The Druid's Garden

Spiritual Journeys in Tending the Land, Permaculture, Wildcrafting, and Regenerative Living

The Tears of the Earth: A Hike on Sólheimajökull Glacier July 21, 2019

Sólheimajökull

Sólheimajökull

It was our final day in Iceland before returning back to the US. We so many great experiences visiting this country of beautiful extremes, but more than anything, what we wanted to see on our last day was a glacier. We talked about it, and decided that we should see a glacier, as we might never be able to see one again. We booked a beginner glacier hike on Sólheimajökull glacier, a hike that took you way up into the glacier.

 

Where the glacier used to be, 2010. Where I am standing and taking the photograph is where it was in mid 2009.

It was a misty and cool day; small droplets of rain pressed against us at the parking lot at the base of the glacier. Before us, the Sólheimajökull glacier loomed, white and black and gray. After getting fitted with safety harnesses, helmets, crampons, and pick axes, our group of twelve set off to the glacier hike. Our guide, who was originally from the Alps and who had been hiking glaciers his whole life, first took us to a sign as we walked along the edge of an enormous lake. He stopped and said, “In 2010, this is where the glacier was. Each year, it gets smaller. In the winter, it stops melting but never regrows. But we’ve still got quite a hike to get to the glacier as you can see.” The sign he showed us had many different numbers with years. Last year, in 2018, the glacier receded more than any other year: 118 meters. And so, we continued our hike, which took about 15 minutes, walking along the edge glacier’s melt pool.  This link offers a video that shows the melting of the Sólheimajökull glacier from the years 2007- 2015.

 

One of the tours they now advertise in Iceland the “kayak the glacier” experience. There is a kind of horseshoe shaped lake that is made when a glacier reaches its largest size and then begins to melt. You’ve seen this shape before on a map: its reflected in the bowl-shaped bottom of Lake Michigan. That bowl shape is created by the melting of a glacier. As a glacier advances, it  moves earth itself, pushing up stone, soil, and bedrock; the powerful edge of it creating a wall of stone. As the glacier recedes, it leaves that wall of stone behind, and as it melts, that stone creates a natural dam, and the bowl-shaped area behind the dam fills with water. Water that tourists can kayak in. Water that is created, in part, by the 2600 miles it took me to fly to Iceland. Water that is, for all intents and purposes, the tears that the earth cries.

 

Icebergs and the melt pool at Sólheimajökull

Icebergs and the melt pool at Sólheimajökull

As I stood at the bottom of the glacier, I realized how small I was in comparison to the massive block of ice. The Sólheimajökull glacier took up all the space, moving into our field of vision, white, black, and sometimes blue, daunting in its appearance. As we got close, you could see the shimmering of the melt water coming off of it, moving into the lake below.  Icebergs, also, floated in the lake–our guide explained that those icebergs crack off the glacier frequently and will likely be gone by the end of the summer.  So much ice.  So much to melt.

 

We carefully put our crampons on our feet and, single file, began our ascent into the glacier.  As soon as we stepped foot on the glacier, my heart grew heavy with sorrow. The most striking feature of the glacier wasn’t the beauty. It wasn’t the black ash from various volcanic activity, or the white and blue ice. The most striking feature was how fast it was melting. Everywhere the glacier was melting. The day we were there, it was around 50 degrees, now a fairly common temperature for Iceland this time of year. And everywhere you looked, the glacier was glistening. Little drips became streams, streams became bigger streams, and eventually, they flowed into quite large rivers, running down the glacier. Standing anywhere on the glacier, you could observe this and watch the ice melt and take milennia of black and gray ash along with it.

 

At one point, our guide stopped and pointed to a mountain quite far off from where we stood. Less than a decade ago, he told us, the glacier reached up to that nearby mountain. Now, that mountain isn’t reachable, the glacier is much lower, and there is a glacial river between us. I stood there and thought about it: that must have been millions of gallons of water in that short time, all melted away into the lake and eventually, ocean nearby.

 

Mountain where Sólheimajökull used to reach

Mountain where Sólheimajökull used to reach

The amount of melting made the Sólheimajökull a bit difficult to traverse. The tour company maintained a trail on the glacier, but it was an ever-moving target. As we hiked, we two people working on the trail on the glacier. They would cut a set of stairs, and then, within an hour or two, the stairs would melt and become dangerous and they’d have to cut new ones. This ever-evolving trail was now just part of the experience of walking on a glacier, as our guide explained.

 

The walk was a walk of extremes. The solid white and blue ice. The black and gray of the volcanic ash becoming unlocked as the glacier melted. One of the folks on our walk asked, “can we tell what volcanic eruption this ash came from?” Our guide said, “No, it all just melts together.” You could be standing on ash and melt from 10,000 years ago or even 100,000. Scientists with specialized equipment drilling core samples could tell, but we could not.  Here is an image of the entire glacier, Myrdalsjokull, from 1986 to September 2014.  The glacier we walked was one “arm” of this larger glacier.  You can see how massive it is, and you can glimpse the volcano that sits beneath.

 

Throughout our week in Iceland, I didn’t get a strong sense that the spirits of the land were welcoming or open to outsiders. Icelanders certainly capitalize on their island’s natural beauty as part of their tourist industry. And while you might enter a lava cave and be told of rooms called “the banquet hall of the elves” or “the troll’s den”,  or, you might see the stone stacks throughout the land that are there to appease the little people, the Icelandic people are not willing to talk about those aspects of their land.  They don’t speak of their relationship to the land spirits with outsiders. And neither do those spirits of the land seem interested in saying hello.  So I spent the week in Iceland not engaged heavily with the spirits of the land; things were just quiet.  Thus, I was certainly surprised when even before I walked up to it, the glacier immediately reached out to me and wanted to convey a message.

 

Meltwater on the Sólheimajökull glacier

Meltwater on the Sólheimajökull glacier

As we climbed Sólheimajökull, I connected deeply with the spirit of place. The glacier itself, and the spirit of the mountain—between two active volcanoes, Katla and Eyjafjallajökull. Sólheimajökull first shared with me its anger, so angry that it was melting away. So angry at humans. I could feel the stress and strain as it spoke to me: to tell people what you have seen here. Tell of how the melting will flood their cities. Speak of the truth you have witnessed. I felt the anger in its voice, the anger radiating out of it, as it knew it was dying.

 

We continued to climb the glacier, witnessing its tragic beauty among the melting ice. Then a second voice emerged from Sólheimajökull, this one of sadness. I am losing myself, the glacier said. I am crying tears for the world. How many people who climb me today will speak of what they have seen? How many will change because of it?  How many have made me cry further just to walk upon me? I cry for us, the glacier said, and I cry for the world.

 

We had to climb over a large crevasse with water rushing through it. Our guide explained that this kind of crevasse was very dangerous and could easily drown you if you fell in.  Eventually this crevasse would literally crack a large chunk of the glacier off into the melt pool. As I navigated the crevice, I heard the glacier speak once again, this time, in despair. What is happening is happening. There is nothing to be done.  Our melting will reshape the world. I have been here for so long, and someday, I will be here again. But in the meantime, my waters will travel far and wide.

 

Upon meditation on this experience after returning home, I realized that I was hearing the many voices of this glacier working through the many stages of grief.  I was experiencing the grief that this sacred place was experiencing, conveying to me, perhaps so I could convey it to you.

 

Crevasse in melting glacier

Crevasse in melting glacier

We got to a high point on the glacier where you could see it continue to rise up for many miles into the mist.  Here the glacier flattened out quite a bit. It was here that our guide swung two pickaxes in the ice to create handholds and let us kneel down on them to drink the fresh glacial melt-water. Pure, cold, refreshing. As I drank the water, thirsty from our climb, I could feel the energy of the glacier. As I drank, the emotions that the glacier was conveying to me welled up within me, overflowing. Anger, fear, sadness, despair, acceptance. All at once, those feelings spread throughout me. As we made our way back down, I simply allowed myself to experience the myriad of complex feelings of this place.

 

The next day, on our flight home, we flew over Greenland and the lower part of the Arctic before landing back in the US. I looked down, out of the window of the plane, and saw so many small chunks of ice participating in their own complex patterns of melting, this time, with nobody to hear or witness up close.

 

Melting ice from the plane

Melting ice from the plane

How much damage did this trip to Iceland cost the earth? That’s the part that has been perhaps the hardest for me to process, as I’ve been thinking about and meditating on this experience. I went on this trip for pleasure. I’ve had little chance to travel, and I wanted to experience new things and visit somewhere completely different. But my very engagement with this glacier, my presence there, was part of why it was melting. Sure, you can say, but Dana, you can always offset your carbon for this. And yes, I always do offset my carbon from travel at the end of the year (most of it work related). But does that  offset matter? In the end, I chose to engage in an activity that speeded the melting of this sacred place.helped this glacier melt. One article, I read recently suggested that each trans-Atlantic flight, like the one I took, melts about 30 square feet of Arctic sea ice.  So for myself, my round trip contributed to 60 square feet of ice melted in the Arctic.

 

Just like the glacier, I’m full of a myriad of complex emotions. I’m glad to have this experience. I’m saddened by it. I recognize my own part in this.  I feel sorrow and anger and acceptance. We are all on the front lines of climate change, the 6th extinction happening, the age of the Anthropocene.  Every one of us is living in a time where we are aware of the problem, many of us trying to do something about it. At the same time, by participating in modern life, we can’t help but contributing to it.  This is the great Catch-22 of our age.  To see the glacier is to destroy the glacier.  To use fossil fuels necessary for modern life is to burn them.  How can I afford solar panels for my home without commuting to work each day in a fossil fuel powered vehicle?  The glacier weeps as I write.

 

But the other thing that this lesson has powerfully taught me is the power of experience. How many people, in seeing that melting glacier could really deny the truth of climate change? How could it be denied that these things are happening, powerfully and directly, before our very eyes?  This experience has changed me. I “knew” about the glaciers melting before.  Knew as in I intellectually engaged in an understanding about the fact that glaciers worldwide were melting. But it was not till I stood upon one, till I connected with the spirit of that place, and until I confronted my own contribution to that melting, could I really have wisdom surrounding it.

 

The glacier

The glacier

As I write these words, I’m attempting to convey some of that wisdom, that direct experience, but my words cannot have the impact of that weeping glacier. Book knowledge is what we engage with intellectually and logically, what we read or hear in order to better understand something. Book knowledge is mitigated by human language, words on paper or spoken aloud. These words, as I write them, are read by your eyes and processed by your brain. But they are a pale representation for the experience of standing there, of seeing the glacier weep, drinking its meltwater, and feeling its pain. But I’ve done my best, dear reader, and I hope it gives you a small piece into this experience and into that of one melting glacier. Can we find these same kinds of changes in our own ecosystems, and use them as local teaching tools? Perhaps we can, and perhaps that’s a message I can leave you with today.

 

PS:  I’m excited to announce that I just signed my first book contract a few weeks ago!  Because of this, I will be taking a few weeks off of blogging so that I can prepare my manuscript to submit to the publisher (which is quite a bit of work).  I’ll keep you updated on the progress, release date, etc.  Thanks for your understanding!

