crush them.  If you have a large mortar and pestle, this works great.  You can also crush them easily by getting a thick plastic bag (like an old used feed bag) and using a hammer.  Or just crush them up on a large stone.  Make sure you save the small bits.  The more that you crush, the more effective extraction you will get.

Crush up acorns and add them to a small pot with water

Cover acorns with water. Barely cover your acorns with water, just enough to fully cover them in a small pan.  The more water you add, the less of an extraction you will have.  So go for a small pot and barely cover them.

Soak overnight.  Soak your acorns overnight if possible.  While you don’t have to soak overnight, the ink is stronger and more potent if you do.

Simmer. You will want to simmer your acorn mixture for a few hours.  It’s better to go long and slow than fast and quick.  As you boil, keep a good eye on the water level.  Early in my boiling, I might add a little water, but later on, especially in the last hour, I let the water boil off.  The more it boils off, the more high-quality ink you will have.

Simmering acorns

Strain.  Next, using a fine-mesh strainer or cheesecloth, strain your ink.

Acorn ink is finished boiling and ready to strain

Add Rust garden vinegar or regular vinegar.  If you take the time to make a rust garden (highly recommended, see next section), you can add a few tablespoons of rust garden vinegar (about 3 tbsp per cup of ink) to your mixture.  This darkens the color and helps preserve it.  If you aren’t going to make a rust garden, you still will want to add a tablespoon or two of vinegar to help preserve your ink.

Adding rust garden vinegar to the ink

Storage. You can store it in a mason jar with a lid.  I recommend keeping it in the fridge as it will last longer. You can keep it in the fridge for quite a while (several years).  It is likely that over time, it will develop some bluish mold.  Just get a strainer or a fork and remove the mold–the ink is still good.

Mold is a common occurrence with natural inks–just strain and keep using!

 

Optional: Making a Rust Garden

Making a rust garden is a way to improve the quality and color of your acorn ink (it also allows you to make oak gall ink and walnut ink; I’ll cover oak gall ink in an upcoming post). All that you need to start your rust garden are some rusty objects (like iron nails) and some vinegar (any kind will do).  Gather up your rusty objects and cover them in vinegar.  If you want to help speed it along, you can actually remove the objects, let them be exposed to oxygen for 24 hours, and then put them back in the vinegar vat.  I find this to be a little tedious, so instead, I just shake up my rust garden every once in a while and let time do the work. You can start your rust garden in a mason jar. As the items continue to rust, the rusty bits get suspended in vinegar, eventually creating a beautiful dark brown shade.  In a few months, you’ll have a very rusty, brown-black vinegar and it will be awesome for making natural inks!

Finding some rusty objects with Pythagoras the Rooster’s help!

Adding objects to vinegar in a jar

The completed rust garden! Look at all that rust!

However, this practice takes some time – at least 3-5 months–so keep that in mind.  You can always make the ink, then store it in the fridge while your rust garden “grows” and then return to it later (that’s what I did in creating the ink shared in this post).  Or you can start your rust garden now, and it will be ready for when this year’s batch of acorns drop in the fall.  Be aware here that over time, the jar lid itself will actually rust away–you can see that already happening to my jar here.  Thus, I recommend putting either a plastic lid on the jar or else a piece of plastic in between the lid and the jar can help preserve it over time (it will take a few years for the lid to rust away due to the corrosion of the vinegar).  Not that I have ANY experience with this happening, haha!

If you use some of your rust garden, you can just add more vinegar and keep letting it rust further.  Keep it on a shelf and then anytime you want to make natural inks like acorn, oak gall, or walnut, it will be ready for you!

Using your ink

Once you have your ink, it is ready to use!  Here are just a few possibilities for using your ink:

Acorn ink dyed leather pieces in progress…these will be bag flaps for leather pouches.

  • Pen and ink:  An old fashioned dip pen works great with this kind of ink, provided it is well strained.  You can use your ink on journals, magical sigils, drawings, and so much more.
  • Sigils and other magical work.  Consider saving this ink for a special purpose such as writing in your spiritual journal or making sigils.
  • Natural arts.  You can do a lot of interesting things with such high-quality ink: ink drawings, ink washes, and more.
  • Leather and Wood dye.  This ink will also dye a lot of surfaces (if you want to use it in this fashion, you’ll have to make large batches, which isn’t unreasonable in mast years when you can harvest abundant acorns).  I’m experimenting now with it as a leather stain and its been great!

I hope this post inspires you to try to make some of your own acorn ink!  I feel like acorn ink making is a great practice for the aspiring bard or druid!

