Tag Archives: vision

Visioning the Future through the Bardic Arts: Creating Vision, Creating Hope

Reishi mushroom from the Plant Spirit Oracle offers a vision of healing, growth, and regeneration

I used to be a big fan of reading dystopian fiction when I was younger. It seemed like a distant world, a reality far from our own. But perhaps now, those books resonate too close to reality. As someone who practices magic, I have to wonder, would the concepts present 1984 be as present if the book hadn’t been so well-read? Did George Orwell manifest these concepts as a magical act, or were these already present and he simply channeled what was already coming into focus? The same can be true of many such influential works: The Handmaid’s Tale, Brave New World, Bladerunner, and more. We also have things like robots, invented by Issac Asimov as science fiction in the 1940s and 60 years or more later, became a reality.  One might argue that despite the fantastical nature of these works, works like these have had an influence on present human culture.  Perhaps, it is a sign of the times that most of what has been produced from a mass media standpoint in the 20th-21st century is rather dystopian and chilling, with some notable exceptions. As we have recently seen here in the US, words have power.  Words can shape reality and incite people to action. Is this the world we want to create?

As someone who practices magic, I certainly accept that our intentions and the directing of our will can help shape our realities. I also accept that for many things, we have to have a spark or vision before we can see it come to reality.  It is hard to bring something to life if we first can’t envision that it could exist. If we accept this to be true, then, in turn, we can consciously harness intentions and that bring visions to life that help create a better future. I think that one of the powerful things that art of all forms can do is help envision the future.

 

Poison Ivy from the Plant Spirit Oracle – teaching new ways of interacting with nature.

At this point, we are facing both ecological disaster and many human challenges that grow more serious by the year as our society continues the “slow crash”.  This era of human civilization will decline and end–but the question is–what comes after?   How can we be good ancestors for the future?  Thus, I am always looking for ways to do more. I want to take responsibility for my own behaviors physically and metaphysically. Physically, this might include being careful with my purchases, working to heal and regenerate landscapes, and engaging in other kinds of sacred action. Metaphysically, it can be bringing forth visions of a better future–we can create the visions now so that they can enter circulation and become something that helps seed a brighter world.

I also share the rest of this post with a caveat. People create art for a lot of different reasons, both external and internal. You might consider visioning arts as one of many reasons to create, a bonus reason, a reason that offers your art additional purpose.  Not all art has to have this kind of vision either, but some art forms and works may be very well suited to it.

Creating a Sacred Vision

If you buy into this idea and you practice the bardic arts of any kind (poetry, music, dance, writing, visual art, fine crafts, etc) you might want to give this idea some thought.  What vision are you putting into the world? What is the world you want to create?  Towards that end, I have a few suggestions for helping you hone and refine some ideas.  The most important thing you can do is spend some time in meditation and reflection about what vision of the world, what ideas and concepts, you want to bring forth.   So here are a few things to consider:

  1. Start by thinking about the specific kind of art (bardic work) you produce and what kinds of messages you can share. Certain art forms are easier to convey messages than others.  When you convey messages in your work, can the work stand on its own, or, do you want to share some information about the work in addition to the work itself?
  2. Consider presenting general philosophy about your work.  Messaging can come in a lot of forms: these sometimes come in the form of “artist statements” that talks about what you do and why you do it.  This is especially helpful for work that can be interpreted in many ways, or whose interpretation is not immediately clear upon examination (e.g. woodcarving).  You can share these messages on social media, on your website, even with the physical art that someone receives.
  3. Consider your specific messages or themes you want to convey.   Perhaps you have a very specific message or a general one. Think about the thing you most would like to see in the world–write it down, and keep it in mind when you create.
  4. Consider the symbols you use. Symbols, whether they are intentional magical sigils or just broader symbols, also carry tremendous power. If you have specific symbols or symbolism you want to use in your work, this should also be considered!