 

Druidry for the 21st Century: Plant-Based Spiritual Supplies and Global Demand March 24, 2019

Can you even imagine druidry without plants or trees?  Plants and trees are some of our strongest allies for the work that we do, and are often connected to almost everything that we do spiritually. Plant spirits are teachers, guides, and allies.  From before we had recorded history in any culture, the plant spirits were there, growing with us, guiding us, healing us, and supporting us on our journey. Today’s modern druid practice continues that tradition: we burn plants for smoke cleansing, clearing, and helping to energize spaces. We use trees as part of divination and sacred rites. We use plants as healers, for magical healing and physical healing, and to connect with on deep levels.  Plants have long been friends of humans–and have long walked beside us, hand in hand, as we do our sacred work.  And today, we’ll explore ways we can offer that same kind of honor, respect, and nurturing in return–on both a local and global scale, given that we are in the age of the Anthropocene.  For other posts in this series, please see Druidry for the 21st Century, Druidry in the Anthropocene, and Psychopoming the Anthropocene.

 

In the age of the Anthropocene, given the strain on many ecosystems and species, it is necessary to be an “ethical” consumer–both reducing overall consumption, and when it is necessary to buy, knowing where our goods come from, who makes them and in what conditions, and what we are really supporting. This behavior, in turn, helps certain ethical products and companies succeed and creates less demand for unethical and damaging products. In the progressive circles, the idea of “voting with your dollars” comes to mind.  We see this movement in food (local eating), clothing, electronics, and many more kinds of goods. There are good, bad, and ugly choices out there, and making ethical choices helps promote better livelihoods and protects ecosystems.

 

Ginseng my family grew

Ginseng my family grew

With over half of the world’s species in serious decline, threatened, or endangered, I don’t think we can simply enjoy using whatever we find in the local pagan shop (even if we want to support that shop!). When you walk into one of these shops, or start browsing online, you can find literally thousands of places that are selling palo santo, white sage, sandalwood, and many other critically endangered plants.  These plants are critically endangered because of their overuse, particularly by people who are far disconnected from their growth, harvest, and ecosystems. I’d like to suggest that we take the wisdom of the “ethical consumer” movement and apply it to the purchasing spiritual materials.  This is particularly important for druidry and neopaganism, where it isn’t just about the physical, but also, the spirit. Ethical plant use, where we know where the plant comes from, how much of it remains, and how our own choice of using this plant is a necessary part. While I’m focusing on plants today, I want to add that this really applies to any goods we may use as part of our spiritual practice from two angles: the physical and spirit.

 

The Physical: Land, livelihood, Indigenous Practice, and Ecosystems

I already grow and use a lot of my own herbs for spiritual and medicinal purposes, but occasionally, still enjoy the choice rare ingredient that I purchase or that is given to me as a gift. For example, the other night, I was burning a piece of Palo Santo that a friend had given me as a birthday gift and got the distinct question, “do you even know me?”  The answer was, shamefully, no, I did not.  So I started to research it, I found a host of material that suggests that the ethics of Palo Santo are all about the sourcing:  it can be harvested ethically and be used to support native peoples and ecosystems, or it can be stripped bare.  In holding my own piece of Palo Santo wood, I realized I couldn’t answer the important questions: where did this come from? How was it harvested? Who harvested it?  Who profited from it? A few days later, after doing some research, I saw a post shared by a friend on social media.  This post came from a woman native to Colombia who said that Palo Santo was being stripped from her forests, and begging people to stop using it.

 

Palo Santo is hardly unique in this respect–there are so many plants that are now in global demand due to their uses for medicine or spiritual purposes. The work of Kelly Ablard is useful here.  Her website details information on essential oil plants and their conservation status. As she describes, as global demand for certain plants rise, the plants become so lucrative that are over-harvested and can be poached, reducing biodiversity and threatening local people’s traditions and livelihoods.  As the link I shared in the last paragraph about Palo Santo harvesting suggests, in purchasing plants for spiritual supplies, you can make choices that encourage biodiversity, enhance people’s livelihoods, and support life.  Or you can make unknown choices, which are almost *always* the bad ones.  Knowledge of sourcing is critically important.

 

I have witnessed the vicious cycle of over harvesting driven by global demand firsthand here in the Appalachians, such as the case of wild ginseng. When I was a child, my grandfather used to come back with beautiful wild ginseng roots, and we would brew up ginseng tea and enjoy it as a special treat.  I remember those roots–the look of them, the feel of them, the energy of them.  He would only every bring back a small amount, as he was tending his wild patch long-term so that, as he told me once, “my grandkids will be able to harvest this as I did.”  However, the patch was stripped bare by ginseng wildharvesters (I call them poachers) ages ago–every last root was taken.  A good quality dried American Ginseng root, wildharvested, currently goes for between $500-$800 a dried pound, and there are many ginseng dealers that will pay top dollar for anyone who can deliver.  They don’t care where it comes from, only what they can make from it (and the demand for ginseng is growing). So what happens is that people–usually poor people, out of work due to our poor economy–literally scour our mountains for Ginseng, Black Cohosh, Reishi, and other in-demand medicinal plants–and when they find them, they harvest all they can. Over the years, I have covered thousands of miles of forests, nearly all of them here in the Appalachians.  And I’ve never seen a single wild ginseng plant.   The demand for ginseng is primarily from China–a far off place wanting to pay top dollar for high quality ginseng.  Chinese people buying American ginseng have no idea what it is doing to the  wild ginseng populations here.  And so locals here don’t even get to see the plant, much less, build a relationship with it–it is no longer part of our forest ecology. That same story can be told about many, many of these in demand sacred plants–and I think its useful to see that this overharvest problem can happen anywhere, even in “developed” nations like the US. (In the case of ginseng, I will also note that a new forest-grown initiative is helping change the way ginseng is harvested, which is great–but not enough to restore wild populations).

 

Sacred cedar

Sacred cedar

The “Wildharvest” label is fraught with problems. I have spoken to a lot of people in teaching herbalism classes who think it’s better if its wildharvested. I say, “better for who?”  Certainly not better for the plant population!  Wild harvesters who are harvesting for profit have a wide range of practices and ethics. You have no idea what the total population of the plant is, you have no idea how many different wildharvesters came through an area, or how many they take.  A farm, on the other hand, is growing and harvesting there for the long-term, harvesting each year and conserving populations.  Here, most of our wild harvesters looking for ginseng are folks that are out of work and pretty desperate for cash, particularly because of the long decline of the rust belt economy.

 

Knowing which plants are of particularly concern and how they are harvested is also an important part of this process. One good source of information on some plants in North America is the United Plant Savers; just this year, White Sage was added to their list due to wildharvesting and overharvesting.  Ablard’s notes critically endangered plants by region. These include Palo Santo (Peru), Juniper Berry (from Morocco), Sandalwood (Timor Leste), Spikenard, and Agarwood. Her lists also include sweet almond, olive, cedar, elm, and sassafras (in certain locations), and Eastern Hemlock here in the USA.  A lot of plants that are endangered are “whole plant” harvests; ginseng being a good example–if harvesting wood or roots, or all of the aerial parts of a plant, what is left of that plant afterwards?

 

The other piece of this is cultural appropriation. While smoke cleansing (what are commonly called smudging or smudging ceremonies) of all kind are used widely in global traditions (such as this delightful German practice that Christian Brunner describes on his blog) the use of particular plants for smoke cleansing is tied to certain indigenous practices.  White sage has been in the spotlight recently as one such plant. Increased demand for white sage use are driving up the prices of white sage, and reducing native access to wild white sage (due to commercial wildharvesting), and putting white sage plants themselves at risk. Even the term “smudging” is coming under question as a term that appropriates a native practice; see this perspective shared here. I think the key takeaway here is that some of these plants are tied to indigenous traditions, and should be respected as such, particularly when it comes to specific ceremonies and/or wild populations under use by indigenous peoples.

 

In the end, the questions I keep coming back to are: Is it right or ethical that we use these plants to the point of their extinction? Is it right to create such demand for plants that native peoples who depend on them for spiritual practices and cannot find them to use?  Can we find a better way?  These are important questions, but just as important are the spiritual implication of sourcing of plant material.

 

Spiritual: Energy, Honoring, and Connections

Even if we put every physical consideration aside, there is still the matter of spirit–honoring the spirit of the plant, working with the spirit of the plant, and connecting to the spirit of the plant.  Attending to our connection and relationship with the spirit of a specific plant we are using spiritually matters if we want our spiritual practices to have effect.  Sure, I could wave some rosemary and sage around to “clear” my room before doing a ritual, but if my relationship with sage is one rooted in blind consumption, and not connection, is that sage really going to want to support my efforts? What energy tied to the plant’s harvest and sale, is being brought in at the same time?  The way in which the plant was obtained has a direct relationship with the connection–and depth of connection–I am able to have with the plant.  If I purchase a plant from an unknown source, I am bringing all of the energy of that source into my spiritual practice.  Who harvested it, how it was harvested, how it was handled, how it was sold, how it was transported–and in the case of poaching and overharvesting, that may be energy I very much do not want to have in my life.  What was that plant’s life–and harvest–like?  Was it done respectfully? Was it done in a sacred manner?  If not, do I even have any hope of connecting with it spiritually? These questions are critical in developing spiritual practices surrounding plant use.

 

Anytime we use a plant as part of our sacred practices, we are building relationships with that plant.  Plants work physically and spiritually, but for many of the deeper spiritual uses, they really do require a deep connection.  For example, many herbalists, understand and quietly share about entheogenic properties of Calamus (Sweet flag). You can’t get there with a single huge dose of Calamus. You have to connect with the spirit of the Calamus, build a relationship with it over a long period of time.  As part of this, you have to work with the plant, tend it, plant it, spend time with it, meditate with it, and ethically and respectfully harvest it. At some point, sometimes years or decades later, Calamus open you up for visions and experiences. This isn’t something you can buy or purchase or force to happen–it is something you cultivate over time.  Calamus offers you a process of initiation–and it must be done with the utmost respect and patience.

 

The need to cultivate deep relationships to really “know” a plant and use it for good spiritual effect is necessary for  every plant we might work with spiritually.  Each plant offers us an initiation into its own mysteries, teachings, and magic; and having those initiations will allow you to use the plant to its full magical or spiritual effect.  However, we have to build that relationship.  It’s hard to build a relationship with a plant that has had suffering, death, and pain as part of its sourcing. In the case of some plants, sure, you can use them spiritually, but you aren’t ever going to breach that barrier into deeper work if these other concerns are present.  I can burn my piece of Palo Santo, and it smells nice and produces a calming energy.  But that experience is very surface.  But under no circumstances, could I ever build a deep relationship with that particular wood, given the conditions under which it was harvested and the energy that it now carries with it.