 

PS: I hope you like the new look of the Druids Garden Blog!  I’ve been using the same theme for so long, I thought a change was necessary.  Blessings!

Sacred Tree Profile: Oak’s Medicine, Magic, Mythology, and Meanings

A glorious oak tree in fall colors!

A glorious oak tree in fall colors!

There is nothing quite as majestic as an oak, which is likely why ancient druids met in groves of them to perform their ceremonies.   As I write this, I look at my glorious black oaks, white oaks, and burr oaks in the surrounding landscape and their incredible mantle of gold, tan, crimson and oranges.  Where I live, the oaks keep the green on their leaves through most of the fall season, and begin their transition into color just before Samhain. The oaks and beeches, here, are the very last to lose their leaves–if they lose them at all.  Many of the oaks, especially the younger ones, keep their leaves all winter, dry and crackling, and only drop them before they bud out again in the spring.   Their behavior in the fall and winter months is certainly a testament to their energy and strength.  All across the land, the oaks’ powerful presence here at this time of no time, holding space for all of us as we move further into the dark half of the year.

 

This is a post in my “sacred trees in the Americas” series where I explore sacred trees in the context of North America, particularly the upper Midwest and East coast. Often, the meaning of trees and the place of these sacred trees in the ecosystem differs from traditional European sources, and so I’m working through a number of dominant trees here with extensive research, exploring their physical uses, meanings, magic, sacred traditions, and more.  Previous trees in this series have included: Elder, Walnut, Eastern White Cedar, Hemlock, Sugar Maple, Hawthorn, Hickory, Beech, Ash, and White Pine. Today, we will be exploring the majestic oak, a dominant tree in much of North America.

 

Oaks in Many Forms

In North America alone, over 56 species of Oaks make their home.  Where I live, we have about 20 different species of oak, although certainly, a few oak species dominate: chestnut oak, white oak, northern red oak, swamp oak, and black oak.  In other parts of the US and Canada, different oaks may be present or dominant.  The good news is pretty much wherever you go that is not a desert here, you can find oaks!  And this is great news for druids, as the oak has been a primary symbol of druidry since the time of the ancients.

 

One dominant, majestic oak in the eastern seaboard is the White Oak (quercus alba); white oak is the most dominant species in North America. White oaks can grow up to 100 feet high, with a 5 foot diameter trunk.  One of the few places you see such large oaks are in old growth forests, such as Cooks Forest in Western PA.  Black oaks (quercus veluntina) are much smaller trees, getting up to 80 feet high with a smaller 3′ trunk.   All oaks have a very strong, hard wood with a close grain.  Oak in past times was used for any situation where strength and durability were required: old barns, oak barrels, railroad ties, posts, ships, hardwood floors, and furniture, to name a few.

 

Like most other hardwood nut trees (hickory, walnut, butternut), oaks are relatively slow growing and long lived.  Some white oaks can live 600 years or more. Oaks are considered a “climax” species, meaning that once mature oaks are present, the forest is considered mature and no additional ecological succession will take place. Oaks are a keystone species in many forests on the East coast and in the Appalachian mountains: the oaks provide understory, food, and habitat for many other species and drive the overall shape of the forest.  A typical mixed oak forest may also include hickory, white ash, tulip poplar, beech, sugar maple, or black cherry with an understory of serviceberry, spicebush, or witch hazel.  This is contrast to the other typical forest type, which here, would be the birch/beech/hemlock forest with an understory of witch hazel.  Of course, I am writing here of the typical types of forests found in the Allegheny mountains; your own observations of your local ecosystem will also be helpful to determine how oak functions where you live.

 

Honey mushrooms (known around here as “pa-pinkies”) can be found on the roots of oaks infected with them. The infection that produces the honey mushrooms is armirillia root rot; it can be characterized by, as   writes in Field and Forest, “blackish, fibrous, rootish strands extending up the tree beneath the bark.”  Unfortunately, honey mushrooms, while delicious, kill oak trees.  The cycle of life can be a fierce one; I’ve seen honey mushrooms take out ancient oaks, turning them into soil once again, and have watched young acorns sprout in the remains of their ancestors.

