Tag Archives: sigil magic

Druid Tree Workings: Intuitive Tree Sigils and Tree Sigil Magic

Nature provides incredible opportunities for us to work with her magic, through symbolism, sacred geometry, and meditation.  Today, I wanted to share a technique I’ve been developing for land healing purposes–tree sigil work.

beech tree rising up with interesting patterns

A potential tree to work with for tree sigils

Sigils have many different purposes.  In classic Western Occultism, some of the most well-known sigils are found in the Lesser Key of Solomon and are used to identify and evoke a particular spirit or entity. Another more recent use of sigils is through the practice of Chaos magic, where sigils are often used to set an intention and use the image to focus on that intention.  I covered bardic intuitive sigils some time ago on this blog; this use is in line more with the second intention. Sigils can be meditated upon, carved into wood or stone, energized and blessed, burned or buried, or placed in key areas for reminder and reflection.

Tree sigil work can be used for either purpose. That is, tree sigils can be used to bring the energy of the tree into your life.  And tree sigils can also be used for setting intentions and magical work. Sigils can then be meditated on, carried with you, buried, burned, set on an altar, and much more.

But what about natural sigils? How might we draw upon this practice in a nature-oriented way?  Enter intuitive tree sigils!

Tree Sigils and Nature’s Patterns

If there is one constant of nature, it is the pattern.  Patterns great and small can be found all over the natural world in various ways: spirals, branches, waves, and clouds being just a few.  Patterns are reflected all through sacred trees and plants–branching patterns, wave patterns, spirals, and much more. Tree sigils are sigils created from particular patterns present in nature, such as those found in trees.  That is, we can use nature as a guide to design symbols for a specific purpose. Thus, we can look to these sacred trees for inspiration when we need it.  For further info on nature’s patterns and archetypes, you might check out my post on the basics of sacred geometry and nature’s patterns; I also have a post on the use of sigils in snow.

Tree sigils are simply images that we create after connecting to and being inspired by a particular pattern.  This pattern could be unique to a specific tree or can be indicative of all spaces of tree.  Once we are inspired by the tree, we can capture some small form of it in a sigil, which we can then work with magically.  So let’s go through the steps to do this:

Two potential tree sigils from an interesting pattern in maple bark

Two potential tree sigils from an interesting pattern in maple bark

First, you want to set an intention for your sigil work. Consider the following: Do you want to more deeply connect to the energy of a particular tree?  Do you want the tree to aid you with a specific thing? Do you want to direct energy outward towards the tree or the land for healing/blessing? Spend time setting your intentions, as sigil magic is more effective when you have a clear sense of what you want.

Once you have your intention firmly in your mind, seek out a tree that may guide you.  If you want to work with particular energy, you can seek out a specific tree species that may hold that energy (e.g spruce for healing from illness, oak for strength, hawthorn for heart healing).  You can use your intuition to find the “right” tree, the tree that speaks to you.

Three finished tree sigils

Three finished tree sigils

Once you find your tree, make an offering and ask the tree if you can work with it for creating a sigil.  If the tree says no, thank the tree and move on.  If the tree says yes, spend time with the tree using basic plant spirit communication guidelines. Quiet your mind, meditate with the tree and listen to what the tree has to say to you. Use any divination approach you want to ask further questions (a pendulum being good for yes or no questions, while something like the Plant Spirit Oracle is useful for more complex questions).  Finally, ask the tree to provide you with a sigil for your work.

Once you’ve received your message, start observing the tree really carefully.  Move away from it and then walk up to it using different angles.  Get in close, looking at the details of branches, leaves, fruit, or nuts.  Walk around the tree and see what draws your eye.  Spend time doing this–it may take a while or something about the tree may immediately speak to you.   Now, look for patterns. Most commonly, you can find patterns in the following ways

  • In the bark of the tree, including in areas that are damaged or different
  • In the branches of the tree—look up and see how the branches may grow or cross each other
  • In the pattern of the leaf of the tree or the leaf veins of the tree
  • In the pattern of nuts, flowers, and other aspects of the tree

Each tree has many patterns that you can find—the key for you is to find the one that speaks to you most strongly.  Once you have found the pattern you like, draw it on your paper.  You can redraw it, change it, or even add a second or third pattern to the tree sigil from different parts of the tree.  There is no right or wrong way to do this—just use your intuition until you have a pattern, derived from that tree, that can guide you.

From there, you can decide how to best use the sigil based on your intention. If you are bringing something into your life, you might consider turning it into a pendant and blessing it (using a tree oil, tree incense, or sacred grove work). Wear your pendant and meditate on the sigil each day.  If you are using the sigil to remove something, you might create the pendant on a larger piece of paper and wood and then have a ritual fire to burn it or cast it into running water.  If you are doing blessing work on behalf of the land or others, you might create an altar and do regular prayers and blessings, placing the sigil in the center of the altar. You can combine the sigil with any number of other tree magic practices here in this chapter.