 

Ethical Plant Use in the Anthropocene: Purchasing, Growing,  and Wildharvesting

 

Given the above, I’d like to advocate for the key practice of ethical plant use in druidry and other neo-pagan paths.  By the term “ethics,” I draw upon permaculture‘s three ethics of people care, earth care, and fair share.  People Care encourages us to think about the sourcing of the plant (if you are not growing it yourself) and how the harvest of this plant is tied to local communities and local labor.  Earth Care asks us to consider how the harvest of this plant may have affected the plant and plant species itself as well as the broader ecosystem where the plant grows. Fair Share  asks us to take only what we need of the plant, and certainly, to make sure this plant is available to indigenous peoples who might depend upon it–fair share can take place both on and individual level or a cultural level. Now let’s consider a range of alternative practices to simply “consuming” plants.

White spruce resin, locally harvested from my land

White spruce resin, locally harvested from my land

 

Substitutions: Yes, palo santo, frankincense, sandalwood, and so on smell amazing–but do I really  need these specific plants? Can I instead use local plants that are growing in your own ecosystem, or even backyard? For example, I brought back a small amount of Frankincense when I visited Oman a few years ago and have been slowly using it, but learning what I have about Frankincense and the disappearing frankincense trees, I will not purchase any more.  Frankincense cannot be cultivated commercially, and overharvesing is killing trees–and will severely impact cultures that depend on it as part of their cultural and religious traditions.  I have already replaced Frankincense  with locally harvested white pine resin, which has a similar smell and similar energetic qualities–and which I can harvest myself, thus, cultivating a deeper relationship with white pine and my local bioregion.

 

Ethical Purchasing: Earth Care, People Care, and Fair Share. Purchasing is still on the table, but it should be done with ethics in mind.  Some purchases are very good, and can support initiatives that help honor the plant and build livelihoods and ecosystems for local peoples. If you are buying locally or online, before you buy, ask some good questions to ensure an ethical and sustainable harvest.

The questions I like to ask before purchasing are:

  • Where does this plant come from?  (Look for places engaged in sustainable harvesting, like this example from Fair Trade Frankincense)
  • How is this plant harvested? (Learn about your plant. Root or wood harvests are most damaging, and can often kill the plant, but other harvests, like leaf or resin, may also be extremely damaging, particularly if they harm the plant or prevent it from going to seed.)
  • Who harvested this plant? Under what conditions? (How are individuals, cultures, and communities impacted by this harvest?  Be skeptical of a “wildharvest” label, recognizing the lack of oversight for many wildharvesting operations.)
  • Who is profiting from this plant?

If purchasing locally, if the shop owner can’t tell you the answers (especially to the first three questions below), perhaps encourage that person to consider a different source.  If buying online, you can ask the same information if it is not available.  For Palo Santo, for example, Mountain Rose Herbs describes exactly where they get their Palo Santo and their conservation efforts. If I wanted more Palo Santo and it was very important to my practice, I’d want to get it from this kind of source–where I am not only supporting a local farm in Equador, but also supporting the replanting of Palo Santo trees.  To me, this is critical–a good purchase can do a lot of good and support people care, earth care, and fair share.

 

Ethical Growing: The easiest way to manage a population and cultivate deep relationships is to grow it yourself, if you can. For example, I never buy white sage, but I love the smell and I do like to use it as part of certain incense blends that I make and use regularly.  Thus, I grow it myself, and try to let some of my plants to go seed so that I can sustainably grow it in the future.  Even if you don’t have land to grow large amounts of plants on, you can still grow a number of your own magical herbs.  In fact, many garden herbs are potentate magical allies and readily available for purchase in the spring.  A pot of rosemary, sage, white sage, bay laurel, thyme, or lavender would all be a very useful culinary, magical, and medicinal ally–and you build your relationship considerably with each time you tend the plant.  You can also grow many things outdoors, if you have the space.

 

Ethical Wildharvesting: Some plants, and trees, are harder to grow in pots in your windowsill or garden but certainly can be wildharvested ethically, taking only what you need, helping populations grow by spreading seeds, and tending the land that supports the plants.  I like to wildharvest plants on private lands (asking landowners, developing relationships with them) so that I know exactly how many people are harvesting there and how much is being taken.  Harvesting on public lands presents a much larger problem because even if you take only a little, you are never sure how much is being taken by others (hence, my ginseng example above).  For more on tree incenses and resins you can harvest from North America based on my own research, see this post.  For more on how to create wildharveted and home-grown smudge sticks for smoke cleansing, see here and here.  For more on how to learn foraging and wildharvesting, see my series here and here.

 

I hope this has been a helpful way of thinking about how to respond to the Anthropocene–it might seem like a small piece of the larger puzzle, but it is a piece we have a lot of direct control over. For these populations of plants, communities, and ecosystems, making ethical choices, reducing our demand, and practicing people care, earth care, and fair share may make all the difference.

 

Druidry for the 21st Century: Psychopomping the Anthropocene February 24, 2019

As an animist druid, I recognize the spirit of all beings.  I honor and interact with the spirits in the land, in the trees, in the animals and birds, in the insects, in the rivers, in the mountains. Animals die, plants die, insects die. Their spirits live on.  In the Anthropocene, even mountains die, they are removed for mining activities all along the Appalachians and in many other places.  Rivers die, and have been dying for centuries as we fill them with refuse. In the Anthropocene, many things die. What happens to that mountain’s spirit when the mountain is gone? What is happening now to the millions of non-human lives that are dying because of human activity? That’s the question we focus on today–as part of my druidry for the 21st century series.  Earlier posts in this series include Druidry for the 21st Century and Druidry in the age of the Anthropocene.

 

As I shared in last week’s post, non-human life is dying at an incredibly alarming rate at this very moment–with almost 50% of all animal life dying in the last 50 years. One article discusses that while extinction is a natural process, extinction rates and die off rates are currently between 1,000 and 10,000 times higher. I think a good resource for this is to look at IUCN’s red list and see the 26,500 species threatened with extinction–these are species regularly losing regular numbers. Unfortunately, humanity’s actions continue to cause the death of so many species and so many individual lives, and given models and projections, it is expected to get much worse in the next decades. The mass amounts of death and extinction of non-human lives are not “natural”; they are directly the result of human activity.  This makes humans, collectively and individually, responsible.  Not just for the actions that cause such death, but also, I would argue, for what happens to those spirits when they die.

 

The journey into spirit

The journey into spirit

Death is an inevitable part of life. Death is another journey, and some of us are called or choose to help spirits along that journey.  This work has many names, one of the most common being called “psychopomp” work. Psychopomp derives from the from Greek words “pompos” which means “guide  or “connector” and psyche which can be translated as “mind soul, life, or breath.” A psychopomp, then, is a guide of souls. Other names I have heard for this work include death midwifery, soul midwifery, deathwalking, death shamanism, to name a few.  Regardless of the term, this work has been a regular part of the healing, magical, and spiritual arts in nearly all cultures across the ages.  Many cultures recognize that humans with certain sets of skills do this work (such as a shaman or other religious leader), as do non-humans (deities, animal spirits, angels, and other such beings). In fact, it is very likely that this was work done by the Ovates in the time of the ancient druids, for they were described by various classical writers as working with spirits and the dead, along with herbalism, divination, and other kinds of healing arts.  They were also described by classical writes as “mastering the language of nature” which I believe comes into play into this kind of present 21st century ovate work.

 

This sacred practice of helping spirits pass is largely forgotten in mainstream consumerist life, however, it is still quietly practiced in many earth-centered, pagan, and new age spiritual traditions. Every person I have ever met who does this work does it for human souls. Human souls, of course, may often (but not always) need help crossing over. Humans are complicated, and when we die, our deaths may be complicated too. Many human get lost on their way across the veil. They may get stuck, they may die unexpectedly and need to process their death, they may have unfinished business that prevents them from leaving, and/or they often need assistance to find their path. Psychopomps are the shining beacons in that confusion, helping a wayward soul find his or her path to the next part of their journey.

 

But today, I’m not here to talk about human souls. You can learn about that kind of psychopomp work from many other sources. Today, I’m here to talk about non-human souls and the work we can do given this time, this age, and the present conditions.  I will also note that the rest of this post is entirely from my own experience, from the many years I’ve been quietly doing this work.  You can agree, disagree, or share your own experience–and I hope this blog can be a space for us to talk about it.

 

The cycle of life and death of animals, plants, insects, amphibians, reptiles, birds, fish, etc, has been going on as long as life in some form has existed on this planet.  Spirits of the land know how to handle their own deaths, and human psycopomps would not typically interact in that way in regular circumstances.  Think about a death in a forest: if an animal or plant dies, within a few days (or in the case of a tree, a few years) those nutrients are completely cycled back into the ecosystem.  I have always gotten the sense that this same process takes place on the level of spirit as well—the land cycls her own.

 

However, because we are in another extinction-level event, where the whole world is threatened, whatever happens typically to non-human souls is simply not enough. In the last few decades in particular, and with increasing frequency, a much larger number of souls began departing, with some of them being the very last of their kind.  Some non-human souls who pass are exhibiting many of the same characteristics that human souls who pass often exhibit: anger, confusion, being lost, being stuck, not wanting to go.  I don’t get the sense that this is “normal”, but rather, this is a product of the anthropocene. If a typical cycle of life and death is a gentle forest stream, right now, the stream is massively flooded well beyond its banks, causing erosion and destruction, and this spillage needs some attention. I think another way of framing what is happening is that spirits of these various species are experiencing new phenomena, a phenomena that their own natural paths and natural cycles are not adapted to. Anything can adapt over a long period of time; that is the nature of evolution.  But it is hard to adapt–for any species or spirit–to such frequent and intense change, the kinds of changes driven by relentless human activity in the Anthropocene.  And that is where the trouble seems to lie.

 

Trees

Trees

Before I get into some of the specific practices I’m going to suggest today for actual psychopomp work, I want to start by saying that each person has different spiritual gifts (a topic I explored before in this blog) and not everyone has the gift of spirit communication (although you can learn to do this over time).  The work I describe below is fairly advanced.  It requires you to have extremely good protection, practiced ways of spiritually cleansing yourself, a solid mental state (do not try this if you are mentally unbalanced, depressed, etc), and excellent self-cares trategies. It also requires you to have basic plant spirit communication and journeying skills.  Finally, it requires inner contacts (guides, deities, spirits, plant spirits, animal spirits, etc) who will partner with you for this work; it is very necessary to have individuals on both sides.  This is a list of some of the many deities and guides that do this work; it might be that you are already connected to someone. Some people find themselves drawn to this work intuitively, and for others, they may seek out training, books, teachers and other such resources.  I think like anything else, it is a skill you can learn to do, and do well, if you dedicate yourself to it. There are plenty of options out there to learn, and I can share some of the best.  I can also direct you to some of the basic skills that you need to do this work: spirit communication and journeying skills being most central. This page provides a good list of books for more information, for those who want to read more and understand.  I also want to stress that this work is not for everyone: there are many other kinds of work we can do in the Anthropocene. I think each of us should do something, but that something should be tied to our gifts and own journey.

 

So to get into the psychopomp work, I’m going to share a few examples to help illustrate some of what I understand to be the basic principles. Again, these are my own experiences; yours may be very different (and if you feel led to share, please do so in the comments–sharing is important at this stage, as we can build our knowledge and help the land in this way).