 

Acorns from the Tree of Life

Acorns from the Tree of Life

Acorns and Acorn Eating Cultures

“The World looks different when you eat acorns.”  Samuel Thayer, Nature’s Garden

Most oaks, like other hardwoods, have to be between 30-40 to produce acorns and up to 60 years to produce a full crop of nuts. Oaks flower in the spring; depending on the frosts that year, the frost may impact their nut harvest.  According to Samuel Thayer in Nature’s Garden, oaks produce a strong acorn crop every 2-3 years.  This is an ecological adaptation to prevent the populations of squirrels and other rodents that eat acorns to eat the entire crop each year.  Smaller crops for two years keep populations small, and a large crop in a 3rd year will ensure the survival and continuance of the oak.  Further, smaller crops train animals to “hoard” the nuts, stowing them in the ground and forgetting them, so that more oaks are born.

 

All acorns are edible, but in order to eat them, they have to be properly prepared.  Different oaks have smaller or larger nuts–around here, my favorite for eating is the chestnut oak or the white oak, both of which produce very large nuts.  These nuts are also both delicious when roasted.  Acorns, like all other parts of the oak, contain tannic acid, which makes the acorn bitter without preparation.  Leeching the tannic acid out of the acorns (through water extraction or boiling) turns acorns into incredibly delicious nuts and flour.  For extensive instructions on how to harvest, leech, and prepare acorns, I suggest Samuel Thayer’s Nature’s Garden.  Another good resource is the book Acorn and EatEm by Suellen OceanEuell Gibbons has several great recipes for Acorns in Stalking the Wild Asparagus, including candied acorns, acorn grits, acorn meal, and acorn bread and cakes.

 

The Native Americans used acorns as a key food source, making acorn meal and creating a flatbread that was eaten by many tribes (acorn was so important to so many tribes, they were called “acorn eating” tribes).  Native Americans also used the inner bark (containing tannins up to 11%) which could be used as an astringent for many internal purposes. Thayer suggests that because of the history of exploitation and conquering in North America, part of the reason that acorns are widely thought to be poisonous was due to European-Americans disdain for Native American peoples.  Returning, then, to the acorn as a food source can help us not only connect with the oak, but also deeply honor the ancestors of the land.

As druids know, the term “druid” is commonly translated “oak knowledge”, “oak-knower” or “oak-seer” referring to the fact that druids had knowledge of the oaks (and as oaks are a pinnacle species, therefore, druids had knowledge of the broader landscape) or perhaps, understood oaks on the inner and outer planes.  In the druid tradition, oak is tied to that same ancient symbol of the druid possessing strength, knowledge, and wisdom.  Through taking on the term druid, we bring the power and strength of the oak int our lives and tradition.  We don’t have a lot of surviving information about the Ancient Druids and their rituals, but one of the most famous was described by Pliny the Elder describes the druids as “magicians” who “hold nothing more sacred than mistletoe and a tree on which it is growing, provided it is a hard-timbered oak….mistletoe is rare and when found it is gathered with great ceremony, and particularly on the sixth day of the moon.”  The ritual is that two white bulls are brought, a white-clad priest climbs the oak tree and cuts the mistletoe with a golden sickle, and then they sacrifice the bulls and pray.  This mistletoe, growing on the oak, was said to be the most powerful medicine, curing all poisons and allowing an infertile animal to reproduce.  Pliny notes that druids performed all of their rites in sacred oak groves; when the druids were destroyed, the Romans cut all of their sacred oak groves down.  You can imagine what those ancient groves must have been like when you encounter even a single ancient oak tree–majesty and presence.

 

Oak leaves in late fall

Oak leaves in late fall

In the Encyclopedia of Natural Magic, John Michael Greer notes that oak is a tree of power you can use it to direct and channel high levels of energy., particularly earth magic or weather magic.  He suggests that the oak is the “most powerful of trees in Northern European tree magic.”

 

In the American Hoodoo tradition, Cat Yronwode describes in Hoodoo Herb and Root Magic that Oak (especially Quercus Alba) can be brewed into a tea and then added to a bath to remove jinxes; usually, a rootworker will also rub the client vigorously downward and pray as part of this removal.  She also notes that oak and mistletoe are burned together to smoke jinxed people or to remove unsettled spirits or ghosts from a house/place of business (I wonder if this oak and mistletoe combination ties back to the ancient druids? Most certainly!).  She also notes that oak galls increase the power of any herbal blend for any magical purpose; it can be carried or brewed into a tea for bathing to increase the potency of other workings.

 

Culpepper’s Herbal notes that the oak is governed by jupiter and that the oak is known to to help resist poison of both “venomous creatures” and those of herbs and plants.   

