The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

Working with and Honoring the Sun at the Solstice June 16, 2019

Sacred rays of the sun

Sacred rays of the sun

The sun’s rays come over the horizon, on the solstice, the most sacred of days. The solstice goes my many names, the day of high light, midsummer, Alban Hefin. Across the globe and through time, it has been celebrated since before recorded history. In the light of the sun, we have strength, warmth, growth, energy, abundance, healing, and wisdom. The sun has been shining down upon our beautiful planet has been shining for at least four billion years and we can expect it to remain unchanged for another five billion years. The sun is also enormous–it accounts for 99.86% of the mass of our solar system.  It is such an incredible thing that it’s hard to image in the scope of the sun as it compares to of human lives or human history.  You might say that the sun is one of the most constant things we’ve had–since before humans were humans, since we can trace our ancestry back to some fish crawling up out of the ocean, the sun has been offering its light and warmth to us in its steady and powerful way. The same sun that shines upon you today has shined upon your every ancestor before you. You can see why ancient cultures all over the world celebrated the time of the greatest light and honored the sun as a deity–for without the sun, we would not exist.

 

Thus, on this sacred day, many choose to honor the sun in some way.  In the last few years, I’ve shared some sunrise rituals and a sunrise journey ritual. These sunrise rituals certainly offer us a glimpse of that first ray of the light, the power of the sun as it shines forth–and are excellent for people who want to rise early and see the dawn’s first light.  Today’s post is for those who are looking for additional ways to honor and celebrate the solstice through a variety of “small rituals” and “solstice activities” that you can do to celebrate this most sacred of days.

 

Honoring the Sunrise, Noon, and Sunset

Sunrise ritual

Sunrise ritual

A simple way to mark the Solstice (either one, actually) is to honor the rising, high point, and setting of the sun.  You can do this as elaborately or as simply as you want. A very simple way is to use a drum or singing bowl, and simply allow the sound to come forth.  You can also do this with a simple ritual (chanting “Awens”, saying the druid’s prayer, doing the AODA’s Sphere of Protection, saying the OBOD’s Druid’s Prayer for Peace, etc).  Or, you can do this with movement or anything else that you like.  Choose something meaningful to you, and allow the energy to flow.

 

Make a Sundial and Attune with the Sun

You can honor the sun by creating a permanent or temporary sundial.  Sundials are some of the oldest forms of time pieces, and they are a wonderful way to connect with the movement of the sun across time.  There are two ways to make a sundial: working with the sun or working with sacred geometry.

 

To work directly with the sun, you simply need a timer or clock that can go off on the hour (or on the half hour, if you prefer).  You will want whatever you are using for your sundial and place it in the full sun.  You can do this with simple materials, like a pencil and a paper plate.  Or, you can get more elaborate and plan on carving into or painting a wood round or stone as a final product.  Put your dial into an area that gets full sun. On each hour, mark it.  I do this in pencil, and then later, if I’m doing a more permanent dial, I can come back to it and mark it more permanently after I have the marks.  After the hours of the day, you will have a sundial–but that sundial isn’t yet complete. The sun’s position in the sky changes, so to really do this perfectly, you would do this again at the winter solstice.  Draw a line between the marks for summer and winter, and those are your times for the dial.  While it takes you a full season to complete the sundial doing this method, it is a wonderful way to work with the sun directly.  If you want to get *really* fancy, do this at the equinox (either one) and then you can also have a mid point for the equinox.  What is wonderful about this approach is that you have done this by observing and marking the path of the sun at three sacred points of the year–and honoring the energies of each of those points.  This, truly, is a sacred sundial.

 

The alternative is to use human knowledge and sacred geometry–so you make the dial in advance, and then place it out on the solstice, marking it. To make one for your latitude, you will need to use a calculator, like the ones on this page.  Many of the instructions online work from the premise that you want to create a sundial and use it to tell time–so you start with the latitude, which gives you angles, and you create the points.  It is a fairly easy thing to do once you know where to put the marks and there are plenty of tools out there for you to try.

 

Sunbathing Energy Ritual

Find a quiet place in nature where you won’t be disturbed and where you can lay in the full sunlight.  You can lay on the earth or on a blanket if you prefer. This is best done at noon, as that is the time of highest energy, but anytime the sun is shining down on the solstice (or the day before or after) the ritual will work. This ritual is best with minimal or no clothing so your body can best absorb vitamin D from the sun, but use your best judgement.

 

Begin by honoring the sun however you see fit. Singing bowl, sphere of protection or grove opening, calling to the power of the solar current and the fire, etc.  Once you have honored the sun, lay down and simply absorb the sun’s rays. Feel the sun soaking into your skin, the heat and light of the sun warming you. Flip over and again, simply lay and absorb the sun.

 

I will note that some people can do this longer than others.  I happen to have rather fair Irish skin, so I do this ritual only for about 5-10 minutes per side.  Its enough to get the energy and enough to not get a sunburn.

 

After you have concluded sunbathing, thank the sun for his light, saying anything that you would like (let the words flow through you).

 

Hemlocks in the Path of the Sun

Hemlocks in the Path of the Sun

Energizing Liquids and Objects

For those of you who’d prefer not to lay in the full sun, you can get the effects of the above ritual (and save those effects for a later time) by using the sun to empower and bless a liquid.  For this, I like to get a bottle of my Dandelion wine or other alcoholic beverage.  I place it in the noontime sun for 30 or so minutes, allowing the sun’s rays to fully permeate the bottle (yes, I know that too long, and the rays will damage the contents.  But this is an energetic blessing!)  After the blessing, thank the sun.  Now you have a bit of bottled sunshine, and you can open it and drink it anytime you like.

 

A variant of this is to create a solstice tea.  Combine any number of sacred herbs, particularly herbs that are in their full power during the summer solstice (chamomile, mint, elderflower, rose petals, a small amount of yarrow, etc).  By this I mean herbs that are in bloom during the solstice.  Get a large mason jar, and fill it with pure water.  Add the herbs and let it sit out in the sun.  For this particular blend, I will actually allow it to sit out all day–from the moment the sun is visible to the moment it sets.  Then, as darkness sets in, I will drink the tea.  (You can also freeze this tea to use at a later point, say, for ritual at the Winter Solstice).

 

The same kind of “energizing” can be done with simple ritual tools, stones, anything that you’d like to put a burst of energy into.  The nice thing about working with the sun is that it has so much energy that it radiates and it gives that energy constantly.  You placing that energy into an object will never be a problem for the sun!

 

A Solstice Frolick

Another fun thing to do at the solstice is to go for a frolick.  A frolick is different than a walk or hike–the point of the frolick isn’t to go anywhere.  It is simply to experience the simple joy of being outside on a beautiful day with the sun shining down.  Maybe even get a bit lost for a while. For the frolick, go somewhere you love or somewhere new, somewhere where nature has power and strength.  Spend time wandering without any real goal; take whatever trail you fancy, or maybe take no trail at all.  Allow yourself to experience the wonder and awe of the living earth.  Wear ridiculous clothes.  Play panpipes.  Pay close attention to how the sun’s rays shine down through the leaves, or on the surfaces.  Explore every nook and cranny.  Note the movement of the sun.

 

Standing stone

Standing stone

Set a Solstice Standing Stone

The druids of old understood that standing stones have power. Setting a standing stone at the solstice is a particularly powerful act. A stone, buried 1/3 of the way in the earth, channels the powerful and healing solar current into the earth, intermingling with the telluric current. It allows the healing rays of the sun to shine forth, powerfully and meaningfully. You can set the stone as a sacred act, with as much ritual and fanfare as you like. When I set stones, I usually determine in advance where the stone should be placed using inner listening and spirit communication. open up a sacred grove, sit with the stone and the earth for a time, and then set the stone. I bless the stone with the four elements, sing to it, and then spend time in meditation. When the work is done, I close out the sacred grove. Stones can be set anywhere for blessing, energizing, or healing: in a sacred garden, a sacred grove, a field, a refugia garden, a place in need of land healing.

 

I hope these solstice activities offer you some ideas and suggestions.  Readers, I’d love to hear more about how you celebrate the solstice!

 

Wildcrafted Yule Tree Ornaments – Painted Wood, Wreaths, Awens, and Pentacles December 2, 2018

As the Winter Solstice is coming up quickly and the tree just went up this past week, I’ve been busy in my art studio and out on the land looking for great things to add to the Yule tree.  As a druid who is deeply concerned about the amount of plastic and “throw away‘ quick purchase items, like cheap plastic ornaments, I didn’t want to buy any ornaments for the tree, but rather, to make them from wildcrafted materials. So today, I wanted to share two simple ways to make nice ornaments for a Yule tree from natural materials and simple tools.

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Handmade Stag and Pentacle Tree Topper with Handmade Ornaments

Painted or Burned Wooden Round Ornaments

One simple method for creating ornaments is a painted or woodburned wood rounds. These are simple slices of wood that you can decorate in a variety of ways–painting them, burning them, or staining them.

A variety of wood rounds that are burned or painted. These are just about ready to hang!

A variety of wood rounds that are burned or painted. These are just about ready to hang!

Obtaining Wood:

You can cut rounds from either fresh or dry (seasoned) wood.  Most wood cracks as it dries out, so if you are cutting wood rounds fresh, you want to cut extra because some will crack as it dries.  If it is already seasoned wood, you can cut it without too much concern as the cracks are already present.  Even if you find dry wood in the woods, if its a rainy year, it may still crack a bit as it dries. The longer the wood sits outdoors, the more dark areas it will have and at some point, it will start to break down.

 

You might spend time looking for wood–what I like to do is take a small foldable hand saw with me regularly on my walks or hikes, and if I see a nice piece of wood that has recently fallen, I’ll take a piece of it back with me, using it as a walking stick till I get home.  I store these in my garage, and eventually, I have a nice pile for cutting.   You want fairly long pieces for using the saws (see below).

 

Some of my favorite woods to use are sugar maple, red maple, oak (harder to woodburn), sassafras, walnut, eastern helmock, or cherry.  Different woods produce different grains and colors, which you can all use to your artistic advantage.

 

Cutting rounds: In order to cut your wood rounds, you need either a table saw or miter saw to cut them; you could also use a hand saw but it would be very tedious.  If you don’t have one, ask around; chances are, a lot of people have these saws and would be willing to cut wood rounds for you or let you take 30 min to cut your own. I was without such a saw for many years, but finally invested in my own.