 

I remember the year the Christmas trees came.  Thousands of them, just after the holiday rush was over. They waited for me, patiently, planting themselves all over my property. I went out and walked among them. They wanted to understand why they had been cut and left to die. These trees, I realized, had never found themselves in the center of the family home and hearth adorned with gifts. Or if they had, once their use was over, they were unceremoniously thrown on the curb without so much as a thanks. They wanted to understand, needed to understand, what had happened and why.  Their whole lives–and deaths–were wrapped up in a cycle they did not understand, and they had to understand it in order to pass. I thought it was a fair question.  And so I showed them; I talked to them about humans and human life today. I invited representatives to join me for a few days in the world, to see how humans think and what they do, and I shared a human perspective. The representatives asked questions, and eventually, they were satisfied. They understood, after seeing me interact with humans and with my translation and explanations, that humans didn’t realize they had spirits. That humans didn’t realize that they were anything other than objects.  I apologized on behalf of all humans who did not understand. This seemed to appease them. When I felt the time was right, about two weeks after they arrived, I opened up a sacred grove in my outdoor grove.  I built a fire and, with the aid of my own spirit guides, helped open a gateway for them to pass. They went through it, one at a time.  It took a very, very long time.  Finally, they were all through.  Afterwards, I got the sense that that work was done, and now, others could pass.  Not through that specific gateway, which we closed at the end of the ceremony, but through their own means. Afterwards, I also did extensive cleansing and self-care; as the energies of the dead are not to be worked with lightly.

 

I’ve always been connected deeply with trees, and have long done this kind of work for forests who were logged. One forest, however, in particular stands out. It was a section of forest that I had spent time in; it was a wild place that, when I was a child, I would often go into with my parents. Maybe eight years ago now, the township decided that their industrial park was going right in the middle of that beautiful forest. They cleared giant swaths of it, put in infrastructure, and there, it sat.  Empty. I drove through it soon after it happened, and I felt such incredible sorrow, such loss, such anger and frustration. The spirits of the trees, of that land, of the animals who died, of insects whose lives were over, crowded up around me and demanded to understand why this had been done. Again, I asked them to choose a representative, which ended up being a spirit of a red maple. First, I sat in the forest for a long time, observing, singing to them, simply honoring them and letting them know that I was there, I was not alone (I describe many such practices in my earlier land healing series in the work of witnessing and apology). I walked along that recently cut land, and I found a piece of wood that had been cut, part of a stump.  I took it with me, along with some other materials, and made them into a piece of art honoring that forest. The artwork and use of the wood in a spiritual way seemed to appease the spirits. But, they still had questions.  Their representative went with me, learned what he needed to learn, and then we returned together to that place.  I did a ceremony for them (similar to the one I described above) and helped them move on.  After that, when I passed other logged sites near there, I got the sense that the spirits were once again taking care of their own work in those kinds of cases.  I was welcome to help, but I wasn’t necessary for me to do the deep work I did with this forest.

 

Former life....

Former life….

On one otherwise ordinary work day when I was working from home, I suddenly sensed a very angry presence. Opening up my spiritual eyes, I saw an entire tribe of lions.  They were angry, they were thrashing about. They could see me, and I could see them.  As their eyes bored into me, I felt almost like prey.  They demanded answers, and they were going to get them. I set my work aside, and told them I would speak with them, but only if they backed off and calmed down.  They left, and I thought that was that, that since I wasn’t feeding into their anger, they were going to go somewhere else.  But, a few hours later, they were back. I asked them about who they were, where they had come from.  They had been poached, they were the last of their tribe in any land as far as they were aware.  I simply listened,  acknowledged their hurt, and apologized for their suffering and deaths. As is the way of things, I invited a representative to come with me for a few days, to better understand the way that humans lived. To see. To understand.  In time, they were satisfied.  I did a similar ceremony to those I had done before: opening up a sacred grove, making an offering, inviting any final conversation, working with my guides to open up a gateway, inviting the spirits to pass through the gateway, and then carefully closing the gateway and space.  Again, afterwards, I did lots of spiritual self care, cleansing.

 

After a number of these experiences, I realized I needed a permanent space on my land where I could properly honor these spirits.  So I did that–creating a shrine that I used to “honor the fallen” and as any spirit interacted with me in this way, I would put a representation of them on the shrine.  When I moved to new land, I took a stone with me from that shrine and took the rest deep into the woods, to lay at peace.  The stone is now the start of my new shrine on our new land here.  I do not photograph these shrines out of respect for the dead, but they are like many others I’ve talked about on this blog: full of natural things and regularly honored. This shrine helps me honor them, to hold them in my memory.  I wrote about them, researched them, and told them that while I lived, they would not be forgotten.  With these words I write, this holds even more true, because they now live in more than just me, they live in you.

 

The Ovate Psychopomp

These examples are fairly consistent with my larger practices surrounding what I now understand to be some of the Ovate work of the Anthropocene, at least from my own perspective and experience.  So what is the nature of this work? We’ll now explore it from two perspectives: first, what I call “prerequisites”, i.e. the things you need to bring to the table to do the work.  And second, the things you do surrounding the work itself.

Prerequisites

The first prerequisite is being open to working in this way.  You have to be willing to see, be willing to acknowledge, and spend the necessary time and energy to do this work. If you aren’t open to it, they are never going to come to you, or you aren’t going to do them justice.  Some people probably read this and know this work isn’t for them, and to that I say, good!  I’m sure some other work is out there that is better well suited for you–like physically regenerating the land, teaching humans to honor nature, fighting to protect forests, fighting for environmental rights, etc.

 

Second, as I mentioned above, it requires some advanced gifts and skills: spirit communication, spirit sight, and solid practices surrounding protection and self-care.  It might be that you aren’t ready to do this till you’ve been walking the path for a number of years–and that’s ok.  I don’t recommend that any new person take this on.

 

Third, you must have guides, spirits, and/or deities working with you.  You need to have those you can trust in the spirit world for this kind of work; both for your own safety but also because this work seems to require it as a balance.  You are helping a spirit move from corporeal life to non-corporeal life, and that requires both someone who is corporeal and someone who is not to do it properly.

 

 

Cultivating connection

Cultivating connection

Fourth, you have to find balance and practice good self care and spiritual cleansing. This is true for everything we do, but especially true for this kind of deep work.  The energies of the dead are not good for the living long term (and if you’ve ever tended a dying person, you’ll know exactly what I mean).  I don’t do this work every day; I do it as necessary, and as individuals or groups of spirits come to me.  I can always refuse to do it if I don’t think I’m in the right state of mind–which I have done more than once.  Don’t let the dead stay near you for long periods of time.  They must pass, and you must find your way into self care and balance and embrace the energies of life.

 

Fifth, you will always have the gratitude of the spirits who pass, however, understand that this is quiet work.  Its work you do on your own, that you don’t typically talk about, and other humans have no idea.  That’s ok, the work isn’t for them.  But if you are someone who needs regular validation from human others, this is probably not for you.  This work is never about you.

 

Finally, a lot of people who I’ve spoken with who have gotten into this work one way or another had almost had some close experience with death, some way that helps them better understand it.  These experiences may have been having a very special person (human or otherwise) die, tending a dying relative, having a brush with death themselves.  Its not always the case, but does seem to be something that a lot of folks have.  I think that experience opens up something within you that then can be used to help others.

 

The Work Itself

Given the above, we now turn to some of the core aspects of psychopomping in the Anthropocene, as I understand it.  They are:

 

One, being open.  If you are doing this work regularly, somehow, the spirits sense it, and somehow they know. Its like you have an “open for business” sign up on the astral plane. Even if it’s just a self acknowledgement that you are willing to do this work, they will come once you are open.

 

Second, being ready to do the work of apology. Humans all over this planet are doing awful things and are causing the genocide of many, many lives and species. Why would these spirits of the recently departed trust a human?  Because you are acknowledging what is happening, you are compassionate, you can offer them perspective, and most of all–you can offer them a true and heartfelt apology.  Acknowledgement and an apology is all that many need to move on.

 

Third, being ready to explain things from a human perspective. This seems to be very, very helpful for many spirits who are dying in the age of the Anthropocene. They want to know why things are happening, and their minds cannot understand human behavior without your help.  And so my basic strategy is to let them tag along for a few days as I’m out and about in the world, explaining to them what they see, answering their questions. This has always led to success, at least in those I’ve interacted with.

 

Fourth, ritually helping them move on, if they need you to (often, I offer, and not all of them accept or need me to help).  I have my specific techniques, which I have shared above through stories, and which I do in the context of druidry.  Some of my techniques are unique to me, some of them would likely work for others. I would suggest learning what will work for you directly from a spirit, guide, or deity that you work with who is on the other side.  For me, I use music, fire, natural gateways, and other such things to help them pass.  These techniques were all taught to me by spirit, so I don’t know how translatable they are to others.

 

Finally, practicing extreme self care. This is not easy work; it can be rewarding but also very draining.  You have to take care of yourself, you can’t do too much of it, and you need to make sure to spiritually cleanse carefully after doing anything like this.  I like to do a herbal vinegar bath: I take a few tablespoons of infused herbal vinegar and add it to my bath and scrub myself all over.  I infuse it with plants that are significant to me personally and that are personal plant allies.  For a general blend, I would suggest sage, mugwort, rosemary, bay, lemon balm, and/or hawthorn.  You can simply throw handfuls of dried herbs into a quart jar, fill it with vinegar, and then have it available when you need a cleansing bath.  In addition to the bath, make sure you take time to do what fulfills you most–and let nature heal you!  For me, spending a lot of time gardening (working with the energies of life), being in healed and whole natural places, and working in my art studio are the ways I heal from this work.

 

There’s a lot here to process, and I hope it is of use to some of you who feel led to do this work.  I never thought I would write this post or talk about this in such a public way, but spirit said otherwise! If you are doing this work, please share if you are willing; I’d very much want to hear others’ experiences.  If you aren’t doing this yet but would like to, feel free to reach out!

 

A Seed Starting Ritual for Nourishment, Connection, and Relationship February 10, 2019

All of the potential and possibility of the world is present in a single seed.  That seed has the ability to grow, to flourish, to produce fruit and flowers, to offer nutrition, magic, and strength.  Seed starting offers us a chance to connect deeply with the seeds we plant, and to , from the very beginning, establish and maintain sacred relationships with our plant allies. Seed starting is a truely magical druidic practice, and in today’s post, I want to talk a bit about the magic of seed staring and share a simple ritual that you can do to bless your seeds as you plant them. Some of my earlier posts on seed starting can be found here (a general philosophy of seeds from a druidic perspective) and here (recycled materials for seed starting).

 

Seeds coming up!

Seeds coming up!

One of the most important parts of a druid practice, in my opinion, is integrating sacred activities into everyday life. I think working to live our regular lives in a sacred manner is one of the ways we can stay balanced, happy, and connected in an otherwise unbalanced world.  But I also think that this is part of what living druidry is all about–finding sacred moments, sharing them, understanding that each moment can have its own kind of sacredness. This is important in each aspect of our lives, but certainly, in activities that tie us directly to other kinds of life and allow us to interact with other cycles of life.  To me, there is nothing more sacred than starting seeds. And while this may be considered a “mundane” activity to some, to me, it is an incredibly sacred one. Because the seeds we will start are such a blessing to so many, and are part of the sacred cycle of nature, I think its critical to honor them and support them on the journey that they will take from seed to harvest.