 

Finally, in alchemical circles, an article by Jean Dubuis titled The Preparation of a Powerful Spagyric Elixir without a Laboratory  also offers some additional insight on the oak (here’s a link to one version).  Dubuis essentially made a vitalizing spagyric tincture of acorn (for those not familiar with spagyrics, spagyrics are plant alchemy and allow you to make powerful, energetic plant medicine made in line with the alignment of the planets using specific techniques.)   This oak elixir is vitalizing, carrying the energies of life.

 

Oak as Herbal Medicine

Primarily, oak is used as an astringent to help tone and firm up lax or leaky tissue.  Of the astringents available in North America, it is one of the most potent.  I was taught by herbalist Jim McDonald to harvest the inner bark of oaks for this purpose, specifically, the oak’s cambium.  This, we dried and made into a tea/toner or into a tincture for internal use.  Matthew Wood in his Earthwise Herbal (Old World Plants) likewise shares that oaks’ astringency is present in any oak tree.  He mentions specifically the usefulness of oak for gum disease/loose gums, varicose veins, and other such lax/goopy conditions in the body.  He also notes that oak can be used mentally just like it is physically.  He writes that Oak, when used as a flower essence, “is the great remedy when the integrity of mind or body has been broken down by long, arduous suffering or usage….persons who struggle against adversity; never give up but never succeed; [oak] helps a person choose the battles they can win” (294-5).

 

 

Oak in the Mythology of Native American Peoples

I have already written of the critical importance of oak as a sustaining food for many of the tribes of North America, spanning the whole way from the east to the west coast.

Spirit of the Oak from the Plant Spirit Oracle

Spirit of the Oak from the Plant Spirit Oracle

In “American Indian Fairy Tales” Margaret Compton tells a story where the prince of the hares, a trickster, has his feet burned by the sun and then decides to go on a journey.  Finally, he comes to the edge of the world where a cliff of trees stands tall.  He asks the trees what they are good for, and ash, birch, and oak responds.  Oak tells him, “I shelter the great warriors.  I mark the spot for their councils.  From my boughs are made the swift arrow that bring food to the feet of the hunter and carry the death to his enemies.

 

In an article with a modern Native American elder of both O’odham and Chicano heritage, Dennis Martinez.  In the article Martinez shared a number of features of oaks in the US west coast.  He noted that both red oak and white oak were considered so important to the native peoples of California that they considered the oak the “tree of life” because of its benefits both as food and medicine.  There were many acorn-eating cultures in California up even until the 19th century in the US.

 

In one of my favorite Senaca legends, the mighty oak stands along with the tribe of the conifers (white pine, hemlock, and the others) to hold his leaves and to wear down the winter and bring spring in again.  Not only does this show the strength of the oak during the winter months (when many other deciduous trees are sleeping) but it also shows the connection of the oak to longevity and power.

 

A Sioux legend, The Man and the Oak, tells a story of a young woman who is taken in by a chief’s family.  She falls in love with the chief’s son, but since she is now a member of the family, it is not permissible.  The young woman sneaks into the son’s tent for several nights, and in attempting to see her face by stoking a fire, accidentally burns her.  He is so distraught that he goes under an oak tree and stays there all day and into the night.  A small oak tree grows up through him and pins him and he cannot move. The young woman disappeared, and the oak tree is found to be a curse.  A thunder god appears and frees the man of his curse, crumbling the oak tree.

 

The Magic and Mystery of the Oak in North America

An incredibly consistent image of the oak seems present from the different kinds of literature, mythology, herbal, and magical traditions in both North America and Europe.  Here are three core meanings for the oak:

 

  • Strength: The oak is obviously a sign of strength, both the strength of its branches and wood, and its strengthening qualities as a medicine and magical tree.  All cultures have revered the oak and sought such strengthening qualities, and that strength can be seen throughout the lore.
  • Wisdom/Knowledge: Tied to the ancient term for “druid” as “oak knowledge” oak has long been associated with knowledge and wisdom.  We can see this also in the Native American lore, where oak “makes space for councils”.
  • Vitality/Life: The most ancient druid ritual we have, as well as new work by Dubuis and others, suggests oak’s vitalizing quality.  Oak can heal poison, strengthen the sick, and certainly, bring vitality and energy through the blessing of the acorn, as a “tree of life.”
  • Thunder/Weather: As we can see from both the IndoEuropean traditions as well as certain native american lore, oak is also tied to weather/thunder and thunder deities.

 

I hope you’ve enjoyed this brief foray into the majestic oak tree–and if you haven’t yet had a chance to visit an oak as it dons its incredible fall mantle of colors, perhaps this is the week to do so!  Dear readers, I would also love to hear from you any stories you want to share about the incredible oak tree.