 

Cut your rounds to any thickness or size.  A miter saw also lets you cut them on a nice angle.

 

If you are cutting wet or fresh wood, one of the ways to minimize cracking is to put your freshly cut wood rounds in a paper bag for a few days.  The paper bag slows down the drying and there is less cracking.

 

Regardless, you will want to wait a few days before painting or burning them to make sure they aren’t going to crack.

 

Cut rounds of different sizes and woods.

Cut rounds of different sizes and woods.

 

Decorating Wood Rounds: You can do many different things to decorate your wood rounds. If you have a woodburner, this is a great and simple way to decorate them. You can also paint them with acrylic. Wood stains are not meant to be precise and will likely leak all through your wood, so unless you are staining the round all one color (say, on top of a woodburned design), stay away from traditional wood stains.  Yes, I learned this the hard way!

 

If you are not confident in your drawing skills, two options may help you.  First, you can purchase or make stencils of simple shapes and symbols, and use a stencil technique for your wood rounds.  The second is to print out designs and use a transfer paper (available in any art or craft supply store) to transfer the design, then paint or burn over it.

 

Simple woodburned rounds

Simple woodburned rounds

 

Stick Wreaths, Awens, and Pentacle Ornaments

This second kind of ornament is a little more involved, but produces beautiful results.  For this, you will need some hand clippers or loppers, wire of various colors, wire snippers, and access to various kinds of brush, shrubbery, vines, and/or small sticks. Here’s a photo of what we will be making next.

Some ornaments laying out to dry out

Some ornaments laying out to dry out

Finding the Right Woods

To make these delightful ornaments, you need two kinds of wood: one that is relatively bendy and one that is relatively firm and less bendy. You can test the bendability of wood by trying to bend them in half–if they bend easily, you have a good “wreath” material.  If they snap, that is a good “straight” material.

Bendable material should be able to do this without snapping

Bendable material should be able to do this without snapping

Wreath materials can be a lot of different things: most woody fines work great (Fox grape, other kinds of grape, buckthorn, bittersweet, to name a few).  Willow branches are fantastic for this–look for them of various kinds near wet areas.  Other bushes and shrubbery of various kinds can also be used.  For mine, I used an unidentified shrub (that was planted by the previous owners of the land) as well as some very young dogwood branches (that I needed to cut back anyways near my coop). Ideally, you should be able to bend it at least as far as in the photo above before it snaps (if not more, in the case of many thinner vines, etc).  Thin materials and new growth are best for the smaller ornaments.  These materials *must* be cut fresh and used within a few hours or they will dry out and lose their bendable quality.

 

Straight materials can be anything that you like.  I have some really lovely rose bushes that produce thornless straight branches–I like them for the green color.  Other branches I used this time around were some beaked hazels, cherry, and some maple.

A harvest for wreath materials

A harvest for wreath materials

Plan on harvesting the woods the same day you will make your wreaths and ornaments.

 

Making the Wreath

Depending on the length of your bendy wreath materials, you will likely need 1-3 pieces of material for each wreath.  You will have to coax the material to do what you want it to do.  Start by making a circle of the initial material, tucking in the end so it is held by the wreath.

Making your first loop

Making your first loop

For this, I like to start with the thicker end first, and keep working around, twisting it as I go.  You may have to help the wood bend by slowly bending it till it will keep the bend–each wood is unique.  The stuff I’m working with for this demo was definately less bendy than willow or grape vine, but still did a fine job as long as I was patient.

Wreath - step 2

Wreath – step 2

At some point, you should be able to have the end tuck in around the wreath.  Don’t worry if its completely circular at this point yet–just keep adding material.

Wreath - Step 3

Wreath – Step 3

You can see above where I have a little bend in the wreath material–once I add more, you won’t be able to see the bend.

Wreath 4 - Adding more material

Wreath 4 – Adding more material

Now I’ve added in a second piece.  Don’t yet worry about the ends–we will deal with those at the end.  Keep wrapping the material until you get a wreath the size you want.

Wreath trimming

Wreath trimming

 

As the wood dries, it will become very tight and the wreath will hold together on its own and hold its own shape.  When the wood is wet, however, you may need to secure it with some wire (that you can remove when its dry).  You can also, at this stage, trim any ends that are sticking out (as I am doing so above) or wait till they are dry to trim them.

 

Make as many wreaths as you like!  They are great on the tree on their own, or, you can take it a step further and make an awen or pentacle.

Various wreaths drying

Various wreaths drying, some with temporary wire.  These are made of the unidentified shrub material (tan/green) and some young dogwood branches (red).

Awen Ornament

Choose three straight pieces and cut them to just larger than your wreath.  They don’t have to be perfect at this stage–you can always trim them later.

Cutting branches for an awen symbol

Cutting branches for an awen symbol

Once you have your three straight pieces, begin attaching them at the top.  Simply wrap a thin wire around the branches and the wreath a few times till they are secure.  You could alternatively try to glue them, but I don’t think this is a good idea with shrinkage. Try to attach them as solidly as you can–if you are working with wet wood, they may losen and shrink as they dry.

Close up of awen top

Close up of awen top

Awen attached at top and middle bottom.

Awen attached at top and middle bottom.

Once you have the top attached, attached the middle bottom.  Then you can decide how far out you want the two outer rays of the awen.

Finished Awen ornament

Finished Awen ornament

Pentacle Ornament

Once you get your feet wet with the awen ornament, you can tackle the more complicated pentacle ornament. This is one with rose bush branch and the shrub from my yard.

Pentacle ornament on the Yule Tree

Pentacle ornament on the Yule Tree

For this, you will want five straight pieces that have a little give in them. They should be fresh wood, as you will have to bend them a bit over each other to get the effect right. As an optional step, if your pieces are quite thick, you migth shave them down on one side. This isn’t necessary if you have thinner pieces.

Shaving down edge of pentacle pieces

Shaving down edge of pentacle pieces

Now, begin to construct the pentacle.  Start by attaching two of the pieces to the top of the pentacle.

Two pieces attached.

Two pieces attached.

Here’s how the back of this looks at this stage. You can see how if you shave it, you can get a closer fit.

Top of pentacle with wire

Top of pentacle with wire

Now, 1/5 of the way down from the top, attach the next two pieces at the point of the star.  This gives you two of the five sides attached. You can mess around with which ones should lay on top of each other as you go–some sticks will fit better on top or bottom than others.

Attaching second two pieces

Attaching second two pieces

Now, go ahead and attach the other star point that can be completed (on the bottom right). Next, add in your 5th branch and figure out how to best fit it (it might fit better under rather than over previously attached sticks).  Keep attaching each of the sides.

Pentacle with all five sticks

Pentacle with all five sticks

Finally, attach your last sticks. You work with these wet because at this later stage, you may have to bend them a little to attach them to the wreath together.

Finished pentacle

Finished pentacle

At this stage, let them dry out for at least two days. The wood may shrink a bit, which will firm up your wreaths but may require you to tighten up the wire (which you can do by putting a simple bend in it or re-wrapping it).

 

Once they are dry, if you want, you can brush these with paint or just leave them natural.

 

I hope you enjoyed this simple tutorial for creating wonderful yule ornaments!  If anyone does this, please share a link to your creations or tag the druid’s garden on Facebook or Instagram (@druidsgardenart).  Thanks!

 

 

Ecoregional Druidry and the Wheel of the Year: Rituals, Observances, and Activities September 3, 2017

Abundant crab apples (the first year after we wassailed!)

Abundant crab apples (the first year after we wassailed!)

A group of people gather in an orchard, the snows quietly falling, the cold brisk and clear.  Our voices ring to the heavens, toast is offered to the branches of the tree. We drum, sing, make noise, and scare away any spirits who would seek to harm the orchard’s harvest. We enjoy hot mulled cider and retreat back inside for feasting and community. This is a wassail for the health of the apple trees, an ancient celebration that is now very much part of my yearly wheel of the year (and one that I’ve described in some depth on this blog earlier this year and a few years ago). This is one of many rich traditions that we can engage in in honoring the land and living an earth-based path. In my last post, we explored how druids in various ecosystems might adapt the UK-based wheel of the year (a set of seasonal holidays) to their local ecosystems and cultural norms. Today, we continue this by exploring how to take your ecoregional wheel of the year you are developing and turn it into a set of rituals, observances, and activities.

 

Developing Localized Rituals, Observances, and Activities

After some research and reflection, perhaps you’ve started to put together your own wheel of the year (see my last post) that includes a series of astronomical observances combined with regional and local observances. And you look at your wheel and think, “now what?” The most immediate thing that comes to mind is that you have to do some kind of formal ritual to celebrate, and that is certainly a possibility.  Today, I’d like to suggest that there are at least three ways you can celebrate these events on your wheel of the year: activities, observances, and rituals.  Let’s now consider each of these in turn:

 

Activities

The first thing you can do to celebrate events on your wheel of the year is to engage in various activities that are associated with the event.  Activities are just that: things you can do, with sacred intent, but not necessarily with formalized ritual.  Activities might include outings/trips, arts and crafts, cooking/fermentation, foraging, gardening/planting/harvesting, making things, and so on.  I like to think of these as activities as supporting a larger seasonal observation or marking a minor seasonal occurrence.

 

Basket of freshly made smudges!

Basket of freshly made smudges!

For example, after the first hard frost (which is a minor observance on my wheel of the year), I go and harvest whatever aromatic plants are left that typically get some frost damage my garden: lavender, sage, mugwort, rosemary, thyme, etc..  I also visit some confiers that are my friends (white pine, white cedar, and juniper) and gather some branches.  I then open up a sacred bardic arts grove and make my yearly smudge sticks.

 

In a second example, as part of my Summer Solstice celebratory events, I have a whole routine I typically do that spans several days. This includes being up for sunrise to witness the sunrise on the longest day of the year. Typically, I make at least two different canned goods: an elderflower cordial from fresh elder harvested on the day of the solstice and a strawberry jam with home grown and wild strawberries (also harvested on or near the day of the solstice).  I open up a sacred grove in my kitchen for canning and do the canning as part of my celebration.  I then give these special labels and enjoy these during the winter months and share them with friends who need a bit of the light of summer in their lives.  Further, as part of my summer solstice celebrations, on the day before or day after, I also go out and harvest certain sacred herbs beyond elder such as yarrow and raspberry leaf for my use throughout the year.