 

Connection, Nourishment, and Relationships: What Seeds Offer

This is the time of year for starting seeds. Right now, we are just over 14 weeks out from our last frost date, and the first of our seeds are being started this upcoming week on the full moon, these include our greenhouse seeds (kale, lettuce, spinach, arugula), our alliums, and some slow-growing herbs (rosemary, lavender, white sage). These seeds will feed us, nourish us, and in the case of the white sage, rosemary, and lavender, also be used for sacred offering blends, smudge stick making, rituals here on our land, and other sacred activities surrounding our druid practices.

 

Last year, the white sage and lavender we grew from seed ended up being shared with members of the grove and other friends, mostly in the form of incenses and smudges.  It continues to be offered in our rituals, both individual and grove.  Last year, the vegetables we grew ended up with over 10 families, as well as in our bellies and the bellies of our animals here on the land. So part of the magic of starting these particular seeds is the magic of community, togetherness, and sharing.  I think that happens a lot when we grow things–we end up sharing the abundance.  The plants give and give to us, and it is only right that we give back to them.  One of the ways we can give back is do rituals that offer them the same thing they offer us: physical nourishment and metaphysical energy.

 

Alium going to seed, Summer 2013

Allium going to seed, Summer 2013

 

But there’s another piece of this too–seed starting is about relationships: establishing relationship with new lines of seeds, or, maintaining relationships with saved seed over a period of time.  Some of these seeds we are starting this week are brand new to me and have entered my life for the first time.  That is, we purchased them from organic seed companies or small sellers. These seeds should be welcomed and honored as friends.  But some of these seeds have been with me for a long time.  One of the alliums I am planing, a Long Red Florence onion, has been with me quite a while.  In fact, if you are a long-term reader of this blog, this isn’t the first time I’ve shown the photo to the right.  I began planting this seed in 2012, and I am planting the seeds of this particular onion’s offspring today.  A seed planting ritual, then, should also connect you deeply with the plants–both those who are brand new, and those who you have cultivated relationships with over time.  And so, a good seed starting ritual should be about establishing and maintaining relationships.

 

Relationships with perennials and annuals are a bit different, and I want to talk about that difference briefly here, as it has very direct relevance on the rituals I’ll share today.  Annuals, in a lot of cases, particularly in cultivated varieties that are not native or naturalized to your region, depend on you for continuing to grow.  It is rare for a lot of plants to come back (or they will come back at the wrong time, like a rotted tomato that dropped to the ground and then starts sending up babies from the sprouts 2 weeks before frost!)  These plants, due to their long cultivation by humans, need us.  Perennials need us too, but in that case, its more to visit, to honor them, to continue to make sure they have what they need to grow.  In either case though, we are talking about interdependency.

 

So from the above, we have four key pieces to a good seed starting ritual: physical nourishment, energy, relationship, and interdependency.  Let’s now take a look at some options for how you can build this into an existing seed starting practice.

 

Seed Starting Rituals

With most rituals, particularly in the druid context (where we don’t have hardly any ancient traditions to go back to), the intentions are what matter most.  You can do a lot of different things to get at the four points above, and you can do different things that go from very simple to fairly elaborate in terms of ritual.  I’m going to offer a few options, but these are by no means the only options you have before you!  But I think the key thing is to think about the principles above:  nourishment, relationship, energy, and interdependency.  Here’s what I like to do:

 

Soil....the beginning of life and abundance

Soil….the beginning of life and abundance

Assemble all of your supplies. Before you start, assemble your supplies: potting soil, pots, seeds, a work area, and so on. Put your potting soil or any other nutrients (like coffee grounds, great for seed starting) in your work area.  Have a bucket or potting tray ready to mix.  Also have labels available and anything else you will need, like a small hand shovel, etc.

 

The Elemental Seed Starting Ritual.  

For this ritual, you’ll need something to offer the seeds from each of the five core elements: earth, fire, water, air, and spirit.

  • For earth, you can offer a good potting mix rich with nutrients, the most obvious thing for planting seeds.  If you can, grab a little bit of the soil that last year’s plants were grown in. As part of the ritual, you will mix the soil with nutrients and your own energy, so don’t fill up your pots in advance.
  • For Air, you have your own breath, which is better than anything else.  You can have incense, feathers, or other air-focused elements to supplement, of course.
  • For water, you can offer standard pure water, or, if you are particularly ambitious and want to build tremendous relationship and interdependency, offer a 90% water and 10% of your own urine in a mix.  I know this sounds crazy, but read my blog post here.  Its pretty simple–your urine is very high in nitrogen, which is one of the core building blocks for all plant life. Your waste product is their life–just as their waste product, oxygen, is yours.  Using your own urine puts you in a direct interdependent relationship that frankly, few other things, can do.  I usually have a pot of pure water for mixing and then the urine/water dilution for watering afterward.
  • For fire, you may use any representation of fire; if the sun is shining, I like to bring the seeds into the sun. If not, I like to have candles available.
  • For spirit, I prefer to use an herbal offering that I grew or some other spiritual offering. Anything you’d typically use as an offering will do.

 

A few notes before I describe the ritual:  You can start your seeds all at once, or you can start each different seed type one at a time, using the appropriate elements as needed.  What I’ve offered is just a suggestion of what you can do for the seeds; please feel free to adjust and add your own creativity into this ritual!

 

Establish a Sacred Grove or Sacred Space.   Many druid traditions, including OBOD and AODA, offer clear instructions for how to establish a sacred grove.  (I described one version of a sacred grove in a recent post on herbalism).  I like to start my seeds in a sacred grove, as a sacred grove in my tradition sets intentions for sacred work.  This helps with both energy and relationship. And so, before beginning to plant, I will establish a sacred grove.  While you don’t have to do this, I recommend it.

 

The Work of Earth: Mix your potting soil.  Begin by putting your potting soil, nutrients, coffee grounds, peat moss, whatever you are using as your typical seed starting mix in a potting tray or bucket.  Even if you are using a completely store bought mix, go ahead and put it in the bucket.  Begin mixing the materials together, and as you do, envision some of your own energy going into the soil.

 

As you mix, you might want to chant or sing.  I prefer to chant the ogham for Oak (strength, stability): Duir (doo-er).  So I will mix and chant.  It is  much easier to seed start with wet soil, so after I chant, I will add some pure water to my mix and mix it all well before putting my soil in the trays.

 

Put your soil in the trays.  As you do so, continue to chant.

 

Establishing and Maintaining Relationship through Planting Your Seeds. Hold your seeds in your hand for a moment, and connect with the spirit of the seed.  Welcome any new seeds.  For those who you already have a relationship with, tell them you are glad to see them.  Pause for a moment to see if the seeds have anything to share with you.  Then, plant each one.  As you plant, sing or chant.  I like to chant the Ogham for birch here (Beith) for new beginnings.  Once you are finished, say “My energy supports you, as you will support me. May the great soil web of life bring you strength.”

 

The Work of Air.  Label your seeds.  As you label, continue to chant Beith or offer other air blessings.  When you are done labeling, blow softly over each of the pots of seeds.  Say, “My outbreath is your inbreath, your breath is my life. May the blessings of the air sustain you.”

 

The Work of Water.  Take your pure water or urine dilution, and sing or chant as you water each plant.  I like to chant the ogham Willow here (Sallie) while I am watering.  After watering say, “My nutrients feed you, as you will feed me.  May the power of the water nourish you.”

 

The Work of Fire.  Sing or chant the ogham for Fir/Pine (Alim) (Aye-lim) and hold up the pots to the sunlight.  Alternatively, move a candle around the pots.  Say, “May the fire of the sun let you grow.”

 

The Work of Spirit.  Sing or chant the ogham for Apple (Quert) (or another ogham as you choose).  As you do this, sprinkle an offering lightly over the pots.  When you are finished say, “My offering today, for your offering tomorrow. May the Nwyfre flow through you.”

 

Additions: Singing and Drumming.  At this point, feel free to do anything else you like.  I like to drum or play my panflute a little for the seeds in a welcome and to raise good energy for them.

 

Close the space. When you are finished, thank the spirits and close out your sacred grove.

 

Trays of small plants from seed!

Trays of small plants from seed!

Final Thoughts

While it seems like a lot above, the ritual is actually quite simple.  I’ve used the energy of the Ogham, of sacred trees, and of sacred chanting to do the work of connecting to each of the elements.  But you could connect with them in any way you want, or replace what I’ve done with other sources of power that you work with (such as deity, etc).

 

If you have any other ideas for sacred seed starting, or if you have things you’ve done in the past, I’d love to hear about them in the comments!  Thank you for reading and blessings of the seeds!

 

Plant Spirit Communication, Part II: Communication in Many Forms August 26, 2018

I remember taking a drive with some friends and friends-of-friends some years ago. As we were driving through a really nice forest preserve with some old trees, one of my friends in the car said, “There’s so much money there in the trees, some of them would be worth more than $1500.” He went on to talk about how his family had recently logged their property and earned over $25,000. Other people in the car jumped in and talked about the forest’s beauty and argued against him; and I just listened. Finally, I responded and said, “Every living being has a spirit. I hope that forest stands forever. They deserve to live as much as you or I.” Before this conversation had started, I was listening to the singing of that forest, so happy, so safe to be preserved. This experience stayed with me, and was a good reminder about the many lenses through which we might view the world.  One person sees a forest and sees money, and another ones sees spirit. The spirit in all things, the singing of the trees and of the land.  It is a way of attunement, a choice to see certain things and set aside certain others.

 

Ancient roots offer ancient wisdom

Ancient roots offer ancient wisdom

And so, we pick up where we left off, in the realm of spirit.  In last week’s post, I explored the preliminaries to plant spirit communication: cultural deprogramming, learning your spirit language, and meditation techniques to get you started.  If you haven’t yet read that post, I suggest you start there and then come here. This week’s post gets into a few different kinds of plant spirit communication that you can do.

 

A Few Principles for Plant Spirit Communication

Before we get into the communication itself, let’s talk about a few principles that are helpful to understand:

 

Communication comes in many forms. It might not be a message that you get but a song, a phrase, an image, a feeling, a bit of laughter or joy. It might not be anything profound but “I’m hungry!”  Just accept what comes. Plants are people too. Not everything is always super serious.

 

Plants work by the seasons. Time is different to plants, and part of why meditation (as I discussed last week) is so helpful is that it encourages us to slow down enough to be present with the plants and to move more at their pace and speed.  It might be that a single message takes a long time to convey–a period of days, weeks, months, or years.  And that’s ok–if you want to communicate with nature, you have to be moving at nature’s speed.  I wrote about this in my tree series–the trees and perennials go deep within their roots and slumber during the winter, so you can’t always communicate with them certain times of the year.

 

Not all places and plants are “awake.”  Depending on the kinds of land use history and previous interaction of humans in the last few generations on your land, the land may have gone to sleep and the spirits may be present, but not very active, or at least, not attuned to humans wanting to communicate. I think this is why the “approaching” material that I offer next is so important.