Now, I’ll present three core visioning goals for my own work as an artist–I  am sharing them both to demonstrate an example of the kinds of visions you can create but also to spark your own creativity about how your bardic arts of all kinds (poetry, visual art, music, dance, fine crafts, writing) might support your own unique vision.

Messaging and Visioning: An Example

As a visual artist and a writer, I am always thinking about how I can bring this aspect of magical visioning into my work. It is one of the reasons I create, but certainly, not the only one! These are my three goals.

Presenting an alternative perspective and value of nature.

One of the first ways I see us using art, writing, poetry, music, and other bardic arts is to present alternatives or ways of reseeing our present reality.  We can show a different perspective on something, offer a new angle, or provide new insight through our work.  I think you can do this with anything, but as a druid who has her heart set on preserving the natural world, my focus s on nature and on providing alternative messaging and visions.

The art show!

I’ll give you a good example of this. As I’ve shared before on this blog, I live in a region of the USA that is an extraction zone: we have fracking wells, 1000’s of miles of streams full of acid and iron from mine runoff, mountaintop removal, boney dumps, logging, and coal-fired power plants–to name just a few.  Around here, most people view nature as something to extract; a resource to be profited from, and a way to keep jobs in the region. Hunting and fishing are also big around our rural area; while I’ve met some hunters who have reverence, unfortunately, many shoot animals, birds, and rodents for sport.  Thus, there is very little respect or love for nature and in my art, I work to offer a different message. 

A few years ago, I was invited to hang some work through our local art association at the regional hospital. It was a nice opportunity to have my work seen by a lot of people.  I thought really carefully about the content of my art and decided to work to present an alternative view of resource extraction.  I painted trees with hearts in the ground, I painted the telluric currents of earth energy flowing, I painted regenerated landscapes.  It’s hard to say how these pieces of art touched those who saw them, but I hope they did some good. The more these kinds of alternative messages and perspectives can get into circulation, the more “normalized” they become and the more power they hold.

Staghorn Sumac ornaments from reclaimed wood

Another way of thinking about this is in the tools and materials I use–there’s a message about valuing nature inherent in this work.  For example, my neighbor plowed over a beautiful stand of staghorn sumac last summer without even knowing what it was or how it could be used.  This beautiful stand was one I got to know well and I was really distraught at how it happened.  This really saddened me, but he did allow me to come in and harvest as much as I wanted of the wood and roots.  I did so, and at the holidays, I made him an ornament from the beautiful root wood and put a note on there that it was from the wood he let me harvest.  Perhaps this beautiful wood will have him think twice about cutting down the trees and seeing some inherent value in them.

Re-enchanting the world

After someone is willing to see nature, to value it more, to understand it in a new light, then I can shift to the more magical and potent part of the message–the message of the world being an enchanted place helping re-enchant humanity’s perspective of the living earth. If a new vision is step 1, then re-enchantment is step 2.  In other posts, I’ve written about what I see as the disenchantment of the world, the philosophical and literal stripping of all magic and wonder from the world, which I believe has paved the way for some of the more egregious abuses of nature in the 18th- 21st centuries. 

Ultimately, if we see nature as sacred, enchanted, and having a spirit of its own, it is much more likely that humans of all kinds will behave in ways of reverence and respect. I think a lot of authors and artists have done a great job in showing that the world has an enchanted side. 

Japanese Knotweed as Guardian of the Waterways

I think one of my own projects that most closely aligns with this goal is the Plant Spirit Oracle.  The goal of this deck was to take common medicinal plants and offer them in an enchanted and personified way.  I also paid special attention to plants that were maligned like Poison Ivy and Japanese Knotweed as part of this work. Thus, Japanese Knotweed, which is widely hated and maligned, is shown in an enchanted light as a guardian of the waterways; the catnip in your garden is shown to have spirit, poison ivy teaching awareness, and so on.  These plants have forms that can be viewed, interacted with, and offer guidance and wisdom. . 