 

In sum, a seasonal celebration can be as simple as a special actitivy you do once a year to celebrate the passage of an important moment.  It can be done with friends, loved ones, and family and doesn’t have to be an “overt” druid ritual (so you can quietly celebrate and still enjoy the company of others, even if they are on a very different path).

 

Observances

The second way you might celebrate one of the events on your wheel of the year is what I call an observance. It is less formal than a ritual (which I’ll cover last), but is still a kind of ceremony. I engage in a lot of observances with anything beyond the eight holy days on my druid calendar.  Observances usually do not take place within a formal open grove, but still with an observance you have the sense that you are stepping out of time for a moment or two in order to experience the sacred. An observance might be a moment of silence, making a small offering, chant a few Awens, drinking deeply of the first flow of maple sap, observe a sunrise, coming to a sacred place and saying a few words, reciting a poem, doing a simple divination, walking in nature and looking for messages, and so on.  These are minor things, yet powerful. They can be planned or unplanned.

 

For example, literally in the middle of me drafting this paragraph, a powerful summer thunderstorm came through. I stopped my writing and went out in it for a time, simply to experience its power and beauty, taking in the signts, smells, sounds, and feel of the rain and wind on my skin.  Then, I gathered a bit of the rain in a small bowl and lathed my head with it to keep the awen flowing, then, I came inside and continued to write. This was not a formal ritual, but it was a chance for me to experience the sacredness of the storm, step for a moment out of “normal time” and witness the power of nature.

 

Another such observance takes place with the first snowfall of the year.  During the first snowfall, I get outside as quickly as I can. There, I chant a number of “Awens” and catch at least three snowflakes on my tongue. Even if I am at work, I will go and quietly chant the awens and catch the three snowflakes, sneaking back into the building after visiting our Oak Grove on my campus.

Small Spiral in Snow honoring snowfall

Small Spiral in Snow honoring snowfall

 

A third such observance is when I encounter any place in nature that resonates with me in any setting. I usually carry a bit of home-grown tobacco offering (combined with lavender and rose petals, my favorite) and make a small offering to that place. I might do a full Sphere of Protection (from AODA‘s practice) or Light Body Exercise (from OBOD‘s practice) or sit for a time in reverence and awe at the moment.

 

I visit the forest once a week in the months of April and May to wait for the first blooming of the hawthorn. I have a particular tree that I visit, deep in the forest, that I wait to bloom. Once the buds open, I leave an offering (of home grown tobacco mixed with lavender leaf and rose petal) at the base of the tree.  Then, I create a floral water (by taking a glass bowl of spring water and holding it to the blossom for a few minutes) and then drink the water.  I sit with the tree in silence and honor the return of spring.

 

As the above indicates, many of the minor holidays on my own wheel of the year list are observances that are “in the moment.”  They are simple ways of connecting with what is happening in the broader world, and bringing the sacred to everyday life.

 

Rituals

The final way you might celebrate the turning wheel of the year is the most commonly known and practiced, and that is a formal ritual, wherein you open a sacred space, engage in some series of activities to celebrate the event (including raising or lowering energy, making offerings, reading poetry, and so forth), and then formally closing the space.  I’m going to have a separate post on ritual writing so for now, I’ll offer some basic information.

 

Having a consistent framework from which to do your ritual (which may include words, actions, or activities that are repeated over time) gives your rituals both power and meaning. Usually, this is done through set opening and closing rituals (of which both OBOD and the AODA offer good onesf or solidary or group use). Using a standard opening and closing practice from an established druid order also means that you aren’t going to miss important steps (like energetically sealing a space or releasing energy from that space once you are finished).

 

Eclipse at full strength near our ritual space

Eclipse at full strength near our ritual space

Assuming you have the openings and closings covered, typically what is missing is the “meat” of the ritual–that is, what is it that you are doing to celebrate it?  Consider three things: first, it should respond to the energy of the moment, second, it should be a ritual that serves a specific purpose that you set (your intentions or goals). and finally, it should also be effective and moving for you.

 

As an example, let’s look at a recent eclipse ritual that a few grove members and I did to see some of the building blocks of a celebatory ritual. In designing this ritual, we responded both to the classical interpreation of the eclipse (that it was a dire warning and a negative event) as well as the events of the last few weeks in our human community here in the US, and also our own challenges in the present moment). We opened up a simple sacred space in our permanent sacred grove in the forest as the eclipse grew in strength.  Given the challenges with today’s age, I played the panflute while my two friends worked to draw from the energy sources we had raised and visualized sending light out into the world (countering the growing darkness of the eclipse). Then, we smudged each other and used a lavender hydrosol (floral water). The smudge was to take away any pain and darkness we might be carrying and the lavender was meant to uplift our spirits and bring clarity.  We then closed out the space and basked in the sights and sounds of the eclipse.

 

So in this ritual, we have four parts: an opening, and acknowledging of the event, and two core pieces of work: radiating light into our human community and purification of our own bodies.  This was a successful and impactful ritual because it held meaning and significance for us.  We had no scripts, had simply talked through it in advance.

 

You can do many different things as part of your own rituals.  Most often, the simple things without the elaborate scrips are the most effective and meaningful. Here are some of many possibilities:

  • Reading poetry that is fitting for the holiday (I love a lot of Wendell Berry’s poetry for this)
  • Speaking about the holiday, and reflecting on its energy in your life
  • Raising energy to radiate into the world as healing/light
  • Removing negative energy from ourselves (casting into a fire is a good one) or from the broader land (see my “Land Healing” series for more on how to do this)
  • Meditation
  • Inner journeying
  • Tending a sacred fire
  • Making offerings
  • Consecrating objects with the elements
  • Sacred movement (dance)
  • Sacred music
  • Moving through gateways (particulary at the equinoxes, moving into the dark half of the year)
  • Connecting with the energy of plants/trees through sitting with them, working with them, drinking tea, etc.

In the end, whatever you might do, it is your intention that matters, rather than whether or not you get the words perfect, or it works out just like you hoped it would.  What matters is the heart of it, the feeling, the experience.  If you mess up what you planned, laugh about it and keep going.  These practices are for us, for the land, for the spirits–and no one minds a few mistakes!

 

The Wheel Turns

As you develop your own rituals, activities, and observances for your own wheel of the year, your connection with the living earth and your sense of the sacred will continue to unfold.  Everything, ultimately, should have meaning to you and be rooted in things that give you a sense of the sacred, of significance, and of purpose.  As you develop these activities for your wheel and with each time you do them, your relationship  to the practices  will deepen.  Over time, some practices you setup will fall away and/or be replaced by new practices.  This is the natural evolution of your own spiritual practice.

 

I’ll continue this discussion next week with talking about localizing symbols and other things commonly used in celebrations and ritual activities.

 

The Way of Wood January 22, 2017

Delightful eating bowls and spoons!

Delightful eating bowls and spoons!

Imagine sitting down to your holiday meal with loved ones and family. There is a feast before you–ham, turkey, potatoes, stuffing, corn, gravy, and various other family favorites. The table is decorated with colorful red tablecloths, the lights are low, the lights on the tree are twinkling….and you are given a Styrofoam plate! I’m sure this has happened to all of us over the years–and to me as well! What if, instead, you were given a beautiful hand-carved wooden bowl or plate to eat from? How would that change the experience of eating your meal? What if the meal was by candlelight, with engaging conversation, and took my time with the meal?  In fact, if you had lived in an earlier time, you likely would have had this experience, and it would have been the “norm.”

 

In fact, Eric Sloane describes the shifts in our relationship with lovingly crafted, wooden things in his On Reverence for Wood. In this passage, he describes America before the Civil War: “Wood was not accepted simply as the material for building a new nation—it was an inspiration. Gentle to the touch, exquisite to contemplate, tractable in creative hands, stronger by weight than iron, wood was, as William Penn had said, ‘A substance with a soul’. It spanned rivers for man, it built his home and heated it in the winter; man walked on wood, slept in it, sat on wooden chairs at wooden tables, drank and ate the fruits of trees from wooden cups and dishes. From cradle of wood to coffin of wood, the life of man was encircled by it.” (Pg. 72)  I think this quote beautifully expresses humans’ relationship with wood in previous generations, and to me, helps fill a gap that I didn’t know was missing.

 

A lot of things I talk about on this blog are what I might frame as “big” things: working on land regeneration, sustainable living and permaculture, growing food, natural building, beekeeping and more…these big things seem important and relevant. But there are also the more subtle ways of shifting living and communing with nature that may be less obvious, but no less profound. I think that there is value in exploring alternatives to the everyday objects that fill our lives and that we interact with. How many times, for example, do I encounter plates, bowls, cups, and silverware each day?  How many times do I put my feet in a pair of shoes, or put a pair of pants on, or put my head on a pillow in a typical week?  How many times do I sit down to enjoy a simple meal? How do those simple, daily patterns, unfold?  And so, today, I’m going to explore a rather simple concept, in honor of the many feasts most of us attended as part of the holiday season over the last few months. I call this concept the way of wood.

 

The Way of Wood

What I’m calling “the way of wood” refers to, in a literal sense, spending more time and contact with wood that has been lovingly shaped by careful hands.  Wood that has a soul.  The wood’s origins are important–ethical resourcing of the wood is critical. These wooden objects come into your life either by trading/purchasing/commissioning it from those who work with wood or by honing your own skill in carving/woodworking/turning, etc.  So far, I am in the first category, having found woodworkers whose talents I wish to support, although I hope to turn my artistic sights on this beautiful art form quite soon!

 

The way of wood, in a broader sense, asks us to consider the nature and origins of the objects that we engage with in everyday life–and bring those objects more carefully and consciously into our daily living experiences. This, again, means considering relationships between the object, how it was made, where it was sourced, as part of an energetic relationship.  The way of wood also encourages us to seek deeper connection with nature through the creation (and supporting the creation) of homemade items from local sources over industrial ones.  In other words, we are looking for items that have “soul” and that are, likely created outside of the industrial/consumption/stuff-making system.  Of course, this “way of wood” doesn’t happen overnight, but as things wear out, we might seek to replace them with things of a different nature, a careful nature, a slower nature.