 

Not all plants have direct experience, but they do have ancestral knowledge. Its also possible that for the plants, as well as for us, communicating is nothing more than an ancestral memory.  I’ve been to forests here where the trees said I was the first to talk of them in several generations, certainly in their lifetimes.  They conveyed to me that they knew it could happen but they hadn’t ever experienced it.  So it is like we are all learning together–and that is a very exciting place to be. This is likely to be more true in places where indigenous peoples were eradicated from the land several centuries ago–it is likely that those indigenous peoples were the last that spoke to them.  Here, that would be at least two centuries, most unfortunately.

 

Not all plants jive well with humans. Certain trees and plants don’t have energy–or physical plant matter–that is beneifical for humans. Elm is notoriously known for this in several cultures.  Many of the poisonous plants, like poison ivy or poison hemlock, also may not really want to talk.

 

Towering White Pine, Parker Dam State Park, PA

Towering White Pine, Parker Dam State Park, PA

Some plants really love humans. On the other hand, some plants really love humans and have been working with them for millenia.  These are often cultivated plants (think about how far humans have spread apple trees!) or healing herbs like rosemary, parsley, sage, lavender, lemon balm, and more.

 

Personal gnosis is personal. Each of us may get different things, our own “truths” as part of plant spirit communication.  This does not mean that what you experience is the same as everyone else–or should necessary be shared with others.  This is for two reasons: first, this work is deeply personal, and there are messages that are meant only for you; others may need to find their own way to this work.  But second, different plants may reveal different aspects to you (which may appear contradictory and actually isn’t).

 

Plants are individuals. Just like not all humans who grew up in the same town and look similar have tremendous variety in terms of ability, interests, and personality, so do plants.  Plants and trees are each individuals; keep this in mind when interacting with them.  Plants are people too.

 

Approaching and Honoring Plants and Trees

And now we begin the work of communication itself. Just like with any other kind of communication, not every tree or plant out in the world is excited to talk to you and wants you in their space.  I actually think going up to a plant or tree and assuming that they do want to interact with you intimately is kind of like going up to a random person on the street and starting to talk their ear off.  Plants are not ours to do what we want with; they deserve our respect as any other person would.

 

If you are approaching a new plant or tree with the interest in communicating, I find that approaching a plant in respect first, and asking to communicate, is generally a good way to begin. If you begin the nature meditations I talked about last week near plants or trees you want to communicate with, that can already help pave the way for plant spirit communication.

 

If you are approaching new plants, here are a few things I like to do:

  • Find a plant or tree to which you are drawn. Perhaps you are walking in the woods and a certain tree or plant catches your eye, and you feel compelled to go over.  Or you have a plant or tree you are drawn to every day on your walk to work. These are great plants to start working with in this way.
  • Sit quietly with the plant and see how it “feels.” Do you feel invited in? Do you feel like the plant wants me gone?  Most plants are usually pretty friendly, but not all are.  Further, given the history of land use (spray, cutting, etc) the plant may want left alone (or not be willing to do anything more until land healing or repairations can take place).
  • Making a simple offering. I usually use my home-grown tobacco or cornmeal for such an offering, if I feel a physical offering is warranted.  Singing to the plants, playing music, or drumming with them is also a wonderful offering. Finally, your own liquid gold (urine) diluted 1 part urine to 10 parts water, is a fine gift to be poured on the roots.  This is part to honor the plant, but also to help with the “awakening” pieces I discussed above.
  • Tend the plant if it needs to be tended.  Maybe you can aid the plant in some way–scattering seeds, removing pests that are eating the plant, adding some mulch, etc. Make sure you are helping and not harming.

 

I will say that for plants that I’ve cultivated from seed planted as seedlings, they are always happy to communicate (as I helped them grow strong and tended them for likely months or years already), but for those I find out in the world, more of this kind of work is needed.  This work can take time and multiple visits to the same site before you are ready to move on–again, nature’s time is not always human time.

 

Types of Plant Spirit Communication

Now that we have some of the preliminaires out of the way, we can explore a few specific techniques for this work:

 

Listening to the plants

Listening to the plants

Inner Listening: The first type of plant spirit communication is a simple inner listening technique.  I say “inner listening” but it doesn’t just have to be using clairaudience, rather, it can be using any of the different communication techniques I listed above.  The bascis of inner listening are these: you begin by clearning your mind and then opening ourself up to any messages, whether they come in words, images, feelings, songs, energies, etc.  You can use the plant meditation above as a precursor to your inner listening–just pause, see what you experience. This is the first and, in my opinion, most useful step of plant spirit communication. You won’t always get messages, but you may, and the more you practice this, the better you will get (and the quicker messages will come) with time.  You might do this listening silently or with aid of a drum ,rattle, or other steady beat.

 

Group Listening: You can do this individually or in a group of people. I once remember a group of us sitting around a tree at a workshop; we tapped on the tree’s roots and listened to the tree as a group, each sharing our experiences of what we saw, heard, or felt. This allowed us to affirm and confirm what each individual was hearing; it was also fun to experience how different people in the group had messages with different communication strategies (some very visual, some auditory, others feeling based, and so on).  This is especially good for new people who are still learning to trust what they are experiencing and want some confirmation.

 

Divination Tools: Using a divination tool to ascertain messages from plant spirits is another technique that is quite effective.  You might use a pendulum for a simple yes/no, an oracle deck (like Philip Carr Gomm’s Plant Spirit Oracle), a tarot deck (like the Tarot of Trees), ogham, runes, and more.  Divination tools are often much more accessible than inner listening to beginners on the path of plant spirit communication–however, interpreting the messages from an oracle can be an art form in and of itself!  I would suggest you start with something really direct and clear if you are new to divination, like a pendulum or a coin that would give a clear yes/no answer.  Then you can move into more complex uses.

 

Inner Journeying: Inner journeying to meet a plant spirit and have a conversation or lesson, is another way that you can connect deeply with plants and learn from them.  this is a more advanced technique and will be discussed in next week’s post in more detail, as this post is already getting pretty long!

 

Outer Listening/Observation: Nature is wonderful at giving messages for those who are paying attention. Sometimes, you might get a clear outer message–asking a question and having a leaf drop right in front of you, watching the leaves or flowers bend in the breeze, having a hummingbird come up right to the plant you are working with.  It is helpful to keep one’s inner and outer senses open!

 

Energy exchange. Sometimes the main communication isn’t a message at all but an exchange of energy.  Placing your hands on the plant, sitting with it, or leaning against it (if its a tree) can all help facilitate this energy exchange.  Sometimes this energy exchange can be the precursor to other things.

 

You as a Plant Spirit Communicator

This is a little hard to put into words, but let me see if I can.  In classical rhetoric, there was something called “ethos”; this was one of the three ways that Aristotle articulated that could help a person be persuasive.The concept of ethos is useful here for plant spirit communication.  Ethos is your credibility, the reputation and personal force that you bring to the situation, or that you create for yourself.  Two kinds of ethos exist: invented and situated.  Invented ethos is when you have to build your ethos in a situation from scratch; e.g. whoever it is you are communicating with doesn’t know you or who you are.  Situated ethos is ethos you bring to a situation; they have heard of you before (good or bad) and so they are going in with some more information about you.

 

When you first start working with plants; plants of a specific species or area, whatever it is, especially if you haven’t done any other spiritual work in that area, you likely will have to prove yourself a bit.  Invent your ethos, so to speak.  Offerings, deep listening, not imposing yourself, and being respectful all help here a lot.  If you do that enough, those actions will carry with you, and you will build a connection (situated ethos) to those plants over time.

 

So on the other side of this, maybe you’ve been cultivating a relationship with a plant, or a plant species, or a particular area, for a long time.  The more you do with that plant species or area, even before you start trying to do some of the spirit communication I’ve outlined above, the more that the plants and land will be open to you.  You come in, then, with situated ethos.  (Of course, if you are doing bad things to the land, you can imagine how that would go!)

 

This is to say, plants remember.  The land remembers.  Plants speak to each other; you develop a relationship with a tribe of plants (a species, an ecosystem) and the more you work with one, the more all will be open. Over time, this can be a tremendous tool.

 

That’s it for this week’s post–I tried to cover all of the bases of plant spirit communication, at least the ones that I have used and know well.  If anyone has other methods or information, please do share in the comments!  Next week, we’ll explore plant spirit journeying in more detail.

 

Art and Spirit: The Bardic Arts as Self Development and Spiritual Practice July 30, 2017

“The way to see what looks good and understand the reasons it looks good, and to be at one with this goodness as the work proceeds, is to cultivate an inner quietness, a peace of mind so that goodness can shine through.”

–Robert Pirsig, Zen and the Art of Motorcycle Maintenance: An Inquiry into Values.

 

In the last two months, through various angles, we have explored ways of taking up the path of the bard, one of the three paths of the druid tradition. Topics have included the cultivation and flow of awen, cultural challenges surrounding taking up the path of the bard, and tips for how to cultivate the bardic arts. In my last post, we also explored some of what industralization had us lose in terms of the bardic arts–both to those who create them and those who use them and how we might regain some of those things individually and in our communities. Today, we delve deeply into what I believe is the deeper wisdom in studying the bardic arts: using the bardic arts one means to of self enfoldment, self-betterment, and self discovery.

 

Shifting from Product to Process

Worlds within Worlds, or the Unfoldment of the Self

Worlds within Worlds, or the Unfoldment of the Self

A few posts back in this series, I talked about the commodification and commercialization of the bardic arts in our age of hyper consumerism. In this age, if you are good enough to sell your work, you should be doing so, and if you aren’t good enough to sell it, you shouldn’t be making it. This belief, of course, suggests that the point of the bardic arts is producing a product that has a commercial value: a story that people will pay to listen to, a song that people will download on Itunes, a painting or wooden bowl that people will buy, and so on.  And our culture makes it hard to be a bard if something else is your goal–the pressure to do this, as your work improves, is really intense at times. The problem with this mentality is that it focuses on the end product: that the bardic art has produced a particular thing that has some kind of value to other people such that people would pay to see it/hear it/own it. Of course, in a society that is oriented to consume products of all kinds (including non-physical ones), the privileging of this mentality makes a lot of sense.  But in emphasizing this product, we lose the value of the bardic arts as a process–a process of deepening, of unfolding, of development.

 

The point of pursuing the bardic arts, as part of a spiritual path, is the same reason we pursue the spiritual path itself: because we want to go on a journey. Not because we want to achieve enlightenment or achieve any other worldly accomplishment–rather, it is to develop, to grow, to unfold.  In this view, then, it doesn’t matter how talented or skilled you are in your bardic art(s) of choice because the point is to gain a deeper understanding of self, of craft, of spirit and of the connections between those things.  The real “work” of the piece from a spiritual perspective is unfolded in the act of creation. If the point is to express yourself and learn more about yourself as part of the journey, the end product is almost like a bonus. The bardic art journey is its own kind of journey, an incredible one, and one well worth pursuing.