Offering new visions of the future and personal empowerment

Wendell Berry’s Poem as a Woodburning–I made this at Samhain and in the spring, I will leave it as an offering in the forest, a reminder of the vision we can bring forth

A final aspect, and one that has a lot of potency for me right now, is thinking about how works of art of all kinds can shape the future. I’m sick of reading and thinking about things from a dystopian perspective and I’m sick of watching our world go further and further into those dystopian vision.  I’ve firmly committed to creating works of hope.  This was a clear vision for me for the Tarot of Trees– a response to deforestation. I wanted people who used the deck to value trees more, and I wanted a vision of a healed world to come forth. But there’s also a lot of future vision in these works: witch hazel, one of my favorite paintings in the PSO, is all about a pathway towards the future; about becoming a good ancestor. Comfey is about having the tools to bring positive change, while Rosemary reminds us of the powerful cycles and generations that we have to consider.  The messaging is there for those who look!

In another example, this one by one of my favorite writers, Wendell Berry, his poem, Work Song, Part II: A Vision is a prime example of a message that holds a vision of the future. When I first read this poem, I cried from the beauty of it, the vision Wendell Berry offered and thought about what we might need to get there.

Visioning a Brighter, Nature-centered Future

Providing alternative perspectives, enchantment, and visioning for the future is certainly a magical act and one that many people who practice the bardic arts might build into their work.  When you create something and put it out in the world, you have an opportunity to create so much more than just a piece of art–you have a chance to help build a vision of the world to come.  While simple visioning work is only part of the task before us, however, as Wendell Berry’s poem notes, it is an important part and something that each of us can do. 

Dear readers, I am very interested in hearing from you on this topic: Have you built visionary principles into your art? If so, please share.  If you haven’t yet but would like to, I’d love to hear from you as well!

 

Herbs for Visionary Work at the Winter Solstice

Plants are our medicine, our teachers, our friends, and help us connect deeply to spirit in a wide variety of ways including through spiritual work. Long before recorded history, our ancient ancestors used plants of all kinds. Ötzi, the ancient ancestor who was preserved in ice and who lived between 3400 and 3100 BCE, was found with multiple kinds of plants and mushrooms, including birch polypore (a medicinal mushroom) and the tinder fungus, a mushroom often used for transporting coals starting fires.  I love plants, and I love the ancestral connections and assistance that they can provide. In more recent history, we can look to a variety of cultures that use plants in ways that help alter or expand consciousness.

What better time to do some deep visionary work than at the winter solstice, when the world is plunged in darkness? It is in these dark times that we can look deeply within, work with the spirits that guide us, and have insights that help us more deeply understand the world and our place in it.  It is in this darkness that we can go for visionary walks (including in the long and dark nights), do spirit journeying, and engage in other forms of divination or communion with the living earth.

What are visionary herbs?

Visionary herbs are those that can help us with deep spirit journeying, deep meditations, and the kinds of self-expression that lead to deeper awareness. There are at least two categories of visionary herbs.  One category is what are traditionally called the teacher plants, the ones that cause radical shifts in consciousness and awareness.  These are the plants with the strongest effects and include a variety of psychedelic substances including strong herbs and mushrooms. While these plants were once quite illegal (at least here in the states), laws in the last few years have really become laxer and allowed these plants to be more accessible. I’m not writing about this group of plants today, but there are certainly books and resources out there about them if you want to learn more.

The visionary herbs I’m talking about today are milder, legal herbs that can help us shift our consciousness and vision, but that are less potent. To me, the difference between the two is that the teacher plants will take you on a journey whether or not you want it and requires pretty much nothing on your part–once you take teacher plants, you are on the journey of whatever kind it is for the duration. The visionary herbs I’m discussing today are milder and are more like aids or companions. Many of these visionary herbs have spiritual and mental effects that may make you more open, aware, or attuned at the moment, and are tied to helping bring the subconscious and intuitive sides forward.