 

The curved spoon and others...

The curved spoon and others…

Why does the way of wood matter? Some history here has really helped my thinking–I hope it helps you too.

 

The Loss of Reverence for Wood

At one time, wood was the most important thing we had: we made everything from it.  It was, as the quote above suggests, “a substance with a soul.” Eric Sloane’s masterpiece, Reverence for Wood, is well worth reading on this subject. I’m going to briefly summarize some of what he shares in that book here to help us understand historically, humans’ changing relationship with wood and its connection to industrialization here in the US–but I encourage anyone who has an interest in this topic to read his work.  Its a short book (about 100 pages) and filled with his incredible illustrations–a gem well worth your time.

 

Sloane’s book explores, century by century, in reverse chronological order, human’s changing relationship with wood. Of key importance to Sloane was the drastic shifts between the 18th century, when everything was made of wood (as described in the quote above), and the 19th century, with the rise of the age of iron and industrialization, where wood became used as the fuel of progress.  Much of this shift was firmly settled with outcome of Civil War in the United States, the war not only of slavery, but of an agrarian society vs. an industrial one. With the triumph of the Northern industrialized states, industry quickly transitioned the entire nation (as it was already doing in England and many other former colonies).

 

It was during this transition that wood, according to Sloane, ceased to have its value as something to be lovingly crafted for daily living rather than as a resource to fuel industry.  In fact, it is during this age that we see billions of acres of forests, cut to be “coaled off” to make charcoal for iron furnaces, cut to run locomotives, and cut to literally pave streets for higher volume traffic among many other things. This is certainly what happened to “Penn’s woods” in Pennsylvania, where, by the start of the century, less than 5% of the forests remained in many of the Western counties surrounding the big steel factories. Sloane reports that one English paper during this time wrote, “The English criticized us, saying that the Americans ‘seem to hate trees and cannot wait to cut them down” because the land was literally being stripped bare.

 

But the shift in consumer goods and industry weren’t the only shifts away from this primary wood-filled economy. In the late 1800s, American farmers had walled up their hearths and instead added an iron kitchen stove. Wood was added to this stove as Sloan writes “without ceremony,” shutting it up inside the iron box that didn’t need much tending. This, of course, eventually led to our modern furnaces and use of fossil fuels for warmth. Sloane gives many other examples as well–how the incredible array of objects once made from wood (pails and spiles for maple sugar, meat pounders, churns, knives, sleds, mallets, forks, shovels, spoons, and much more–were turned into iron instead and sold to folks). Wood became quite unfashionable and quaint, something for an older generation and day and iron was now on the rise.

 

To me, the shift from wood to iron represents a profound shift in humans’ relationships with nature as a whole and with trees specifically. In the earlier economical model, wood was a primary resource whereby humans interacted with trees, managed them carefully, cut trees and shaped them for their immediate needs (shelter, warmth, tools), and understood those trees as a resource upon which we clearly depended. Damage to the forest resource would result in direct damage to the ability of those humans to continue to provide warmth, shelter, and tools–and so, wood was deeply respected, coppiced, and managed. Also in this earlier economical model, wood was known deeply and intimately. In the 17th century, Sloane describes how a chair might be made out of as many as 15 different woods, each having their own unique characters and properties. People could tell what kind of tree was being cut by the sound the axe made in the wood.  Each wood has its own unique personality; likewise, people were often tied to tree personalities.

 

Beautiful bowls of a variety of styles (some are purchased from turners, others found at yard sales, etc!)

Beautiful bowls of a variety of styles (some are purchased from turners, others found at yard sales, etc!)

With the end of the Civil War and the rise of industrialization, wood became a secondary resource, cut and shipped “away” for use in some other location and the resulting goods coming back to humans in a new form (iron). Wood was no longer a resource upon which people primarily depended upon for survival–the invisible industrial processes and consumer economy masked its use.  If a forest is cut and shipped to an industry far away, it is of no real consequence to those who live nearby, for they have ceased depending on that forest for their needs. Rather, they depend upon, primarily, that far away industry. This is true of the many things for which wood was used: wood is purchased from a store (who get it from logging and a sawmill); heat is purchased from several sources (with a small amount of people still chopping wood); tools are purchased with handles, sometimes wood, from an unknown source; chairs are purchased of wood from a store, again, from an unknown source.  There is no reason to preserve and protect the local forest because all of your needs come from the store, who gets it from a factory, who gets the raw resources from all over (including that local forest).  This disconnection does much harm, in my opinion. And so, it was during this time of rising industrialization that humans’ rich understanding of wood and knowledge was lost and largely replaced by iron and industry.

 

Over 150 years now, we have a profound loss of understanding of the nature of wood and connection with that part of nature. Most people can’t identify more trees than they have fingers on one hand, much less understand intimately wood and its qualities.  I’ve seen this over and over again when I’m teaching herbalism or wild food foraging classes–identification skills are quite poor for most folks.  The bad news is that some of this knowledge may have been lost–but the good news is that the new movements in sustainable living, woodworking, permaculture, and bushcraft are encouraging folks to begin to learn the way of wood once more.

 

(I’ll mention here wonderful song by fellow OBOD Druid, Damh the Bard, from his 2015 album Sabbat. Its called “Iron from Stone” and it tells this same story of the changes in the landscape and the shift into iron (and the human cost of such a shift.))

Finding our Way back to Wood Again

 

For me, it started with a single, lovingly crafted wooden spoon, a spoon with soul.  A number of years ago, a druid friend of mine had gotten into carving and I decided to commission him to make me a magical serving spoon. This spoon was no ordinary spoon–it was harvested from cherry right off of his land only several miles from where I lived, carved with a spiral handle, and carved with an Awen in the center of the spoon. It was amazing, and after cooking with it, I came to the conclusion that I needed a lot more wooden things in my life.  This, of course, was many years before I had read Sloane’s work or really understood the historical aspects of the loss of knowledge of wood.

 

Instead, that first spoon offered an emotional connection, a soul connection: I loved the way the spoon felt, I loved the way my food tasted when I cooked with it, and I wanted more.  Soon after, he offered me a regular eating spoon for my birthday. After that, I found some really nice old carved bowls at a yard sale, carved by the woman’s grandfather. Then, I met a local wood turner at our farmer’s market with beautiful live edge bowls…over time, I replaced nearly all of my everyday eating bowls and such with beautiful wood–wood that requires care, love, and that brings connection.

 

I’ve watched friends’ delighted reactions as they come to my home and eat from my wooden bowls lovingly prepared food–it makes the meal so much more magical, meaningful, and connected.  Maybe, they, too, are connecting to the soul of the trees that are still very much alive within those bowls.

 

What I have come to fundamentally understand through this process is that the energy that goes into an object infuses that object. And it infuses us.  There’s just something different and sacred about the wooden objects that you don’t get from the standard stuff of unknown origin and manufacturing. Taking up the way of wood is a very simple thing to do–pickup some books on woodworking or take a class and start learning to carve or turn wood yourself.  Or, start keeping your eyes out for woodworkers and wooden objects as you go about life–farmer’s markets are a good place to find some of them!  If you want the wood in your life, the spirit of the wood will find you.

 

Caring for wood

An assortment of spoons and knives

An assortment of spoons and knives

Part of the reason I think that the wooden bowls are wonderful is that they require attention and care. The wood was once a living being, and the wooden spoons and bowls, in their own way, still have spirit within them. The more we interact with them, the more we can understand the wood and connect with that spirit.  The physical aspects of the wood and the spirit of the wood both need our interaction and care.

 

In terms of daily cleaning of wooden objects: you don’t just throw them in the dishwasher–the dishwasher would quickly ruin them. Instead, you wash them lovingly by hand, making sure water/liquid doesn’t sit in them for long and making sure that you dry them carefully once you are done washing them. It is no trouble to quickly wash your favorite wooden bowl after a nice meal!

 

Every three or so months, you’ll also want to re-seal them. I seal my wooden items with walnut oil or of a combination of warmed beeswax and walnut oil. I get a clean rag (that you can re-use) or paper towel (the paper towel can be used to start a fire after you are finished oiling your wood). Add a liberal helping of oil to all your wooden objects and let them sit for about 30 min. You’ll see which of them are thirsty and which are saturated. Give them a second liberal helping of oil.  If there is excess, it is no problem, as you’ll wipe it off. I usually let this sit a minimum of a few hours–even overnight. I check them again, and see who among the wooden things is still thirsty, adding a third layer. At this point, I let them sit, shine/buff them to take off the excess oil, and begin using them again.

 

I remember to tend my wood based on the solstices and equinoxes–as each grows near, I know it is time to lovingly oil my wooden items again.

 

I’ll also mention here that wood, over time, moves and shifts as the seasons change and as time passes (no wonder wood has “a soul”!)  Sloane talks about this as well–how old barns move (even if the stone foundations under them do not, meaning that over a period of years, the barn grows less stable).  The same thing happens to wooden bowls and other wooden objects.  For a bowl, for example, if you had wood with a grain facing East to West, the bowl would slowly shrink on the North-South axis making the bowl more oblong than round as time passed.  In the summer, wood absorbs moisture and may swell and in the winter, it will shrink. Understanding this is all part of the character, and care, of wood.

 

Closing Thoughts

I believe that the small details matter–building these small, sacred, and simple acts into our everyday living can help us engage in more sustainable, sacred actions throughout our lives and reconnect with ourselves and the land around us. I think this kind of thing is like momentum forward–each small thing adds to the whole experience and moves us from a kind of “average” living that is given to us by corporations and industrialization to living to sacred living. Even small shifts, like the shift from using conventional tableware to something handcrafted, creates an energetic shift that reverberates. And when you think about how many times you encounter these simple objects each day, and the energies and spirits of those objects, this small shift really has profound implications.

 

Awaiting the Sunrise: Holding an Outdoor Winter Solstice Vigil December 17, 2016

Winter Solstice Fire Vigil

Winter Solstice Fire Vigil

A group of people make music and merriment near a roaring fire during the longest night of the year. Their mission: to await the sunrise and hold vigil through the darkness with feasting, celebration, and the burning of the sacred yule log. The winter solstice vigil–lasting upwards of 15 hours in the darkness can be one of the most intensive, challenging, and rewarding experiences.  I’ve succeeded at one all-night vigil and failed at one all-night vigil (due to underpreparedness, see later in the post) and yet both have been moving experiences.  This year, on the 21st, a group of us is going to attempt an outdoor all night vigil.  At this point, the weather looks good (not dipping below 30 degrees and clear) which is about the best Winter Solstice Vigil weather you can ask for!