Example: Eastern White Cedar Good Health/Revitalization Sigil

I wanted to work with a tree to develop a sigil for good health and revitalization due to a recent illness.  First, I went out onto my land and spoke my intention aloud, allowing my intention to settle across the land.  Then, I just let my intuition guide me.  I closed my eyes and opened myself to the land, allowing me to be pulled in a direction.  I opened my eyes and started to walk.  Quickly, I could feel the large Eastern White Cedar near our garage pulling me to her.

I came to her and asked to sit before her.  I saw with her, paying attention to different aspects of her: the way her needles grow closely over each other, the pattern of bark on the branches, and the pattern of the trunk.  I was drawn to the pattern of the trunk, so I meditated on it for a bit.

The cedar and trunk/branch pattern

The cedar and trunk/branch pattern

Then, I sat with my notebook and began to create the sigil.  This one happened fast–I started with a more literal representation of the trunk and branch pattern and then simplified it.  Here’s what I came up with!

From there, the next step is to use the sigil however you want.  For me, I trace the sigil into the air around me each day before I go off to work (as right now, I’m back to in-person teaching and I want to have a bit of extra magical protection as I’m exposed to many people).  I also fashioned it into a small charm made of Cedar wood that I can carry with me.

Finally, this post is material from my forthcoming North American TreeLore Oracle project!   This project focuses on creating new knowledge and magical practices surrounding common trees in Eastern North America.  This is a great way for us to reconnect to the living earth, build new traditions surrounding nature, and more deeply understand the interconnection of ecology, lore, herbalism, and much more.  If you are interested in learning more about the project, we’ll be releasing a Kickstarter for it in the next 3-4 months.  You can follow my blog and/or sign up for my newsletter for more information!

A Bardic Sigil Technique

Sigil creation in progress!

I open up a sacred grove with intention.  After opening the grove, I sit for a few moments, breathing deeply and centering myself.  When ready, I pick up the chalk pastel and I allow the chalk pastel to move across the page, closing my eyes at points, emphasizing lines at points, and letting me be in the flow of the moment.  I keep refining the design, moving pieces of it to new areas of the paper.  I don’t focus too much, paying attention instead to my overall intention: a specific land healing sigil, a sigil that will link different sacred sites I’m working on and work with ley line energy on the landscape. After a number of versions, the sigil seems complete, and I work to transfer it to a wooden round–the process of transfer allowing it to undergo yet another, final, revision.  In today’s post, I’ll share this technique I’ve developed and will discuss how you might use these kinds of sigils for a range of purposes, particularly for gratitude practices and land healing.

 

What is a sigil?

The concept of a sigil, a magical symbol imbued with intention, has been a longstanding part of many esoteric traditions. All through the history of hermetic magic and western occultism, sigils have been used for a variety of purposes (such at those found in the Three Books of Solomon, including the most famous Lesser Key of Solomon).  The term “sigil” derives from Latin, meaning a “sign, mark, or seal”.  It comes from the earlier terms sigillum and sigilla (statuettes, little images, seal).  What was a seal, after all, but a sign of power and authority? Sigils have a wide range of uses within various magical traditions and there are lots of possibilities for creating them, empowering them, and employing them.

 

Part of our ground sigil at MAGUS 2018

Druids don’t seem to use sigils much as part of our tradition, but occasionally they surface. For example, one of the big rituals we put together for MAGUS 2018, a land healing ley line ritual, used a giant sigil on the earth to help focus our intentions and movement. I have been incorporating sigils for a long time in my own spiritual practices, especially for land healing work and gratitude practices on the land.

 

One of the ways I like to think about sigils within the framework of Druidry is that they are a synthesis of all three of the druidic expressions: we use the bardic arts to bring them to life, but use druid and ovate wisdom in order to help create the spaces and intentions for their work. It is through this synthesis that the sigil itself can emerge–born of our bodies, minds, and spirits. I think there is a lot of potential for sigil work, both within the bardic arts (integrating specific sigils into your visual arts) and also as part of a larger nature spiritual practice.

 

In the rest of this post, I’ll share one sigil making technique, adapted and expanded from Jan Fries’ Visual Magic.  Early in his book, Fries describes part of this process–what I’ve done is add my own take to it, expend it, and make it fit within a more druid framework.

 

Preliminaries

My chalk pastels (garage sale find!)

Supplies. In order to make sigils, you don’t need much. You need something to draw with and you need some paper.  I prefer to do sigil making on large paper rolls of recycled paper (you can get brown recycled paper rolls easily).  The larger roll allows for more free expression while the sigil is being created. The second thing you will need is some kind of media for drawing: I am using chalk pastels (which show up beautifully on the dark background).  You could use a box of crayons (which would work great on white paper), colored pencils, oil pastels, etc.  I think you would get a different effect if you used wet media vs. dry (the dry media allow you to pay less attention to the needs of the media, like mixing paint colors or using water).  But by all means, experiment!

 

After I complete the sigil on paper, I like to make it more permanent in some way (particularly for the kinds of uses that my land healing sigils are for). For this, you might create a sigil in clay, in wood, or painted on a stone.  In my example above, I am using round wood slices with a wood burner.