 

The Bardic Arts and the Cultivation of the Self

“Care and Quality are internal and external aspects of the same thing. A person who sees Quality and feels it as he works is a person who cares. A person who cares about what he sees and does is a person who’s bound to have some characteristic of quality.”– Robert Pirsig

 

In Zen and the Art of Motorcycle Maintenance: An Inquiry into Values, Robert Pirsig describes how the main character, Phaedrus, has an older motorcycle that he has learned to service himself and throughout the story, he “listens” to the engine and fine tunes it to his great satisfaction and joy–to him, this work on his motorcycle is an art in and of itself. Another character, John Sutherland, prefers to allow experts to fix his motorcycle, and often gets frustrated and is forced to hire professional mechanics. This interplay between Phaedrus and Sutherland offers a rich exploration of what constitutes craft, quality, and value. For Phaedrus, the point isn’t to fix the motorcycle, rather, fixing the motorcycle helps him better understand himself.  It is in the interplay between the honing of his own craft, addressing challenges, and the focus and dedication of that work that he grows to deeply understand himself and his own life.

 

The bardic arts have a way of doing this kind work on the self like few other things do.  This comes through embodiment, cultivating a richer identity and self-love, being in relationship, connecting to spirit, and striving for excellence.

 

For one, many bardic arts require intensive focus, where we simply are present with our own bodies in ways that we are rarely present at other times. The bardic arts demand our hand-eye coordination, our voices, our vision, our sense of touch and smell, and many of our other physical faculties. Westernized culture is largely a disembodied one–our minds are the focus, and much of the pastimess of modern humans have us going off into various fantasy worlds (through games, television, movies) rather than being present and centered in our bodies. This embodiment, then, helps us recognize what our physical bodies are capable of and helps us re-orient ourselves back into our bodies. This has the benefit of grounding us back into the here and now, slowing us down, and helping us be fully present, among many other things.

 

Second, the bardic arts help us cultivate a deeper sense of identity and of self. Engaging in a bardic art, and the practice of that art, often requires you to work solitary–spending time with the self. Even if you do some kind of performance or collaborative art that requires a group (like playing an instrument in a band or acting), practice by one’s self is still a regular part of that experience.  This time spent with yourself strengthens your own self love and bonds with yourself because you are taking inherent time to simply be with yourself and enjoy that time. We often don’t take much time for ourselves–but I believe we need to get to know ourselves and develop relationships with ourselves in the same way we might develop relationships with any other friend.  This time, then, helps us better understand ourselves.

 

Three, interacting with the instruments of the bardic art (your voice, the media, an instrument, even for dancers, the earth itself), creates an interplay between you and your tools/environment. It ultimately teaches us about relationship and how to be in relationship to some other thing.  My words, as I write them, shape me and hone my thinking in ways that without writing them, I wouldn’t experience.  My watercolors, likewise, help paint my soul with color and joy as I use them to paint the page in front of me.  This interplay, this interaction, becomes part of the self-unfoldment of the bardic arts.  When you carve wood–are you carving the wood or is the wood carving you? The answer is simply, “yes.”

 

Finally, creation of the bardic arts connects us with some of the most important aspects of humanity: when we think about what gets preserved in most museums, what remains of a culture, it is rarely their businesses, their stock market, their tallies of grain or ore.  It is their arts: plays, music, literature, statues, architecture, jewelry, stories, songs.  In fact, the study of the things that humans create is called the humanities, where literature, art, philosophy, music, theater, dance, and so on have their place. These are human things, things we create with our hands, our hearts, and our minds.  The oldest things that survive ancient pre-humans are cave paintings. Creating is something that humans do, and have done even before we were human.  The bardic arts, then, allow us to reconnect with our own humanity, our humanness.

 

A love of the land and nurturing of spirit

A love of the land and nurturing of spirit

Arete and the Strive for Excellence

As the opening quote from Zen and the Art of Motorcycle Maintenance suggested, learning how to work on something with care, precision, and a sense of wanting to do “good work” helps you cultivate that care in other aspects of your life.  If you develop a sense of wanting to produce quality work, that gives you an inherent sense of care.  That same care can be cultivated into other aspects of life–and part of that cultivation is learning how to do it well in one area.  The Ancient Greeks had a concept of “arete” (Greek: ἀρετή) which has a few translations: excellence of all kinds and in all things, living up to one’s potential in life, or having a high quality. It was synonymous with the idea of “moral virtue” suggesting that excellence was tied to morality and potential. The Greeks believed that people and the things people created could both have arete. 

 

I don’t see arete as an external quality, something to be judged against the “experts” or “professionals” who make a living doing a certain thing.  Arete is also inherently different than perfectionism. Arete is about personal potential and fulfillment–my personal best may not be someone else’s, based on my own skill, tools available, mindset towards the work, where I’m creating it, and any innate talent I may bring to the situation. The Greeks understood this, and maybe, in the druid tradition, we understand it too.  More, arete is in line with doing the best work you can, engaging in your bardic art to the best of your ability, and in doing so, becoming a more virtuous and fulfilled self.

 

I think cultivating Arete through the bardic arts this is particularly important as we are being subjected to a wide range of cultural values that suggest that cheaper, quicker, and easier is always better.   In many cases, it is not, and learning how to do the best work we can, so that we can strive for excellence is a worthy goal.  It is through this striving for excellence in one thing that excellence comes in many other areas of life as well.

 

Embracing the Flow and the Unconscious

I had a dear friend and mentor visit me some years ago. A few months prior to his visit, I had moved my art studio to a different room in the house; the old studio space became a spare bedroom. My friend, who was very much dedicated to his own druid practices each day, was staying in that room.  After spending a day or two there, he asked me if that room was where I had done my daily spiritual work, because the room had a focused energy. I said no, that was where I painted. And that one interchange has had me thinking, and reflecting, since–noting the similarities between my painting and my other kinds of spiritual work, particularly, meditation of all kinds (movement, stillness, discursive, etc).

 

In speaking to many who pursue the bardic arts with regularity and dedication, there seems to be this moment when the intensity of modern living sheds from us and we enter into a place of focus, quietude, and flow. Many very much see it as a meditation, a chance to go deeper and connect. After immersing oneself for some time within that bardic art, one comes out of the experience more relaxed, calm, and grounded. This is not any different, for me at least, than spending time in ritual or quiet meditation: the effect is the same.  A calmness, a sense of fulfillment, and of serenity come over me after time working on my bardic arts, whether that is fine arts, crafts, or writing. I will say though, it takes a level of skill and practice to get to the point where the flow comes–it is after some period of practice.

 

Above, I talked about the unfoldment that happens in the self. I think a lot of that work is semi-conscious or even unconscious. Our rational minds lose their vice grip and things can flow to the surface as the bardic arts flow. I often find that when I paint, carve, or engage in other work with my hands, by the end of that session, I’ll have come to an understanding of an issue that I didn’t have clarity on when I started. This experience is a powerful reminder that there are many levels to consciousness, and tapping into the bardic arts, when you are at that point of flow, allows you to tap into deeper ones than before.

 

Conclusion

“The real cycle you’re working on is a cycle called yourself.” – Persig, Zen and the Art of Motorcycle Maintenance

The bardic arts can also give us a sense of joy that is hard to find in other ways.  We can engage in the bardic arts because they make our souls sing–and finding how to use them to cultivate happiness is an important part of this spiritual work.  For many, part of this comes in sharing your work with others (one of the reasons that the Eisteddfod, or Bardic Circle) is so critically important.  But for others, it simply means tackling a difficult piece and feeling a sense of accomplishment, or learning an important skill through repeated practice.

 

Making things is personally empowering and gets us into a creative, skilled mode where we function best as humans.  There is nothing like a happy group of people learning how to carve spoons, make their own tools, raise a barn, build a rocket stove, or grow their own food.  There is a radiant joy that emerges when we learn how to make our own things.

Save

Save

Save

 

Connection as the Core Spiritual Philosophy in the Druid Tradition April 16, 2017

It seems that religions or spiritual paths have a set of core orientations or philosophies that form the underlying foundation upon which the religion and practice rests. This core philosophy is like the seed from which the entire “tree” of the religion grows–the tree might branch in different directions, but all of those branches eventually lead back to that single seed. For example, in many forms of Christianity, we might see that core seed as salvation; this seed forms the bulk of Christian thought, belief, and action. In some forms of Buddhist thought, the seed is freedom from suffering. This underlying seed makes that particular path unique, form the foundation of what is considered right thought and right action on that path, give the path purpose, and that offers particular gifts to its practitioners or to the broader world.  And most importantly, this seed drives a number of underlying morals, values, and assumptions that practitioners of that path hold.

 

Seeds for new traditions!

Seeds for new traditions!

Druidry is many things to many people, and the joke is that if you ask five different druids about what druidry is, you’ll likely get seven different answers. As scattered and diverse as the modern druid movement seems to be–I believe, we too, have a core philosophy (with at least three expressions of that philosophy), and I’m going to explore this underlying seed of our tradition in today’s post.

 

Sources of Inspiration

The flow of Awen for this post comes from a few places, and I want to acknowledge those first. Part of my insight comes from being in a leadership role in a major druid order in the US. I serve as the Archdruid of Water in the Ancient Order of Druids in America, and in that role, I interact with a lot of different kinds of druids at multiple points along their paths. I interact with people when they find druidry for the first time–what they are seeking, what they hope to find, and later, I see them as they move through our curriculum deepen their own understanding and interaction and the insights they have. I get to read their exams at the end of their time working through parts of our curriculum–so I’m hearing of the experiences of many on the druid path who have taken up this spiritual practice in a serious way. Additionally, part of my inspiration is personal; it comes from my experience in working through the complete curriculum in two druid orders, the AODA (1st, 2nd, and 3rd degrees) and the OBOD (bardic, ovate, and druid curricula) and coming to deep understandings over decade of time about that work. Finally, I have attended and been part of a lot of gatherings, online groups, and various initiatives. This post represents a synthesis of what I’ve read and conversed with others, and what I’ve generally understood over a period of time. But there is also another piece here– I’m also considering the overall trajectory of the druid tradition itself–not what we are, or were, but where we are heading and what potential exists for druidry in the future.

 

Therefore, this post is my take on the seed of our tradition, the underlying or core philosophy that drives much of druid practice. You might disagree with me, or want to add or subtract from this list–please do so and share in the comments what your own thoughts about what your version might look like.

 

On the Druid Revival

To understand the underlying core philosophy of druidry, we first need to delve back into the history of the druid revival and then move into the present day.

 

It is no coincidence that the very roots of the druid revival came about at the same time that industrialization rose in the British Isles. Farmers and peasants who had lived, sustained, and tended the land for countless generations were driven from their homes to work in factories (see, for example, the “Highland Clearances” and “Enclosure Acts” in Scotland). During this time, the rise in machine-based worldviews, that is, that humans are machines (and cam work like machines, act like machines), and that nature is just another machine, became dominant (we see the outcome of this thinking everywhere today, particularly, in industrialized agriculture).

 

Our spiritual ancestors watched this scene unfolding: the land stripped of her resources for industrialization and progress, the growing emphasis on produced goods over communities, the rampant pollution and exploitation industrlization was creating, the relegating of humans, animals, and the land to that of a machine. It was during this time that our spiritual ancestors reached deep–and creatively–into their own history to return to an earlier time where humans and nature were connected. The druid revival movement sought to reconnect with nature through ancient roots in a time where society was heading in the opposite direction. I believe it is the same reason that people today are so drawn to the druid tradition–there is “something” missing for them and it is that connection.