 

In preparation for next week’s vigil, I thought I’d take the opportunity today to reflect on the art of preparing for vigil, doing the vigil, and offering some contextualization for this kind of initiatory work. For one, I’m going to do vigil with some folks who haven’t done it before (and I started writing this for them and realized how useful it would be for others). Its a good idea to know what you are really in for with the Winter Solstice Vigil! But for two, I think its good information for anyone wanting to attempt such a vigil. I’ll cover the history of such a vigil, how to prepare physically and spiritually, what to do during your vigil, and offer simple rituals for both the setting and rising sun.  While this post is primarily focused on outdoor vigils, I’ll also include some tidbits about alterations if you aren’t able to be outside for the all night vigil.

 

Understanding and Defining “Vigil”

The term “vigil” itself gives us some understanding of the nature of this work.  The term vigil derives from Latin vigilia, which means “wakefulness.” When we look at a few dictionary definitions of “vigil” we get the following kinds of phrases: “a devotional watching, or keeping awake, during the customary hours of sleep“; “a purposeful wakefulness”; or “a period of keeping awake during the time usually spent asleep, especially to keep watch or pray.” All of these definitions offer us useful understanding and insight into the nature of a vigil and why one would take it on.  The Winter Solstice vigil is certainly a vigil–not usually so much of a solemn one, but one of wakefulness, watching, and sacredness where we work to tend our fires and eventually, welcome the sun back over the land.

 

The Winter Solstice: A Bit of History

Ceremony at the Winter Solstice reaches back, in some parts of the world, to pre-history.  The basic premise is simple: before the days of modern electric lighting, humans lived more closely with the seasons.  The days of darkness, where the earth seemed to stand still, needed humans’ help to bring the light back into the world.  And so, much of the celebrations and feasting at the time was focused on light and life.

 

Fires that burn against the darkness...

Fires that burn against the darkness…

For example, Sí an Bhrú (New Grange), is a neolithic monument in Ireland that is at least 5,000 years old.  New Grange is a large, circular earth chamber with a long stone entrance that is illuminated with the rays of the sunrise on the Winter Solstice. In other parts of the world, especially throughout Europe, the Winter Solstice was often celebrated with feasting and bonfires.  Saturnalia, an ancient Roman festival of feasting, gift giving, and revelry in honor of Saturn, was originally on Dec 17th, but later expanded to Dec 17th – Dec 23rd.  Many Celtic peoples celebrated the “birth of the sun” or the “return of the sun” around the Solstice  (and it is no surprise that evergreen boughs were used to celebrate these events, given evergreen’s connection to life and longevity). A yule log was burned, sometimes with feasting lasting days or weeks.

 

With the rise of Christianity in the 4th century, the Catholic Church proclaimed that the “Birth of Christ” was on Dec 25th to tie to older feasting and merriment traditions.  So even today’s modern celebrations of “Christmas” hearken back to much older Winter Solstice traditions. Even today, we have houses lit up with lights, evergreen trees surrounded with lights and colorfully wrapped packages–all magical ways of raising up the sun.

 

All of this background is useful when thinking about the framing of a druid winter solstice ritual and vigil.  The mood is not solemn here, although solemn work and initiatory work can certainly happen. Rather, this is a patient wait–through celebration and feasting–for the rising of the Solstice sun.  Let’s now turn to some practical considerations before undertaking such a vigil.

 

Inner and Outer Preparation for the Solstice Vigil

Preparing for a winter solstice vigil requires both inner and outer preparation, which I’ll now describe.  Without both considerations, an all-night vigil can be dangerous and/or unsuccessful.  Such was the result of my first attempt at a winter solstice vigil. This was very early in my druid path, and I had really no idea what I was doing. I went to my sacred circle with my hat, gloves, and coat; a big pile of wood; a blanket; a tarp; and a thermos of hot tea; thinking that I would last the night and wait for the rising of the sun. For one, I had no idea how long this night was, nor how hard it was to hold vigil on my own. I quickly ran out of tea and wood, and a dwindling fire was not enough to keep the darkness and cold at bay.  Sometime deep in the quiet night, I grew too cold and the fire grew too dim and I and went back inside to my warm bed.  Better physical preparation could have substantially made this first attempt at a vigil more comfortable!

 

The general rule of thumb for these kinds of vigils is to over-prepare. That is, bring more warm clothes than you need, more food than you need, and more of any other supplies (like wood) than you think you’ll need.

 

Outer preparation: Common sense. The weather can be very variable in December and I ask that you please use common sense.  A night when it is 35 and the sky is dumping freezing rain down on you is a good way to get hypothermia, not enjoy a winter solstice vigil.  Tend to the weather carefully and only attempt this if you are sure you will be safe, warm, and dry.  This is my take on it–some years are not good for vigil.  I’ll still celebrate, but maybe I’ll light a candle in my window, or hold vigil in my house by the fire.  There are other ways of celebrating this–and what I offer here is one of many approaches.

 

Outer Preparation: Clothing. If you have never spent a cold night outside before, you may not realize how difficult it is to stay in a single place and hold vigil when it is less than 30 degrees Fahrenheit (which is fairly common for the places I’ve lived).  What this means, for you, realistically are several things: first, you need a lot of warm clothing, preferably of natural fibers like wool or fur. Second, you need to make sure you stay covered throughout the night, including the part of you that is not going to be near the fire (read, extra wool blankets).  Bring more than you think you will need, including a warm sleeping bag.  All of these things can help you get through the cold night.  Having another warm body (a dog, a snuggle partner) is also very helpful.

Friend Building a simple fireplace to reflect heat

Friend Building a simple fireplace to reflect heat

 

Outer Preparation: A Good Fire.  There are a lot of ways of making fire, and making a blazing bonfire is not, actually, a good way to stay warm throughout the night.  Big fires require a lot of wood, and a 14 or more hour fire will consume huge amounts of it, blasting heat in all directions.  If there are enough folks to go the whole way around the fire, this is OK.  But more commonly, there aren’t that many people willing to stay up all night in the darkness!  If there are only a few of you, the better approach is to use bricks or stones and build up a reflective surface, then building the fire against that surface (see photo above).  The photo shows is a simple fire setup that is small but that will reflect much more heat due to the fire bricks piled up behind.  This would also stay lit in the rain and snow for much longer.  If I had had this kind of setup during my first  vigil, I likely would have made it longer into the night!

 

Outer Preparation: Hot Rocks: One of the strategies I learned about holding vigil has to do with hot rocks or hot bricks.  The strategy is simple: have some old towels and stones or bricks available.  I especially like a large flat stone that I can sit on. Putting the bricks/stones close to the fire to warm them, then wrapping them with a towel and sitting with them, really helps keep the cold at bay.  A largish one makes an amazing seat at 2am in the cold!

 

Outer Preparation: Hot food and Drinks:Warm food and feasting are a necessary part of a Winter Solstice vigil, in the tradition of so many millennia of feasting and celebration around this time of year.  I have a smallish iron cauldron to hang over the fire and a 12 quart dutch oven for the fire that I will be bringing to our ceremony to keep the hot liquids and foods flowing all evening for participants. Warm drinks of the alcoholic and non-alcoholic variety are necessary for a vigil. I don’t drink, I prefer warming herbal teas or cider mulled with cinnamon, nutmeg, cloves, and orange peels.

 

Outer Preparation: First Aid. Its not a bad idea to have some general first aid materials available, especially if you are going to be doing your Winter Solstice vigil somewhere far away from civilization.  Preferably, also it is a good idea to have someone along who knows how to administer basic first aid.

 

Outer Preparation: Seating.  If you are using a chair sitting up, you will need to somehow wrap or protect your body against the chilly air from behind.  Sitting on blankets or wrapping yourself in a sleeping bag can work well for this, especially for the back parts of you away from the fire. I prefer to sit on the ground, but that presents its own unique challenges as the ground obviously gets frozen and really cold this time of year.  To sit on the ground for a period of hours successfully requires you to protect from cold and damp.  I use a tarp as my base layer to protect from the damp.  Then, I usually start with a sheep skin (which I have used for many ceremonies) and a few layers of blankets on top.

 

Inner/Outer Preparation: A Yule Log: The Yule Log tradition has many variations, but I like to use one for the Winter Solstice Fire Vigil.  A Yule log should ideally come from someone’s property or be found, never bought.  It is usually a tree or part of a tree, like a large stump.  The large stump will burn through the night, and that’s part of the tradition.  Usually, the log is somehow specially prepared and magically prepared; one older tradition has it wrapped in evergreen and doused in cider.  In my grove events, we’ve painted it with natural dyes, wood burned the log, added springs of cedar, and have done many other things to honor the log before it is added to the Winter Solstice fire.  The ashes of this log, and fire, are distributed to participants and are excellent for land blessings and tree planting ceremonies, among other things.

 

Inner Preparation: The Mindset:  In advance, it is a good idea to set some mental limits to the event and understand when you shouldn’t or should end the vigil: if you can’t feel your fingers and toes, maybe its time to end the vigil.  If you fall asleep, is that ok?  What about if everyone else wants to go home and off to sleep? Give some thought to what you will or will not do, given certain circumstances, in advance, to help your preparation.

 

Inner Preparation: Facing the Darkness. The other part of this ceremony, as with fasting and many other kinds of initiatory work, is that you really do push your body and spirits in ways to its limits.   Physically, the body may not be used to staying up all night, nor used to being in the cold for so long, or sitting by the fire for that many hours.  Understanding, going into this, that this is a sacred ceremony is important.  Also, you will be in the darkness for a long time.  You may, deep in the night, have to face your own darkness.  The darkness is darkest, and scariest, just before dawn.  I will never forget the end of a vigil evening I spent in the woods by myself–I had never been so happy to see the sun rise, and I was so proud that I stuck it out till that moment.  My own preparation for this kind of deep work involves sitting in darkness for some time for 30 min or so in the days leading up to the ceremony and doing other things to embrace the darkness this time of the year (you might look at my post from last Winter Solstice on embracing the darkness for many suggestions).