 

Setting intention. The other thing you will need is an intention. Setting your intention in advance is a useful practice and can be done through a simple meditation technique.  I used discursive meditation (described in the link the last sentence) to help me set my intentions for my sigil work.  I think its important to spend some time with your intentions (the whole idea of being careful what you wish for!) I think it’s useful to consider carefully what intentions you might want to put into a sigil and out in the world: that your intentions are good and with sacred intent.

 

For today’s walkthrough, I am working on a series of land healing sigils.  I used to carry around just one sigil that I’d leave everywhere; like a general blessing sigil.  I crafted it many years ago and have been painting it with walnut ink on stones and on the insides of hickory shells and acorn caps.  I would take these in a little bag with me wherever I would go.  But recently, when I was at a site where they were doing mountaintop removal, I didn’t want to leave one.  The general “blessing” energy wasn’t right for that site–it needed a “sleep” and “soothing” kind of energy, and my sigil energy wasn’t working for that purpose.  So I decided to create a whole set of new land healing sigils (which I will share in an upcoming post so others can use them too).  My intention for the sigil in today’s post is a “linking” sigil for land healing work.  I have meditated on this concept and have been working with it for many years and felt it was the right time to put this intention into a visual form.

 

Sigil Making Walkthrough

Start by opening up a sacred grove or sacred space as your own tradition may offer. If you don’t have a sacred grove/space opening, something simple like calling in the four quarters, purifying the space with the elements, and offering a prayer or two (like the druid’s peace prayer) can work. You can then imagine a grove of trees around you, protecting the space and giving you the sacred time in which to work.

 

Once your space is set, return to your intention (or spend some time in meditation).  Feel through and think through your intention before starting the sigil and make sure it is aligned with your overall journey and goals.  Take all the time you need to do this work.

 

Now, take out your supplies and give yourself a lot of paper to work on.  Keep your intention in your mind, and start moving the pastel across the page.  Don’t worry about what it looks like or where you are going.  Just keep drawing.  As you draw, you might switch colors when one particular part of the drawing catches your eye.  I do this several times, working my way through my own intentions and allowing the drawing to unfold with different colors.   As I work, the sigil itself takes shape (if you see my first photo in this post, that’s after doing a single sigil for quite a while!)

Starting the ley sigil

Continuing to work on the ley sigil

First drawing is done

At some point, you may feel the first drawing is done, but the sigil isn’t complete.  Take a piece of that drawing, whatever piece speaks to you, and re-create it next to the first drawing on your paper.  Now keep going with the same technique as before.  Here, we can see part of that first drawing coming into the second one.

Second drawing underway

I did this a third time and worked with the final sigil a bit more.

Third drawing begins

Final sigil drawing on paper

Now, consider making it more permanent by transferring it to a more permanent media like wood, stone, thicker board, or ceramic.  I want to transfer my paper based sigil to some other surface, something that will actually seal the intention and magic into the sigil.  To do this, after meditating on the final sigil on paper, I switch it to a more permanent media (painted stone, woodburning, etc).  So for this, I took a cedar wood round and then allowed the wood to work with the sigil, which changed it a bit more.  Again, I don’t try to exactly replicate the paper sigil, but allow the wood to speak to the sigil and the final sigil to emerge.  Usually, the sigil may be further simplified during this final process.

The final sigil in wood

 

TAfter making your sigil, you will want to do additional ritual to empower it.  I prefer a “raising energy” approach, particularly as you used a more contemplative and inner approach to set your intention.  So, in a sacred space, drum around your sigil, raise your voice in song, dance, bring the power of the elements and the powers of nature and spirit that you work with, and ask them for aid in empowering this sigil.  There is no right or wrong way; feel your way into this work and do what feels right.

 

After that, you set it to work helping you with whatever intention that might be.  For this specific sigil above, I will create these and put them in a pouch that I carry with me, being one building block of my larger land healing and blessing work. That’s how these particular sigils are best put to use.  But other sigils may be put to use in other ways, depending on your intention.  If you are seeking a peaceful home, you might create a piece of art with that sigil and hang it on the wall in your house.  If you were working on a sigil for healing for a sick friend, you might create it (with their permission of course) and then give it to them to put by their bedside.  While there is no wrong way to use a sigil–the energy of it does need to get out into the world in some specific way.

 

Variants

Here are two variants you can try.  A more traditional sigil making technique starts not with random drawings, but with quickly written letters from the intention one on top of each other.  You write the letters quickly and stylistically, not even caring if they are legible.  Then you work with the layer of letters, in the same way I did above. If you are a very word-based person, you might appreciate this way to start your work.

A second variant is an ovate variant where you work with nature to create a sigil for a natural purpose.  Take portable media and materials out to a place that you want to work with.  Do everything as above, but rather than YOU setting the intention, put it out to nature to set the intention.  You are simply, then, the instrument that creates the sigil.  This technique is also very powerful for land healing, and I’ll also write about it in more detail in an upcoming post.  You can do this with snow sigils among other things!

 

I hope you find this technique useful and helpful!  I’d love to hear your thoughts about how you create sigils, how you use them, and how they might work within nature-spirituality based practices.