The herbs I will share about today come from both teachings given to me as well as from my own experiences and connections with nature. Some of these herbs require you to build a relationship with them, while others will simply open the doors for you regardless of how long you have been acquainted. All herbs for any spiritual purpose work better when you have a relationship with that herb. Think about it like this–you meet someone, and you have a great conversation over a cup of tea. You think to yourself, wow, this person could be a great friend to me! That initial experience is wonderful. Ten years later,  you are sitting with your long-term friend and have that same cup of tea. The nuance and interaction is much richer–you can give each other just a look, or say a single word, and there is much more meaning. You’ve created a shared history together, and that history connects you on a much deeper level. This is why we build relationships with these visionary plants over time–the longer you have a relationship with a plant species (or even more ideally, the same lineage of plant or same plant), the depth of what you can do together grows.  When I say the same lineage of plant, what I mean by that is either the same plant from season to season (perennial plants) or the daughter and grandaughter plants born from the seed of your first plant.  These don’t have to just be plants you grow, but can be plants that you visit regularly.  Building plant relationships takes time, but it is time well spent.

Visionary Herbs for Awareness, True Sight, Memory, and Relaxation

So many different plants can go on this list, but for our purposes today, I’m going to share two plants from four different categories that I find are useful for visionary work.  You can agree or disagree, and in the comments, I’d love to hear your suggestions for plants that you have used.  I will also say that there are a lot of plants that *could* go on this list, but I’m only offering those that I have direct experience with over a period of years.

Herbs that Open up Awareness: Mugwort and Ghost Pipe

Our first set of herbs are those that open up our awareness and give us new perspectives and vision. Perhaps we need to see things from a new angle, rethink patterns of behavior and belief that have caused us difficulty, or do shadow work within ourselves. My favorite two herbs in this category are mugwort and Indian ghost pipe.

Mugwort: Artemesia vulgaris

Mugwort from the Plant Spirit Oracle (www.plantspiritoracle.com)

Long used as a dreaming herb and smoke cleansing herb, mugwort helps with any kind of meditative or subconscious work.  Within both psychology and the occult traditions, there is an acknowledgment of the multiple selves within us.  One interpretation is that we have a rational self, that self that is “in our heads” and that typically we are projecting when we are out and about in the world.  This is the thinker, the doubter, the one that can hold a career or do math. The second self we have is our intuitive self, the self beneath the layers of rationality (and there are many of those layers), perhaps the one that comes out during meditation, spiritual work, and other deep practices.  This is the self that is where our intuition resides and is a bridge to the many subconscious and unconscious realms within us. The third self is the spirit self, the piece of us that transcends death and that reincarnates, the self that is connected to everything else. Connecting with this self and other spiritual powers is one of the goals of most spiritual traditions and practices. I believe that channeling the awen through bardic arts or doing journey work are ways to help the intuitive self bridge to the spirit.  This long explanation is to say that mugwort is very, very good at helping us with this kind of work. Mugwort not only helps us have more vivid, intense, and lucid dreaming but also connects with those deeper selves, which leads to a more fruitful understanding of ourselves, our world, and our connections to all living things.

Indian Ghost Pipe: Monotropa uniflora

Ghost Pipe from the Plant Spirit Oracle

While mugwort helps bridge to the deeper selves, Ghost Pipe is particularly good for working with the rational self. The rational self is the product of a lot of outside influences: people’s external pressures about how we should behave, what we should do, what we should say, etc.  Sometimes, we end up living to the expectations of others rather than following our true path. Ghost pipe is very good at helping us slog through those layers and get to the heart of the issues at hand. Thus, ghost pipe offers us distance, perspective, and new understandings.  The best way I can describe this is with a metaphor of the forest and the trees. We live our lives on the ground, in the middle of the forest. Some of us might be walking a clear path in that forest, and others might be wandering (by choice or not). Ghost pipe helps temporarily lift us out of the forest and let’s us see the broader picture–it helps us expand our perspective.  I will note that due to overharvesting, Indian Ghost Pipe should be used *ONLY* as a floral essence.