 

Opening the Vigil: A Ceremony

Serenading the setting sun....

Serenading the setting sun….

So if you are still reading, then we are ready for the Solstice eve to come and for the ceremony to begin! I have found that the vigil evening is essentially composed of three pieces: the vigil opening ceremony (which may be attended by more folks than those who are doing the all night vigil), the vigil itself, which involves feasting, merriment, as well as quiet times, and the vigil closing ceremony, which honors the rising sun.  I’ll take these each in turn, starting with the opening ceremony.

 

We will do our vigil opening ceremony just as the sun is setting, which for us, is about 5pm on the night of the Solstice.  Because we will have a larger group for this and for the first part of the vigil, but only some staying for the entire vigil, we keep this in mind as part of the ceremony. Note that we do not yet have our fire lit at the beginning of the ceremony (it is lit during the ceremony itself); this is so that we can spend some time in the darkness and the setting sun.

  1.  Opening up a sacred space: As the darkness settles, we open a sacred space.  In the druid tradition, this includes proclaiming the intent of the ceremony, declaring peace in the quarters, cleansing the space with the elements, making an offering to the spirits of the land, and casting the circle around the entire space where we will be.
  2. The Vigil Opening Ceremony.  There are lots of things that you can do for this–here is what we are planning:
    1. We will begin by speaking of the Winter Solstice and, the history of how humans have celebrated this time with light and fire, and of the darkness and wheel of the year.
    2. We will all sit for a time in meditation, in the growing darkness, honoring silently the setting sun and preparing for the vigil of the evening.
    3. We will light our fire, honoring the light of this season and welcoming the sun to return after his long sleep.
    4. Once the fire is going, we ceremoniously add the yule log.
    5. In the spirit of the AODA tradition, we invoke the three currents (solar, telluric, and lunar) radiating a blessing out to the land.
    6. We begin the vigil, which starts with a feast and merriment.

It is sometimes the case that folks will want to join you for the opening (or for sunset and sunrise) but do not want to join you for the entire vigil for any number of reasons.  These choices should be honored.  Those who wish to stay will stay, and still, be supported by those who will not stay for the whole night.  There should never be any pressure to stay, or not to stay, during such an intensive ceremony.  A magical space (circle) should be prepared in such a way as people can pass in and out of it with ease, if this is to be the case.  This will certainly be the case for our group this upcoming week.

 

The Vigil: Continued Ceremony

In my experience, there  are really two ways you can go about your vigil: the time-honored tradition of fesating and merriment, using food, song, dance, and celebration to push back the cold and dark.  The second is a time for powerful initiation into the deeper mysteries of the winter months, the darkness, and the time of cold and rest.  I have found that both of these often happen in the same night during a winter solstice vigil. At some point, the feasting and merriment subsides and the darkness sets in, visions and waking dreams begin. Both are useful and powerful, and like the ebb and flow of the tide, both often happen in the course of the ewvening.  Recognizing this, and honoring this, is part of the process.

 

Here are a few suggestions for how to keep awake and the vigil going:

 

Ritual feast: Holding a feast as part of the ritual is a wonderful way to keep everyone warm and happy.  Ask folks to bring food that can either be heated up or that is kept warm.  Our site doesn’t have electricity, so people will use blankets and such to keep food warm. 

 

Eisteddfod festival: Holding a bardic Eisteddfod is a wonderful way to pass some of the night.  The Eisteddfod includes any of the bardic arts: storytelling, music, dancing, and song.  People take turns and, if you have enough people, a bardic competition can also take place.

 

Sharing your Life Story: Because you have 14+ hours, you have an opportunity for the deepest kinds of meaningful conversations with others around the fire. During my successful past vigil, one of the ways we managed the time was having each of us take an hour or so to tell the important parts of our life stories, the things that shaped us as human beings and put us on our spiritual paths.  As the sun rose, after hearing the stories of everyone around the fire, and sharing my own story, I felt an extremely close connection to those.

 

Darkness walks. One of the other things I really like to do, especially if there is some moonlight, is to take a break from the fire and to simply walk the land, seeing what things look like in the darkness, and feeling its power fully.

 

Sleeping area. The alternative to flat out leaving the area is to have a “sleeping area” (for us, a hayloft with warm sleeping bags) for those who need a few hours of sleep.  One variant on the vigil tradition is that its more like a watch: as long as someone is holding the space and tending the fire, that practice can be rotated.  So some people may go off to sleep for a few hours and then spell off others.  This is another good way to get through the evening and the vigil becomes a group effort.

 

The Ceremony of Welcoming Back the Sun

Sunrise - bliss!

Sunrise – bliss!

After the longest night, it is a blessing beyond all blessings to see the light rising again into the world.  There are so many ways to welcome back the sun, and I will share a few of those here.

  1. A Norse tradition that I rather like for welcoming back the sun is ringing bells right as the sun rises over the hills/land.  They ring clearly and brightly, welcoming the sun back.
  2. Drumming up the sun or playing music (if neighbors aren’t too close by)
  3. Letting the fire burn down as the sun rises–the fire was holding space for the sun, and as the sun rises, letting the sun regain that fire is a good way of ending the ceremony.
  4. Silent observation, observing the ever-changing landscape as the sun returns.  Once the sun is up, you can then do any other ceremonial work.
  5. Honoring the sun with singing, dancing, and merriment – if you have anything left in you, this is also a wonderful idea.
  6. Making offerings to the sun and to bless the land.  I have bottles of dandelion wine that I made for several years and like to offer the sun, the giver of life, some of this wine.

Now, you don’t have to do the whole vigil to wake up and honor the sun. There is nothing that says you can’t do the ritual at night, still get a decent night sleep, and then wake up before the sun to welcome it back to the land.  So these can work regardless of whether or not you are doing the vigil.

 

Once you’ve honored the sun and observed its rising, you can thank the elements and close the sacred space.  Likely, then, it is a good idea to go and get some sleep. Many solstice blessings to my readers–and may your dark nights be filled with merriment, inspiration, and joy!

 

The Summer Solstice Sunrise: A Journey and Ritual of Illumination June 18, 2016

All of us are on a journey. Perhaps it is a physical journey, traveling to distant shores or a new home. Perhaps it is an emotional journey, a journey of the heart and of healing. Perhaps it is a journey of self discovering or self fulfillment. Perhaps it is a spiritual journey to reconnect with the living earth. At each moment of the wheel of the year, the sun, too, is on a journey–to rise and fall. On the moment of the summer solstice, the sun rises at the apex of his power.

 

Incredible sunrise in the mountains with the windmills

Incredible sunrise in the Allegheny mountains with the windmills

I have found that going on a journey, a physical one, to see the summer solstice sunrise is an extremely powerful initiation into deeper mysteries at the time of the summer solstice–including 3 days before, and 3 days after. My summer solstice ceremony is quite simple–well before dawn you do a night hike (not using any artificial illumination) to a high point, where you watch the sun rise and be illuminated as it occurs (I’ll share more specifics of the ceremony below).

 

I see this night hike seeking the illumination of the Solstice Sunrise as the same kind of ceremony as an all night vigil at the Winter Solstice (which I will talk about near the winter solstice)–in both cases, some of the work is readying yourself to be greeted by the rising sun.  It is the journey that matters, for illumination only happens after deep reflection and a long path traveled.  This is one path of initiation, the path into deeper mysteries, communion, and wholeness.

 

The Solstice Sunrise Journey

Choosing the Right Day. In terms of the timing of the whole ceremony, there are a few considerations.  First is the consideration about the day of the solstice–which not all people can manage, due to work obligations. I’ve done this anywhere from 3 days before to 3 days after the summer solstice (although I really try to get it “on the mark” if possible). This year, my first of these hikes (I expect to do at least one more) was 3 days before. The other consideration, of course, is whether or not it’s raining.  Sometimes a light rain is actually ok (that’s what happened to me on the one I’ll describe below) because the sun rose up, was beautiful, and then skirted into the clouds and the rain came down more.  But if it’s an outright downpour, you might want to wait for this particular ceremony (although I will likely still go out; I found bunches of Elderflowers last year at the summer solstice on a rainy morning when the cloud cover prevented me from witnessing any sunrise!)

 

Location. Location to me is one of the most important considerations for this kind of summer solstice ceremony. I usually scope out the location of my journey potentially months in advance, often finding the “right spot” sometime during my hikes earlier that year or even in the fall of the year before.  (Sometimes, the location finds me and I’m at the right place and the right time, like it did this year!)   For me, the perfect spot as an Appalachian mountain druid is one of high elevation, above the valley, where I can see an amazing panoramic view.

 

Scoping out your Spot and Hike. Visiting your spot in advance is important for a few reasons: one, as a night hike, you are going to be needing to rely on senses other than sight to get yourself up to the place where you are going. And having memories of something you traveled only a day or two before helps you through the night hike.  But second, it is about timing. You need to know how long it takes you to get up to your spot so that you can make sure you don’t miss it.  I missed it a few times because I was still hiking rather than sitting and witnessing the rising sun.  You need a lot more time than you need, and sunrise happens actually kind of quickly!

 

Still dark as I approach my viewing spot

Still dark as I approach my viewing spot

The Night Hike. Yes, you can do this, you can do it without a flashlight, and you can do it alone (or with a group).  Once your eyes adjust, you will be surprised at how effective they are at seeing in the darkness–we just don’t do it much these days.  So turn off the electronics and lights, and use your full senses to get where you are going.  This is an important part of the journey.  To me, it represents the long journey we need to have in order to reach illumination.  It also gives me great insight about myself, how I deal with problems, and so on.  You might stumble, you might run into some cobwebs, and you might be fearful of things in the dark–but trust me, this part of the ritual is worth it.  If you are traveling with a group, grove, circle, family, etc, I would suggest that you agree to do the walk in silence so that each person can experience their own journey unfolding.

 

The timing of the night hike is critical.  Ideally, you should leave an hour before sunrise, spend 15-25 minutes getting where you are going and then sit, watching the sunrise unfold fully, over the next 30-45 minutes.  Each part of the sunrise is a tapestry of colors, especially on this most magical day.  Each sunrise has a unique message for you.  The problem I’ve had in the past with this ceremony is that sometimes I don’t wake up early enough to make it happen, and then I’m still hiking and missing the sunrise.  Trust me–for this ceremony, the extra 30 minutes of sleep is simply not worth it.