 

Now, a lot of the early druid revival works and authors have been discredited for creating “ancient” texts, drawing upon “found” materials that they had created, I find these attempts to discredit them problematic because they do not understand their context. These early attempts at bringing back the ancient druid traditions had a lot to do with people’s response to living in an age that was quickly stripping the lands of their resources and filling the skies and rivers with pollution.  I think they were a bit desparate, and certainly, were working within the traditions of their age (and not ours). To me, the most important thing here is that druidry we practice today was descended from druid revival tradition and that tradition was a spiritual response that emerged during the very beginnings of this current age of industrialization. That means, these historical roots offers us much wisdom as we are living with the outcomes and consequences of this same industrial force.

 

Industrialization, with so much promise at the time, much harm not only to our living earth, but to the pre-industrial communities and customs of the common people (a topic I picked up in some depth in my last series of posts on “Slowing down the Druid Way”). It is unsurprising, then, at the persistence and growth of the modern druid tradition in these times. For over 300 years, the ancient druids have offered our tradition sources of inspiration and reconnection. It is in this perpetual seeking of reconnection that we can see how druidry is, in some ways, a very human response to the larger wheels of industrialization that have been thrust upon most of us in the Western world.  In other words, druidry is us finding our way “home.”

 

Overall Druid Philosophy: The Power of Connection

What our spiritual ancestors in the druid revival were seeking, I believe, was (re)connection, a way to have a closer relationship with the living earth and with their own heritage. And it is in this historical view I see as the core seed of the philosophy of the druid movement: connection. It is this same connection that draws so many to the druid path today and keeps so many of us practicing this spiritual tradition.

 

Interacting with nature, learning the plants

Interacting with nature, learning the plants

In the modern druid movement, it is through the power of connection that we rekindle and learn how to cultivate a sacred relationship with nature, how to find our own creative gifts, and how to practice or path in a way that brings us wholeness and joy. When people come to the druid path, this is what they often are seeking. (As an aside: interestingly enough, there are at least two “denominations” of druidry, while all are descended from the druid revival traditions, in the 1970’s, and some went on to seek to reconstruct ancient druid practices and teachings. I think that these two currents of druidry do still share an underlying core philosophy of connection, even if it manifests incredibly differently and may not have the same three expressions I share below).

 

In this way, druidry is a direct response to the disconnection that those living in westernized culture have experienced: seeking to reconnect with nature, with our own gifts, and with ourselves. So now, I’m going to walk through three expressions of this underlying philosophy of connection through nature, connection to one’s creative gifts, creative arts, and connection to one’s spirit.

 

Connecting to Nature

To say that the druid path of nature spirituality is about nature perhaps seems like an obvious thing–but it is more than just being “about” nature. I can read books “about” nature and never step in the forest, I can understand in my mind many things about nature and her systems without ever connecting with nature through the heart. This does not give me a connection to nature, but simply some disconnected facts about it. When people ask what druidry is about, the first thing most share is that it is a path of nature spirituality, that it embraces nature and relationship to nature at the core of its path, or that it honors nature through various activity (like seasonal celebrations). And yet, an individual druid’s relationship (and aspired relationship) towards nature is multifaceted.  I see this nature orientation having at least three different aspects:

 

Nature is sacred.  One of the key aspects of the druid tradition is the inherent worth and sacredness of nature. When interacting with nature, many humans focus on what is in relationship to us, that is, how does nature help us? What do we get out of it? As one begins to delve deeper and deeper into the druid path, I have found that a lot of that orientation shifts from “what can nature do for me” to “nature has inherent worth.” I see this in the mentoring work I do in the AODA–people begin taking up this path without any clear sense of the role of nature in their lives, but after a few years of druid study, observation, seasonal holidays, and the like, they have a profound shift in their oreintation towards the living earth. The shift here is not just in seeing nature as something that has value to us because it offers us something (which, of course, it does) but rather, valuing nature simply because it exists and because we are a part of it.

 

Sacredness implies care and connection: we have deep respect, reverence, and awe concerning nature. We see it as something to be protected, preserved, and cherished. In the same way that other spiritual paths may see a shrine as holy, or a city, or a church, we druids see the living earth, her systems, and all life upon her, as sacred. As part of this sacredness, druids recognize the importance of living in harmony with nature and that nature provides all of our needs.

 

Relationship to Nature. When we think of how humans treat a sacred thing, a couple of possible iterations occur. One is that we might put it on a pedestal (literally or figuratively) and admire it from a distance, keeping it safe and secure. Although some conservationists take this approach (for very good reasons), this is typically not the orientation that druids take towards the living earth. Instead, most prefer to cultivate a sacred and powerful relationship with nature by interacting with her, connecting with her, smelling the roses and touching them and learning how to tend them effectively instead of just observing them from afar. Part of this relationship is that nature offers us teachings and deep understandings when we connect. This may involve regular visits to natural places and simply being “in nature” and various ceremonies in natural settings. Many druids take further, working to tread more lightly upon the earth and live sustainably, participate in active healing of the land, planting trees, and more.  Relationship implies that we not only take but also give back.

 

Connecting to Nature’s cycles.  Another major part of the orientation towards nature is becoming an active observer and participant in the cycles of nature. And nature has many cycles through which we can observe and participate cycles of the celestial heavens (the cycles of the sun or moon) that are tied to the land (seasons).  These might involve the cycle of nutrients through plants, fungi, and soil, or even the cycles of water upon the land.  The cycle is a critical part of the way that druids think about nature and build our sacred holidays and sacred activities around it, as is gardening and foraging and other such activities.

 

And so, connection with nature is certainly at the core of the druid tradition, but there at least two other pieces of connection that also seem central to this path.

 

A simple awen painting I did a while ago

A simple awen painting I did a while ago

Connecting with One’s Creativity and the Flow of Awen

A rekindling of our creative gifts, the bardic arts, and our human gifts is a second core part of the druid path.  In fact, one of the core symbols of revival druidry, and a term we chant in our rituals, is “Awen” (another Welsh term pronounced “Ah-Oh-En”). Awen means “creative and divine inspiration.”  It was “Awen” that flowed through the ancient bards as they crafted their stories and songs and delivered them to audiences all over the British Isles.  It is Awen that flows from an inspired pen, hands, and body as we learn to once again express ourselves and be whole.  It is the “Awen” that has been systematically stripped from us as we allow commercialized creations to take the place of our own.  And it is the inspriation of Awen we seek as we reconnect with our own creativity gifts and expressions.

 

Let’s again tie this to how druidry itself came to be and what it responds to. Industrialization and modern commercialization and commodification teach people how to be good consumers rather than provide for one’s own needs.  Today’s entertainment industry is a trillion dollar affair. Our core birthright, that of telling our own stories, songs, poetry, dance, music, visual arts, sacred crafts–have been stripped away by these industries.  We pay for mass produced entertainment as commodities rather than create it ourselves. It is a sad thing, I think, to sit around a fire with a group of people in the 21st century and sit in silence because nobody knows what to do or how to entertain themeslves (insetad, the pull out the cell phones!). The fire is silent, the stories and songs are stilled–the Awen has yet to flow into the hearts and spirits of those there.  But each person has an inherent ability to let the awen flow–through music, drumming, dance, song, stories, artwork, woodwork, and so many more things.  In fact, if you come to a druid event and you’ll see a different kind of thing: a vibrant Eisteddfod (a Welsh term pronounced EYE-STED-FOD). An Eisteddfod is a bardic circle, a chance to share one’s creative gifts with a larger community, and it is one of the many ways that the druid path encourages people to reconnect with their own creative gifts.

 

If you come to a druid event and you’ll see a different kind of thing: a vibrant Eisteddfod (a Welsh term pronounced EYE-STED-FOD). An Eisteddfod is a bardic circle, a chance to share one’s creative gifts with a larger community, and it is one of the many ways that the druid path encourages people to reconnect with their own creative gifts.

 

Connecting to Individual Truths and a Personal Path

Most traditions have a set of core teachings, a sacred book, and a big part of the transmission of that tradition is to teach these materials to others and ensure that the set of beliefs and rules are followed by practitioners. In druidry, nature is our sacred text, and each human’s relationship and interaction with is different–we live in different ecosystems and climates, we are engaged in different kinds of work with the land, different cycles and seasons, and different needs. Because of this, we recognize and cultivate the development of and pursual of a personal path, and in the druid tradition, these differences are celebrated rather than minimized. If you join a druid order descended from the druid revival, we do have some common frameworks and practices, of course.  In AODA, we have a common set of practices that gives us a framework; these include celebrating the solstices and equinoxes, working the sphere of protection, engaging in lifestyle changes, planting trees, observing nature, discursive meditation, and practice of the druid, ovate, and bardic arts.  However, the specific expressions of a particular member’s own inner truth are central to the way in which those practices manifest, and are central to what additional practices are taken up.

 

This is to say, druidry is a spiritual path that takes creativity, inspiration, and work: it is up to the individual to establish his or her own personal practice, his/her own personal cosmology, and no two druids are the same.

 

And so, while most religions tell you what to believe and how to believe it–this is not the case with Druidry. I have found that this particular aspect of the druid tradition is really difficult for new druids and non-druids to wrap their heads around because to them, “religion” or “spiritual practice” requires adherence to a rigid, prescribed set of beliefs and behaviors.  It takes a lot of conversation to explain the difference, that a religious practice could actually be something different. The question, “What do druids believe” doesn’t seem to be right question to ask (but it is the question that most people start with). Two druids likely have the same larger philosophical orientations (as shared here) but not necessarily the same specific belief systems with regards to the nature of divinity, the possibility of life after death and reincarnation, the belief in spirits, and so on. For many druids, there are some common themes, but these common themes don’t extend to all druids.  But what certainly seems to extend to all druids is the seeking of a personal path and connecting with that personal path at the core of one’s being. And this is an honored and sacred thing within our own tradition.  (And so, better questions might be “what do you as a druid belive? or What do you do?)

 

I see this finding and following one’s own path as inherently connecting kind of work: you develop a personal druid path by exploring your own meanings and what resonates with you, what connects to your own beliefs, your lifestyle, the work you feel you are to do in the world. It is through exploring these connections that you are able to settle upon a set of beliefs and practices that ring true. The more that you practice, the deeper those connections become. You might think of this like a path through the forest–there is underbrush when we begin, but the more we walk the path and establish what that path is, the easier the path becomes and the more it is open to us.

 

A Triad of Druidry

You might notice that my own presentation of the “connection” philosophy in druidry comes in a three-part form. The following is a triad of this presentation (a triad common teaching tool in the druid tradition descended from Welsh tradition, it is used heavily in the OBOD’s teachings).

Three philosophies of druidry:

Connecting to nature

Connecting to our creative gifts

Connecting to our souls

 

It is through the connection to nature that we can be inspired, foster our creative gifts, and ultimately, find our own paths deeper into ourselves and our core beliefs, practices, and work in the world.

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