Herbs that Aid with Seeing Clearly: Eyebright and Blue Vervain

Another thing that we need to do is see clearly.  Perhaps our own past experiences cloud our judgment.  Perhaps our past traumas and experiences prevent us from being able to clearly see what is before us.  Perhaps ongoing things in the world have put us in an emotional place and we need to break free.

Eyebright. Euphraise Officinale, Euphrasia spp.

Sometimes, the magic is in the name of the plant itself, and that is certainly the case with Eyebright.  On the physical level, eyebright helps strengthen the sight and the eyes, and many people take it as a healing herb for this reason.  But this same medicinal action happens on the level of our spirit, where work with eyebright helps us to see true.  We can see to the heart of things, to the heart of issues, and that true sight offers us new ways of being, healing, and inhabiting the world.

Blue Vervain. Verbena Hastada

Blue Vervain from the Plant Spirit Oracle

Blue vervain is a visionary herb that does essentially two things.  The first thing it does is allow us to let go of those things we cling to too tightly (e.g. things have to be a certain way, maybe a bit of OCD we are harboring) and instead, it allows us to go with the flow.  It thus connects us with that deeper, intuitive self by giving the rational self a bit of ease and relaxation.  Blue vervain works over time, so it’s particularly good to start taking it in some form and keep taking it for a while to get it to work for you in this way.  Once we are able to let go of the things we cling to, we are offered new visions and ways forward.  The second way Blue Vervain works is by putting us more in touch with our emotional side.  Blue vervain always lives by water–it understands how to help us navigate our difficult emotions and offers vision beyond them.

Herbs that Sharpen the Mind and bring Focus: Lavender and Rosemary

Sharpening our mind and our focus is something that we can all benefit from.  These herbs seem even more critical after nearly a year of long-term trauma from the global pandemic when many are now suffering the effects of overload, burnout, and more.

Lavender. Lavendula Spp.

Lavender is a herb that helps bring focus and clarity. It has a very gentle action that promotes the body to relax while the mind focuses.  This is an excellent combination for meditation and spirit journeying–bringing the mind into a place where it’s not going to wander while you are attempting your visioning work, while also bringing the body into a place of calm and tranquility.  Other herbs do this well too  (Lemon balm is another solid choice), but I think lavender is particularly good at bridging that mind-body connection that is necessary for powerful spirit work to take place.

Rosemary. Rosmarinus Officinalis.

Rosemary from the Plant Spirit Oracle

Rosemary from the Plant Spirit Oracle

Rosemary has long been associated with memory and remembrance.  If you are doing memory work of any kind, Rosemary is an excellent ally (including ancestor work, as linked above). Rosemary strengthens our memory and encourages us to use our memories in new ways, shaping them, and storing them.  Rosemary is particularly good for memory mansion work, using method of loci techniques that have been handed down by masters from the ages.  If there is a memory you want strongly to retain or a memory you want to bring back, rosemary is your guide.

Herbs that relax the Body and Release Tension: Kava Kava and Passionflower

Our final set of herbs can help foster a deeper sense of relaxation and allow us to go more deeply into sacred dreaming, meditation, or simply relax more fully.

Kava Kava: Piper methysticum.

Kava Kava is the only herb on my list that doesn’t grow in the US East coast, but I wanted to include it because there is nothing else like it–and because you can ethically source it from small farms effectively in Hawaii, thus supporting sustainable farming practices.  Kava Kava is a deeply relaxing herb, working on both the mind and the body. When you take kava in either tincture or tea form, it somewhat numbs the lips briefly. That same effect is later passed onto the body–not so much numbing, but taking away pains, deeply relaxing the muscles, and putting you into a relaxed state.  I like to use Kava Kava as part of my spiritual practice when I’ve had a long day and that day has really gotten into my body–I am carrying the worries of my day or my life in my physical body.  This means that I get literal aches and heaviness, and that makes it difficult to do spiritual work.  Kava helps me relax into myself and allows the spiritual work to flow.  (If you take a lot of kava, you will be impaired at driving, so please keep this in mind).