 

Now, once you get to the top, if you have the time, for added punch, you can do a short ceremony.  I like to do the AODA’s sphere of protection before the sunrise, meditate and say the druid’s prayer for peace while the sunrise is rising, and then, as the sun rises higher into the air, do the OBOD’s light body exercise.

 

Illumination. The forest (or wherever you are) appears differently at the edge spaces between day and night; dusk and dawn are powerful times.  This allows you to enter a sacred space and experience some form of illumination, presence, and communion with the spirits of the land.  This is very individual, so I’m not going to say more here except listen, observe, and be open to whatever unfolds.

 

The sunrise peeking through the trees!

The sunrise peeking through the trees!

My first Solstice Sunrise journey this year took place the week leading up to the Solstice, and it was certainly unplanned. I had been at a research writing retreat for my research team (this is a yearly thing we do, since we are scattered all over the country) and we had rented a house in a very wooded and secluded area on one of the Appalachian ridges near Berkeley Springs, WV. I had done some walking while at the retreat, and had noted the sharp rise of the mountain behind our cabin. One morning, after it was light, I walked up there and spent several hours, and received the clear message that although it was a bit earlier for my solstice walk, indeed I was do to the solstice walk and journey up to the ridge where I could see the scene unfolding through the trees. That night, I had three powerful dreams, messages that are in line with something I’ve been working toward for many years.  The last of which woke me up at 4:30am (and sunrise was at 5:45 that morning), just 5 minutes shy of when I had set my alarm. I pulled on my clothes and shoes, carried some water from the spring, and began my journey up the mountain. There was no real path, but it was a serious climb, and I had to stop a few times to catch my breath as I continued my ascent. By 5:10, I had reached the spot where there were a few windows through the now-sparse trees, and a perfect spot to see the rising sun. Rocks were everywhere this far up on the ridge, and I found a nice one to sit and observe. After an hour of observation, the energy shifted, my work was done. The rains came, and I went down to join my team for breakfast.

 

I hope this ceremony and perspective on the summer solstice is useful as you plan your own solstice journey!  I’ve published it a few days before the solstice, so you should have some planning time if you want to try it.  I’d love to hear your thoughts and also your own ways that you celebrate the summer solstice!

 

PS: The Ancient Order of Druids in America just released its third volume of Trilithon, the order’s official journal.  I serve as Chief editor for the journal, and it is packed full of amazing articles about the druid path, earth-centered living, and more. I would highly recommend you check it out!

 

A Druid’s Primer on Land Healing, Part IX: Healing Our Lands Physically, Energetically, and Spiritually May 29, 2016

Alternative Front Yard full of healing and habitat

Alternative Front Yard full of healing and habitat!

As I walk through my neighborhood in this quiet Pennsylvania town, I am struck by the contrast. On one hand, many of my neighbor’s lawns are monocropped with grass–one after another, green expanses stretch on and on. Dandelions are quickly sprayed, and uniformity reigns supreme. This is the language of “progress,” the look of industrialization, and the announcement of humanity’s dominance over nature. But yet, on many blocks, one or two households have embraced a different paradigm: kale and strawberries along the front green area between the street and the sidewalk growing for any who want to harvest, pumpkins climbing through hedges, a completely alternative lawn full of herbs that requires loving care, but certainly not mowing. A fully abundant 1/10th of an acre with fruit trees, raised beds, grape arbors, and beautiful carved wooden sculptures. This is a sign, to me, that change and hope are possible and that the language of healing, the language of regeneration, touches the hearts and souls of so many here.  Part of this is facilitated by community groups: this town has held an Herb Study Group for over 30 years as well as an avid group of gardeners, and alternative lawns and growing spaces are accepted here (although still not the norm by any means). The contrast between these two spaces, both energetically and physically, is quite impressive. And this isn’t the only kind of regenerated space you can find nearby: after the strip mines complete their work, they are now required by law to return the landscape. Usually, this means planting scrub pines and watching the goldenrod come back in with very limited biodiversity, but occasionally, you find a druid wandering among those places, spreading magic seed balls infused with the energy and light of healing or planting nuts in the bare soils–and the seeds of biodiversity that can help this land transform and regrow the many things that were lost.  Now, new ecosystems are being reborn in those places that were once stripped bear.

 

And, a place I’ll be visiting this summer to do some backpacking is the PA Wilds region, an area with almost 1.5 million acres of forests. These forests were once desolate, logged areas, with almost 100% of the forests being clear cut about a century ago, much of the logging to fuel industrialization and expansion. While these forests are still under threat from fracking and oil exploration (especially in the Allegheny National Forest), many of these lands are regenerated with abundance and life. Even wild elk roam once more!

 

Truly, as a land healer, being part of spaces that can be, or are being, actively regenerated–and healed– is my favorite kind of work. I say it’s my favorite work because the other work I’ve talked about, in the last four or so posts in this series, where you are witnessing, holding space, sending energy deep into the heart of the earth is all really hard–energetically hard, emotionally hard, and can be physically draining.  Its even hard to write about it, which is part of why this has taken me so long to finish what I thought was going to be a short series on the subject!  But the work of regeneration, of taking damaged lands and helping them heal–the work of this post: it is work that regenerates the spirit. It grows as you grow, it unfolds and you unfold with it is perfect harmony.  This work allows us to share our gifts of creativity, nurturing, healing, and joy and reconnect with the living earth around us.

 

Layers of regenerating forest!

Layers of regenerating forest!

I’ve really been talking about this subject of land healing seriously for over a year now from different angles, especially focused on the physical regeneration of the land through my posts on healing hands, on refugia gardens, on seed saving and spreading seed balls, on alternative front and back lawns, and even further back on homesteading and my own regeneration work in Michigan. As you can see, I’ve written a lot on this blog about physical work of land healing as spiritual work, and I want to talk today about the linkages between the physical and spiritual dimensions and the more energetic aspects of this work.  Because while the land always has the power to heal–energetic work on our lands can help it heal much, much, faster.  Consider this like a burst of healing energy to get the land abundantly growing again!  This is, for now at leats, the final post in my Druid’s Primer for Land Healing series, although I do have some more specialized topics planned in the future. You can read the full series of posts here: Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII, and Part VIII.  And once you’ve done that, come back, and we will talk about how to heal our lands!

 

Where Healing Can Happen

I want to return to my very first post in this series briefly, and remind you about the places and spaces that land healing–land regeneration–can happen. This direct healing work should be done not on sites that are actively being damaged outside of your control (repeated logging, strip mines, etc)–this is the work of palliative care, and I refer you to earlier posts in this series. Nor is it the work of a site that is going to be destroyed–this is yet another kind of spiritual and energetic work. Today’s work is for sites that have had damage (whether it is that the ecosystem has been removed because of construction, mining, or even replaced with a lawn) and is in a place that it can now heal again and is free from possible damage in the immediate future. This is really an important distinction to understand, because the wrong kind of energetic work can be damaging. Here’s what I mean: a lot of the techniques I will describe in this post are techniques of the energy of spring and that of fire–its about waking up, getting things flowing again, coaxing the spirits of the land out of deep slumber and hiding.  The last thing you want to do is do this work if the land will end up being destroyed so soon again. That’s like rousing a sick person out of bed, and moving, when all they really need to do is sleep through the worst of it.

 

Preparing for Healing Work and Building Relationships: Feeling Your Way Into the Work

If the land has been damaged for some time, the spirits of that land may have fled, gone deeply underground, or are otherwise closed off. I experienced this on my land in Michigan when I first arrived. I remember standing beneath the giant white pine tree, next to the second white pine stump that was it’s partner and had been cut off haphazardly by the previous owners. I sensed the spirits were there, but there was tremendous sorrow, anger, and resentment of all that had been done to the land. I began, before doing any healing work, with the work of apology and witnessing, acknowledging what had been done and showing that I was a different kind of person and was here to help. I don’t think, at first, I was accepted as someone who would heal. And so, I  my waited, knowing that things would unfold in their own time and in their own way.  The only thing I did during this time was clean up active piles of garbage (like a burn pile) and scattered debris, and then I enacted the first design principle of permaculture: observe and interact.

 

Time for some regeneration!

Time for some regeneration!  This is one site I’m working with at present.

Shortly after I moved in, a racoon that had distemper showed up in my yard in the early morning hours. The racoon was out in the day, and after I determined that he didn’t have rabies based on his symptoms, I sat at a distance, holding space with him, knowing that his time was near.  He passed a few hours later. I dug a deep hole, blessed it with flowers and sacred water, and had a small ceremony for him.  I covered him up and piled a cairn of rocks quite high, knowing that if his body was left out, the disease would spread.  Sure enough, over the next few days, a number of critters tried to get into that hole, but were unable to do so due to my careful burial. The distemper was stopped from infecting any other animals.  After the raccoon incident, the land opened up, and the actual healing work could begin.  I realized that the raccoon was a test, and apparently, I had passed.  It was at this point that the spirits of the land spoke to me, shared with me the healing work that was to be done, and I began in earnest.  I will also say that that wasn’t the only test, and they come at unexpected times!

 

A Patchwork of Approaches

No single person’s approach is the “right” approach to land healing work.  You may have a very different skillset or background than I do, so I would suggest that you take the approaches here and use the ones that work for you (and I am very interested in hearing approaches you have used–please share!)  I would also really strongly encourage you to bring others in for the healing work.  For example, my sister is a Reiki Master Teacher, and the way she moves energy is very different than the ways that I do as a Druid.  It was a welcome thing for her to come, after I purchased my land for example, and do her own kind of energetic healing.  Another friend was an incredible musician, and radiated his healing energy out to the land with a series of wonderful folk songs.  And so, you might think about the land healing work you do like a colorful patchwork quilt with different designs: many approaches can work, and the more, the merrier!  So with that, here are some that I have found particularly effective.

 

Physical-Energetic-Spirit Connections

The most important aspect of all of this work, whether you are doing music, reiki, ritual, or other sacred work that I describe below is that you understand the relationship between physical healing and energetic healing.  You might think about this in an analogy with human beings: we have a physical body, we have emotions/heart, and we have a soul. These are all interlinked, and yet, each needs a different kind of healing energy.

  • Our physical regeneration of the land, through tending the wild, scattering seeds, replanting and regrowing, is like the physical regeneration of our bodies.  This is building habitat, reintroducing species, creating spaces for life.
  • The energetic regeneration is a lot like helping heal a person’s emotional scars: this is a completely different kind of healing, done by different strategies or even a different kind of healer. This is rebuilding the human-nature connections that have been severed, reconneciton, rebuilding trust.
  • The healing of the soul–is like the deep spiritual work we do as humans. I tie this analogy to that of the spirits of the land, those non-corporeal beings that reside in our lands and make magic there. River spirits, tree spirits, larger guardian spirits, animal spirits, plant spirits–so many live in our lands.

It is on all three levels that we can work to provide the most benefit; but work on even one of these levels also benefits the other two in the long run.  And, so, today, we explore the healing work we can do on the energetic and spirit levels: that of ritual, sacred spaces, gaurdianship, and more.

 

A Full Season of Rituals: Infusing with the Blessing of the Sun

I’ve mentioned before the method of drawing energy down from the sun and infusing the land with light as a way to clear energetically bad places, and we are going to build upon that method (which I shared in my last post in this series, including a barebones structure of a ritual that you can use).  In the case of land healing when the land is ready for regeneration, I would suggest more than just a single ritual for this work; where in the case of palliative care, one ritual is all you need or want to do. In the case of land healing,  I would suggest either a full year of rituals (four, minimum, at the solstices and equinoxes) and, if possible, the setting of a standing stone to permanently channel that light down and within (I explained the standing stone technique more fully in my earlier post I linked above).

 

In the case of energetic land healing, I find that most of the work I do in this area is drawing energy towards the site and infusing it with healing light.  The ritual that I most often use for this is one from the AODA, our seasonal celebrations, which works directly with the three currents and which serves as a land healing and blessing, drawing down the light of the celestial heavens and the sun.  I’ve shared a barebones structure of it in my last post.  You can purchase the AODA Grove Handbook for a complete version of this ritual for a group (or if you are a member of the AODA, we will be releasing a New Member Guide soon that will include solo versions of the ritual).

 

The power of the sun!

The power of the sun!

You can use the structure I provided in my last post, with one major exception: you are doing a series of rituals instead of just one.  The first ritual you do should be the one I outlined in the last post–clearing away the energetic darkness. Think of this like the pain and suffering that need to be healed, and only once they are healed, then the light can come within the land. I kind of see this akin to a clay pot–when you start land healing work, the pot is often filled with negative energy, with darkness, and the first thing you have to do is clear out the stuff that’s already in the pot before you can fill it with something better.  So the first ritual does that.  You can use any other structure as well, with the intention of clearing the space first.

 

So a yearly ritual structure for intensively providing energetic healing support to the land might look like this (using the energies of the season for a guide).  I’d personally start this work if possible in the Winter Solstice, but starting the work anytime is also appropriate.

  1.  Winter Solstice and/or Spring Equinox: Clearing out the darkness and bringing in some light.
  2. Spring equinox and/or Summer Solstice: Infusing the land with light for a blessing.
  3. Summer Solstice and/or Fall Equinox: A second infusing of the land with light for a blessing; establishing guardianship (see below)
  4. Fall equinox and/or Winter Solstice: A third infusion of the land with light for a blessing; deep listening on the next steps to take.

If you are also setting a standing stone (or even building a stone carin), you can focus your ritual on the stone itself.

 

For the differences in these four kinds of rituals, visualization is effective: imagine the energy coming down from the star, through the sun, and down into the earth, filling the land with light.  Purging of darkness, and then, seeing the light infuse into the land, up into the roots, and so on.

 

Creating a Sacred Space

I have found that establishing a permanent sacred space on the land (even around the entire land that is undergoing healing, if appropriate) is very effective. I have written on this particular thing in a number of posts, so I refer you to my sacred space series of posts for more information on how to do this.  One key here is to listen carefully, and to build a sacred space that you can tend and visit often.  This might just be leaving a small offering, sitting quietly, observing, meditating–the important thing here is that a sacred space is created by the union of yourself and the land, and your presence is needed for it to continue to function.  In the case of my homestead in Michigan, I established the whole property as a sacred space, and worked it diligently in a number of ways.  And you should have seen how it grew!

 

Communing with Spirits

On the matter of healing the soul of the land, we must reach out to the spirits of the land if we are able. Some people have particular gifts in this area in terms of direct communication, while others’ gifts lead them in a different direction.  Divination tools can be useful here. I would say, if nothing else, leaving an offering for the spirits (possibly at a shrine you construct as part of the larger sacred space, above), acknowledge the spirits, and most importantly–welcome them back. Let them know that you are doing work here, that the land is no longer in danger, and that it is safe to return.  They will take their time, perhaps, in manifesting, but be patient. And look for signs of any kinds (see my Druid’s Tree Working posts for how to commune with them, the strategies are very much the same).

 

Re-establishing Eldership

The Ancient Maple - An Elder of the Land

The Ancient Maple – An Elder of the Land

One of the problems that happen, especially with forests and logging, but really with any site that has been destroyed, is that the land loses its elders.  You’ve probably met those elders areas in lands that are whole–the ancient wizened oak, the tall white pines, the ancient elk with a massive rack of horns.  These elders are those who have inhabited the land for many cycles of the sun and moon, and who hold presence and history in those spaces.  They are like a nexus of energy, with many linkages throughout the forest. They have tremendous energy surrounding them, a strong spirit, wisdom.  The English language fails me here, but I hope you understand. The problem that new lands face is that they have no elders, that presence may have been lost.  I have found that part of healing is helping to establish the patterns of eldership. You want to do this carefully and in full support of the land and her spirits, but here are some suggestions.  These suggestions really apply to the plant kingdom; I have less experience with animal eldership (but perhaps one of my readers does):

  • Stones, rivers, and other inorganic features have been around a very long time.  Some stones even hold the patterns of fossils of ancient trees.  They can temporarily hold this kind of energy until a living elder grows and is established over time. Living elders are important, however.
  • Bringing a piece of an elder from another place can sometimes work.  For example, First, find an elder in another place, and see if that elder will let you move a small piece of themselves (like a branch) and place it somewhere you are led to place it.
  • Finding the offspring of an elder who was cut (in the case of a tree, as these elders are often trees) and nurturing that new offspring can also be done.

 

Re-establishing Guardianship

The sacred compact between humans and the land, and the symbiotic relationship between them, is destroyed when the land is stripped bare or otherwise damaged. Re-establishing the human’s role as a guardian and tender of that land is important–and that is something that you can do if you feel led–but only if you feel led.  This involves a few steps.

  • First, feel this out out very carefully, making sure that this is something that the land wants and that you can do.  The land may want to be left alone to heal on its own for a time, and you don’t want to be there if you are unwelcome. It also needs to be something that you are making a long-term commitment to, so make sure you are stable enough, and rooted enough, for that kind of commitment.
  • Two, if it appears appropriate, making an oath to the land establishing guardianship (I will usually do this as part of a regular ritual at an appropriate day, such as at one of the solstices or equinoxes).  Make it clear what you are swearing to, and make sure whatever you swear to, you intend to uphold.
  • Three, regular visitation, vigilance, tending, and time spent–the work of the guardian.  This can be anything: from going to the land and visiting, being open and listening, to picking up trash, paying attention to the needs of the land, to protecting it from those who would seek to harm.
  • Regular work on the land should include gaining knowledge about the land: learning it’s history, learning the dominant species and how they interact, studying botany, learning the names and uses of the trees–enough to know if something is amiss.  Spend time on the land–overnight, in quietude, moving around–in all those ways.  Build sacred spaces.  Bring people there to help heal and grow. Think of this land like your focal point for much of what you do!

The role of guardian of the land is not one to take on lightly, but if you feel compelled to do so, it is a wonderful way of reestablishing those connections and helping the land heal.  It is really a lifetime commitment, and I only mention it here because it is so effective for land healing.

 

The Magic of Seeds

I’ll end my discussion today with two physical healing techniques that I’ve mentioned before: as I discussed in my series of posts on refugia and seed arc gardens over the winter months, land that is physically healing. When the land has been stripped bare, it needs the genetic material to regenerate.  This requires a knowledge of botany and ecology, but you can easily find lists of plants common to your bioregion, including those endangered. The same is true of endangered mammals, birds, amphibians, and bugs–and the kinds of ecosystems they need to be safe.  I very much believe in the work of scattering seeds, of tending the wild, and doing this intentionally as a land healer.

 

These days, I take my magic seed balls–of several varieties–with me everywhere.  The wet woodland blend includes seeds of ramps, stoneroot, blue cohosh, and mayflower.  The fields blend includes New England aster, milkweed, pluresy root, echinacea, and stinging nettle (all of these plants are on the United Plant Saver’s list, save stinging nettle and NE Aster; these two I added because we just need more of them around!)

 

A Permablitz

Finally, there is a tremendous amount of power in a group of people, a community, coming together to enact healing work. While this can be done doing ritual, like I described above, it can also be done through the physical work of healing the land.  In permaculture terms, we call this a permablitz, and it’s a way for people to come together and quickly replant, regrow, and tend the land.  I held a number of permablitzes at my own property and also helped many others in blitzes of their own.  The land appreciates this so much, as it provides a counter narrative to the many hands who had worked to destroy a place for their own gains.  These blitzes are generally focused on a restorative approach–perhaps earthworking (like swales) to hold water, almost always some planting or scattering seeds, and other kinds of work.  People want to feel like they are doing something, and blitzes are not only a great way to heal the land but also to help reconnect many with the living earth.

 

Tree in the fall months!

Tree in the fall months!

Concluding Thoughts (for now)!

This series has been going on for quite some months now–I must say, I was surprised by how much I had to say once I started writing.  It took a while to come forth, as some of the subjects were quite difficult to talk about, but I hope this material was useful.  I hope it is useful as you engage in your own land healing work, whether you’ve been doing land healing for a long time, or whether you are new to this process.  I think this the last post, for now, but I expect that this will be a topic I’ll continue to return to from time to time, as I learn new things and grow in new ways.  Thank you for staying with me throughout this journey, and I wish you the best in your own land healing endeavors!  I’d love to hear from you more about your own land healing work, and also, as you use these techniques covered in the nine posts, I would love to hear your thoughts, feedback, and experiences.  Blessings!