Passionflower: Passiflora incarnata

Passionflower is an outstanding nervine plant that helps our nervous system relax and thus, our bodies relax.  Passionflower is one of many nervines, but I find it particularly good for relaxation when the goal is spiritual work.  Part of it, perhaps, is that it is such an otherwordly flower–looking like the full moon on an enchanted evening.  But also, each different nervine has their own unique qualities–and passionflower helps one get into that place of calm so that the world of spirit can flow.  In a temperate climate, you can grow it yourself by keeping it as a vine in your home during the winter and then letting it grow wildly during the summer, offering it trellising.  Cut it back when the frost comes and bring it in for the winter months.  After a few years, your vine will produce many flowers and later fruits each year–which are an absolute delight!

Obtaining visionary herbs

Obviously, if you are going to use any of these herbs, you have to figure out the best way to obtain them. If you can grow them or harvest them yourself, this is probably the best thing you can do because it helps establish a deep relationship. I would pick one or two herbs that you really want to work with and cultivate them–even a pot on a windowsill can produce a beautiful rosemary or lavender plant! The alternative is to try to get them from an ethical, organic grower.  You don’t want conventional (read – chemically sprayed) herbs for any of your visionary work. The chemicals themselves can harm the spirit of the plant.  These plants are used to working with humans as friends and guides, and the spraying of poison on them really damages that relationship. So please, please be careful about ethical sourcing and chemical-free plants when you are sourcing herbs.  I would also be very careful of the “wild harvest” label, particularly for at-risk plants like kava or ghost pipe.  Wildharvested is often not sustainably harvested, so you want to be careful.  Places that are good for sourcing herbs are small farms like Black Locust Gardens or larger, ethical companies like Mountain Rose Herbs.

Taking visionary Herbs

You have a number of options for working with and taking visionary herbs. I’ll list the options, and which herbs might be best for each option.  All of the herbs I’ve listed are safe and non-toxic, so you can do a lot with them.

Rosemary smudge

Smudges and smoking blends: Mugwort is commonly used in smoking blends and smoke clearing sticks (smudge sticks).  Lavender and rosemary also work great in smudge sticks or incense blends.  Here, the idea is that you burn the plants and inhale the smoke–either in the air around you (with incense/smudges) or by smoking it in a sacred way.  For smoking, a little bit goes a long way!

Teas. Many of the plants on this list make excellent teas: mugwort (brewed briefly, too long and it gets bitter), rosemary, lavender, kava kava, and passionflower are all good choices.  Blue vervain is a very bitter herb, so I suggest using it as a tincture instead.

Infused oils. Any of these herbs are great as an infused oil, which you can then rub on your body or temples for spiritual work.  See my instructions for how to create an infused oil here.

Tinctures. Any of the herbs can be made into a tincture with a long shelf life. Alcohol, vinegar, or glycerine make good menstrua for making a spiritual tincture.  Alcohol and vinegar have an indefinite shelf life while glycerin lasts about a year. The tincture is easy to make and I have instructions here.

Flower Essence. This is the only way I recommend using Indian Ghost pipe because of serious challenges with overharvesting this plant in recent years.  To make a flower essence, you’ll have to seek out the plant when it is in bloom (in my region, that’s usually late June to late August) and do a simple flower essence.  Here are instructions.

Conclusion

I hope this post has offered you some new tools for working–and embracing–the darkness during the period of weeks before and after the Winter Solstice.  There is something extremely magical about this time that allows us to dig in deeply with ourselves and do important work.  Blessings of the Winter Solstice!